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Symbols of South African Cultures<br />

Achievements of the South African <strong>Post</strong> <strong>Office</strong><br />

Mexico/South Africa Bilateral Relations XX<br />

Rivonia Trial 50th Anniversary<br />

World AIDS Day


new issues...<br />

Symbols<br />

of South African Cultures<br />

Text by Louise van Niekerk<br />

South Africa has a rich and diverse cultural history that goes back thousands of years. Throughout the years,<br />

the different cultural groups have communicated their traditions, beliefs and social customs in a variety of<br />

forms such as religious objects, utensils, artefacts, clothing and accessories. Many of these have remained<br />

intact to tell their stories to this day. On 20 September, the South African <strong>Post</strong> <strong>Office</strong> will issue a set of 10<br />

stamps featuring some of these fascinating historical symbols.<br />

Every object created by one of South Africa’s cultural<br />

groups conveys a message that tells us something about<br />

the culture they represent. All of these objects are decorated<br />

with certain patterns and colours, which have a specific<br />

meaning and are unique to South Africa.<br />

According to Dr Johnny van Schalkwyk, anthropologist at<br />

DITSONG: National Museum of Cultural History in Pretoria,<br />

those symbols or patterns work together with the object to<br />

tell their own story. “If you should take those away from<br />

the object, it will not have the same meaning,” says Dr Van<br />

Schalkwyk, who assisted in choosing the objects depicted on<br />

the stamps and provided information about them. They were<br />

photographed by Hein Botha.<br />

The Blombos ochre: Earliest<br />

symbolic design in South Africa,<br />

Henshilwood, Witwatersrand &<br />

Bergen Universities.<br />

The oldest symbol in South<br />

Africa – nearly 75 000 years<br />

old – was found in the Blombos<br />

Cave on the southern Cape coast. Unearthed by Professor<br />

Chris Henshilwood in 2000, this cross-hatched engraving<br />

represents evidence of the earliest symbolic behaviour of<br />

human beings.<br />

Rhino engraving: Symbol of<br />

rain and abundance, DITSONG:<br />

National Museum of Cultural<br />

History, Pretoria.<br />

Rhino engravings occur frequently<br />

at rock art sites in South Africa<br />

and significantly at Wildebeestkuil<br />

near Kimberley. For early hunter-gatherers, the rhino was<br />

associated with rain-making by symbolically harnessing<br />

it and ‘leading” it in the sky to the place where rain was<br />

required.<br />

Starburst engraving: Symbol<br />

associated with woman-hood,<br />

McGregor Museum, Kimberley.<br />

A wealth of rock engravings was<br />

made on glacially smoothed rocks in<br />

the bed of the Gumaap, now called<br />

the Riet River, at Driekopseiland, in<br />

Later Stone Age times. They have been subject to research<br />

by various visitors including archaeologists and rock art<br />

specialists.<br />

Blombos Nassarius kraussianus<br />

shell beads: Oldest symbolic<br />

ornaments in South Africa,<br />

Henshilwood, Witwatersrand &<br />

Bergen Universities.<br />

These intentionally bored estuarine<br />

shell beads are 75 000 years old and<br />

represent the earliest and oldest evidence yet to be found for<br />

ornamentation in southern Africa. Worn around the human<br />

body, they communicated a message about the wearer to<br />

viewers – perhaps about age or status.<br />

Amasumpa: Headrest with<br />

patterns of wealth, DITSONG:<br />

National Museum of Cultural<br />

History, Pretoria.<br />

Applied, carved or cast patterns of<br />

rows of raised geometric bosses<br />

6<br />

Please note: Stamp images and date cancellers published in <strong>Setempe</strong> are from the original artwork and<br />

are subject to change. Technical information will be published in the next issue of <strong>Setempe</strong>.<br />

