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PRESERVATION OF WALLPAPERS AS PARTS OF INTERIORS

preservation of wallpapers as parts of interiors - Eesti ...

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Historic types of wallpaper and decorative schemes of interiors<br />

community lived most commonly in wooden blocks of flats in<br />

neighbourhood areas surrounding the city centre. 164<br />

With the creation of the independent Estonian Republic in<br />

1918, architecture started playing a considerably more varied<br />

role than before. 165 The main architectural trend in the 1920s<br />

was Traditionalism, which derived from German Heimatkunst<br />

and was closely related to Nordic Classicism. This was also true<br />

for interior design. For example, the historical photo of the interior<br />

of the Oru Castle, used by the Estonian head of state Konstantin<br />

Päts in the 1930s, shows a luxurious tripartite scheme<br />

commonly used in German-speaking countries at the end of the<br />

19th century. (Fig. 60) A similar setting, which almost completely<br />

survived under a layer of cardboard, was found in Roopa 11 in<br />

Tallinn. (Fig. 61) A newspaper used as lining paper dated back to<br />

1929. Although such finds are scarce, they reveal a long-lasting<br />

tradition of using a tripartite decorative scheme in important<br />

public and middle-class interiors.<br />

By the beginning of the 1930s, a new style, Functionalism,<br />

became popular with a wide range of people, from top architects<br />

to builders. 166 While Functionalism was considered too cold and<br />

raw, it was frequently combined with classical decorative elements.<br />

Thus typical Functionalist rooms in Estonia were decorated<br />

in a manner resembling art deco interiors. 167 An important<br />

feature of 1930s interiors was the rational arrangement of furniture<br />

and simplified decoration, which also meant that walls were<br />

covered with modest lightly patterned wallpapers. 168 Wallpapers<br />

in Functionalist interiors were commonly combined with narrow<br />

borders, which lined the upper edge of wallpaper. The borders<br />

usually had geometric patterns in strong contrasting tones.<br />

Since samples of historic wallpapers have so far been taken from<br />

random parts of walls, not many early borders have been found.<br />

However, the interior architect Tiiu Lõhmus has a fine collection<br />

of wallpapers and borders dating to the 1930s. The wallpapers<br />

164<br />

Helme and Kangilaski, Lühike eesti kunsti ajalugu, 79.<br />

165<br />

Kalm, Eesti 20. sajandi arhitektuur, 262.<br />

166<br />

Ibid., 156.<br />

167<br />

Kodres, Ilus maja, kaunis ruum, 218.<br />

168<br />

Kalm, Eesti 20. sajandi arhitektuur, 143.<br />

100

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