PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Preservation of wallpaper as a part of interiors Figure 83. Wallpapers should be dry-cleaned prior to dismounting and further treatment. Photo was taken during the relocation of the wallpaper collection of the German Wallpaper Museum in Kassel. 181
Preservation of wallpaper as a part of interiors our layer. The cylinders are covered with acid-free paper and the wallpaper layers interleaved with acid-free tissue, 335 such as neutral blotting paper, a Manila hemp paper or Hollytex. 336 Fragmented, embossed, relief or painted wallpapers should be transported in oversized archive folders lined with acid-free paper or tissue. (Fig. 84) 4.2.7. Surface cleaning Following the monitoring and testing of paper and paint media, the surface cleaning should be carried out as the first stage of the conservation treatment on wallpapers preserved in situ as well as on dismounted wallpapers. This may include the removal of dust, insect excrement, spider webs, paint residues or other foreign matter accumulated on the surface of a wallpaper. The treatment is important for several reasons. First of all, the surface dirt and dust alter the image and aesthetic appearance of a wall cover. Secondly, when dealing with several layers of wallpaper, dirt can cause abrasion between the layers of paper. If aqueous treatments are planned, loose dirt may be carried across the surface of the wallpaper and cause staining. 337 Superficial dirt and dust may even penetrate the surface of the paper and become attached to the fibres. Before starting full-scale in situ treatment, it is important to clean details above the wallpaper, such as cornices, ledges, pelmets and other surfaces where dust may have accumulated. 338 The most suitable techniques to begin the dry-cleaning of a surface are hoovering and brushing. Hoovering will help to remove initial dirt. For the fragile parts of a wallpaper, it is recommended to use a hoover with adjustable suction levels and various nozzle sizes and brushes. 339 To avoid further damage to fragile paper or pigments, one should hoover through a fine gauze stretched across an embroidery frame, a fibreglass window screening or 335 Collier, “Wallpaper – In and Out of Context”, 60. 336 Deffner & Johann, Restaurierungsbedarf und Denkmalpflege seit 1880, Lascaux Hollytex 3257, accessed February 20, 2013 http://www.deffner-johann.de/ lascaux-hollytex-3257-34-gm-rolle-120-cm-x-25-m.html. 337 Collier, “Wallpaper – in and out of context”, 54. 338 Ibidem. 339 Ibid., 55. 182
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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I am thankful to all the people and
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Methods of wallpaper production and
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Methodological conclusions The auth
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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