PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Preservation of wallpaper as a part of interiors Figure 85. Dry-cleaning could be carried out with soft wide brushes, drycleaning sponges made of vulcanized natural rubber or Akabad Dry Cleaning Sponge. Figure 86. A test-patch made on a panel of a Chinese wallpaper from the Esterházy Palace. 185
Preservation of wallpaper as a part of interiors Sponge 344 and Akabad Dry Cleaning Sponge, polyvinyl chloride erasers are also suitable. A grated PVC eraser is not suitable for working in situ, since it may leave residue embedded in the fibres, paint layers and between cracks of varnished or layered wallpapers. When PVC erasers are used, one needs to remove dirt evenly without staining and streaking. Such erasers as a Staedler Mars 52650 and Magic Rub remove dirt effectively and gently. 345 4.2.8. Consolidation Wallpaper is a printed material, and is above all valued for the decorative properties of its visual impact. To preserve the aesthetic appearance of a wallpaper, it is essential to preserve its printed layer. One of the most discussed principles of conservation ethics is the principle of reversibility. This is particularly difficult during consolidation, since adhesives inserted to saturate powdery pigments are usually permanent. 346 Loose and unstable paint is usually visible as crumbles, losses in the printed surface, raised and cupping paint, or lifted and tented surfaces, which become more apparent when viewed with raking light. 347 However, not only flaky pigments but also damaged paper needs to be consolidated before thorough conservation treatment. If the paper base is not too fragile, it is recommended to hoover and brush it beforehand, removing the loose foreign particles that can become embedded in the paint layer or support during the process of consolidation and blur the image. If an object cannot be cleaned before further conservation treatment, it is recommended to combine the process of consolidation with blotter washing. For this purpose, the 344 Prochem Europe, Prochem Dry Chem Sponge, accessed February 20, 2013 http://www.prochem-uk.com/product.php?xProd=243&xSec=26. 345 Collier, “Wallpaper – In and Out of Context”, 55. 346 Joyce Hill Stoner and Rebecca Rushfield, Conservation of Easel Paintings (Oxon / New York: Routledge, 2012), 370. Accessed February 19, 2013, http://books.google.ee/books?id= 1msM3h9mbaoC&pg=PA376&lpg=PA376&dq=tea-bag+tissue,+conservation&source= bl&ots=UMkxfXN6ii&sig=_HMOj5sBCsax2JJbPtZkhB5s370&hl=en&sa=X&ei=9KEmUbPz O4qX1AXH5oGIAQ&redir_esc=y#v=onepage&q=tea-bag%20tissue%2C%20 conservation&f=false. 347 Ibid., 371. 186
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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Methodological conclusions preferre
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consolidated and, secondly, if the
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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