<strong>Setempe</strong> Sep-Dec 2013


Symbols of South African Cultures<br />

commemorative envelopes.<br />

called amasumpa (from the word for<br />

warts in isiZulu) were used to decorate<br />

personal and domestic objects in the<br />

Zulu Kingdom at least since the early<br />

19th century. This pattern is believed to<br />

have symbolised wealth.<br />

Nwana: Symbol of fertility,<br />

McGregor Museum, Kimberley.<br />

A common form of traditional figure<br />

representation in South Africa is<br />

the child figure. Used mainly by<br />

young women as they reached<br />

puberty or before marriage, the<br />

figures confirmed the young woman’s preparation for her<br />

role in marriage.<br />

Ngwenya: Crocodile in his pool,<br />

a symbol of royalty, Groote<br />

Schuur, Cape Town, collected for<br />

Cecil Rhodes.<br />

Sacred objects (dzingoma) of the<br />

Venda people include the crocodile<br />

motif (ngwenya) signifying the<br />

power of the chief in his court, like the crocodile in the centre<br />

of his pool. Divining bowls (ndilo) were made up until the<br />

end of the 19th century for traditional healers in the courts<br />

of Venda kings and were used in cases involving death by<br />

witchcraft.<br />

Ukhamba: Ceremonial beer<br />

container, a symbol of unity,<br />

McGregor Museum, Kimberley.<br />

A low-fired beer pot, burnished or<br />

decorated with engraved patterns<br />

or applied bosses symbolises<br />

the communal act of sharing<br />

traditional beer made from sorghum. Beer forms an essential<br />

part of offerings and sacrifices to the ancestral spirits.<br />

bedecked themselves in white<br />

beadwork, the colour of divine<br />

illumination that identifies their<br />

special status to the community.<br />

White also identifies others in<br />

rituals associated with important<br />

stages of life.<br />

Phalaphala: Horn, an ancient<br />

symbol of communication,<br />

DITSONG: National Museum of<br />

Cultural History, Pretoria.<br />

The horn, or phalaphala, is a<br />

music instrument that was used<br />

only on special occasions, such as<br />

when the chief announced a pitso or tribal meeting, when<br />

danger threatened the community or during rituals such as<br />

rainmaking ceremonies.<br />

Commemorative covers:<br />

The two commemorative covers depict a ceremonial beer<br />

container (ukhamba) from the DITSONG: National Museum of<br />

Cultural History in Pretoria and a dancing mace of the Ndeble<br />

respectively, from the McGregor Museum in Kimberley.<br />

The dancing mace is a ritual symbol of a mother’s power.<br />

It has been adapted into a symbol of mid-20th century rural<br />

communication - the telephone pole (e’telefon).<br />

Information provided by:<br />

• Carol Kaufmann, Curator, Iziko Museum and Consultant specialist -<br />

African art, beadwork and South African visual culture.<br />

• Dr Johnny van Schalkwyk, Anthropologist,<br />

DITSONG: National Museum of Cultural History, Pretoria.<br />

Litshobamhlope: Ritual whisk in white, symbol of divine<br />

illumination, DITSONG: National Museum of Cultural<br />

History, Pretoria.<br />

Ritual specialists called amagqirhas in the Eastern Cape<br />

7<br />

<strong>Setempe</strong> Sep-Dec 2013


new issues...<br />

Text by Louise van Niekerk<br />

Still delivering whatever it takes<br />

Text by Louise van Niekerk<br />

The history of South African postal services can be traced back more than 500 years when the captain of<br />

a Portuguese ship, Petro D’Ataide, placed a letter in a milkwood tree at Mossel Bay in the 1500s. From<br />

these humble beginnings the South African <strong>Post</strong> <strong>Office</strong> has been playing a vital role in the development of<br />

communications in South Africa ever since and can be justly proud of many achievements along the way.<br />

In recognition of the <strong>Post</strong> <strong>Office</strong>’s achievements, a set of five<br />

stamps will be issued on 9 October to coincide with World<br />

<strong>Post</strong> Day. Designed by Charlotte Olivier, the round-shaped,<br />

self-adhesive stamps, depict some of the most recent<br />

achievements. They are:<br />

Address expansion<br />

More than 10 million households in South Africa now have<br />

postal addresses. Of these, 65% are in informal settlements<br />

and deep rural areas. Address expansion is ongoing, since<br />

informal settlements change continuously; so do rural areas,<br />

where changing conditions compel people to move, for<br />

example when soil becomes exhausted and they move to<br />

new pastures.<br />

The first stamp represents a street in an informal settlement<br />

with the house number painted on the wall. It has become<br />

customary to paint numbers on walls instead of doors to<br />

make sure the number stays put.<br />

eBusiness solutions boost communication<br />

To introduce innovative initiatives and diversification<br />

from traditional ‘snail’ mail, the <strong>Post</strong> <strong>Office</strong> has developed<br />

eBusiness solutions to give customers the option to use<br />

electronic communication vehicles without changing<br />

suppliers. eBusiness Solutions include Hybrid Mail, the<br />

<strong>Virtual</strong> <strong>Post</strong> <strong>Office</strong>, Mobile Communication, Third Party<br />

