to download it. - Yarra Valley Open Studios

to download it. - Yarra Valley Open Studios to download it. - Yarra Valley Open Studios

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Mim Kocher Multi Media Artist Mim Kocher Multi Media Artist Mim Kocher Multi Media Artist ept STUDIOS OPEN 10AM–5PM ept STUDIOS OPEN 10AM–5PM ept STUDIOS OPEN 10AM–5PM Ph: 03 5962 0000 21 Romeo Road Healesville Ph: 03 5962 0000 21 Romeo Road Healesville Ph: 03 5962 0000 21 Romeo Road Healesville yarra valley openstudios 2009 1 yarra valley openstudios 2009 1 yarra valley openstudios 2009 1

Mim Kocher<br />

Multi Media Artist<br />

Mim Kocher<br />

Multi Media Artist<br />

Mim Kocher<br />

Multi Media Artist<br />

<br />

ept <br />

STUDIOS OPEN 10AM–5PM<br />

<br />

ept <br />

STUDIOS OPEN 10AM–5PM<br />

<br />

ept <br />

STUDIOS OPEN 10AM–5PM<br />

Ph: 03 5962 0000<br />

21 Romeo Road<br />

Healesville<br />

Ph: 03 5962 0000<br />

21 Romeo Road<br />

Healesville<br />

Ph: 03 5962 0000<br />

21 Romeo Road<br />

Healesville<br />

yarra valley openstudios 2009 1<br />

yarra valley openstudios 2009 1<br />

yarra valley openstudios 2009 1


food s<strong>to</strong>ps<br />

A Alowyn Gardens 03 9730 2400<br />

1210 Melba Highway, <strong>Yarra</strong> Glen (Mel. Ref: 267 G9)<br />

Coffee, tea, cool drinks and cakes available in a<br />

gorgeous garden setting.<br />

B Amanda’s Café 03 5967 1593<br />

3/2460 Warbur<strong>to</strong>n Hwy, <strong>Yarra</strong> Junction<br />

(Mel. Ref: 288 D8) Mostly local, organic, fair-trade<br />

produce cooked inhouse – made w<strong>it</strong>h love.<br />

C Good Food Room 03 5966 2464<br />

3415 Warbur<strong>to</strong>n Hwy, Warbur<strong>to</strong>n (Mel. Ref: 290 B4)<br />

Fresh home cooked lunch and cakes, Boscastle Pies,<br />

gluten and dairy free pie, Jasper Fairtrade coffee.<br />

D Hargreaves Hill Brewing Co. 03 9730 1905<br />

25 Bell Street, <strong>Yarra</strong> Glen (Mel. Ref: 275 A1)<br />

Delicious handmade fare from fresh regional<br />

produce. Award winning Vic<strong>to</strong>rian microbrewery.<br />

Eclectic <strong>Yarra</strong> <strong>Valley</strong> winelist.<br />

E Harvest Café 03 5962 4002<br />

256 Maroondah Hwy, Healesville (Mel. Ref: 278 C1)<br />

Handmade pies, fresh baked muffins, Genovese<br />

coffee, gourmet lunches, delicious desserts, salads.<br />

F Kiltynane Estate 0418 339 555<br />

Cnr School Ln & <strong>Yarra</strong>glen - Healesville Rd,<br />

Tarrawarra (Mel. Ref: 268 H12)<br />

We serve antipasta platters built by the cus<strong>to</strong>mer.<br />

Select from olives alone or up <strong>to</strong> a full platter –<br />

flexibil<strong>it</strong>y is the word. Coffee also available.<br />

G Red Shed Café 03 5964 4022<br />

24-26 Medhurst Road, Gruyere (Mel. Ref: 282 J7)<br />

Enjoy delicious food focusing on qual<strong>it</strong>y local<br />

ingredients & seasonal produce served in a relaxed &<br />

scenic environment complimented by Medhurst Wines.<br />

H Sticks Winery 03 9730 1022<br />

179 Glenview Road, <strong>Yarra</strong> Glen (Mel. Ref: 274 F5)<br />

Gourmet BBQ lunch available on the <strong>Open</strong> <strong>Studios</strong><br />

weekend - Saturday 18th, Sunday 19th September.<br />

J Three S<strong>to</strong>ries Artspace 03 5962 5688<br />

505 Maroondah Hwy, Healesville (Mel. Ref: 270 K11)<br />

Our hampers will feed your body as you cruise<br />

artists studios, leaving you time <strong>to</strong> vis<strong>it</strong> more<br />

studios! Lovely <strong>Yarra</strong> <strong>Valley</strong> finger food and drinks.<br />

To order: www.threes<strong>to</strong>ries.com.au<br />

food s<strong>to</strong>ps<br />

A Alowyn Gardens 03 9730 2400<br />

1210 Melba Highway, <strong>Yarra</strong> Glen (Mel. Ref: 267 G9)<br />

Coffee, tea, cool drinks and cakes available in a<br />

gorgeous garden setting.<br />

B Amanda’s Café 03 5967 1593<br />

3/2460 Warbur<strong>to</strong>n Hwy, <strong>Yarra</strong> Junction<br />

(Mel. Ref: 288 D8) Mostly local, organic, fair-trade<br />

produce cooked inhouse – made w<strong>it</strong>h love.<br />

C Good Food Room 03 5966 2464<br />

3415 Warbur<strong>to</strong>n Hwy, Warbur<strong>to</strong>n (Mel. Ref: 290 B4)<br />

Fresh home cooked lunch and cakes, Boscastle Pies,<br />

gluten and dairy free pie, Jasper Fairtrade coffee.<br />

D Hargreaves Hill Brewing Co. 03 9730 1905<br />

25 Bell Street, <strong>Yarra</strong> Glen (Mel. Ref: 275 A1)<br />

Delicious handmade fare from fresh regional<br />

produce. Award winning Vic<strong>to</strong>rian microbrewery.<br />

Eclectic <strong>Yarra</strong> <strong>Valley</strong> winelist.<br />

E Harvest Café 03 5962 4002<br />

256 Maroondah Hwy, Healesville (Mel. Ref: 278 C1)<br />

Handmade pies, fresh baked muffins, Genovese<br />

coffee, gourmet lunches, delicious desserts, salads.<br />

F Kiltynane Estate 0418 339 555<br />

Cnr School Ln & <strong>Yarra</strong>glen - Healesville Rd,<br />

Tarrawarra (Mel. Ref: 268 H12)<br />

We serve antipasta platters built by the cus<strong>to</strong>mer.<br />

Select from olives alone or up <strong>to</strong> a full platter –<br />

flexibil<strong>it</strong>y is the word. Coffee also available.<br />

G Red Shed Café 03 5964 4022<br />

24-26 Medhurst Road, Gruyere (Mel. Ref: 282 J7)<br />

Enjoy delicious food focusing on qual<strong>it</strong>y local<br />

ingredients & seasonal produce served in a relaxed &<br />

scenic environment complimented by Medhurst Wines.<br />

H Sticks Winery 03 9730 1022<br />

179 Glenview Road, <strong>Yarra</strong> Glen (Mel. Ref: 274 F5)<br />

Gourmet BBQ lunch available on the <strong>Open</strong> <strong>Studios</strong><br />

weekend - Saturday 18th, Sunday 19th September.<br />

J Three S<strong>to</strong>ries Artspace 03 5962 5688<br />

505 Maroondah Hwy, Healesville (Mel. Ref: 270 K11)<br />

Our hampers will feed your body as you cruise<br />

artists studios, leaving you time <strong>to</strong> vis<strong>it</strong> more<br />

studios! Lovely <strong>Yarra</strong> <strong>Valley</strong> finger food and drinks.<br />

To order: www.threes<strong>to</strong>ries.com.au<br />

food s<strong>to</strong>ps<br />

A Alowyn Gardens 03 9730 2400<br />

1210 Melba Highway, <strong>Yarra</strong> Glen (Mel. Ref: 267 G9)<br />

Coffee, tea, cool drinks and cakes available in a<br />

gorgeous garden setting.<br />

B Amanda’s Café 03 5967 1593<br />

3/2460 Warbur<strong>to</strong>n Hwy, <strong>Yarra</strong> Junction<br />

(Mel. Ref: 288 D8) Mostly local, organic, fair-trade<br />

produce cooked inhouse – made w<strong>it</strong>h love.<br />

C Good Food Room 03 5966 2464<br />

3415 Warbur<strong>to</strong>n Hwy, Warbur<strong>to</strong>n (Mel. Ref: 290 B4)<br />

Fresh home cooked lunch and cakes, Boscastle Pies,<br />

gluten and dairy free pie, Jasper Fairtrade coffee.<br />

D Hargreaves Hill Brewing Co. 03 9730 1905<br />

25 Bell Street, <strong>Yarra</strong> Glen (Mel. Ref: 275 A1)<br />

Delicious handmade fare from fresh regional<br />

produce. Award winning Vic<strong>to</strong>rian microbrewery.<br />

Eclectic <strong>Yarra</strong> <strong>Valley</strong> winelist.<br />

E Harvest Café 03 5962 4002<br />

256 Maroondah Hwy, Healesville (Mel. Ref: 278 C1)<br />

Handmade pies, fresh baked muffins, Genovese<br />

coffee, gourmet lunches, delicious desserts, salads.<br />

F Kiltynane Estate 0418 339 555<br />

Cnr School Ln & <strong>Yarra</strong>glen - Healesville Rd,<br />

Tarrawarra (Mel. Ref: 268 H12)<br />

We serve antipasta platters built by the cus<strong>to</strong>mer.<br />

Select from olives alone or up <strong>to</strong> a full platter –<br />

flexibil<strong>it</strong>y is the word. Coffee also available.<br />

G Red Shed Café 03 5964 4022<br />

24-26 Medhurst Road, Gruyere (Mel. Ref: 282 J7)<br />

Enjoy delicious food focusing on qual<strong>it</strong>y local<br />

ingredients & seasonal produce served in a relaxed &<br />

scenic environment complimented by Medhurst Wines.<br />

H Sticks Winery 03 9730 1022<br />

179 Glenview Road, <strong>Yarra</strong> Glen (Mel. Ref: 274 F5)<br />

Gourmet BBQ lunch available on the <strong>Open</strong> <strong>Studios</strong><br />

weekend - Saturday 18th, Sunday 19th September.<br />

J Three S<strong>to</strong>ries Artspace 03 5962 5688<br />

505 Maroondah Hwy, Healesville (Mel. Ref: 270 K11)<br />

Our hampers will feed your body as you cruise<br />

artists studios, leaving you time <strong>to</strong> vis<strong>it</strong> more<br />

studios! Lovely <strong>Yarra</strong> <strong>Valley</strong> finger food and drinks.<br />

To order: www.threes<strong>to</strong>ries.com.au<br />

PAGE 2 yarra valley openstudios 2010<br />

PAGE 2 yarra valley openstudios 2010<br />

PAGE 2 yarra valley openstudios 2010


Wh<strong>it</strong>e St<br />

Wh<strong>it</strong>e St<br />

Wh<strong>it</strong>e St<br />

1<br />

1<br />

1<br />

Healesville Glassblowing Studio<br />

Tim Bassett & Tali Dal<strong>to</strong>n<br />

Healesville Glassblowing Studio<br />

Tim Bassett & Tali Dal<strong>to</strong>n<br />

Healesville Glassblowing Studio<br />

Tim Bassett & Tali Dal<strong>to</strong>n<br />

Healesville Glassblowing Studio was founded by Tim<br />

Bassett & Tali Dal<strong>to</strong>n, internationally recognised glass<br />

artists w<strong>it</strong>h a combined practice of over 25 years. Their<br />

individual work is in the Australian National Art Glass<br />

Collection and the Vic<strong>to</strong>ria and Albert Museum in London.<br />

Tim specialises in s<strong>it</strong>e-specific contemporary chandeliers<br />

while Tali’s focus is on sculpture.<br />

‘We work independently but also collaborate on a range of<br />

functional objects where we approach the vessel as a<br />

canvas on which <strong>to</strong> explore colour and texture in a painterly<br />

manner, creating abstract and expressionistic land and<br />

skyscapes. Our mezzanine viewing area provides the opportun<strong>it</strong>y<br />

