PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Preservation of wallpaper as a part of interiors Figure 93. A small segment of a wallpaper was bleached with hydrogen peroxide. Before and after the treatment. Figure 94. The minor losses in the surface of the wallpaper found in the dining-room of the Puurmani manor were filled with a fine layer of applicable paper paste. 197
Preservation of wallpaper as a part of interiors This method was used to treat the wallpapers of the Puurmani manor. Since the majority of the wallpaper was treated in situ, minor losses, such as scratches, nail holes, insect holes and canals, were filled with a paper pulp made of Japanese paper (Gampi, 36 g/m 2 ), smoothed to the level of the original, left to dry and retouched. Since the wallpaper did not have an embossed texture, the pulp created a smooth surface that perfectly levelled off with the original fabric. The second method of filling losses in situ has been described by Thomas K. McClintock. Applying shaped patches from the front is an option best suited to in situ projects. 370 A tracing needs to be made of each loss and, since the patches are less secure after adhesion, they have to cover some portion of the original wallpaper. 371 (Fig. 95) For filling losses in situ, acid-free paper with a comparable tone, weight and texture should be used to form a visually unified appearance. Hundreds of small losses caused by mechanical damage in the wallpaper found in the Estonian Literary Museum were filled with original material removed from behind the radiator and above the oven in the same room. Where possible, pieces with matching segments of pattern were used to complete the unity. The remaining losses were covered with pieces with a plain background colour, which formed a good basis for retouching and in-painting. 4.2.13. Lining Lining, or backing, involves the attaching of an overall secondary structural support to the primary support of an original work of art or artefact. 372 Since lining with another material, such as paper and/or canvas, has been a common approach with the majority of historic wallpapers, applying a new layer of lining can be easily justified. The poor state of many primary supports caused by inherent weaknesses and/or subsequent external damage, and the need for reinforcement due to the nature of the size, 370 McClintock, “Compensating for Losses in Historic Wallpapers”, 149. 371 Ibidem. 372 “Lining”, Cool Conservation http://cool.conservation-us.org/coolaic/sg/bpg/pcc/ 29_lining.pdf. 198
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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Documentation of the work on the Pu
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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