PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

More documents

Recommendations

Info

Discussing principles of conservation Choosing a matching technique from several options also depends on the appearance of the original as well as on budgetary constraints. The durability of a wallpaper depends on the printing technique used. 299 299 Martin, “Wallpaper Reconstructions in Historic Interiors...”, 94. 159
Discussing principles of conservation 3.4. CONCLUSION Due to the interdisciplinary character of historic interiors, commonly a combination of various conservation principles is used to prolong the life-span of a historic object. Despite the lack of standards in conservation treatment, conservation objects can be characterized by values attributed to them. According to Alois Riegl’s division of monuments, historic wallpaper can be considered to be an unintentional monument. Since wallpaper is a result of human activity combined with artistic volition, both artistic and historical values can be attributed to it. Although all wallpapers can be seen as artistic and historical monuments, not all of them can be preserved. To decide on possible conservation solutions, additional values, such as the value of rarity and the monetary value, should be taken into account. The aim of conservation treatment is to consolidate the physical condition of an object and ensure its preservation for future generations. To maintain a historic wallpaper, all known conservation principles should be applied: preservation, restoration, conservation and reconstruction. However, in all cases, the most important aim is to preserve as much historic material as possible. Besides a small circle of professionals, conservation objects are commonly used and observed by a large number of nonprofessionals. The extent and character of conservation treatment often depends on the expectation of the owner and his/her financial possibilities. That is why modern conservation theory supports the idea of including the owner in discussions regarding the conservation process and its aims. However, including ordinary people in discussions may lead to a highly subjective outcome, which can be reduced by the interdisciplinary education of the conservator and by including expert consultants from various fields. 160
Page 1 and 2:
Kadri Kallaste PRESERVATION OF WALL
Page 3 and 4:
2
Page 5 and 6:
Kadri Kallaste Preservation of Wall
Page 7 and 8:
3. Discussing principles of conserv
Page 9 and 10:
I am thankful to all the people and
Page 11 and 12:
10
Page 13 and 14:
12
Page 15 and 16:
14
Page 17 and 18:
Introduction removed from its origi
Page 19 and 20:
Introduction Kristel Kevvai (2008)
Page 21 and 22:
Introduction CHOICE OF TOPIC The ch
Page 23 and 24:
Introduction OBJECTS OF RESEARCH Ei
Page 25 and 26:
Introduction STRUCTURE OF THE THESI
Page 27 and 28:
Introduction HISTORIOGRAPHY AND SOU
Page 29 and 30:
Introduction The material dealing w
Page 31 and 32:
30
Page 33 and 34:
32
Page 35 and 36:
Historic types of wallpaper and dec
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
Page 43 and 44:
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73 and 74:
Page 75 and 76:
Page 77 and 78:
Page 79 and 80:
Page 81 and 82:
Page 83 and 84:
Page 85 and 86:
Page 87 and 88:
Page 89 and 90:
Page 91 and 92:
Page 93 and 94:
Page 95 and 96:
Page 97 and 98:
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
106
Page 109 and 110: 108
Page 111 and 112: Methods of wallpaper production and
Page 139 and 140: 138
Page 141 and 142: Discussing principles of conservati
Page 159: Discussing principles of conservati
Page 163 and 164: 162
Page 165 and 166: Preservation of wallpaper as a part
Page 211 and 212:
Preservation of wallpaper as a part
Page 213 and 214:
Page 215 and 216:
Page 217 and 218:
Page 219 and 220:
218
Page 221 and 222:
Task of conservation. Case studies
Page 223 and 224:
Page 225 and 226:
Page 227 and 228:
Page 229 and 230:
Page 231 and 232:
Page 233 and 234:
Page 235 and 236:
Page 237 and 238:
Page 239 and 240:
Page 241 and 242:
Page 243 and 244:
Page 245 and 246:
Page 247 and 248:
Page 249 and 250:
Page 251 and 252:
Page 253 and 254:
Page 255 and 256:
Page 257 and 258:
Page 259 and 260:
Page 261 and 262:
Page 263 and 264:
Page 265 and 266:
Page 267 and 268:
Page 269 and 270:
Page 271 and 272:
Page 273 and 274:
Page 275 and 276:
Page 277 and 278:
Page 279 and 280:
Page 281 and 282:
Page 283 and 284:
Page 285 and 286:
284
Page 287 and 288:
Methodological conclusions preferre
Page 289 and 290:
Methodological conclusions thetical
Page 291 and 292:
consolidated and, secondly, if the
Page 293 and 294:
Methodological conclusions the larg
Page 295 and 296:
Methodological conclusions The auth
Page 297 and 298:
Methodological conclusions briefly
Page 299 and 300:
298
Page 301 and 302:
300
Page 303 and 304:
302
Page 305 and 306:
Documentation of the work on the Pu
Page 307 and 308:
Page 309 and 310:
Page 311 and 312:
Page 313 and 314:
Page 315 and 316:
Page 317 and 318:
Page 319 and 320:
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329 and 330:
Page 331 and 332:
Page 333 and 334:
Page 335 and 336:
334
Page 337 and 338:
Documentation of the work on the Es
Page 339 and 340:
Page 341 and 342:
Page 343 and 344:
Page 345 and 346:
Page 347 and 348:
Page 349 and 350:
Page 351 and 352:
Page 353 and 354:
Page 355 and 356:
354
Page 357 and 358:
Kokkuvõte tapeetide säilitamine n
Page 359 and 360:
Kokkuvõte Eestis ei ole aga muuseu
Page 361 and 362:
Kokkuvõte lise väärtuse tõttu r
Page 363 and 364:
Kokkuvõte rimislahenduse väljatö
Page 365 and 366:
Kokkuvõte JÄRELDUSED Tapeetide re
Page 367 and 368:
Kokkuvõte Tapeedi eemaldamine sell
Page 369 and 370:
368
Page 371 and 372:
370
Page 373 and 374:
INTERVIEW Interview with Simona Pre
Page 375 and 376:
Paccin - Preparation, Art Handling
Page 377 and 378:
Collier, A., Wallpaper - In and Out
Page 379 and 380:
Krista Kodres, Mart Kalm and Elo Lu
Page 381 and 382:
Directory, 1997. Accessed September
Page 383 and 384:
Stavenow-Hidemark, E., Textile desi
Page 385 and 386:
384
show all

PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

Create successful ePaper yourself

Delete template?

Save as template?