<strong>to</strong> see, first hand, the ancient art of glassblowing.’<br />

Healesville Glassblowing Studio was founded by Tim<br />

Bassett & Tali Dal<strong>to</strong>n, internationally recognised glass<br />

artists w<strong>it</strong>h a combined practice of over 25 years. Their<br />

individual work is in the Australian National Art Glass<br />

Collection and the Vic<strong>to</strong>ria and Albert Museum in London.<br />

Tim specialises in s<strong>it</strong>e-specific contemporary chandeliers<br />

while Tali’s focus is on sculpture.<br />

‘We work independently but also collaborate on a range of<br />

functional objects where we approach the vessel as a<br />

canvas on which <strong>to</strong> explore colour and texture in a painterly<br />

manner, creating abstract and expressionistic land and<br />

skyscapes. Our mezzanine viewing area provides the opportun<strong>it</strong>y<br />

<strong>to</strong> see, first hand, the ancient art of glassblowing.’<br />

Healesville Glassblowing Studio was founded by Tim<br />

Bassett & Tali Dal<strong>to</strong>n, internationally recognised glass<br />

artists w<strong>it</strong>h a combined practice of over 25 years. Their<br />

individual work is in the Australian National Art Glass<br />

Collection and the Vic<strong>to</strong>ria and Albert Museum in London.<br />

Tim specialises in s<strong>it</strong>e-specific contemporary chandeliers<br />

while Tali’s focus is on sculpture.<br />

‘We work independently but also collaborate on a range of<br />

functional objects where we approach the vessel as a<br />

canvas on which <strong>to</strong> explore colour and texture in a painterly<br />

manner, creating abstract and expressionistic land and<br />

skyscapes. Our mezzanine viewing area provides the opportun<strong>it</strong>y<br />

<strong>to</strong> see, first hand, the ancient art of glassblowing.’<br />

Ph: 03 5962 2211<br />

416-420 Maroondah Hwy, Healesville<br />

www.hgbs.com.au<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Goondah Lane<br />

Ph: 03 5962 2211<br />

416-420 Maroondah Hwy, Healesville<br />

www.hgbs.com.au<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Goondah Lane<br />

Ph: 03 5962 2211<br />

416-420 Maroondah Hwy, Healesville<br />

www.hgbs.com.au<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Goondah Lane<br />

Permanent open hours:<br />

10am - 5pm, Thurs - Sun<br />

Melways Ref: 270 F11<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw Rd<br />

Permanent open hours:<br />

10am - 5pm, Thurs - Sun<br />

Melways Ref: 270 F11<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw Rd<br />

Permanent open hours:<br />

10am - 5pm, Thurs - Sun<br />

Melways Ref: 270 F11<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw<br />

PAGE 4 yarra valley openstudios 2010<br />

Old Fernshaw Rd<br />

PAGE 4 yarra valley openstudios 2010<br />

Old Fernshaw Rd<br />

PAGE 4 yarra valley openstudios 2010<br />

Old Fernshaw Rd


2<br />

2<br />

2<br />

Gayle Lorraine Burgess<br />

mixed media artist<br />

Gayle Lorraine Burgess<br />

mixed media artist<br />

Gayle Lorraine Burgess<br />

mixed media artist<br />

My works are bright and beautiful, and meet my need <strong>to</strong><br />

create beauty that gives joy and happiness; works that<br />

uplift the viewer and wearer; <strong>to</strong> create original works of<br />

pos<strong>it</strong>ive beauty. As an intu<strong>it</strong>ive contemporary artist I work<br />

in two disciplines; painting; using acrylics and precious<br />

leaf on canvas or linen; and textiles including crochet and<br />

felting, using Australian wool, imported silk and <strong>Yarra</strong><br />

<strong>Valley</strong> Alpaca.<br />

Giving honour <strong>to</strong> the past, while moving forward in<strong>to</strong><br />

<strong>to</strong>morrow, my creativ<strong>it</strong>y is underpinned by study and<br />

observation, by beginning, thinking, planning and<br />

drawing. Through actioning these processes, the muse<br />

takes over and completion follows.<br />

MAROONDAH HWY<br />

Monda Pde<br />

My works are bright and beautiful, and meet my need <strong>to</strong><br />

create beauty that gives joy and happiness; works that<br />

uplift the viewer and wearer; <strong>to</strong> create original works of<br />

pos<strong>it</strong>ive beauty. As an intu<strong>it</strong>ive contemporary artist I work<br />

in two disciplines; painting; using acrylics and precious<br />

leaf on canvas or linen; and textiles including crochet and<br />

felting, using Australian wool, imported silk and <strong>Yarra</strong><br />

<strong>Valley</strong> Alpaca.<br />

Giving honour <strong>to</strong> the past, while moving forward in<strong>to</strong><br />

<strong>to</strong>morrow, my creativ<strong>it</strong>y is underpinned by study and<br />

observation, by beginning, thinking, planning and<br />

drawing. Through actioning these processes, the muse<br />

takes over and completion follows.<br />

MAROONDAH HWY<br />

Monda Pde<br />

My works are bright and beautiful, and meet my need <strong>to</strong><br />

create beauty that gives joy and happiness; works that<br />

uplift the viewer and wearer; <strong>to</strong> create original works of<br />

pos<strong>it</strong>ive beauty. As an intu<strong>it</strong>ive contemporary artist I work<br />

in two disciplines; painting; using acrylics and precious<br />

leaf on canvas or linen; and textiles including crochet and<br />

felting, using Australian wool, imported silk and <strong>Yarra</strong><br />

<strong>Valley</strong> Alpaca.<br />

Giving honour <strong>to</strong> the past, while moving forward in<strong>to</strong><br />

<strong>to</strong>morrow, my creativ<strong>it</strong>y is underpinned by study and<br />

observation, by beginning, thinking, planning and<br />

drawing. Through actioning these processes, the muse<br />

takes over and completion follows.<br />

MAROONDAH HWY<br />

Monda Pde<br />

Ph: 03 5962 1389<br />

40 Graceburn Ave, Healesville<br />

Email: bgburgess@internode.on.net<br />

www.gaylelorrainedesigns.com<br />

Healesville<br />

Graceburn Ave<br />

Wallace Road<br />

MAROONDAH HWY<br />

Ph: 03 5962 1389<br />

40 Graceburn Ave, Healesville<br />

Email: bgburgess@internode.on.net<br />

www.gaylelorrainedesigns.com<br />

Healesville<br />

Graceburn Ave<br />

Wallace Road<br />

MAROONDAH HWY<br />

Ph: 03 5962 1389<br />

40 Graceburn Ave, Healesville<br />

Email: bgburgess@internode.on.net<br />

www.gaylelorrainedesigns.com<br />

Healesville<br />

Graceburn Ave<br />

Wallace Road<br />

MAROONDAH HWY<br />

Melways Ref: 270 H12<br />

Graceburn Ave<br />

Melways Ref: 270 H12<br />

Graceburn Ave<br />

Melways Ref: 270 H12<br />

Graceburn Ave<br />

yarra valley openstudios 2010 PAGE 5<br />

yarra valley openstudios 2010 PAGE 5<br />

yarra valley openstudios 2010 PAGE 5


3<br />

3<br />

3<br />

Christine Cafarella-Pearce<br />

painter<br />

Christine Cafarella-Pearce<br />

painter<br />

Christine Cafarella-Pearce<br />

painter<br />

When I paint, I strive <strong>to</strong> interpret mood and atmosphere,<br />

whilst maintaining real<strong>it</strong>y in my imagery. The atmospheric<br />

mountain mists set against the lush greens and rich<br />

ochres of the farmland of the <strong>Yarra</strong> <strong>Valley</strong> are one of my<br />

favoured subjects. When I paint people, I love <strong>to</strong> place<br />

them in their environment where they can tell their own<br />

s<strong>to</strong>ry. My artistic journey continually compels me <strong>to</strong><br />

find new ways <strong>to</strong> paint what my eyes see. My primary<br />

medium is oil but I also work in pen, charcoal, pastel and<br />

watercolour on silk.<br />

Links Grove<br />

When I paint, I strive <strong>to</strong> interpret mood and atmosphere,<br />

whilst maintaining real<strong>it</strong>y in my imagery. The atmospheric<br />

mountain mists set against the lush greens and rich<br />

ochres of the farmland of the <strong>Yarra</strong> <strong>Valley</strong> are one of my<br />

favoured subjects. When I paint people, I love <strong>to</strong> place<br />

them in their environment where they can tell their own<br />

s<strong>to</strong>ry. My artistic journey continually compels me <strong>to</strong><br />

find new ways <strong>to</strong> paint what my eyes see. My primary<br />

medium is oil but I also work in pen, charcoal, pastel and<br />

watercolour on silk.<br />

Links Grove<br />

When I paint, I strive <strong>to</strong> interpret mood and atmosphere,<br />

whilst maintaining real<strong>it</strong>y in my imagery. The atmospheric<br />

mountain mists set against the lush greens and rich<br />

ochres of the farmland of the <strong>Yarra</strong> <strong>Valley</strong> are one of my<br />

favoured subjects. When I paint people, I love <strong>to</strong> place<br />

them in their environment where they can tell their own<br />

s<strong>to</strong>ry. My artistic journey continually compels me <strong>to</strong><br />

find new ways <strong>to</strong> paint what my eyes see. My primary<br />

medium is oil but I also work in pen, charcoal, pastel and<br />

watercolour on silk.<br />

Links Grove<br />

Ph: 03 5962 6055 (w)<br />

Ph: 03 5962 2751 (h)<br />

21 Chum Creek Rd (Healesville - Kinglake Rd)<br />

Healesville<br />

www.cafarella-pearce.net.au<br />

Eleva Rd<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Healesville Kinglake Rd<br />

Ph: 03 5962 6055 (w)<br />

Ph: 03 5962 2751 (h)<br />

21 Chum Creek Rd (Healesville - Kinglake Rd)<br />

Healesville<br />

www.cafarella-pearce.net.au<br />

Eleva Rd<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Healesville Kinglake Rd<br />

Ph: 03 5962 6055 (w)<br />

Ph: 03 5962 2751 (h)<br />

21 Chum Creek Rd (Healesville - Kinglake Rd)<br />

Healesville<br />

www.cafarella-pearce.net.au<br />

Eleva Rd<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Healesville Kinglake Rd<br />