Online Payments and the SAPO Trust Centre Services.<br />

Hybrid Mail provides electronic mail lodgement, sorting and<br />

distributed printing in a sorting hub at the point of delivery<br />

to the customer ensuring faster turnaround times for the<br />

delivery of mail. This solution is specifically designed for<br />

businesses that require high-volume, electronic and physical<br />

mail preparation.<br />

The online <strong>Virtual</strong> <strong>Post</strong> <strong>Office</strong> was introduced to complement<br />

and introduce services that the South African <strong>Post</strong> <strong>Office</strong><br />

offer at their branches for online customers. The initiative has<br />

been designed to facilitate the online renewals of post boxes<br />

and private bags and to ensure that access to the complete<br />

South African philately catalogue is only a click away, locally<br />

as well as abroad.<br />

The SAPO Trust Centre provides customers with digital<br />

certificates that authenticate the identity of persons and<br />

websites on the internet, thereby providing confirmation that<br />

a person or website is indeed who or what they profess to be.<br />

Steps to reduce our carbon footprint<br />

Over the past three years, <strong>Post</strong> <strong>Office</strong> volunteers together<br />

with local schools have planted more than 2 800 trees at<br />

schools throughout South Africa. The trees are fruit trees or<br />

trees that are indigenous to the area where they are planted.<br />

This has not only offset more than 3,5% of the <strong>Post</strong> <strong>Office</strong>’s<br />

carbon footprint, but also beautifies the school grounds and<br />

teaches the children to care for plants and the environment.<br />

More people are banking on us<br />

Since the inception of the Mzansi account concept, <strong>Post</strong>bank<br />

has provided close to 4 million Mzansi accounts. There are<br />

more than 1 400 <strong>Post</strong>bank branches countrywide – more than<br />

10<br />

Please note: Stamp images and date cancellers published in <strong>Setempe</strong> are from the original artwork and<br />

are subject to change.<br />

<strong>Setempe</strong> Sep-Dec 2013


Left: South African<br />

<strong>Post</strong> <strong>Office</strong><br />

Achievements<br />

stamp sheet<br />

South African <strong>Post</strong> <strong>Office</strong><br />

Achievements commemorative<br />

envelope (right) and canceller (above)<br />

any other bank in South Africa. In rural areas, <strong>Post</strong>bank is<br />

often the only provider of financial services such as savings<br />

and transmission accounts, as well as money transfers – a<br />

vital lifeline for rural families whose breadwinners work in<br />

cities.<br />

Providing third party services of other organisations to<br />

the people<br />

Customers can conclude a number of transactions at the<br />

<strong>Post</strong> <strong>Office</strong> thanks to post offices countrywide now providing<br />

services other than those related to official <strong>Post</strong> <strong>Office</strong><br />

business.<br />

✉<br />

Clients can:<br />

✉ renew their motor vehicle licences at most post office<br />

branches<br />

✉ pay their Telkom and municipal accounts, as well as<br />

traffic fines from certain municipalities<br />

✉ recharge cell phones<br />

pay television licenses<br />

✉<br />

✉<br />

fax and photocopy documents<br />

buy Lotto tickets<br />

access Speed Services courier services.<br />

Technical Info<br />

Stamp issue date: 9 October 2013<br />

Artwork: Charlotte Olivier<br />

Stamp size: 38 mm (round)<br />

Stamp sheet size: 172 x 233 mm<br />

Paper: Self adhesive litho coated stamp paper with coated<br />

release. Total weight: 247 gsm<br />

Gum: self-adhesive<br />

Quantity printed: 70 000 sheets<br />

Colour: CMYK<br />

Printing process: Offset Lithography<br />

Printed by: Cartor Security Printing, France<br />

Information provided by:<br />

Johan Kruger: Communications Manager, South African <strong>Post</strong> <strong>Office</strong><br />

11<br />

<strong>Setempe</strong> Sep-Dec 2013


new issues...<br />

Celebrating 20 years of bilateral relations<br />

Text by Louise van Niekerk<br />

This year, South Africa and<br />

Mexico celebrate 20 years of<br />

bilateral relations. To mark this<br />

milestone for both countries, the South African<br />

<strong>Post</strong> <strong>Office</strong> will issue a miniature sheet, containing<br />

