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LABELS&LABELING |47<br />
Reach out and buy<br />
TWO-TIME TLMI BEST OF SHOW/WORLD LABEL AWARDS WINNER, ASL Print FX accredits its success to<br />
creating artistic and elaborate label constructions. Danielle Jerschefske reports<br />
‘Labels and packaging are about<br />
creating identity for the brand,’ says<br />
Charlie MacLean, president and CEO<br />
of ASL Print FX. ‘Here we take a prime<br />
label and turn it into a value added<br />
product that connects with the consumer<br />
and increases usage.’<br />
Pelee Island Winery is a testament to<br />
the value that ASL adds to brands. The<br />
company’s Monarch Vidal brand is one<br />
of the best-selling white wines according<br />
to the Liquor Control Board of Ontario<br />
(LCBO), and ranks in the Top five of the<br />
Vintners Quality Alliance, a Canadian<br />
regulation group that authenticates wine<br />
quality. Darryl MacMillan, sales manager<br />
at Pelee Island Winery, says, ‘The Vidal<br />
varietal tends to be less understood by<br />
consumers so we needed to create some<br />
intrigue with the brand design, keeping<br />
it clean, interesting and making it pop on<br />
shelf so it stands out.’<br />
The winery redesigns the Monarch<br />
label every few years to keep its<br />
label looking fresh and interesting to<br />
consumers walking the aisles. The brand<br />
must stand out to stay on top. Over the<br />
years, Monarch redesigns have been<br />
printed on both clear and paper stocks.<br />
The most recent label was printed on<br />
uncoated paper stock by ASL Print FX,<br />
featuring specialty foil and textured<br />
treatments that bring the Monarch<br />
butterfly to life.<br />
‘The print technologies that ASL<br />
recommended helped us to express<br />
the personality of our Monarch wine,<br />
celebrating the terroir of the Pelee region,<br />
its unique flora and fauna. They know<br />
the future trends in print,’ MacMillan<br />
continues.<br />
WINNING STRATEGY<br />
ASL Print FX, based in Toronto, Canada,<br />
combines print technology and ingenuity.<br />
The multiple layers and interesting effects<br />
that the converter applies to enhance a<br />
label’s design are, quite simply, radical.<br />
The converter uses what it calls HDFX<br />
printing techniques including high<br />
definition CTP plate equipment combined<br />
with foiling, 3D coatings and flashy<br />
varnishes, layered with specialty inks and<br />
combined with exclusive materials to give<br />
the most depth and feel to a label.<br />
‘We like to help our customers do<br />
something different with their product<br />
decoration,’ explains Stacy Daly, VP<br />
of operations at ASL Print FX. Using<br />
non-traditional materials in a mature<br />
category like wine is a perfect example.<br />
‘With a traditional wine we might use<br />
an uncoated stock, bringing in new<br />
world flavor yet maintaining integrity<br />
within the category. We have the ability<br />
to bring packaging to life with printing<br />
technology.’<br />
For ASL, the ideal workflow begins<br />
not with the designer, not on the shop<br />
floor, but with selecting the right client.<br />
Says MacLean, ‘ASL participates in<br />
markets where brandowners care<br />
about the image of their packaging.<br />
We jointly assess if their values match<br />
ours and if there is a good fit. We like<br />
to work with brands that understand<br />
continuous innovation is important to the<br />
enhancement of the brand. This is one of<br />
the ways we’ve avoided the commoditization<br />
of our products.’<br />
PRODUCTION<br />
Once ASL has reached a common<br />
understanding with clients, the firm works<br />
closely with designers to help them<br />
enhance each label and package in the<br />
most effective and creative ways. The<br />
various front of house teams – customer<br />
service, sales, pre-press – focus on<br />
key market areas: wine and spirits,<br />
promotional, and consumer goods.<br />
The converter has invested in a<br />
customized technology profile they<br />
JULY 2012 | L&L