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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Discussing principles of conservation<br />

3.1. VALUES <strong>OF</strong> CONSERVATION OBJECTS<br />

Objects are most commonly preserved because people attribute<br />

several values to them. Most preservation objects have a certain<br />

monetary value, but other values are usually of much greater<br />

relevance to treatment decisions. 238 Two of the main values<br />

attributed to a conservation object are historical and aesthetic<br />

value.<br />

Several theorists have attempted to explain the meaning of<br />

conservation objects through the values attributed to them. One<br />

of these theorists was the prominent Austrian art historian Alois<br />

Riegl (1858–1905). He used the term ”monument” (Denkmal) to<br />

describe a conservation object. 239<br />

Riegl distinguished between two types of monuments: deliberate<br />

monuments that were intended to memorialise certain<br />

events, and unintentional monuments which gained importance<br />

because of historical, artistic or other values attributed to them.<br />

Since a value known as commemorative value (Denkmalwert)<br />

can be attributed to both of them, we call them monuments. In<br />

the case of deliberate monuments, the commemorative value<br />

is dictated to us by others, while we define the value of unintentional<br />

monuments ourselves. 240 According to Riegl, values<br />

attributed to monuments can be divided into two groups: 1)<br />

commemorative values (Denkmalwert), which include age value<br />

(Alterswert), historical value and intended memorial value, and<br />

2) present day values, which include use value, art value, newness<br />

value and relative art value. 241 Besides the commemorative<br />

238<br />

Barbara Applebaum, Conservation Treatment Methodology (Oxford / Burlington:<br />

Elsevier Ltd., 2007), 86.<br />

239<br />

Salvador Muños Viñas, Contemporary Theory of Conservation (Oxford: Elsevier, 2005),<br />

37.<br />

240<br />

Alois Riegl, “The Modern Cult of Monuments: Its Essence and Its Development” in<br />

Historical and Philosophical Issues in the Conservation of Cultural Heritage. Readings<br />

in Conservation, ed. Nicholas Stanley Price, M. Kirby Talley Jr. and Alessandra Melucco<br />

Vaccaro (Los Angeles: The Getty Conservation Institute, The J. Paul Getty Trust, 1996), 72.<br />

241<br />

Joseph King, “Aesthetic in Integrated Conservation Planning: A Consideration of Its<br />

Value” in Urban Space and Urban Conservation as an Aesthetic Problem, Lectures<br />

presented at the international conference in Rome 23rd–26th October 1997, edited<br />

by Gregers Algreen-Ussing et al. (Rome: “L’Erma” di Bretschneider, 2000), 22. Accessed<br />

February 26, 2013, http://books.google.ee/books?id=4WoeN37LonYC&pg=PA22&lpg=<br />

PA22&dq=alois+riegl,+conservation&source=bl&ots=tHgs9nYKMz&sig=_<br />

DgHGtNNN3JI46PSSfxDZpcdDEc&hl=en&sa=X&ei=4RItUa-2JcbF0QXLxIHwBA&redir_<br />

esc=y#v=onepage&q=alois%20riegl%2C%20conservation&f=false.<br />

139

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