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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

preservation of wallpapers as parts of interiors - Eesti ...

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Methods of wallpaper production and mounting<br />

Before printing, the block was pressed against a pad made<br />

of calf-skin and cloth, coated with paint. It was then lifted and<br />

placed on a strip of paper lying on a table. Extra pressure could<br />

be added by tapping the block with a mallet. Before printing<br />

another copy of the pattern, the block needed to be tipped into<br />

the paint once more. (Fig. 68)<br />

In order to hide the joins between two prints made by the<br />

same block, the artisan used “register marks”, little brass points<br />

placed on the sides of the block 186 or hidden in the pattern.<br />

Defects, such as gaps in a paint layer or pattern, were touched<br />

up by hand after the printing was done.<br />

To recognize a block-printed design, one needs to take a<br />

closer look at the relief of a pattern. Since the block was pressed<br />

against the paper in a straight motion from top to bottom, this created<br />

multi-directional “veining” within separate pattern shapes,<br />

which had sharply defined outlines 187 known as a “lip”. (Fig. 69)<br />

Furthermore, in the surface of paint one can notice tiny holes<br />

left by bubbles created during the process of printing.<br />

Some of the finest examples of block-printing are imitations<br />

of lavish textiles and panoramic wallpapers, most of which<br />

were printed between 1800 and 1860. Since their design was<br />

frequently made up of dozens or even hundreds of colours, the<br />

number of blocks was extremely high. The process of producing<br />

a scene could be very time-consuming and costly. The designing,<br />

printing and engraving required a great deal of careful<br />

planning, and considerable experience and skill on the part of<br />

those involved. 188<br />

2.2.3. Flocking<br />

A method of flocking first appeared in the late 15th century, but<br />

reached its peak in the middle of the 18th century. The basic technology<br />

of producing a flocked wallpaper resembles the method<br />

of block-printing, only in this case the paint has been replaced<br />

by an adhesive and powdered and coloured textile fibres.<br />

186<br />

Nouvel, Wallpapers in France, 21.<br />

187<br />

Frangiamore, Wallpapers in Historic Preservation, 7.<br />

188<br />

A Decorative Art. 19th Century Wallpapers in the Whitworth Art Gallery , 6.<br />

116

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