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Summer Times is the Journal of the Old Scarborians Association

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would be proud), a body based in Bordeaux<br />

which was originally chartered on <strong>the</strong> 8th July<br />

1199 (yes, pro<strong>of</strong> readers, 1199!) and whose<br />

members are tasked with ensuring that wines<br />

bearing <strong>the</strong> St Emilion label are <strong>of</strong> <strong>the</strong> highest<br />

quality. Members are presented with a red wax<br />

sealed parchment scroll written in mediaeval<br />

French and, for formal Jurade events, a scarlet<br />

and ermine épitoge, worn over <strong>the</strong> left shoul‐<br />

der, <strong>is</strong> <strong>the</strong> badge <strong>of</strong> <strong>of</strong>fice<br />

Whilst <strong>the</strong>atre, in one form or ano<strong>the</strong>r, has<br />

been an interest for most <strong>of</strong> my life, my only<br />

claims to <strong>the</strong>atrical fame are, first, being <strong>the</strong><br />

Mountie in ‘Rose Marie’ at <strong>the</strong> Open Air Thea‐<br />

tre whose Mountie hat slowly descended over<br />

h<strong>is</strong> ears, <strong>the</strong>n h<strong>is</strong> eyes, during a performance in<br />

a rain storm, as <strong>the</strong> paper padding keeping <strong>the</strong><br />

hat up d<strong>is</strong>solved. Second, in <strong>the</strong> late 1970’s, I<br />

was King (Eileen was Queen) in a local ballet<br />

production <strong>of</strong> Swan Lake. I had lost a bet with<br />

friend and Ballet School owner Susan Richards<br />

which led to <strong>the</strong> appearance. For part <strong>of</strong> <strong>the</strong><br />

performance we had to sit on thrones at <strong>the</strong><br />

back <strong>of</strong> <strong>the</strong> stage, and it was only on <strong>the</strong> last<br />

night that someone asked me if I real<strong>is</strong>ed that,<br />

as I nodded my head to <strong>the</strong> music, reflections<br />

from <strong>the</strong> “jewels” in my crown sent darts <strong>of</strong><br />

coloured light all over <strong>the</strong> <strong>the</strong>atre. And last, in<br />

1990 I can claim a mention in Sir Alan<br />

Ayckbourn’s play, ‘Man <strong>of</strong> <strong>the</strong> Moment’. Th<strong>is</strong><br />

refers to my interest at <strong>the</strong> time in competition<br />

rifle and p<strong>is</strong>tol shooting. Luckily I didn’t have<br />

to play <strong>the</strong> part <strong>of</strong> myself. I appear on page 33<br />

<strong>of</strong> <strong>the</strong> Faber and Faber edition <strong>of</strong> <strong>the</strong> play.<br />

Present interests include <strong>the</strong> Stephen Joseph<br />

Theatre, (which formerly, <strong>of</strong> course, was in <strong>the</strong><br />

old Westwood school building but <strong>is</strong> now in<br />

what was <strong>the</strong> Odeon Cinema), Photography,<br />

Travel, Wine, Family h<strong>is</strong>tory, Opera – particu‐<br />

larly Puccini, and, <strong>of</strong> course <strong>the</strong> <strong>Old</strong> Scarbori‐<br />

ans <strong>Association</strong>.<br />

I am also a director <strong>of</strong> two small local compa‐<br />

nies and a trustee and Finance and Staffing<br />

Chairman <strong>of</strong> a local charity.<br />

Hobbies over <strong>the</strong> years have been numerous –<br />

14<br />

possibly as I am a Gemini. I built a radio <strong>the</strong><br />

size <strong>of</strong> a matchbox, when domestic portables<br />

were <strong>the</strong> size <strong>of</strong> briefcases; a very early elec‐<br />

tronic calculator (which still works ‐ but would<br />

be a blessing to anyone with shares in a battery<br />

company), a black and white valve Telev<strong>is</strong>ion<br />

set, long before trans<strong>is</strong>tors became <strong>the</strong> norm<br />

and long before colour sets were available; and<br />

a Grandfa<strong>the</strong>r clock which still ticks away <strong>the</strong><br />

hours. And that seems a timely point to bring<br />

<strong>the</strong>se ramblings to a close, or <strong>the</strong> Editor will be<br />

sharpening h<strong>is</strong> blue pencil!!<br />

NEW MEMBERS<br />

Welcome to <strong>the</strong> following new, or re‐joined<br />

members. After <strong>the</strong> l<strong>is</strong>ting, comments appear<br />

where <strong>the</strong>se were provided.<br />

Raymond Armstrong (1964‐70)<br />

David Bates FCIB (1964‐71)<br />

Roger Beaumont (1949‐54)<br />

Barrie Kenneth Dav<strong>is</strong> BSc. ARCSc. MSc. DIC<br />

(1945‐47)<br />

John Devine (1959‐66)<br />

Patrick Devine (1953‐60)<br />

Richard Allan Frenneaux MIIE (1953‐58)<br />

Howard Ge<strong>is</strong>ter (1964‐65)<br />

Bernard Goulding (1959‐65)<br />

Bernard Jones (1949‐54)<br />

Harvey McGregor QC (1937‐44)<br />

Richard Neighbour (1953‐60)<br />

John Nockels BA (1955‐63)<br />

Trevor Pepper (1959‐63)<br />

Peter Popple (1950‐55)<br />

Albert Stanley Robson (1935‐40)<br />

Stanley Sedman (1950‐54)<br />

Harold Simpson Rawling BSc(Eng) CEng MIEE<br />

(1933‐38)<br />

Colin Stephenson (1944‐50)<br />

Barrie Dav<strong>is</strong> BSc. ARCSc. MSc.<br />

DIC (1945-47)<br />

E‐mail: bkd@orans<strong>of</strong>t.com<br />

1945‐47 Scarborough Boys High School<br />

1947‐52 Hackney Downs Grammar School<br />

(Grocers), London<br />

1952 State Scholarship<br />

1953‐1956 Physics, Royal College <strong>of</strong> Science,

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