Healesville Kinglake Rd<br />

Healesville Kinglake Rd<br />

Healesville Kinglake Rd<br />

Melways Ref: 269 H11<br />

Melways Ref: 269 H11<br />

Melways Ref: 269 H11<br />

PAGE 6 yarra valley openstudios 2010<br />

PAGE 6 yarra valley openstudios 2010<br />

PAGE 6 yarra valley openstudios 2010


4<br />

4<br />

4<br />

Phyll Darson<br />

Painter<br />

Phyll Darson<br />

Painter<br />

Phyll Darson<br />

Painter<br />

When I was 12 my family moved from the suburbs <strong>to</strong> the<br />

Dandenong Ranges. At this time the area was still very<br />

countrified and, <strong>to</strong>gether w<strong>it</strong>h our dog, I would spend<br />

many hours wandering through the bush, observing<br />

plants, rocks, birds and wildlife. I later moved <strong>to</strong> the<br />

Sunshine Coast and fell in love w<strong>it</strong>h the ocean.<br />

I developed a real love of nature and <strong>it</strong> is this feeling that I<br />

re-capture when working on my paintings – sunset colours,<br />

changing moods of the ocean and sky, the beauty of<br />

landscape, flowers, birds and animals. I find painting these<br />

subjects as absorbing and peaceful as being in their midst.<br />

When I was 12 my family moved from the suburbs <strong>to</strong> the<br />

Dandenong Ranges. At this time the area was still very<br />

countrified and, <strong>to</strong>gether w<strong>it</strong>h our dog, I would spend<br />

many hours wandering through the bush, observing<br />

plants, rocks, birds and wildlife. I later moved <strong>to</strong> the<br />

Sunshine Coast and fell in love w<strong>it</strong>h the ocean.<br />

I developed a real love of nature and <strong>it</strong> is this feeling that I<br />

re-capture when working on my paintings – sunset colours,<br />

changing moods of the ocean and sky, the beauty of<br />

landscape, flowers, birds and animals. I find painting these<br />

subjects as absorbing and peaceful as being in their midst.<br />

When I was 12 my family moved from the suburbs <strong>to</strong> the<br />

Dandenong Ranges. At this time the area was still very<br />

countrified and, <strong>to</strong>gether w<strong>it</strong>h our dog, I would spend<br />

many hours wandering through the bush, observing<br />

plants, rocks, birds and wildlife. I later moved <strong>to</strong> the<br />

Sunshine Coast and fell in love w<strong>it</strong>h the ocean.<br />

I developed a real love of nature and <strong>it</strong> is this feeling that I<br />

re-capture when working on my paintings – sunset colours,<br />

changing moods of the ocean and sky, the beauty of<br />

landscape, flowers, birds and animals. I find painting these<br />

subjects as absorbing and peaceful as being in their midst.<br />

Bradshaw Drive<br />

Bradshaw Drive<br />

Bradshaw Drive<br />

Ph: 03 5962 6949<br />

49 St. Leonards Rd, Healesville<br />

www.phylldarson.weebly.com<br />

St Leonards Rd<br />

Ph: 03 5962 6949<br />

49 St. Leonards Rd, Healesville<br />

www.phylldarson.weebly.com<br />

St Leonards Rd<br />

Ph: 03 5962 6949<br />

49 St. Leonards Rd, Healesville<br />

www.phylldarson.weebly.com<br />

St Leonards Rd<br />

Melways Ref: 270 D11<br />

Walkers Lane<br />

MAROONDAH HWY<br />

Melways Ref: 270 D11<br />

Walkers Lane<br />

MAROONDAH HWY<br />

Melways Ref: 270 D11<br />

Walkers Lane<br />

MAROONDAH HWY<br />

yarra valley openstudios 2010 PAGE 7<br />

H HWY<br />

yarra valley openstudios 2010 PAGE 7<br />

H HWY<br />

yarra valley openstudios 2010 PAGE 7<br />

H HWY


5<br />

5<br />

5<br />

Michael Emmett<br />

pho<strong>to</strong>grapher<br />

Michael Emmett<br />

pho<strong>to</strong>grapher<br />

Michael Emmett<br />

pho<strong>to</strong>grapher<br />

Taking great pho<strong>to</strong>graphs is like listening <strong>to</strong> a s<strong>to</strong>ry.<br />

There’s a moment when you truly hear another’s s<strong>to</strong>ry<br />

that complete understanding passes between you. It’s<br />

during that moment in pho<strong>to</strong>graphy that a great image<br />

is wa<strong>it</strong>ing <strong>to</strong> be captured. I try <strong>to</strong> be present in the<br />

moment before me, <strong>to</strong> take pho<strong>to</strong>graphs that pass on<br />

understanding and tell a s<strong>to</strong>ry.<br />

Taking great pho<strong>to</strong>graphs is like listening <strong>to</strong> a s<strong>to</strong>ry.<br />

There’s a moment when you truly hear another’s s<strong>to</strong>ry<br />

that complete understanding passes between you. It’s<br />

during that moment in pho<strong>to</strong>graphy that a great image<br />

is wa<strong>it</strong>ing <strong>to</strong> be captured. I try <strong>to</strong> be present in the<br />

moment before me, <strong>to</strong> take pho<strong>to</strong>graphs that pass on<br />

understanding and tell a s<strong>to</strong>ry.<br />

Taking great pho<strong>to</strong>graphs is like listening <strong>to</strong> a s<strong>to</strong>ry.<br />

There’s a moment when you truly hear another’s s<strong>to</strong>ry<br />

that complete understanding passes between you. It’s<br />

during that moment in pho<strong>to</strong>graphy that a great image<br />

is wa<strong>it</strong>ing <strong>to</strong> be captured. I try <strong>to</strong> be present in the<br />

moment before me, <strong>to</strong> take pho<strong>to</strong>graphs that pass on<br />

understanding and tell a s<strong>to</strong>ry.<br />

Ph: 03 5962 6166 M: 0418 990 813<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: mike@redfishbluefish.com.au<br />

www.redfishbluefish.com.au<br />

Melways Ref: 270 K11<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Marysville<br />

Ph: 03 5962 6166 M: 0418 990 813<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: mike@redfishbluefish.com.au<br />

www.redfishbluefish.com.au<br />

Melways Ref: 270 K11<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Marysville<br />

Ph: 03 5962 6166 M: 0418 990 813<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: mike@redfishbluefish.com.au<br />

www.redfishbluefish.com.au<br />

Melways Ref: 270 K11<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Marysvil<br />

PAGE 8 yarra valley openstudios 2010<br />

PAGE 8 yarra valley openstudios 2010<br />

PAGE 8 yarra valley openstudios 2010


6<br />

6<br />

6<br />

Kim Meghan Evans<br />

drawing, painting & mixed media<br />

Kim Meghan Evans<br />

drawing, painting & mixed media<br />

Kim Meghan Evans<br />

drawing, painting & mixed media<br />

My works explore the realms of imagination, the<br />

unconscious and dream-like states. Animals, figures,<br />

nature and words, are sources of inspiration, yet they are<br />

not l<strong>it</strong>erally interpreted. The images I create are symbolic,<br />

otherworldly and surreal. I have been practicing and<br />

exhib<strong>it</strong>ing as a Visual Artist including group shows in New<br />

York, Austria, Italy and regional galleries around Australia.<br />

I also work as a Conceptual Illustra<strong>to</strong>r and have had works<br />

published in magazines and books.<br />

I share a studio w<strong>it</strong>h Angela Nagel. She has remained my<br />

best friend and creative ally for over 20 years. We continuously<br />

support each other’s growth and journey as artists, and<br />

the studio is a sanctuary for our creativ<strong>it</strong>y and inspirations.<br />

My works explore the realms of imagination, the<br />

unconscious and dream-like states. Animals, figures,<br />

nature and words, are sources of inspiration, yet they are<br />

not l<strong>it</strong>erally interpreted. The images I create are symbolic,<br />

otherworldly and surreal. I have been practicing and<br />

exhib<strong>it</strong>ing as a Visual Artist including group shows in New<br />

York, Austria, Italy and regional galleries around Australia.<br />

I also work as a Conceptual Illustra<strong>to</strong>r and have had works<br />

published in magazines and books.<br />

I share a studio w<strong>it</strong>h Angela Nagel. She has remained my<br />

best friend and creative ally for over 20 years. We continuously<br />

support each other’s growth and journey as artists, and<br />

the studio is a sanctuary for our creativ<strong>it</strong>y and inspirations.<br />

My works explore the realms of imagination, the<br />

unconscious and dream-like states. Animals, figures,<br />

nature and words, are sources of inspiration, yet they are<br />

not l<strong>it</strong>erally interpreted. The images I create are symbolic,<br />

otherworldly and surreal. I have been practicing and<br />

exhib<strong>it</strong>ing as a Visual Artist including group shows in New<br />

York, Austria, Italy and regional galleries around Australia.<br />

I also work as a Conceptual Illustra<strong>to</strong>r and have had works<br />

published in magazines and books.<br />

I share a studio w<strong>it</strong>h Angela Nagel. She has remained my<br />

best friend and creative ally for over 20 years. We continuously<br />

support each other’s growth and journey as artists, and<br />

the studio is a sanctuary for our creativ<strong>it</strong>y and inspirations.<br />

DON RD<br />

DON RD<br />

DON RD<br />

Ph: 03 5962 4858<br />

149 Badger Weir Road<br />

Healesville<br />

www.kimevans.com<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

Badger Weir Rd<br />

Ph: 03 5962 4858<br />

149 Badger Weir Road<br />

Healesville<br />

www.kimevans.com<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

Badger Weir Rd<br />

Ph: 03 5962 4858<br />

149 Badger Weir Road<br />

Healesville<br />

www.kimevans.com<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

Badger Weir Rd<br />

yarra valley openstudios 2010 PAGE 9<br />

yarra valley openstudios 2010 PAGE 9<br />

yarra valley openstudios 2010 PAGE 9


7<br />

7<br />

7<br />

Julia Franz<br />

Ceramist<br />

Julia Franz<br />

Ceramist<br />

Julia Franz<br />

Ceramist<br />

I like <strong>to</strong> make tableware for my home or yours, as well<br />

as completely useless things that you need just because<br />

they make you smile!<br />

I work w<strong>it</strong>h s<strong>to</strong>neware clay, often w<strong>it</strong>h light subtle glazes<br />

<strong>to</strong> enhance the shape of the pot. My ceramics have a<br />

handmade look and feel not all qu<strong>it</strong>e the same but still<br />

clearly friends.<br />

I get inspiration from my home country, Sweden. I grew<br />

up next <strong>to</strong> the salty ocean, and dream about the nature,<br />

light, houses, lakes and people.<br />

I like <strong>to</strong> make tableware for my home or yours, as well<br />

as completely useless things that you need just because<br />

they make you smile!<br />

I work w<strong>it</strong>h s<strong>to</strong>neware clay, often w<strong>it</strong>h light subtle glazes<br />

<strong>to</strong> enhance the shape of the pot. My ceramics have a<br />

handmade look and feel not all qu<strong>it</strong>e the same but still<br />

clearly friends.<br />

I get inspiration from my home country, Sweden. I grew<br />

up next <strong>to</strong> the salty ocean, and dream about the nature,<br />

light, houses, lakes and people.<br />

I like <strong>to</strong> make tableware for my home or yours, as well<br />

as completely useless things that you need just because<br />

they make you smile!<br />

I work w<strong>it</strong>h s<strong>to</strong>neware clay, often w<strong>it</strong>h light subtle glazes<br />

<strong>to</strong> enhance the shape of the pot. My ceramics have a<br />

handmade look and feel not all qu<strong>it</strong>e the same but still<br />

clearly friends.<br />

I get inspiration from my home country, Sweden. I grew<br />

up next <strong>to</strong> the salty ocean, and dream about the nature,<br />

light, houses, lakes and people.<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