one stamp, on 25 October 2013.<br />

Before 1993, Mexico didn’t recognise South Africa’s<br />

Government. However, as early as 1991, Nelson Mandela,<br />

who was the leader of the ANC at the time, visited Mexico<br />

to pave the way for formal diplomatic relations. Mandela’s<br />

vision became a reality when the two countries established<br />

diplomatic relations on 26 October 1993. By 1994, both nations<br />

had established diplomatic missions in each other’s capitals.<br />

Relations between the two countries have since been characterised<br />

by high-level political dialogue and mutual recognition<br />

of their influence and power in their respective regions.<br />

Bilateral trade has been growing at a steady pace and today<br />

South Africa is Mexico’s largest trading partner in Africa,<br />

while Mexico is South Africa’s third largest trading partner in<br />

Latin America. In 2012, trade reached more than 1,2 billion<br />

US dollars.<br />

Similarities<br />

Like South Africa, Mexico is a country of contrasts, a rich and<br />

colourful cultural heritage, beautiful and varied landscapes,<br />

and a fascinating history. Mexico, like South Africa, is also<br />

a multi-ethnic and multi-lingual country. Its population is<br />

made up of mestizos (indigenous and Spanish heritage), indigenous<br />

people of pre-Columbian origin, as well as people<br />

of European, particularly Spanish, ancestry.<br />

The most spoken language in Mexico is Spanish, but approximately<br />

6% of the populations speaks an indigenous language<br />

like Mayan or Nahuatl, among others. The Mexican Government<br />

recognises 68 different indigenous linguistic groups<br />

and is keen on preserving their cultural identity.<br />

Location and population<br />

Mexico is bordered in the north by the United<br />

States of America; on the south and west by the<br />

Pacific Ocean; on the southeast by Guatemala, Belize,<br />

and the Caribbean Sea; and on the east by the<br />

Gulf of Mexico. Covering 1 972 550 sq km, Mexico<br />

is the fifth largest country in the Americas by total<br />

land area, and the 13th largest independent nation<br />

in the world.<br />

20th Anniversary of Bilateral Relations between South Africa and Mexico<br />

miniature sheet<br />

With an estimated population of over 113 million, it<br />

is the eleventh most populous and the most populous<br />

Spanish-speaking country in the world, and<br />

the second most populous country in Latin America.<br />

Mexico is a federation comprising 31 states and<br />

a Federal District – Mexico City. Mexico City is one<br />

of the largest cities in the world with a total population<br />

of about 9 million.<br />

Please note: Stamp images published in <strong>Setempe</strong> are from the<br />

