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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Discussing principles of conservation<br />

In the Runeberg Home Museum in Porvoo, Finland, several<br />

layers of historic wallpaper have been covered up to allow<br />

for their preservation in situ. They were researched and documented<br />

without removing them. After a layer corresponding to<br />

the period when the building was inhabited by a famous Finnish<br />

poet, Johan Ludvig Runeberg, and his family had been examined,<br />

the historic layer was either restored or reconstructed. The wallpapers<br />

that were going to be reconstructed were not removed,<br />

but preserved in their original location instead. Before covering<br />

the walls with reconstructions, loose areas were consolidated<br />

and fixed to the wall. 272<br />

A similar preservation solution was chosen in the Käsmu<br />

church, where three layers of historic wallpaper had survived<br />

in situ and were covered with a reconstruction. The wallpapers<br />

dated back to the 1860s, the 1890s and to the beginning of the<br />

20th century. According to the research, the second layer was<br />

probably applied to the walls when a new organ was installed<br />

in the church. Since the wallpaper had formed a stylistic unity<br />

with the organ and the rest of the room, it was decided to restore<br />

it as it appeared in the 1890s. However, the original wallpaper<br />

had lost its aesthetic appearance and had been covered by<br />

another historic layer. Thus, to preserve the unity of all three<br />

historic layers, it was decided to cover them up with a layer of<br />

cardboard and create a reconstruction which would re-create<br />

the effect of the chosen historic wall decoration. 273 The wallpaper<br />

reconstruction project carried out in the Käsmu church is<br />

the only known example of its kind in Estonia. It was carried<br />

out by Kristiina Ribelus and her team. 274<br />

As mentioned above, instead of preserving wallpapers in<br />

their original location, they are often stripped from the wall<br />

during or after research has been carried out. As a result, very<br />

few examples are left in situ and very little is handed over to<br />

archives. Commonly, samples in the archives are too small to<br />

272<br />

Selja Flink, Runebergin koti – rakentamisesta restaurointiin (Jyväskylä: Gummerrus<br />

Kirjapaino Oy, 2006). Summarized.<br />

273<br />

Kristiina Ribelus, e-mail message to author, January 18, 2013.<br />

274<br />

The project was carried out in summer 2012.<br />

151

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