Hunter Rd<br />

Healesville Kinglake Rd<br />

Healesville<br />

Lilydale Rd<br />

McGret<strong>to</strong>ns Rd<br />

HWY<br />

MAROONDAH<br />

The Mud Fac<strong>to</strong>ry<br />

Ph: 03 5962 5343<br />

29 Hunter Road, Healesville<br />

www.formbar.com.au<br />

Permanent open hours: Wed – Sun<br />

10am – 5pm. Melways Ref: 277 K1<br />

Hunter Rd<br />

Healesville Kinglake Rd<br />

Healesville<br />

Lilydale Rd<br />

McGret<strong>to</strong>ns Rd<br />

HWY<br />

MAROONDAH<br />

The Mud Fac<strong>to</strong>ry<br />

Ph: 03 5962 5343<br />

29 Hunter Road, Healesville<br />

www.formbar.com.au<br />

Permanent open hours: Wed – Sun<br />

10am – 5pm. Melways Ref: 277 K1<br />

Hunter Rd<br />

Healesville Kinglake Rd<br />

Healesville<br />

Lilydale Rd<br />

McGret<strong>to</strong>ns Rd<br />

HWY<br />

MAROONDAH<br />

The Mud Fac<strong>to</strong>ry<br />

Ph: 03 5962 5343<br />

29 Hunter Road, Healesville<br />

www.formbar.com.au<br />

Permanent open hours: Wed – Sun<br />

10am – 5pm. Melways Ref: 277 K1<br />

PAGE 10 yarra valley openstudios 2010<br />

PAGE 10 yarra valley openstudios 2010<br />

PAGE 10 yarra valley openstudios 2010


8<br />

8<br />

8<br />

Julia Goodwin<br />

Textiles & painter<br />

Julia Goodwin<br />

Textiles & painter<br />

Julia Goodwin<br />

Textiles & painter<br />

I always paint w<strong>it</strong>h a spontaneous passion for colour,<br />

design and natural creativ<strong>it</strong>y. I have specialised in Silk<br />

Painting for 18 years and use s<strong>to</strong>ry, symbols, nature and<br />

landscape <strong>to</strong> create unique, bright, happy, vibrant work<br />

that continually evolves.<br />

I am inspired by my surroundings, the <strong>Yarra</strong> River as <strong>it</strong><br />

flows from Warbur<strong>to</strong>n, through the <strong>Yarra</strong> <strong>Valley</strong> <strong>to</strong>wards<br />

the sea; people and every day life experiences.<br />

For myself, 2010 began w<strong>it</strong>h change, exploration and a<br />

new direction. As my Arte work unfolds, I find harmony in<br />

inspiring others <strong>to</strong> enjoy and create art for well being.<br />

I always paint w<strong>it</strong>h a spontaneous passion for colour,<br />

design and natural creativ<strong>it</strong>y. I have specialised in Silk<br />

Painting for 18 years and use s<strong>to</strong>ry, symbols, nature and<br />

landscape <strong>to</strong> create unique, bright, happy, vibrant work<br />

that continually evolves.<br />

I am inspired by my surroundings, the <strong>Yarra</strong> River as <strong>it</strong><br />

flows from Warbur<strong>to</strong>n, through the <strong>Yarra</strong> <strong>Valley</strong> <strong>to</strong>wards<br />

the sea; people and every day life experiences.<br />

For myself, 2010 began w<strong>it</strong>h change, exploration and a<br />

new direction. As my Arte work unfolds, I find harmony in<br />

inspiring others <strong>to</strong> enjoy and create art for well being.<br />

I always paint w<strong>it</strong>h a spontaneous passion for colour,<br />

design and natural creativ<strong>it</strong>y. I have specialised in Silk<br />

Painting for 18 years and use s<strong>to</strong>ry, symbols, nature and<br />

landscape <strong>to</strong> create unique, bright, happy, vibrant work<br />

that continually evolves.<br />

I am inspired by my surroundings, the <strong>Yarra</strong> River as <strong>it</strong><br />

flows from Warbur<strong>to</strong>n, through the <strong>Yarra</strong> <strong>Valley</strong> <strong>to</strong>wards<br />

the sea; people and every day life experiences.<br />

For myself, 2010 began w<strong>it</strong>h change, exploration and a<br />

new direction. As my Arte work unfolds, I find harmony in<br />

inspiring others <strong>to</strong> enjoy and create art for well being.<br />

MAROONDAH HWY<br />

Crowley Rd<br />

Lalors Rd<br />

Brumfield Rd<br />

Lalors Lane<br />

Lalors Rd<br />

Newgrove Rd<br />

MAROONDAH HWY<br />

Crowley Rd<br />

Lalors Rd<br />

Brumfield Rd<br />

Lalors Lane<br />

Lalors Rd<br />

Newgrove Rd<br />

MAROONDAH HWY<br />

Crowley Rd<br />

Lalors Rd<br />

Brumfield Rd<br />

Lalors Lane<br />

Lalors Rd<br />

Newgrove Rd<br />

MAROONDAH HWY<br />

Ph: 03 5962 1070 M: 0439 137 212<br />

79 Newgrove Rd, Healesville<br />

www.arteonyarra.com<br />

MAROONDAH HWY<br />

Ph: 03 5962 1070 M: 0439 137 212<br />

79 Newgrove Rd, Healesville<br />

www.arteonyarra.com<br />

MAROONDAH HWY<br />

Ph: 03 5962 1070 M: 0439 137 212<br />

79 Newgrove Rd, Healesville<br />

www.arteonyarra.com<br />

Melways Ref: 278 E3<br />

Melways Ref: 278 E3<br />

Melways Ref: 278 E3<br />

yarra valley openstudios 2010 PAGE 11<br />

yarra valley openstudios 2010 PAGE 11<br />

yarra valley openstudios 2010 PAGE 11


9<br />

9<br />

9<br />

Pamela Gordon<br />

Pastels<br />

Pamela Gordon<br />

Pastels<br />

Pamela Gordon<br />

Pastels<br />

My passion is for pastels, but sometimes I choose <strong>to</strong> paint<br />

a particular subject in oils or acrylics. I love the feel of<br />

the pastel as I put <strong>it</strong> straight <strong>to</strong> the paper - such vibrant<br />

colours appear.<br />

In my studio you will find many varieties of pastels and<br />

papers, which I use <strong>to</strong> create my works of art.<br />

The experience of being part of last year’s inaugural <strong>Open</strong><br />

Studio, was exc<strong>it</strong>ing. I look forward <strong>to</strong> showing you how I<br />

create a pastel painting.<br />

My passion is for pastels, but sometimes I choose <strong>to</strong> paint<br />

a particular subject in oils or acrylics. I love the feel of<br />

the pastel as I put <strong>it</strong> straight <strong>to</strong> the paper - such vibrant<br />

colours appear.<br />

In my studio you will find many varieties of pastels and<br />

papers, which I use <strong>to</strong> create my works of art.<br />

The experience of being part of last year’s inaugural <strong>Open</strong><br />

Studio, was exc<strong>it</strong>ing. I look forward <strong>to</strong> showing you how I<br />

create a pastel painting.<br />

My passion is for pastels, but sometimes I choose <strong>to</strong> paint<br />

a particular subject in oils or acrylics. I love the feel of<br />

the pastel as I put <strong>it</strong> straight <strong>to</strong> the paper - such vibrant<br />

colours appear.<br />

In my studio you will find many varieties of pastels and<br />

papers, which I use <strong>to</strong> create my works of art.<br />

The experience of being part of last year’s inaugural <strong>Open</strong><br />

Studio, was exc<strong>it</strong>ing. I look forward <strong>to</strong> showing you how I<br />

create a pastel painting.<br />

Ph: 03 5962 5300<br />

272 Mt. Riddell Rd, Healesville<br />

Ph: 03 5962 5300<br />

272 Mt. Riddell Rd, Healesville<br />

Ph: 03 5962 5300<br />

272 Mt. Riddell Rd, Healesville<br />

Healesville<br />

DON ROAD<br />

Wallace Pde<br />

Olive Gr<br />

Healesville<br />

DON ROAD<br />

Wallace Pde<br />

Olive Gr<br />

Healesville<br />

DON ROAD<br />

Wallace Pde<br />

Olive Gr<br />

MOUNT RIDDELL ROAD<br />

Melways Ref: 278 H3<br />

MOUNT RIDDELL ROAD<br />

Melways Ref: 278 H3<br />

MOUNT RIDDELL ROAD<br />

Melways Ref: 278 H3<br />

PAGE 12 yarra valley openstudios 2010<br />

PAGE 12 yarra valley openstudios 2010<br />

PAGE 12 yarra valley openstudios 2010


10<br />

10<br />

10<br />

Ali Griffin<br />

Conceptual art<br />

Ali Griffin<br />

Conceptual art<br />

Ali Griffin<br />

Conceptual art<br />

Ever-changing, always looking, constantly learning.<br />

Interested in expressing the intricacies of life, I find <strong>it</strong> stifling<br />

<strong>to</strong> place myself in a particular creative category. So in<br />

my artistic life, I lead a very personal journey whilst trying<br />

<strong>to</strong> communicate a concept <strong>to</strong> the viewing audience. This<br />

may take form in a mult<strong>it</strong>ude of mediums, including sculpture,<br />

painting or drawing - through which I am learning <strong>to</strong><br />

trust my creative self, and let <strong>it</strong> guide me <strong>to</strong> a wisdom that<br />

may not have been reached if not for my arts practice.<br />

I am happiest when my studio is full of books, recycled<br />

materials and sunlight.<br />

Ever-changing, always looking, constantly learning.<br />

Interested in expressing the intricacies of life, I find <strong>it</strong> stifling<br />

<strong>to</strong> place myself in a particular creative category. So in<br />

my artistic life, I lead a very personal journey whilst trying<br />

<strong>to</strong> communicate a concept <strong>to</strong> the viewing audience. This<br />

may take form in a mult<strong>it</strong>ude of mediums, including sculpture,<br />

painting or drawing - through which I am learning <strong>to</strong><br />

trust my creative self, and let <strong>it</strong> guide me <strong>to</strong> a wisdom that<br />

may not have been reached if not for my arts practice.<br />

I am happiest when my studio is full of books, recycled<br />

materials and sunlight.<br />

Ever-changing, always looking, constantly learning.<br />

Interested in expressing the intricacies of life, I find <strong>it</strong> stifling<br />

<strong>to</strong> place myself in a particular creative category. So in<br />

my artistic life, I lead a very personal journey whilst trying<br />

<strong>to</strong> communicate a concept <strong>to</strong> the viewing audience. This<br />

may take form in a mult<strong>it</strong>ude of mediums, including sculpture,<br />

painting or drawing - through which I am learning <strong>to</strong><br />

trust my creative self, and let <strong>it</strong> guide me <strong>to</strong> a wisdom that<br />

may not have been reached if not for my arts practice.<br />

I am happiest when my studio is full of books, recycled<br />

materials and sunlight.<br />

Ph: 03 5962 5688 M: 0411 722 737<br />

Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

www.threes<strong>to</strong>ries.com.au<br />

Email: ali@threes<strong>to</strong>ries.com.au<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Permanent open hours:<br />

11am - 4pm Thurs - Sun<br />

Melways Ref: 270 K11<br />

Marysville<br />

Ph: 03 5962 5688 M: 0411 722 737<br />

Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

www.threes<strong>to</strong>ries.com.au<br />

Email: ali@threes<strong>to</strong>ries.com.au<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Permanent open hours:<br />

11am - 4pm Thurs - Sun<br />

Melways Ref: 270 K11<br />

Marysville<br />

Ph: 03 5962 5688 M: 0411 722 737<br />

Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

www.threes<strong>to</strong>ries.com.au<br />

Email: ali@threes<strong>to</strong>ries.com.au<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Permanent open hours:<br />

11am - 4pm Thurs - Sun<br />

Melways Ref: 270 K11<br />

M<br />

yarra valley openstudios 2010 PAGE 13<br />

yarra valley openstudios 2010 PAGE 13<br />

yarra valley openstudios 2010 PAGE 13


11<br />

11<br />

11<br />

Janet Hayes<br />

Pastels<br />

Janet Hayes<br />

Pastels<br />

Janet Hayes<br />

Pastels<br />

I work almost exclusively in pastels, being attracted<br />

<strong>to</strong> their unique texture, glowing colour and the variety<br />

achievable, from a spontaneous sketch <strong>to</strong> a more detailed<br />

painting. My subjects include still life, which I use <strong>to</strong><br />

express ideas and s<strong>to</strong>ries, figures and portra<strong>it</strong>s.<br />

In the mid eighties I studied pastel portra<strong>it</strong>ure w<strong>it</strong>h<br />

portra<strong>it</strong>ist/artist/tu<strong>to</strong>r Daniel Greene in New York. I have<br />

exhib<strong>it</strong>ed widely, and have also been published nationally<br />

and internationally. I have received several awards,<br />

including the Allied Artists of America Award at the<br />

Pastel Society of America annual exhib<strong>it</strong>ion, New York<br />

C<strong>it</strong>y in 1993.<br />

Warringah Drive<br />

I work almost exclusively in pastels, being attracted<br />

<strong>to</strong> their unique texture, glowing colour and the variety<br />

achievable, from a spontaneous sketch <strong>to</strong> a more detailed<br />

painting. My subjects include still life, which I use <strong>to</strong><br />

express ideas and s<strong>to</strong>ries, figures and portra<strong>it</strong>s.<br />