original artwork and are subject to change.<br />

6<br />

<strong>Setempe</strong> Sep-Dec 2013


20th Anniversary of<br />

Bilateral Relations between<br />

South Africa and Mexico<br />

souvenir folder<br />

Bilateral relations<br />

South Africa is one of Mexico’s priority partners in Africa and<br />

the two countries are working towards consolidating their<br />

bilateral ties in the political, economic, commercial, investment,<br />

cultural and legal areas.<br />

In the multilateral area, collaboration on various issues continue,<br />

particularly regarding peace and security, disarmament,<br />

climate change, migration, and the strengthening of<br />

multilateralism. Mexico and South Africa maintain a constructive<br />

dialogue and close cooperation in the context of the<br />

G-20 forum.<br />

In April 2010, Mexico held the First Meeting of the Bi-national<br />

Commission co-chaired by Mexican Foreign Secretary, Ms.<br />

Patricia Espinosa and South Africa’s Minister of International<br />

Relations and Cooperation, Ms. Maite Nkoana-Mashabane. In<br />

this context, the Joint Declaration: Mexico and South Africa:<br />

Towards a Priority Relationship, was signed.<br />

In 2010, President Jacob Zuma and Mexican President Felipe<br />

Calderon held bilateral talks when the Mexican President attended<br />

the opening ceremony of the 2010 FIFA World Cup.<br />

The two leaders agreed to broaden political dialogue and<br />

heighten bilateral relations.<br />

Cooperation and agreements<br />

There are ample opportunities for bilateral and trilateral<br />

cooperation in the scientific, technical, social development,<br />

environment and agriculture, as well as in the educational<br />

and cultural spheres. The Scientific and Technological<br />

Cooperation Agreement signed in April 2010, is aimed<br />

at promoting joint projects in these fields to benefit both<br />

countries.<br />

In 2006, the Agreement on Technical Cooperation in the Field of<br />

Social Development was signed. This led to negotiations relating<br />

to the 2010 – 2012 Work Plan, which included collaboration<br />

on strategies and policies to eradicate poverty and inequality.<br />

Negotiations around the implementation of various other<br />

agreements are ongoing.<br />

The miniature sheet<br />

The miniature sheet, which contains one stamp with a<br />

B4 value, is available on its own or mounted in a souvenir<br />

folder. A distinctive logotype that interlinks the words<br />

“South Africa”, “Mexico” and the Roman numerals XX was<br />

specially designed for the miniature sheet. These interlinked<br />

words symbolise the bilateral cooperation between the<br />

two countries. The words “20 Years Bilateral Relations”<br />

appear on the stamp and miniature sheet emphasising the<br />

link between the Roman numerals XX and the 20 years of<br />

bilateral relations.<br />

Technical information:<br />

Stamp issue date: 25 October 2013<br />

Design: Thea Clemons<br />

Perforation grid size: 13.3<br />

Stamp sheet size: 115 x 85<br />

Paper: Tullis Russell Pre-Phosphored Security Stock 100gsm<br />

Gum: PVA WAG<br />

Quantity printed: 60,000<br />

Colour: CMYK<br />

Printing process: Offset Lithography<br />

Printed by: The Lowe Martin Group, Canada<br />

References:<br />

http://embamex.sre.gob.mx/sudafrica<br />

https://en.wikipedia.org/wiki/Mexico<br />

http://www.cabovillas.com/Mexico.asp<br />

7<br />

<strong>Setempe</strong> Sep-Dec 2013


new issues...<br />

World AIDS Day<br />

25th Anniversary<br />

Text by Louise van Niekerk<br />

The 25th anniversary of World AIDS Day on<br />

1 December 2013, is aimed at raising awareness<br />

of the suffering caused by AIDS and creating<br />

solidarity for the fight against AIDS. It also serves to<br />

promote the quest for finding effective treatment,<br />

preventative measures and specialised care for<br />

AIDS sufferers. Focus will concentrate especially on<br />

high prevalence countries.<br />

In a large and diverse<br />

country such as South<br />

Africa, it is difficult to<br />

determine<br />

exactly how<br />

many people<br />

are living with<br />

AIDS. However,<br />

a study<br />

published by<br />

the South<br />

African<br />

Department<br />

of Health in<br />

2010 drew<br />

conclusions<br />

from the<br />

combined<br />

information<br />

of two studies. The<br />

statistics of the surveys<br />

of the Department of<br />

Health and those of UNAIDS produced<br />

a similar estimate of around<br />

5,5 million South Africans living with<br />

AIDS, which translates to about 11%.<br />

Self-adhesive stamp booklet<br />

the sorrow and pain caused by AIDS. It is estimated that about<br />

1 000 people die every day from AIDS in South Africa<br />

Keiskamma Guernica<br />

The Keiskamma Trust is a community organisation in Hamburg<br />

in the Eastern Cape, working to foster hope and offer<br />

support for the most vulnerable of the densely populated surrounding<br />

rural community. Their aim is to address the challenges<br />

of widespread poverty and disease through holistic<br />

and creative programmes and partnerships. The preservation<br />

of traditional art forms such as embroidery and felt work is<br />

encouraged and from this process the Keiskamma Guernica<br />

was co-created by a group of dedicated women under the<br />

leadership of Carol Hofmeyr.<br />

The Keiskamma exhibition consists of artwork bearing witness<br />

to the ongoing painful struggle of rural communities<br />

dealing with the AIDS pandemic. According to the Trust’s<br />

website, “It is a lament for the dead, for the injustices of the<br />

health system and the staggering grief experienced in Eastern<br />

Cape villages today.”<br />

The central work is the huge multi-panelled Keiskamma<br />

Guernica, based on Picasso’s 1937 painting, which was created<br />

to tell the story of the bombing of a small village called<br />

Guernica in Spain. The bombs were dropped by Germans<br />

at the request of the Spanish nationalist government, and<br />

fell on a market day, when the centre of town was filled<br />

with women and children from the surrounding rural areas.<br />

Picasso’s work stands as a universal protest against this incident,<br />

an example of all places and times when the most<br />

vulnerable are sacrificed in pursuit of political agendas.<br />

To mark the 25th anniversary of<br />

World AIDS Day, the South African<br />

<strong>Post</strong> <strong>Office</strong> will issue a booklet<br />

containing a set of 10 self-adhesive<br />

stamps and one commemorative<br />

cover on 29 November. The stamps,<br />

which depict details from the artwork<br />

the Keiskamma Geurnica, represent<br />

World AIDS Day 25th Anniversary stamps in the self-adhesive booklet<br />

8<br />

Please note: Stamp images published in <strong>Setempe</strong> are from the original artwork<br />

