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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Discussing principles of conservation<br />

3.2. CONSIDERATION <strong>OF</strong><br />

CONSERVATION SOLUTIONS<br />

People wish to use historic buildings in ways they have never<br />

been used in the past, and this often comes into direct conflict<br />

with the requirements of conserving the historic material and<br />

contents in their present state. 255 In addition, the success of a conservation<br />

process often depends upon the project sponsors and<br />

upon their understanding of the management and design process<br />

required to achieve their objectives. 256 As a result, the aim of<br />

a conservator is not only to ensure the preservation of a historic<br />

object, but also to educate the sponsors about the significance of<br />

an object and possible ways of preserving it. However, to be able<br />

to conserve at all, conservators need to reach a consensus with<br />

the sponsors and, where possible, let them achieve their goals.<br />

Conservation is always facilitated by making use of an object for<br />

some socially useful purpose. Although such use is desirable, it<br />

must not change the lay-out or decoration of a monument. It is<br />

within these limits that modifications demanded by a change in<br />

function should be envisaged and may be permitted. 257 Although<br />

developing the most fitting conservation concept is essential, in<br />

my opinion the primary aim of the whole process is to preserve<br />

the historic object, which cannot speak for itself.<br />

Besides communication issues, the most important factors<br />

in conservation are the decisions made according to the results<br />

of research preceding the treatment. In some cases, the results<br />

may lead to the development of several conservation scenarios,<br />

all of which may be technically feasible. However, it is important<br />

to keep in mind that each scenario may have a different<br />

impact on the aesthetics of a room. 258<br />

255<br />

Tobit Curteis, “Working Buildings: The Effect of Building Use on the Conservation of<br />

Wall Paintings and Polychrome Surfaces” in Conservation of Historic Buildings and<br />

Their Contents. Addressing the Conflicts, ed. by David Watt and Belinda Colston,<br />

(Shaftebury: Donhead Publishing Ltd., 2010), 54.<br />

256<br />

Donald Hankey, “Management of the Historic Environment – The Broad Nature of the<br />

Process” in Conservation of Historic Buildings and their Contents. Addressing the<br />

Conflicts, ed. David Watt and Belinda Colston (Shaftebury: Donhead Publishing Ltd.,<br />

2010), 100.<br />

257<br />

The Venice Charter, Article 5, 1964.<br />

258<br />

John Edwards, “Conserving Cardiff Castle – Planning for Success” in Conservation of<br />

Historic Buildings and Their Contents. Addressing the Conflicts, ed. David Watt and<br />

Belinda Colston, (Shaftebury: Donhead Publishing Ltd., 2010), 93.<br />

145

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