In the mid eighties I studied pastel portra<strong>it</strong>ure w<strong>it</strong>h<br />

portra<strong>it</strong>ist/artist/tu<strong>to</strong>r Daniel Greene in New York. I have<br />

exhib<strong>it</strong>ed widely, and have also been published nationally<br />

and internationally. I have received several awards,<br />

including the Allied Artists of America Award at the<br />

Pastel Society of America annual exhib<strong>it</strong>ion, New York<br />

C<strong>it</strong>y in 1993.<br />

Warringah Drive<br />

I work almost exclusively in pastels, being attracted<br />

<strong>to</strong> their unique texture, glowing colour and the variety<br />

achievable, from a spontaneous sketch <strong>to</strong> a more detailed<br />

painting. My subjects include still life, which I use <strong>to</strong><br />

express ideas and s<strong>to</strong>ries, figures and portra<strong>it</strong>s.<br />

In the mid eighties I studied pastel portra<strong>it</strong>ure w<strong>it</strong>h<br />

portra<strong>it</strong>ist/artist/tu<strong>to</strong>r Daniel Greene in New York. I have<br />

exhib<strong>it</strong>ed widely, and have also been published nationally<br />

and internationally. I have received several awards,<br />

including the Allied Artists of America Award at the<br />

Pastel Society of America annual exhib<strong>it</strong>ion, New York<br />

C<strong>it</strong>y in 1993.<br />

Warringah Drive<br />

Ph: 0417 073 620<br />

25 Arlunya Road<br />

Chum Creek<br />

Email: info@janethayes.com.au<br />

www.janethayes.com.au<br />

Melways Ref: 270 A4<br />

Arlunya Road<br />

Lowes Road<br />

Ph: 0417 073 620<br />

25 Arlunya Road<br />

Chum Creek<br />

Email: info@janethayes.com.au<br />

www.janethayes.com.au<br />

Melways Ref: 270 A4<br />

Arlunya Road<br />

Lowes Road<br />

Ph: 0417 073 620<br />

25 Arlunya Road<br />

Chum Creek<br />

Email: info@janethayes.com.au<br />

www.janethayes.com.au<br />

Melways Ref: 270 A4<br />

Arlunya Road<br />

Lowes Road<br />

PAGE 14 yarra valley openstudios 2010<br />

PAGE 14 yarra valley openstudios 2010<br />

PAGE 14 yarra valley openstudios 2010


12<br />

12<br />

12<br />

Bec Jones<br />

PHOTOGRAPHER<br />

Bec Jones<br />

PHOTOGRAPHER<br />

Bec Jones<br />

PHOTOGRAPHER<br />

I am passionate about pho<strong>to</strong>graphy as a medium <strong>to</strong><br />

capture and express the very essence of life… simplistic<br />

and raw - as <strong>it</strong> really is. I have developed an interest<br />

in lifestyle pho<strong>to</strong>graphy… being more journalistic in<br />

style – w<strong>it</strong>h an emphasis on capturing the s<strong>to</strong>ry and the<br />

imagination.<br />

I am passionate about pho<strong>to</strong>graphy as a medium <strong>to</strong><br />

capture and express the very essence of life… simplistic<br />

and raw - as <strong>it</strong> really is. I have developed an interest<br />

in lifestyle pho<strong>to</strong>graphy… being more journalistic in<br />

style – w<strong>it</strong>h an emphasis on capturing the s<strong>to</strong>ry and the<br />

imagination.<br />

I am passionate about pho<strong>to</strong>graphy as a medium <strong>to</strong><br />

capture and express the very essence of life… simplistic<br />

and raw - as <strong>it</strong> really is. I have developed an interest<br />

in lifestyle pho<strong>to</strong>graphy… being more journalistic in<br />

style – w<strong>it</strong>h an emphasis on capturing the s<strong>to</strong>ry and the<br />

imagination.<br />

In 1996 I graduated from the International College of<br />

Professional Pho<strong>to</strong>graphy, and Professional Studies<br />

College and am currently completing Post Graduate<br />

studies in Graphic Design.<br />

In 1996 I graduated from the International College of<br />

Professional Pho<strong>to</strong>graphy, and Professional Studies<br />

College and am currently completing Post Graduate<br />

studies in Graphic Design.<br />

In 1996 I graduated from the International College of<br />

Professional Pho<strong>to</strong>graphy, and Professional Studies<br />

College and am currently completing Post Graduate<br />

studies in Graphic Design.<br />

I have held a number of exhib<strong>it</strong>ions, and also engage<br />

in commission work for various publications, local<br />

businesses and select weddings.<br />

Ph: 0418 688 865<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: becinfocus@bigpond.com<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Melways Ref: 270 K11<br />

Marysville<br />

I have held a number of exhib<strong>it</strong>ions, and also engage<br />

in commission work for various publications, local<br />

businesses and select weddings.<br />

Ph: 0418 688 865<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: becinfocus@bigpond.com<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Melways Ref: 270 K11<br />

Marysville<br />

I have held a number of exhib<strong>it</strong>ions, and also engage<br />

in commission work for various publications, local<br />

businesses and select weddings.<br />

Ph: 0418 688 865<br />

Hosted at: Three S<strong>to</strong>ries Artspace<br />

505 Maroondah Hwy, Healesville<br />

Email: becinfocus@bigpond.com<br />

Healesville<br />

McKenzie Ave<br />

MAROONDAH HWY<br />

Melways Ref: 270 K11<br />

M<br />

yarra valley openstudios 2010 PAGE 15<br />

yarra valley openstudios 2010 PAGE 15<br />

yarra valley openstudios 2010 PAGE 15


13<br />

13<br />

13<br />

Mim Kocher<br />

mixed media<br />

Mim Kocher<br />

mixed media<br />

Mim Kocher<br />

mixed media<br />

I have worked for 16 years as a primary school art teacher,<br />

and 13 years as an Art Consultant, running practical art<br />

workshops for teachers.<br />

During that time I also worked on my own art, and now<br />

enjoy exploring what I can do w<strong>it</strong>h all sorts of materials.<br />

My main love is creating small sculptures, using recycled<br />

bases and a modelling medium. I also make hand painted<br />

calico bags and love the thought of people carrying my<br />

artwork around shopping centres. I also paint on canvas<br />

Healesville<br />

w<strong>it</strong>h acrylic Oval paints and am currently developing a <strong>Yarra</strong><br />

<strong>Valley</strong> ‘sisters’ theme.<br />

MAROONDAH HWY<br />

I have worked for 16 years as a primary school art teacher,<br />

and 13 years as an Art Consultant, running practical art<br />

workshops for teachers.<br />

During that time I also worked on my own art, and now<br />

enjoy exploring what I can do w<strong>it</strong>h all sorts of materials.<br />

My main love is creating small sculptures, using recycled<br />

bases and a modelling medium. I also make hand painted<br />

calico bags and love the thought of people carrying my<br />

artwork around shopping centres. I also paint on canvas<br />

Healesville<br />

w<strong>it</strong>h acrylic Oval paints and am currently developing a <strong>Yarra</strong><br />

<strong>Valley</strong> ‘sisters’ theme.<br />

MAROONDAH HWY<br />

I have worked for 16 years as a primary school art teacher,<br />

and 13 years as an Art Consultant, running practical art<br />

workshops for teachers.<br />

During that time I also worked on my own art, and now<br />

enjoy exploring what I can do w<strong>it</strong>h all sorts of materials.<br />

My main love is creating small sculptures, using recycled<br />

bases and a modelling medium. I also make hand painted<br />

calico bags and love the thought of people carrying my<br />

artwork around shopping centres. I also paint on canvas<br />

Healesville<br />

w<strong>it</strong>h acrylic Oval paints and am currently developing a <strong>Yarra</strong><br />

<strong>Valley</strong> ‘sisters’ theme.<br />

MAROONDAH HWY<br />

Mount Riddell Road<br />

Mount Riddell Road<br />

Mount Riddell Road<br />

Ph: 03 5962 2322<br />

21 Romeo Road<br />

Healesville<br />

Melways Ref: 278 K4<br />

Healesville<br />

DON ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

Gibbs Road<br />

Anderson Road<br />

Romeo Road<br />

Ph: 03 5962 2322<br />

21 Romeo Road<br />

Healesville<br />

Melways Ref: 278 K4<br />

DON ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

Gibbs Road<br />

Anderson Road<br />

Romeo Road<br />

Ph: 03 5962 2322<br />

21 Romeo Road<br />

Healesville<br />

Melways Ref: 278 K4<br />

DON ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

Gibbs Road<br />

Anderson Road<br />

Romeo Road<br />

Healesville<br />

Healesville<br />

PAGE 16 yarra valley openstudios 2010<br />

PAGE 16 yarra valley openstudios 2010<br />

PAGE 16 yarra valley openstudios 2010


Evelyn Grove<br />

Evelyn Grove<br />

Evelyn Grove<br />

14<br />

14<br />

14<br />

Daniel Mathers<br />

painter<br />

Daniel Mathers<br />

painter<br />

Daniel Mathers<br />

painter<br />

I in<strong>it</strong>ially used art as a <strong>to</strong>ol <strong>to</strong> work w<strong>it</strong>h and find insight<br />

in<strong>to</strong> my struggle w<strong>it</strong>h depression. My work comes from<br />

spontaneous thoughts and feelings about society and<br />

myself – in a nutshell I approach the canvas or paper and<br />

see what happens. My art often mirrors the extrem<strong>it</strong>ies<br />

of our every day human cond<strong>it</strong>ions – depression, social<br />

angst, lethargy, mania, often tinged w<strong>it</strong>h a sense of<br />

humour. My influences are surrealism, expressionism,<br />

horror movies, media, the books I read, the music I listen<br />

<strong>to</strong> and anything else that pops in<strong>to</strong> my head.<br />

I in<strong>it</strong>ially used art as a <strong>to</strong>ol <strong>to</strong> work w<strong>it</strong>h and find insight<br />

in<strong>to</strong> my struggle w<strong>it</strong>h depression. My work comes from<br />

spontaneous thoughts and feelings about society and<br />

myself – in a nutshell I approach the canvas or paper and<br />

see what happens. My art often mirrors the extrem<strong>it</strong>ies<br />

of our every day human cond<strong>it</strong>ions – depression, social<br />

angst, lethargy, mania, often tinged w<strong>it</strong>h a sense of<br />

humour. My influences are surrealism, expressionism,<br />

horror movies, media, the books I read, the music I listen<br />

<strong>to</strong> and anything else that pops in<strong>to</strong> my head.<br />

I in<strong>it</strong>ially used art as a <strong>to</strong>ol <strong>to</strong> work w<strong>it</strong>h and find insight<br />

in<strong>to</strong> my struggle w<strong>it</strong>h depression. My work comes from<br />

spontaneous thoughts and feelings about society and<br />

myself – in a nutshell I approach the canvas or paper and<br />

see what happens. My art often mirrors the extrem<strong>it</strong>ies<br />

of our every day human cond<strong>it</strong>ions – depression, social<br />

angst, lethargy, mania, often tinged w<strong>it</strong>h a sense of<br />

humour. My influences are surrealism, expressionism,<br />

horror movies, media, the books I read, the music I listen<br />

<strong>to</strong> and anything else that pops in<strong>to</strong> my head.<br />

Westmount Rd<br />

Westmount Rd<br />

Westmount Rd<br />

Ph: 03 5962 1803<br />

10 Westmount Rd,<br />

Healesville<br />

Melways Ref: 270 E11<br />

St Leonards Rd<br />

Eadie Ave<br />

MAROONDAH HWY<br />

Ph: 03 5962 1803<br />

10 Westmount Rd,<br />

Healesville<br />

Melways Ref: 270 E11<br />

St Leonards Rd<br />

Eadie Ave<br />

MAROONDAH HWY<br />

Ph: 03 5962 1803<br />

10 Westmount Rd,<br />

Healesville<br />

Melways Ref: 270 E11<br />

St Leonards Rd<br />

Eadie Ave<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

yarra valley openstudios 2010 PAGE 17<br />

yarra valley openstudios 2010 PAGE 17<br />

yarra valley openstudios 2010 PAGE 17


15<br />

15<br />

15<br />

Angela Nagel<br />

SCULPTOR - Ceramics, Glass and Mixed Media<br />

Angela Nagel<br />

SCULPTOR - Ceramics, Glass and Mixed Media<br />

Angela Nagel<br />

SCULPTOR - Ceramics, Glass and Mixed Media<br />

My visual art practice is an integral part of my life and<br />

when I sculpt I feel a powerful and embracing energy. My<br />

works are human/animal forms that invesigate the human<br />

cond<strong>it</strong>ion and our impact on the environment. I reference<br />

extinct, endangered and introduced species <strong>to</strong> reflect<br />

upon personal concepts relating <strong>to</strong> ident<strong>it</strong>y and home.<br />