and are subject to change.<br />

<strong>Setempe</strong> Sep-Dec 2013


The Keiskamma exhibition attempts to tell the story of not<br />

only individual grief and struggle, but also of the resilience,<br />

courage and strength of the people, allowing dignity and faith<br />

to survive, against all odds. The Keiskamma Art and Health<br />

Projects have lived and worked in this situation for the past<br />

seven years and this exhibition tells their story.<br />

Keiskamma Guernica is of the same scale as Picasso’s original<br />

– 3,5 metres tall and 7,8 metres wide – and like Picasso’s<br />

painting, is also created in sombre colours. The grey brown<br />

background of the Keiskamma Guernica is formed from the<br />

blankets of patients who have stayed at the treatment centre,<br />

skirts of traditional Xhosa women and hand-made felt.<br />

However, unlike the original Guernica, the Keiskamma Guernica<br />

depicts not an instant of horror but rather a slow eating away<br />

at the whole fabric of a community. Every day there is another<br />

death, until eventually an entire generation may disappear.<br />

Unlike Picasso’s bombed-out scene, the sufferers do not scream<br />

‘’… rather they ceaselessly mourn, pray and persist, until they<br />

too submit to the relentless disease, and die, un-recounted”.<br />

The artists<br />

The artists who created the Keiskamma Geurnica explain<br />

the process in these touching words, “It seemed that as we<br />

stitched in panic and in sorrow against this disintegration,<br />

more holes appeared and gaps that could not be mended”.<br />

The Keiskamma Guernica was designed and created by Carol<br />

Hofmeyr with the help of local women. Hofmeyr, who is a<br />

medical doctor, as well as a talented artist, is the founder of<br />

the AIDS Treatment Centre. The women who assisted her are<br />

Nokuphiwa Gedze, Nozeti Makhubalo, Nombuyiselo Malumbezo,<br />

Veronica Betani, Cebo Mvubu, Florence Danais, Grace<br />

Cross, Gay Staurup, Buyiswa Beja, Nomfusi Nkani, Bandlakazi<br />

Nyongo, Magda Greyling,Thobisa Nkani and Ayanda<br />

Gcezengana.<br />

Felters and embroiderers from the Keiskamma Art Project, also<br />

assisted in the creation of this ambitious project. Additional<br />

help was given by Irene Neilson, Lynnley Watson, Liz Velz,<br />

Cathy Stanley, Franck Danais, Justus Hofmeyr, Renzske Scholtz,<br />

Robert Hofmeyr, Annette Woudstra, and Marielda Marais.<br />

Technical information:<br />

Stamp issue date: 29 November 2013<br />

Artwork: www.keiskamm.org<br />

Perforation grid size: PSA simulated perforation<br />

Stamp sheet size: Booklet 60mm x 150mm (flat)<br />

Paper: Avery Dennison Gloss back adhesive<br />

Gum: WLK6<br />

Quantity printed: 100,000<br />

Colour: CMYK<br />

Printing process: Offset Lithography<br />

Printed by: Southern Colour Security Print, New Zealand<br />

References:<br />

http://www.keiskamma.org/art/major-works/keiskamma-guernica<br />

http://www.keiskamma.org/<br />

http://www.unAIDS.org<br />

http://www.whoswho.co.za<br />

World AIDS Day 25th Anniversary commemorative cover<br />

9<br />

<strong>Setempe</strong> Sep-Dec 2013


new issues...<br />

Celebrating a magnificent national landmark<br />

Text by Louise van Niekerk<br />

The Union Buildings in Pretoria are among South<br />

Africa’s most recognisable landmarks and considered<br />

to be the country’s most famous architectural<br />

masterpiece. Perched on top of Meintjieskop, this<br />

majestic building overlooks the central city, while its<br />

magnificent terraced gardens and vast green lawns<br />

roll down the hill to link up with Stanza Bopape<br />

Street below.<br />

Designed by Sir Herbert Baker in 1908, building started in<br />

1909 and was completed in 1913. On 12 December 2013,<br />

in celebration of the Union Buildings’ centenary, the South<br />

African <strong>Post</strong> <strong>Office</strong> will issue two stamp sheets containing 10<br />

designs each, and four commemorative covers.<br />

Anande Nöthling, graphic designer and Director: Corporate<br />

Information Management in The Presidency, designed the<br />

stamps, which depict various architectural features and details<br />

of the buildings. These are illustrated using<br />

historical photographs from the National Archives<br />

of South Africa, as well as modern photographs.<br />

Originally built to house the entire Public<br />

Service for the Union of South Africa, the<br />

Union Buildings were the largest building<br />

in the country and possibly the largest<br />

construction work undertaken in the Southern<br />

Hemisphere at the time. Today it is the seat<br />

of South Africa’s democratic government,<br />

houses the President’s offices and is a<br />

national monument.<br />

The Union Buildings have also become<br />

synonymous with South Africa’s transition to<br />

democracy. In 1994, it was the scene of much<br />

jubilation when thousands of people gathered<br />

to witness the inauguration of former<br />

President Nelson Mandela, South Africa’s<br />

first democratically elected leader.<br />

This heralded the beginning of a new era in<br />

South Africa’s history and firmly established<br />

the Union Buildings as the site where significant<br />

national events, such as presidential<br />

inaugurations, national days, and the presentation<br />

of National Orders are celebrated.<br />

Union Buildings 100 standard postage stamp sheet<br />

It is especially well-know as the site where<br />

20 000 women of all races gathered during<br />

10<br />

Please note: Stamp images published in <strong>Setempe</strong> are from the original artwork<br />

