PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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Historic types of wallpaper and decorative schemes of interiors Figure 60. Luxurious three part wallscheme in the Toila-Oru Palace in the 1930s. Collection of Viljar Axel Vissel. Figure 61. Three part wallscheme found in a wealthy middle-class apartment in Roopa 11, Tallinn. 101
Historic types of wallpaper and decorative schemes of interiors are a “dead-stock” from a store in Rapla, Estonia. (Fig. 62) As the wallpapers have never been used, they offer good examples of popular patterns and original tones used during the 1930s. From the collection one could conclude that the backgrounds of Functionalist wallpapers were usually in clear tones (e.g. red, yellow, blue, green and pink) and were accompanied by geometric or fine abstract patterns. A similar Functionalist wallpaper is shown in two photos of a room in the residence of the Ungern-Sternberg family on the Toompea in Tallinn (Fig. 63). As is typical of a Functionalist room, the walls are not segmented, but rather covered by a single wallpaper from the baseboard up to a narrow border. Since such wallpapers provided a rather plain background, various objects, such as paintings and pieces of antique furniture, could be exhibited in front of them. Since Estonians did not have long experience with decorating their homes, inspiration was drawn from England and countries with similar climates, such as Finland. 169 An interior of the 1930s was supposed to be spacious, clean, comfortable and peaceful. 170 Walls were covered with either oil or distemper paint, or with a colourful wallpaper. 171 Besides colour, other important aspects for choosing a wallpaper were its pattern, and the function and location of a room. Neutral colours, such as blue, silver-grey and dark green, were recommended for welllit rooms situated in the south and west. Warm tones helped to minimize the cold appearance of northern rooms. All red tones and dark shades of brown were considered suitable for sunny rooms in the east. Ivory-white wallpapers were a good choice for any room. 172 Since wallpaper played an essential role in room decoration, it was chosen very carefully. Fashionable wallpapers did not commonly have extraordinary patterns, but rather had areas of colours that melted into each other. 173 169 A. Soodla, “Ideaalsema kodu poole!” in Oma Kodu, February 1938, 52. 170 Ibid., 51. 171 Aleksander Klein, Moodne elamu ja ruumide sisustamine (Tallinn: Vaba Maa, 1932), 101. 172 Elli Aaslava, “Moodsad tapetid ja nende mõte” in Moodne kodu sisustus. Juhiseid ja pilte (Tallinn: Eesti Naise Kirjastus, 1932), 83. 173 Klein, Moodne elamu ja ruumide sisustamine, 101. 102
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Kadri Kallaste PRESERVATION OF WALL
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Kadri Kallaste Preservation of Wall
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3. Discussing principles of conserv
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I am thankful to all the people and
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Introduction removed from its origi
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Introduction Kristel Kevvai (2008)
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Introduction CHOICE OF TOPIC The ch
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Introduction OBJECTS OF RESEARCH Ei
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Introduction STRUCTURE OF THE THESI
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Introduction HISTORIOGRAPHY AND SOU
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Introduction The material dealing w
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Historic types of wallpaper and dec
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Preservation of wallpaper as a part
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Task of conservation. Case studies
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Methodological conclusions preferre
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Methodological conclusions thetical
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consolidated and, secondly, if the
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Methodological conclusions the larg
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Methodological conclusions The auth
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Methodological conclusions briefly
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Documentation of the work on the Es
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Kokkuvõte tapeetide säilitamine n
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Kokkuvõte Eestis ei ole aga muuseu
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Kokkuvõte lise väärtuse tõttu r
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Kokkuvõte rimislahenduse väljatö
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Kokkuvõte JÄRELDUSED Tapeetide re
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Kokkuvõte Tapeedi eemaldamine sell
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INTERVIEW Interview with Simona Pre
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Paccin - Preparation, Art Handling
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Collier, A., Wallpaper - In and Out
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Krista Kodres, Mart Kalm and Elo Lu
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Directory, 1997. Accessed September
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Stavenow-Hidemark, E., Textile desi
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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

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