I hold a Masters of Fine Art w<strong>it</strong>h works represented in<br />

Australia and Europe.<br />

The shared studio: Kim Evans and I met during our art<br />

studies. She has remained my best friend and creative ally<br />

for over 20 years. We continually support each other’s<br />

growth and journey as artists, and the studio is our<br />

creative sanctuary.<br />

My visual art practice is an integral part of my life and<br />

when I sculpt I feel a powerful and embracing energy. My<br />

works are human/animal forms that invesigate the human<br />

cond<strong>it</strong>ion and our impact on the environment. I reference<br />

extinct, endangered and introduced species <strong>to</strong> reflect<br />

upon personal concepts relating <strong>to</strong> ident<strong>it</strong>y and home.<br />

I hold a Masters of Fine Art w<strong>it</strong>h works represented in<br />

Australia and Europe.<br />

The shared studio: Kim Evans and I met during our art<br />

studies. She has remained my best friend and creative ally<br />

for over 20 years. We continually support each other’s<br />

growth and journey as artists, and the studio is our<br />

creative sanctuary.<br />

My visual art practice is an integral part of my life and<br />

when I sculpt I feel a powerful and embracing energy. My<br />

works are human/animal forms that invesigate the human<br />

cond<strong>it</strong>ion and our impact on the environment. I reference<br />

extinct, endangered and introduced species <strong>to</strong> reflect<br />

upon personal concepts relating <strong>to</strong> ident<strong>it</strong>y and home.<br />

I hold a Masters of Fine Art w<strong>it</strong>h works represented in<br />

Australia and Europe.<br />

The shared studio: Kim Evans and I met during our art<br />

studies. She has remained my best friend and creative ally<br />

for over 20 years. We continually support each other’s<br />

growth and journey as artists, and the studio is our<br />

creative sanctuary.<br />

Ph: 0405 355 583<br />

149 Badger Weir Road<br />

Healesville<br />

www.angelanagel.com<br />

DON RD<br />

Ph: 0405 355 583<br />

149 Badger Weir Road<br />

Healesville<br />

www.angelanagel.com<br />

DON RD<br />

Ph: 0405 355 583<br />

149 Badger Weir Road<br />

Healesville<br />

www.angelanagel.com<br />

DON RD<br />

Badger Weir Rd<br />

Badger Weir Rd<br />

Badger Weir Rd<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

Melways Ref: 278 K9<br />

Badger Weir Rd<br />

PAGE 18 yarra valley openstudios 2010<br />

PAGE 18 yarra valley openstudios 2010<br />

PAGE 18 yarra valley openstudios 2010


16<br />

16<br />

16<br />

Zephlyn Neilsen<br />

textiles<br />

Zephlyn Neilsen<br />

textiles<br />

Zephlyn Neilsen<br />

textiles<br />

I am a textile artist, specialising in the creation and use<br />

of felt as my major medium of expression. Felt is the<br />

textile that results from the fusion of animal fibres, mostly<br />

sheeps wool. It is an ancient and contemporary textile<br />

simultaneously.<br />

Whether creating clothing or pieces for gallery exhib<strong>it</strong>ion,<br />

my goal is the same; <strong>to</strong> stretch the boundaries of this<br />

versatile medium and create contemporary, beautiful<br />

pieces of the highest qual<strong>it</strong>y. My locally produced<br />

clothing, made from wool sourced w<strong>it</strong>hin a short radius<br />

from my base is the ultimate in sustainable clothing w<strong>it</strong>h<br />

very low GGE miles!<br />

I am a textile artist, specialising in the creation and use<br />

of felt as my major medium of expression. Felt is the<br />

textile that results from the fusion of animal fibres, mostly<br />

sheeps wool. It is an ancient and contemporary textile<br />

simultaneously.<br />

Whether creating clothing or pieces for gallery exhib<strong>it</strong>ion,<br />

my goal is the same; <strong>to</strong> stretch the boundaries of this<br />

versatile medium and create contemporary, beautiful<br />

pieces of the highest qual<strong>it</strong>y. My locally produced<br />

clothing, made from wool sourced w<strong>it</strong>hin a short radius<br />

from my base is the ultimate in sustainable clothing w<strong>it</strong>h<br />

very low GGE miles!<br />

I am a textile artist, specialising in the creation and use<br />

of felt as my major medium of expression. Felt is the<br />

textile that results from the fusion of animal fibres, mostly<br />

sheeps wool. It is an ancient and contemporary textile<br />

simultaneously.<br />

Whether creating clothing or pieces for gallery exhib<strong>it</strong>ion,<br />

my goal is the same; <strong>to</strong> stretch the boundaries of this<br />

versatile medium and create contemporary, beautiful<br />

pieces of the highest qual<strong>it</strong>y. My locally produced<br />

clothing, made from wool sourced w<strong>it</strong>hin a short radius<br />

from my base is the ultimate in sustainable clothing w<strong>it</strong>h<br />

very low GGE miles!<br />

Ph: 0429 778 277<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: zephlyn@ek<strong>it</strong>.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Ph: 0429 778 277<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: zephlyn@ek<strong>it</strong>.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Ph: 0429 778 277<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: zephlyn@ek<strong>it</strong>.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Melways Ref: 278 F8<br />

Melways Ref: 278 F8<br />

Melways Ref: 278 F8<br />

yarra valley openstudios 2010 PAGE 19<br />

yarra valley openstudios 2010 PAGE 19<br />

yarra valley openstudios 2010 PAGE 19


17<br />

17<br />

17<br />

Tom Nelson<br />

painter<br />

Tom Nelson<br />

painter<br />

Tom Nelson<br />

painter<br />

I live in the <strong>Yarra</strong> <strong>Valley</strong> and have been painting for more<br />

than 35 years, building a substantial following throughout<br />

Australia.<br />

I presently have two focuses <strong>to</strong> my work. The first<br />

consists of Contemporary, Realist and Semi-Abstract<br />

paintings, dealing w<strong>it</strong>h landscape, coastal and forest<br />

scenery, and the dramatic seasonal changes w<strong>it</strong>hin<br />

that scenery. Some of these paintings deal w<strong>it</strong>h the<br />

devastation created by Black Saturday 2009.<br />

Links Grove<br />

The second area of focus deals w<strong>it</strong>h the human subject,<br />

often w<strong>it</strong>hin a landscape scene. I endeavour <strong>to</strong> capture<br />

the inner feelings and sens<strong>it</strong>iv<strong>it</strong>ies of the subject through<br />

the use of brilliant colours amid vibrations of form.<br />

Ph: 03 5962 4260 M: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Melways Ref: 268 H12<br />

PAGE 20 yarra valley openstudios 2010<br />

School Lane<br />

Healesville -<br />

<strong>Yarra</strong> Glen Rd<br />

I live in the <strong>Yarra</strong> <strong>Valley</strong> and have been painting for more<br />

than 35 years, building a substantial following throughout<br />

Australia.<br />

I presently have two focuses <strong>to</strong> my work. The first<br />

consists of Contemporary, Realist and Semi-Abstract<br />

paintings, dealing w<strong>it</strong>h landscape, coastal and forest<br />

scenery, and the dramatic seasonal changes w<strong>it</strong>hin<br />

that scenery. Some of these paintings deal w<strong>it</strong>h the<br />

devastation created by Black Saturday 2009.<br />

Links Grove<br />

The second area of focus deals w<strong>it</strong>h the human subject,<br />

often w<strong>it</strong>hin a landscape scene. I endeavour <strong>to</strong> capture<br />

the inner feelings and sens<strong>it</strong>iv<strong>it</strong>ies of the subject through<br />

the use of brilliant colours amid vibrations of form.<br />

Ph: 03 5962 4260 M: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Melways Ref: 268 H12<br />

PAGE 20 yarra valley openstudios 2010<br />

School Lane<br />

Healesville -<br />

<strong>Yarra</strong> Glen Rd<br />

I live in the <strong>Yarra</strong> <strong>Valley</strong> and have been painting for more<br />

than 35 years, building a substantial following throughout<br />

Australia.<br />

I presently have two focuses <strong>to</strong> my work. The first<br />

consists of Contemporary, Realist and Semi-Abstract<br />

paintings, dealing w<strong>it</strong>h landscape, coastal and forest<br />

scenery, and the dramatic seasonal changes w<strong>it</strong>hin<br />

that scenery. Some of these paintings deal w<strong>it</strong>h the<br />

devastation created by Black Saturday 2009.<br />

Links Grove<br />

The second area of focus deals w<strong>it</strong>h the human subject,<br />

often w<strong>it</strong>hin a landscape scene. I endeavour <strong>to</strong> capture<br />

the inner feelings and sens<strong>it</strong>iv<strong>it</strong>ies of the subject through<br />

the use of brilliant colours amid vibrations of form.<br />

Ph: 03 5962 4260 M: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Melways Ref: 268 H12<br />

PAGE 20 yarra valley openstudios 2010<br />

School Lane<br />

Healesville -<br />

<strong>Yarra</strong> Glen Rd


18<br />

18<br />

18<br />

Lynette Orzlowski<br />

airbrush artist<br />

Lynette Orzlowski<br />

airbrush artist<br />

Lynette Orzlowski<br />

airbrush artist<br />

My studio now has an exc<strong>it</strong>ing new Gallery space where<br />

I am able <strong>to</strong> showcase a wide array of individual pieces<br />

including pastels, watercolors, acrylics, oils and a unique<br />

technique using au<strong>to</strong>motive colors.<br />

My main focus is <strong>to</strong> create realism in what I paint, mixing<br />

the texture and variety of mediums <strong>to</strong> express an individual<br />

piece. Inspiration has come from being lucky <strong>to</strong> live in the<br />

<strong>Yarra</strong> <strong>Valley</strong> for the past 20 years; living and working in an<br />

area of supreme beauty brings creativ<strong>it</strong>y for an artist.<br />

My studio now has an exc<strong>it</strong>ing new Gallery space where<br />

I am able <strong>to</strong> showcase a wide array of individual pieces<br />

including pastels, watercolors, acrylics, oils and a unique<br />

technique using au<strong>to</strong>motive colors.<br />

My main focus is <strong>to</strong> create realism in what I paint, mixing<br />

the texture and variety of mediums <strong>to</strong> express an individual<br />

piece. Inspiration has come from being lucky <strong>to</strong> live in the<br />

<strong>Yarra</strong> <strong>Valley</strong> for the past 20 years; living and working in an<br />

area of supreme beauty brings creativ<strong>it</strong>y for an artist.<br />

My studio now has an exc<strong>it</strong>ing new Gallery space where<br />

I am able <strong>to</strong> showcase a wide array of individual pieces<br />

including pastels, watercolors, acrylics, oils and a unique<br />

technique using au<strong>to</strong>motive colors.<br />

My main focus is <strong>to</strong> create realism in what I paint, mixing<br />

the texture and variety of mediums <strong>to</strong> express an individual<br />

piece. Inspiration has come from being lucky <strong>to</strong> live in the<br />