and are subject to change.<br />

<strong>Setempe</strong> Sep-Dec 2013


the famous women’s march on 9 August 1956, to present a<br />

petition against the carrying of passes by women to the then<br />

prime minister JG Strijdom. The day is now commemorated<br />

every year at the Union Buildings as National Women’s Day.<br />

The building is made from light sandstone and is over 275 metres<br />

long. It is built in a semi-circle design with two wings at either<br />

side. The wings represented the union of a formerly divided<br />

nation i.e. the English and the Afrikaners. On the grounds are<br />

the Delville Wood war memorials, which pay tribute to South<br />

African troops who died during the First World War.<br />

About 1 265 artisans, workmen and labourers were involved<br />

in the construction, using 14 million bricks for the interior office<br />

walls, half a million cubic feet of freestone, 74 000 cubic<br />

yards of concrete, 40 000 bags of cement and 20 000 cubic<br />

feet of granite.<br />

Baker wanted the buildings to be built of imported granite,<br />

but the idea of using anything but South African stone for<br />

this most important government building was unthinkable to<br />

those who commissioned it. As a result, the terraces and retaining<br />

walls in the grounds are built predominantly of mountain<br />

stone quarried on site; the foundation of the building is<br />

of granite, while freestone was used for the exterior walls, the<br />

amphitheatre and major courtyards.<br />

Stamp sheet 1 (Standard postage) depict the following images:<br />

• Arcade around central court, with its Tuscan colonnades<br />

and groin vault roof.<br />

• Detail of the Ionic orders in the loggia of the west wing,<br />

designed by Benjamin Smith.<br />

• Tower clock with Westminster chimes.<br />

• Lantern, dome order and base of the east tower with the<br />

Atlas figure, sculpted by Abraham Broadbent, on top.<br />

• Hermes figure in the amphitheatre, sculpted by George Ness.<br />

• Rostrum in the amphitheatre.<br />

• Front view of the Union Buildings, photograph from the<br />

National Archives and Records Service of South Africa.<br />

• Southern yellow-billed hornbill in bronze, sculpted by<br />

Mike Edwards.<br />

• Women’s memorial, Mbokodo grinding stone, sculpted by<br />

Wilma Cruise.<br />

• Stone-carved lion’s head, relief sculpted by Anton van Wouw.<br />

Stamp sheet 2 (B4) depict the following images:<br />

• Building in progress, photograph from the<br />

National Archives and Records Service of South Africa.<br />

• A view of the rostrum in the amphitheatre,<br />

National Archives and Records Service of South Africa.<br />

• Another view of the construction work in progress from<br />

the National Archives and Records Service of South Africa.<br />

• Aloe pretoriensis discovered on Meintjieskop.<br />

• Carved cherub face keystone, designed by Anton van<br />

Wouw and finished in stone by stonecutters.<br />

• Construction of a tower, National Archives and Records<br />

Service of South Africa.<br />

• Building in progress, National Archives and Records<br />

Service of South Africa.<br />

• Portrait of Sir Herbert Baker from the National<br />

Portrait Gallery, in London.<br />

• Front view from the gardens, National<br />

Archives and Records Service of South Africa.<br />

• Armistice Day Service in 1929, National<br />

Archives and Records Service of South Africa.<br />

Technical information:<br />

Stamp issue date: 12 December 2013<br />

Artwork: Anande Nötling<br />

Perforation size: 30 x 30 mm/60 x 30 mm<br />

Gauge: n.a.<br />

Stamp sheet size: 180 x 165 mm<br />

Paper: Yellow Green phosphor litho<br />

stamp paper, 102 grms<br />

Gum: PVA gum<br />

Quantity printed: 2 x 50,000 stamp sheets<br />

Colour: CMYK + Pantone 871C + Pantone 270C<br />

Printing process: Offset Lithography<br />

Printed by:<br />

Joh. Enschedé Stamps B.V., The Netherlands<br />

References:<br />

http:/www.thepresidency.gov.za<br />

http:/www.sahistory.org.za/places/union-buildings<br />

http://www.gauteng.net/attractions/entry/union_buildings/<br />

Anande Nöthling, Director: Corporate Information<br />

Management, The Presidency<br />

Union Buildings 100 B4 stamp sheet<br />

11<br />

<strong>Setempe</strong> Sep-Dec 2013


Change of Issue date<br />

50<br />

Rivonia Trial<br />

1963–2013<br />

Prestige booklet with 12 miniature sheets<br />

Ten of the accused, Walter Sisulu, Govan Mbeki,<br />

Nelson Mandela, Rusty Bernstein, Ahmed<br />

Kathrada, Denis Goldberg, James Kantor,<br />

Andrew Mlangeni, Raymond Mhlaba and Elias<br />

Motsoaledi were tried for 221 acts of sabotage<br />

and conspiracy to overthrow the state. The other<br />

two accused, Arthur Goldreich and Harold Wolpe<br />

Available from 26 November 2013<br />

escaped before going on trial.


