PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Preservation of wallpaper as a part of interiors Figure 95. Large missing areas in the wallpaper were filled with fragments found behind the overdoors of the dining-room of the Puurmani manor. 199
Preservation of wallpaper as a part of interiors account for the frequency with which wallpapers are lined. 373 Materials used for lining should have a suitable thickness and weight; most commonly thick long-fibred japanese papers (of Kozo or Gampi fibres) are used. Wheat or rice starch paste are the usually preferred adhesives. (Fig. 96) Although there is more than one method of lining, the technique applied to the wallpapers treated by the author under the supervision of Markus Krön will be described. For this purpose, the wallpaper was placed face down on a layer of Hollytex and humidified with a hake brush or a pulverizer until the object lay flat. To avoid possible tension in either the original or lining, and to make the work easier on large format objects, the lining was applied piece by piece, with maximum one-cm overlaps. (Fig. 97) After a piece of lining-paper had been pasted, it was brushed and taped to the verso side of the wallpaper with a wide pasting brush, a noribake or uchibake, which are hard Japanese brushes made from the fibres of a hemp palm tree. (Fig. 98) The object was dried face up between a layer of Hollytex and felt under weights. Such a technique is preferred for large, unwieldy and fragile papers or when using several sheets to make up the lining. 374 Lining has the following positive properties: – it provides a severely damaged and fragmented wallpaper with additional structural support, which allows for transportation and further preservation treatments (such as retouching, toning and mounting), storing or exhibiting. – it provides a protective layer between a wallpaper and an additional material (the shoji system – discussed later), canvas, lining-paper etc. used for mounting. – it improves aesthetic properties by flattening the object and reducing its dimensional movements. – it reduces creasing, cockling and fill losses. 375 373 Ibidem. 374 Ibidem. 375 Ibidem. 200
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Methods of wallpaper production and
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Documentation of the work on the Pu
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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