<strong>Yarra</strong> <strong>Valley</strong> for the past 20 years; living and working in an<br />

area of supreme beauty brings creativ<strong>it</strong>y for an artist.<br />

Now an Internationally renowned award winning artist, I am<br />

also a demonstra<strong>to</strong>r, airbrush and trad<strong>it</strong>ional art judge and<br />

an airbrushing teacher both nationally and internationally.<br />

Ph: 0408 382 309<br />

8 Rutter Ave. Healesville<br />

www.orzlowski.com<br />

Email: info@orzlowski.com<br />

Permanent open hours: 1st & last weekend<br />

of each month or by appointment.<br />

Melways Ref: 270 D12<br />

Rutter Ave<br />

Rutter Ave<br />

Walkers Lane<br />

St Leonards Rd<br />

DON ROAD<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

Now an Internationally renowned award winning artist, I am<br />

also a demonstra<strong>to</strong>r, airbrush and trad<strong>it</strong>ional art judge and<br />

an airbrushing teacher both nationally and internationally.<br />

Ph: 0408 382 309<br />

8 Rutter Ave. Healesville<br />

www.orzlowski.com<br />

Email: info@orzlowski.com<br />

Permanent open hours: 1st & last weekend<br />

of each month or by appointment.<br />

Melways Ref: 270 D12<br />

Rutter Ave<br />

Rutter Ave<br />

Walkers Lane<br />

St Leonards Rd<br />

DON ROAD<br />

MAROONDAH HWY<br />

MAROONDAH HWY<br />

Now an Internationally renowned award winning artist, I am<br />

also a demonstra<strong>to</strong>r, airbrush and trad<strong>it</strong>ional art judge and<br />

an airbrushing teacher both nationally and internationally.<br />

Ph: 0408 382 309<br />

8 Rutter Ave. Healesville<br />

www.orzlowski.com<br />

Email: info@orzlowski.com<br />

Permanent open hours: 1st & last weekend<br />

of each month or by appointment.<br />

Melways Ref: 270 D12<br />

Rutter Ave<br />

Rutter Ave<br />

Walkers Lane<br />

St Leonards Rd<br />

DON ROAD<br />

MAROONDAH HWY<br />

yarra valley openstudios 2010 PAGE 21<br />

yarra valley openstudios 2010 PAGE 21<br />

yarra valley openstudios 2010 PAGE 21


19<br />

19<br />

19<br />

Jerry Osadczuk<br />

Painter<br />

Jerry Osadczuk<br />

Painter<br />

Jerry Osadczuk<br />

Painter<br />

Painting for me is an amalgamation of elements that<br />

communicate an idea, a feeling, a mood, and should be<br />

done w<strong>it</strong>h a passion. Everything I paint is a statement<br />

about myself. After the first stroke, the surface I’m<br />

working on assumes a life of <strong>it</strong>s own and I become both<br />

specta<strong>to</strong>r and performer in my own event.<br />

Creating is like a roller coaster ride, beginning w<strong>it</strong>h<br />

the anticipation and exc<strong>it</strong>ement, followed by the uphill<br />

climb, then gliding down hills w<strong>it</strong>h ease, and the grand<br />

finale of the finished product. In the process I can both<br />

lose and find myself.<br />

Painting for me is an amalgamation of elements that<br />

communicate an idea, a feeling, a mood, and should be<br />

done w<strong>it</strong>h a passion. Everything I paint is a statement<br />

about myself. After the first stroke, the surface I’m<br />

working on assumes a life of <strong>it</strong>s own and I become both<br />

specta<strong>to</strong>r and performer in my own event.<br />

Creating is like a roller coaster ride, beginning w<strong>it</strong>h<br />

the anticipation and exc<strong>it</strong>ement, followed by the uphill<br />

climb, then gliding down hills w<strong>it</strong>h ease, and the grand<br />

finale of the finished product. In the process I can both<br />

lose and find myself.<br />

Painting for me is an amalgamation of elements that<br />

communicate an idea, a feeling, a mood, and should be<br />

done w<strong>it</strong>h a passion. Everything I paint is a statement<br />

about myself. After the first stroke, the surface I’m<br />

working on assumes a life of <strong>it</strong>s own and I become both<br />

specta<strong>to</strong>r and performer in my own event.<br />

Creating is like a roller coaster ride, beginning w<strong>it</strong>h<br />

the anticipation and exc<strong>it</strong>ement, followed by the uphill<br />

climb, then gliding down hills w<strong>it</strong>h ease, and the grand<br />

finale of the finished product. In the process I can both<br />

lose and find myself.<br />

Ph: 03 5962 3047<br />

269 Myers Creek Rd, Healesville<br />

Ph: 03 5962 3047<br />

269 Myers Creek Rd, Healesville<br />

Ph: 03 5962 3047<br />

269 Myers Creek Rd, Healesville<br />

< To Cascades<br />

< To Cascades<br />

< To Cascades<br />

Melways Ref: 270 D3<br />

Myers Creek Road<br />

< <strong>to</strong> Maroondah Hwy<br />

Cascades<br />

Myers Creek Road<br />

PAGE 22 yarra valley openstudios 2010<br />

Melways Ref: 270 D3<br />

Myers Creek Road<br />

< <strong>to</strong> Maroondah Hwy<br />

Cascades<br />

Myers Creek Road<br />

PAGE 22 yarra valley openstudios 2010<br />

Melways Ref: 270 D3<br />

Myers Creek Road<br />

< <strong>to</strong> Maroondah Hwy<br />

Cascades<br />

Myers Creek Road<br />

PAGE 22 yarra valley openstudios 2010


20<br />

20<br />

20<br />

Tim Peel<br />

Gold and Silversm<strong>it</strong>h<br />

Tim Peel<br />

Gold and Silversm<strong>it</strong>h<br />

Tim Peel<br />

Gold and Silversm<strong>it</strong>h<br />

The development of my discipline as a goldsm<strong>it</strong>h is marked<br />

by four significant events; discovering jewellery as a child,<br />

graduating as a goldsm<strong>it</strong>h from Monash Univers<strong>it</strong>y, opening<br />

Silvermist Studio in Healesville and being accepted as a<br />

Fellow in<strong>to</strong> the Gold and Silversm<strong>it</strong>hs Guild of Australia.<br />

For me, jewellery has become an intimate form of sculpture<br />

where function is given equal or greater importance than<br />

form. By melting, hammering and bending precious metals<br />

around gems<strong>to</strong>nes I handcraft beautiful treasures.<br />

The jewellery is now a precious, valuable and durable<br />

symbol of significant events e<strong>it</strong>her in my life or in those<br />

I have created for. It will in time, become an antique and<br />

family heirloom.<br />

Ph: 03 5962 5470<br />

Silvermist Studio<br />

136 Maroondah Hwy, Healesville<br />

www.silvermiststudio.com.au<br />

Healesville-Kinglake Rd<br />

MAROONDAH HWY<br />

Healesville<br />

The development of my discipline as a goldsm<strong>it</strong>h is marked<br />

by four significant events; discovering jewellery as a child,<br />

graduating as a goldsm<strong>it</strong>h from Monash Univers<strong>it</strong>y, opening<br />

Silvermist Studio in Healesville and being accepted as a<br />

Fellow in<strong>to</strong> the Gold and Silversm<strong>it</strong>hs Guild of Australia.<br />

For me, jewellery has become an intimate form of sculpture<br />

where function is given equal or greater importance than<br />

form. By melting, hammering and bending precious metals<br />

around gems<strong>to</strong>nes I handcraft beautiful treasures.<br />

The jewellery is now a precious, valuable and durable<br />

symbol of significant events e<strong>it</strong>her in my life or in those<br />

I have created for. It will in time, become an antique and<br />

family heirloom.<br />

Ph: 03 5962 5470<br />

Silvermist Studio<br />

136 Maroondah Hwy, Healesville<br />

www.silvermiststudio.com.au<br />

Healesville-Kinglake Rd<br />

MAROONDAH HWY<br />

Healesville<br />

The development of my discipline as a goldsm<strong>it</strong>h is marked<br />

by four significant events; discovering jewellery as a child,<br />

graduating as a goldsm<strong>it</strong>h from Monash Univers<strong>it</strong>y, opening<br />

Silvermist Studio in Healesville and being accepted as a<br />

Fellow in<strong>to</strong> the Gold and Silversm<strong>it</strong>hs Guild of Australia.<br />

For me, jewellery has become an intimate form of sculpture<br />

where function is given equal or greater importance than<br />

form. By melting, hammering and bending precious metals<br />

around gems<strong>to</strong>nes I handcraft beautiful treasures.<br />

The jewellery is now a precious, valuable and durable<br />

symbol of significant events e<strong>it</strong>her in my life or in those<br />

I have created for. It will in time, become an antique and<br />

family heirloom.<br />

Ph: 03 5962 5470<br />

Silvermist Studio<br />

136 Maroondah Hwy, Healesville<br />

www.silvermiststudio.com.au<br />

Healesville-Kinglake Rd<br />

MAROONDAH HWY<br />

Healesville<br />

Lilydale Rd<br />

Lilydale Rd<br />

Lilydale Rd<br />

Harker St<br />

Permanent open hours:<br />

Thurs - Sun 10am - 5pm and Public Holidays.<br />

Melways Ref: 278 B1<br />

yarra valley openstudios 2010 PAGE 23<br />

MAROONDAH<br />

HWY<br />

MAROONDAH<br />

Harker St<br />

Permanent open hours:<br />

Thurs - Sun 10am - 5pm and Public Holidays.<br />

Melways Ref: 278 B1<br />

yarra valley openstudios 2010 PAGE 23<br />

MAROONDAH<br />

HWY<br />

MAROONDAH<br />

Harker St<br />

Permanent open hours:<br />

Thurs - Sun 10am - 5pm and Public Holidays.<br />

Melways Ref: 278 B1<br />

yarra valley openstudios 2010 PAGE 23<br />

MAROONDAH<br />

HWY<br />

MAROONDAH


21<br />

21<br />

21<br />

Jenny Reddin<br />

painter<br />

Jenny Reddin<br />

painter<br />

Jenny Reddin<br />

painter<br />

I find inspiration from flashes of images and colours out of<br />

the corner of my eye during my daily life, driving down the<br />

road, or on the farm. I seek ambigu<strong>it</strong>y, leaving the viewer<br />

<strong>to</strong> interpret. I am interested in the interplay between light,<br />

dark and textures. There are suggestions of landscape<br />

and figure and an element of drama. They are not quiet<br />

paintings – sometimes a feeling of night time – of a rabb<strong>it</strong><br />

caught in the headlights, an image that challenges the<br />

viewer and strives for a deeper content. I seek not <strong>to</strong> be<br />

<strong>to</strong>o controlled but <strong>to</strong> hold <strong>it</strong> <strong>to</strong>gether w<strong>it</strong>h un<strong>it</strong>y and form.<br />

I find inspiration from flashes of images and colours out of<br />

the corner of my eye during my daily life, driving down the<br />

road, or on the farm. I seek ambigu<strong>it</strong>y, leaving the viewer<br />

<strong>to</strong> interpret. I am interested in the interplay between light,<br />

dark and textures. There are suggestions of landscape<br />

and figure and an element of drama. They are not quiet<br />

paintings – sometimes a feeling of night time – of a rabb<strong>it</strong><br />

caught in the headlights, an image that challenges the<br />

viewer and strives for a deeper content. I seek not <strong>to</strong> be<br />

<strong>to</strong>o controlled but <strong>to</strong> hold <strong>it</strong> <strong>to</strong>gether w<strong>it</strong>h un<strong>it</strong>y and form.<br />

I find inspiration from flashes of images and colours out of<br />

the corner of my eye during my daily life, driving down the<br />

road, or on the farm. I seek ambigu<strong>it</strong>y, leaving the viewer<br />

<strong>to</strong> interpret. I am interested in the interplay between light,<br />

dark and textures. There are suggestions of landscape<br />

and figure and an element of drama. They are not quiet<br />

paintings – sometimes a feeling of night time – of a rabb<strong>it</strong><br />

caught in the headlights, an image that challenges the<br />

viewer and strives for a deeper content. I seek not <strong>to</strong> be<br />

<strong>to</strong>o controlled but <strong>to</strong> hold <strong>it</strong> <strong>to</strong>gether w<strong>it</strong>h un<strong>it</strong>y and form.<br />