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Would you like to receive news about new stamp issues and relevant information? If yes: Email:<br />

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2013 YEAR PACK<br />

Code Product Description Price Quantity Sub-Total<br />

PHL131515 Year Pack Mint R698,60<br />

PHL133516 Year Pack Cancelled R698,60<br />

TOTAL A<br />

SYMBOLS OF SA CULTURES<br />

10 X DL FASTMAIL – 20 SEPTEMBER 2013<br />

PHL131203 Stamp Set Mint R45,00<br />

PHL131204 Stamp Set Cancelled R45,00<br />

PHL131205 Control Block Mint R45,00<br />

PHL131206 Control Block Cancelled R45,00<br />

PHL131207 Full Sheet Mint R45,00<br />

PHL131208 Full Sheet Cancelled R45,00<br />

PHL131209 Commemorative Envelope 8.59 R25,50<br />

PHL131210 Commemorative Envelope 8.60 R25,50<br />

TOTAL B<br />

ACHIEVEMENTS OF THE POST OFFICE<br />

5 X standard POSTAGE – 9 October 2013<br />

PHL131303 Stamp Set Mint R14,00<br />

PHL131304 Stamp Set Cancelled R14,00<br />

PHL131305 Control Block Mint R14,00<br />

PHL131306 Control Block Cancelled R14,00<br />

PHL131307 Full Sheet Mint R14,00<br />

PHL131308 Full Sheet Cancelled R14,00<br />

PHL131309 Commemorative Envelope No 8.61 R17,00<br />

TOTAL C<br />

Mexico and South Africa bilateral relations<br />

miniature sheet – 25 October 2013<br />

PHL131513 Souvenir Folder SF8.6 R15,00<br />

PHL131519 Miniature Sheet Mint R6,90<br />

PHL131520 Miniature Sheet Cancelled R6,90<br />

TOTAL D<br />

RIVONIA TRIAL 50TH ANNIVERSARY<br />

12 X standard POSTAGE BOOKLET – 26 NOVEMBER 2013<br />

Code Product Description Price Quantity Sub-Total<br />

PHL131417 Prestige Booklet R33,60<br />

TOTAL E<br />

WORLD AIDS DAY 25TH ANNIVERSARY<br />

10 x standard POSTAGE STAMPS – 29 NOVEMBER 2013<br />

PHL131517 Booklet x 10 Stamps R28,00<br />

PHL131509 Commemorative Envelope 8.62 R17,00<br />

TOTAL F<br />

UNION BUILDINGs CENTENARY<br />

10 x STD POSTAGE STAMPS – 12 DECEMBER 2013<br />

PHL131003 Stamp Set Mint R28,00<br />

PHL131004 Stamp Set Cancelled R28,00<br />

PHL131005 Control Block Mint R28,00<br />

PHL131006 Control Block Cancelled R28,00<br />

PHL131007 Full Sheet Mint R28,00<br />

PHL131008 Full Sheet Cancelled R28,00<br />

PHL131009 Commemorative Envelope 8.55 R17,00<br />

PHL131010 Commemorative Envelope 8.56 R17,00<br />

TOTAL G<br />

UNION BUILDINGS CENTENARY<br />

10 x B4 STAMPS – 12 DECEMBER 2013<br />

PHL131103 Stamp Set Mint R69,00<br />

PHL131104 Stamp Set Cancelled R69,00<br />

PHL131105 Control Block Mint R69,00<br />

PHL131106 Control Block Cancelled R69,00<br />

PHL131107 Full Sheet Mint R69,00<br />

PHL131108 Full Sheet Cancelled R69,00<br />

PHL131109 Commemorative Envelope 8.57 R37,50<br />

PHL131110 Commemorative Envelope 8.58 R37,50<br />

TOTAL H<br />

Order Handling Fee R10.00<br />

GRAND TOTAL A-H<br />

PLEASE NOTE: PRICES ARE SUBJECT TO CHANGE WITHOUT NOTICE.<br />

ALL PRODUCTS AVAILABLE WHILE STOCKS LAST.<br />

<strong>Post</strong> order form to: Philatelic Services, Private Bag X505, Pretoria,<br />

0001 Tel: (012) 845 2814/15 • Fax: (012) 804 6745<br />

sETEMPE 03/2013


Code Product Definitive issues Commemorative Issues<br />

Yearpacks Mint Cancelled Mint Cancelled<br />

12* Single stamps / Miniature sheets<br />

Definitive Issues Commemorative issues Reprints<br />

Product Mint Cancelled Mint Cancelled Mint Cancelled<br />

01 Single stamp set<br />

02 Control blocks set<br />

03 Stamp booklets<br />

04 Full sheets set<br />

06 Miniature sheet<br />

08 Aerogramme postage paid<br />

10 <strong>Post</strong>cards<br />

20 Commemorative envelope with stamps<br />

21 Commemorative envelope with m/sheet<br />

33 Corporate products mint only<br />

38 Prestige stamp booklet<br />

Please note that only the above-mentioned items are available on standing order.<br />

Regretfully, only credit cards mentioned above are acceptable at this stage.<br />

Please call our Customer Service Centre to explore other methods of payment<br />

sETEMPE 03/2013

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