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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

preservation of wallpapers as parts of interiors - Eesti ...

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Historic types of wallpaper and decorative schemes of interiors<br />

are a “dead-stock” from a store in Rapla, Estonia. (Fig. 62)<br />

As the wallpapers have never been used, they offer good<br />

examples of popular patterns and original tones used during<br />

the 1930s. From the collection one could conclude that the backgrounds<br />

of Functionalist wallpapers were usually in clear tones<br />

(e.g. red, yellow, blue, green and pink) and were accompanied<br />

by geometric or fine abstract patterns.<br />

A similar Functionalist wallpaper is shown in two photos<br />

of a room in the residence of the Ungern-Sternberg family on<br />

the Toompea in Tallinn (Fig. 63). As is typical of a Functionalist<br />

room, the walls are not segmented, but rather covered by a single<br />

wallpaper from the baseboard up to a narrow border. Since<br />

such wallpapers provided a rather plain background, various<br />

objects, such as paintings and pieces of antique furniture, could<br />

be exhibited in front of them.<br />

Since Estonians did not have long experience with decorating<br />

their homes, inspiration was drawn from England and<br />

countries with similar climates, such as Finland. 169 An interior<br />

of the 1930s was supposed to be spacious, clean, comfortable<br />

and peaceful. 170 Walls were covered with either oil or distemper<br />

paint, or with a colourful wallpaper. 171 Besides colour, other<br />

important aspects for choosing a wallpaper were its pattern, and<br />

the function and location of a room. Neutral colours, such as<br />

blue, silver-grey and dark green, were recommended for welllit<br />

rooms situated in the south and west. Warm tones helped to<br />

minimize the cold appearance of northern rooms. All red tones<br />

and dark shades of brown were considered suitable for sunny<br />

rooms in the east. Ivory-white wallpapers were a good choice for<br />

any room. 172 Since wallpaper played an essential role in room<br />

decoration, it was chosen very carefully. Fashionable wallpapers<br />

did not commonly have extraordinary patterns, but rather had<br />

areas of colours that melted into each other. 173<br />

169<br />

A. Soodla, “Ideaalsema kodu poole!” in Oma Kodu, February 1938, 52.<br />

170<br />

Ibid., 51.<br />

171<br />

Aleksander Klein, Moodne elamu ja ruumide sisustamine (Tallinn: Vaba Maa, 1932), 101.<br />

172<br />

Elli Aaslava, “Moodsad tapetid ja nende mõte” in Moodne kodu sisustus. Juhiseid ja<br />

pilte (Tallinn: Eesti Naise Kirjastus, 1932), 83.<br />

173<br />

Klein, Moodne elamu ja ruumide sisustamine, 101.<br />

102

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