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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Discussing principles of conservation<br />

rial and authentic documents. It should stop where conjecture<br />

begins and it must bear a contemporary stamp. 289<br />

In conservation, both traditional and modern materials can<br />

be used. The latter can be used if the traditional materials are<br />

too weak to consolidate an object. However, modern materials<br />

can also be more easily visually distinguished and removed from<br />

an original. For example, in the case of a missing area, it can<br />

be filled with either a piece of available original wallpaper or<br />

a reconstruction using modern material. Since modern papers<br />

seldom have the necessary properties, such as the appropriate<br />

thickness, shine and texture, it is preferable to use the original<br />

material instead. The visual difference between an original<br />

and an addition should be minimal, because marking additions<br />

too diligently might lead to patchiness and breaking the visual<br />

unity of the object. In addition, restored areas can be mapped<br />

and pointed out in documentation.<br />

Sometimes partial or full reconstruction of a historic wallpaper<br />

can be justified to re-create the original appearance of<br />

a historic room. The original appearance of an object may be<br />

revealed through research, but also through analysing additional<br />

materials, such as archival material, photographs or other<br />

images, such as prints or paintings of the interior. Reconstruction<br />

is appropriate only when a place is incomplete through<br />

damage or alteration, and only when there is sufficient evidence<br />

to reproduce an earlier state of the object. In rare cases, reconstruction<br />

may also be appropriate as a part of use or practice<br />

that retains the cultural significance of the place. 290<br />

Recent justifications for aesthetic reconstruction of historical<br />

objects rely on educational value. Firstly, this shows what a<br />

historic setting used to look like. Secondly, comparison between<br />

old and new material might lead to understanding and appreciation<br />

of the original properties of an object.<br />

Different types of reconstruction can be considered based<br />

on original wallpaper fragments and the function of the room. 291<br />

289<br />

The Venice Charter, Article 9, 1964.<br />

290<br />

The Burra Charter, Article 20, 1999.<br />

291<br />

Martin, “Wallpaper Reconstructions in Historic Interiors...”, 88.<br />

156

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