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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Methods of wallpaper production and mounting<br />

2.5. CONCLUSION<br />

The first thing we notice in a wallpaper is its aesthetic appearance.<br />

However, besides its pattern, wallpaper has several additional<br />

properties, which may not be noticed at first glance. The<br />

used materials, method of production and mounting define the<br />

main physical properties of a wallpaper, and therefore play<br />

an important role in conservation planning. In addition, these<br />

aspects may indicate the origin and age of an object.<br />

The method of mounting connects a wallpaper with the<br />

rest of an interior and helps to form a unity. Since a wallpaper<br />

should be handled as an integral part of an interior, the method<br />

of mounting forms a bridge between a separate object and an<br />

interior.<br />

As Cesare Brandi has emphasized, not only the material<br />

form of a work of art is restored. 237 Besides maintaining the<br />

values (e.g. artistic and historical) attributed to an object, the<br />

conservator should evaluate the physical condition of an object<br />

and consolidate it.<br />

The type and properties of the original mounting method<br />

indicate the safest way a wallpaper can be removed from its<br />

original location. Commonly, the method of mounting depended<br />

on the properties of the wall and the object itself. Several types<br />

of damage might have been caused by a certain method of<br />

mounting. To avoid the re-occurrence of the damage, the original<br />

method should be changed or improved.<br />

237<br />

Cesare Brandi, Theory of Restoration, ed. Giuseppe Basile (Firenze: Nardini Editore,<br />

2005), 51.<br />

136

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