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LABELS&LABELING |41<br />

Hammer looks<br />

to G7 future<br />

G7 CERTIFICATION FOR THE PACKAGING INDUSTRY is the ticket for a brand’s print buyer to ensure<br />

consistency across variables and offers other benefits, writes Danielle Jerschefske<br />

Hammer Packaging in Rochester, New York, is one of the<br />

first packaging printers in North America to achieve G7<br />

Master Printer Status, a qualification granted by IDEAlliance,<br />

a non-profit industry association which disseminates best<br />

practice methodologies, specifications and standards for the<br />

print industry.<br />

When it comes to print consistency across a brand-marketing<br />

portfolio, print buyers have traditionally found it difficult<br />

to match color across different regions or across different<br />

print types and materials. For the packaging industry, G7<br />

represents a radically different approach to this problem.<br />

Because Hammer produces printed labels and package<br />

decorations for the global beverage, food, horticulture<br />

and household products industries, including cut & stack,<br />

in-mold, shrink sleeve, roll-fed and pressure sensitive<br />

labels, it was eager to reap the benefits found in the G7<br />

methodology.<br />

Essentially G7, or Near-Neutral Calibration, defines targets<br />

that allow packaging printers to match a proof to a press; a<br />

press to a press; one process to another; and across various<br />

consumables. The ‘G’ stands for gray as in gray balance<br />

or neutrality, and the ‘7’ refers to the seven major process<br />

printing colors.<br />

G7 uses colorimetry to specify both the color of the media,<br />

in white point, and the color of the inks in accordance with<br />

ISO 12647-2, which describes gray balance as 50/40/40<br />

CMY. The resulting grayscale and tonal curve is used for<br />

calibrating a proofing and/or printing system. G7 utilizes the<br />

new ISO 10128 standard to set near-neutral calibration.<br />

Rather than changing the tint by diluting color with white<br />

or black ink, a grayscale-based system adjusts the tone,<br />

where the eye is more sensitive than saturated color. All a G7<br />

certified converter like Hammer has to do is maintain gray<br />

balance and tone within this set range.<br />

BENEFITS TO BRAND AND CONVERTER<br />

Lou Iovoli, Hammer’s VP strategic partnerships and<br />

marketing, says, ‘The advantage to the brand owner is that<br />

we can provide our press 'condition' to a given designer so<br />

they can provide customers with a proof that will match the<br />

final print image from our press. In this way our customers<br />

will know sooner what a design will look like, rather than<br />

having to wait or travel for a press approval.’<br />

Hammer started using the G7 process to control both<br />

press and proofing in Fall 2010. Iovoli says, 'With this<br />

process we are able to map the wide gamut of colors used<br />

in packaging and produce a proof that represents the press<br />

condition. This process takes into consideration the various<br />

combinations of substrate and inking in either surface or<br />

reverse printing. We strive to reduce the uncertainty of the<br />

proof matching the printed sample, allowing us to deliver<br />

high quality products for our customers.'<br />

A second benefit is that the print file no longer needs to<br />

be modified or adjusted to print to any of Hammer's presses<br />

regardless of the printing process or consumables used. This<br />

can mean significant cost savings since one file can be used<br />

for everything: cartons, labels, a webpage, POP and flexible<br />

packaging.<br />

If all the print products have the same gray balance and neutral<br />

tonality defined by G7, they will all look remarkably alike to the<br />

human eye. Since buyers believe the similarity of the visual<br />

appearance across print products is critical, and are gaining a<br />

better understanding of the G7 method, many have started to<br />

make G7 a buying requirement.<br />

Lastly, G7 calibration gives print buyers flexibility in processes<br />

and materials used in the packaging industry. It streamlines the<br />

coordination between the pre-press house and printer thereby<br />

improving speed to market.<br />

THE STEPS<br />

G7 defines the print condition in two ways – tone reproduction,<br />

gray scale – and it describes how to use the principles of digital<br />

imaging, spectrophotometry, and computer-to-plate (CtP)<br />

technologies to achieve color matches using quality inks and<br />

papers. Its Neutral Print Density Curve (NPDC) defines the<br />

neutral density of the grayscale curve with a combined CMY<br />

curve of 50/40/40 at the middle tone and specifies the tone from<br />

highlight to shadow, taking priority over traditional TVI curves. The<br />

calibration method calculates corrected RIP values that will force<br />

the press to replicate the desired NPDC curve based on the given<br />

press conditions.<br />

As the NPDC curve approaches the solids then the lines will<br />

deviate. Gray process control patches should always be printed on<br />

the production runs in order to regularly verify gray balance. It is<br />

important to remember that gray balance tells the printer that the<br />

JULY 2012 | L&L

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