Whelans Rd<br />

Whelans Rd<br />

Whelans Rd<br />

Ph: 03 5962 6366<br />

129 Whelans Rd<br />

Healesville<br />

Whelans Rd<br />

Turners Ln<br />

< XX metres<br />

Whelans Rd<br />

Ph: 03 5962 6366<br />

129 Whelans Rd<br />

Healesville<br />

Whelans Rd<br />

Turners Ln<br />

< XX metres<br />

Whelans Rd<br />

Ph: 03 5962 6366<br />

129 Whelans Rd<br />

Healesville<br />

Whelans Rd<br />

Turners Ln<br />

< XX metres<br />

Whelans Rd<br />

Melways Ref: 269 A4<br />

Old Healesville Rd<br />

Long Gully Rd<br />

Melways Ref: 269 A4<br />

Old Healesville Rd<br />

Long Gully Rd<br />

Melways Ref: 269 A4<br />

Old Healesville Rd<br />

Long Gully Rd<br />

24 yarra valley openstudios 2010<br />

24 yarra valley openstudios 2010<br />

24 yarra valley openstudios 2010


22<br />

22<br />

22<br />

Sean Rodwell<br />

Painter<br />

Sean Rodwell<br />

Painter<br />

Sean Rodwell<br />

Painter<br />

Thirty eight years working as a creative w<strong>it</strong>hin the strict<br />

strategic disciplines of the advertising industry has made<br />

my move <strong>to</strong> full time painting feel like a new beginning;<br />

the abil<strong>it</strong>y <strong>to</strong> express w<strong>it</strong>h mind and materials and no<br />

boundaries.<br />

Links Grove<br />

I draw inspiration from helping <strong>to</strong> regenerate our<br />

vineyard which was burnt in the February 2009 fires and<br />

experiencing the benef<strong>it</strong>s Biodynamic Practices have<br />

contributed <strong>to</strong> the regeneration of the vines.<br />

I am currently working <strong>to</strong>wards an exhib<strong>it</strong>ion based<br />

on ‘Regeneration’, celebrating the amazing strength<br />

of nature <strong>to</strong> recover and the colour and life that has<br />

emerged from the black.<br />

Ph: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

www.kiltynane.com.au<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

School Lane<br />

Healesville -<br />

Thirty eight years working as a creative w<strong>it</strong>hin the strict<br />

strategic disciplines of the advertising industry has made<br />

my move <strong>to</strong> full time painting feel like a new beginning;<br />

the abil<strong>it</strong>y <strong>to</strong> express w<strong>it</strong>h mind and materials and no<br />

boundaries.<br />

Links Grove<br />

I draw inspiration from helping <strong>to</strong> regenerate our<br />

vineyard which was burnt in the February 2009 fires and<br />

experiencing the benef<strong>it</strong>s Biodynamic Practices have<br />

contributed <strong>to</strong> the regeneration of the vines.<br />

I am currently working <strong>to</strong>wards an exhib<strong>it</strong>ion based<br />

on ‘Regeneration’, celebrating the amazing strength<br />

of nature <strong>to</strong> recover and the colour and life that has<br />

emerged from the black.<br />

Ph: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

www.kiltynane.com.au<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

School Lane<br />

Healesville -<br />

Thirty eight years working as a creative w<strong>it</strong>hin the strict<br />

strategic disciplines of the advertising industry has made<br />

my move <strong>to</strong> full time painting feel like a new beginning;<br />

the abil<strong>it</strong>y <strong>to</strong> express w<strong>it</strong>h mind and materials and no<br />

boundaries.<br />

I draw inspiration from helping <strong>to</strong> regenerate our<br />

vineyard which was burnt in the February 2009 fires and<br />

experiencing the benef<strong>it</strong>s Biodynamic Practices have<br />

contributed <strong>to</strong> the regeneration of the vines.<br />

I am currently working <strong>to</strong>wards an exhib<strong>it</strong>ion based<br />

on ‘Regeneration’, celebrating the amazing strength<br />

of nature <strong>to</strong> recover and the colour and life that has<br />

emerged from the black.<br />

Ph: 0419 314 095<br />

Kiltynane Estate. Cnr. School Lane<br />

& <strong>Yarra</strong> Glen/Healesville Road<br />

Tarrawarra<br />

www.kiltynane.com.au<br />

Links Grove<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

School Lane<br />

Healesville -<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Other days by appointment. Melways Ref: 268 H12<br />

<strong>Yarra</strong> Glen Rd<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Other days by appointment. Melways Ref: 268 H12<br />

<strong>Yarra</strong> Glen Rd<br />

Permanent open hours: Sat, Sun & Mon. 11.00am - 5.00pm<br />

Other days by appointment. Melways Ref: 268 H12<br />

<strong>Yarra</strong> Glen Rd<br />

yarra valley openstudios 2010 25<br />

yarra valley openstudios 2010 25<br />

yarra valley openstudios 2010 25


23<br />

23<br />

23<br />

Amanda Ruck<br />

painter<br />

Amanda Ruck<br />

painter<br />

Amanda Ruck<br />

painter<br />

I graduated from the Canberra School of Art in 1988 w<strong>it</strong>h<br />

a Bachelor of Art (Visual) in Printmaking. After teaching<br />

L<strong>it</strong>hography at the School of Art, I moved <strong>to</strong> Melbourne,<br />

and when landscapes and particularly clouds, became<br />

a major focus of my work, I seized an opportun<strong>it</strong>y and<br />

moved <strong>to</strong> the <strong>Yarra</strong> <strong>Valley</strong>.<br />

My technique has evolved through printmaking, cutting<br />

and pasting, using collage, ink, pencil and pastel and I<br />

now paint w<strong>it</strong>h acrylic on canvas.<br />

From 2005-2008 I was exhib<strong>it</strong>ion coordina<strong>to</strong>r at Yering<br />

Station Art Gallery and co-coordinated their Sculpture<br />

Exhib<strong>it</strong>ion. I currently manage a Cellar Door, where my<br />

work is on permanent display.<br />

MAROONDAH HWY<br />

Ph: 03 5962 1263<br />

42 Symons St. Healesville<br />

Email: hogbelly7@bigpond.com<br />

Melways Ref: 278 C1<br />

MAROONDAH HWY<br />

Symons St<br />

26 yarra valley openstudios 2010<br />

Green St<br />

Symons St<br />

I graduated from the Canberra School of Art in 1988 w<strong>it</strong>h<br />

a Bachelor of Art (Visual) in Printmaking. After teaching<br />

L<strong>it</strong>hography at the School of Art, I moved <strong>to</strong> Melbourne,<br />

and when landscapes and particularly clouds, became<br />

a major focus of my work, I seized an opportun<strong>it</strong>y and<br />

moved <strong>to</strong> the <strong>Yarra</strong> <strong>Valley</strong>.<br />

My technique has evolved through printmaking, cutting<br />

and pasting, using collage, ink, pencil and pastel and I<br />

now paint w<strong>it</strong>h acrylic on canvas.<br />

From 2005-2008 I was exhib<strong>it</strong>ion coordina<strong>to</strong>r at Yering<br />

Station Art Gallery and co-coordinated their Sculpture<br />

Exhib<strong>it</strong>ion. I currently manage a Cellar Door, where my<br />

work is on permanent display.<br />

MAROONDAH HWY<br />

Ph: 03 5962 1263<br />

42 Symons St. Healesville<br />

Email: hogbelly7@bigpond.com<br />

Melways Ref: 278 C1<br />

MAROONDAH HWY<br />

Symons St<br />

26 yarra valley openstudios 2010<br />

Green St<br />

Symons St<br />

I graduated from the Canberra School of Art in 1988 w<strong>it</strong>h<br />

a Bachelor of Art (Visual) in Printmaking. After teaching<br />

L<strong>it</strong>hography at the School of Art, I moved <strong>to</strong> Melbourne,<br />

and when landscapes and particularly clouds, became<br />

a major focus of my work, I seized an opportun<strong>it</strong>y and<br />

moved <strong>to</strong> the <strong>Yarra</strong> <strong>Valley</strong>.<br />

My technique has evolved through printmaking, cutting<br />

and pasting, using collage, ink, pencil and pastel and I<br />

now paint w<strong>it</strong>h acrylic on canvas.<br />

From 2005-2008 I was exhib<strong>it</strong>ion coordina<strong>to</strong>r at Yering<br />

Station Art Gallery and co-coordinated their Sculpture<br />

Exhib<strong>it</strong>ion. I currently manage a Cellar Door, where my<br />

work is on permanent display.<br />

MAROONDAH HWY<br />

Ph: 03 5962 1263<br />

42 Symons St. Healesville<br />

Email: hogbelly7@bigpond.com<br />

Melways Ref: 278 C1<br />

MAROONDAH HWY<br />

Symons St<br />

26 yarra valley openstudios 2010<br />

Green St<br />

Symons St


24<br />

24<br />

24<br />

Melissa Shemanna<br />

Painter<br />

Melissa Shemanna<br />

Painter<br />

Melissa Shemanna<br />

Painter<br />

I embrace my art w<strong>it</strong>h the same philosophy as my life - <strong>to</strong><br />

seek deep truth and honour the Mother Shakti inherent<br />

in all creation. The language I communicate through my<br />

art is rich and sensual, earthy and cosmic w<strong>it</strong>h a divers<strong>it</strong>y<br />

that delves in<strong>to</strong> ancient cultures, sacred practices,<br />

spir<strong>it</strong>ual nectar and the un<strong>it</strong>y consciousness of our whole<br />

existence. I seek <strong>to</strong> emulate the luminos<strong>it</strong>y of light and<br />

colour, combining the ancient masters technique of oil<br />

glazes and egg tempera paints, which I mix myself from<br />

pure pigments and trad<strong>it</strong>ional mediums. I aim <strong>to</strong> produce<br />

qual<strong>it</strong>y works of art w<strong>it</strong>h extra-ordinary contemporary<br />

visionary content.<br />

I embrace my art w<strong>it</strong>h the same philosophy as my life - <strong>to</strong><br />

seek deep truth and honour the Mother Shakti inherent<br />

in all creation. The language I communicate through my<br />

art is rich and sensual, earthy and cosmic w<strong>it</strong>h a divers<strong>it</strong>y<br />

that delves in<strong>to</strong> ancient cultures, sacred practices,<br />

spir<strong>it</strong>ual nectar and the un<strong>it</strong>y consciousness of our whole<br />

existence. I seek <strong>to</strong> emulate the luminos<strong>it</strong>y of light and<br />

colour, combining the ancient masters technique of oil<br />

glazes and egg tempera paints, which I mix myself from<br />

pure pigments and trad<strong>it</strong>ional mediums. I aim <strong>to</strong> produce<br />

qual<strong>it</strong>y works of art w<strong>it</strong>h extra-ordinary contemporary<br />

visionary content.<br />

I embrace my art w<strong>it</strong>h the same philosophy as my life - <strong>to</strong><br />

seek deep truth and honour the Mother Shakti inherent<br />

in all creation. The language I communicate through my<br />

art is rich and sensual, earthy and cosmic w<strong>it</strong>h a divers<strong>it</strong>y<br />

that delves in<strong>to</strong> ancient cultures, sacred practices,<br />

spir<strong>it</strong>ual nectar and the un<strong>it</strong>y consciousness of our whole<br />

existence. I seek <strong>to</strong> emulate the luminos<strong>it</strong>y of light and<br />

colour, combining the ancient masters technique of oil<br />

glazes and egg tempera paints, which I mix myself from<br />

pure pigments and trad<strong>it</strong>ional mediums. I aim <strong>to</strong> produce<br />

qual<strong>it</strong>y works of art w<strong>it</strong>h extra-ordinary contemporary<br />

visionary content.<br />

Ph: 0432 816 034<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: omnicultureliss@yahoo.com<br />

www.honeybeetemple.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Ph: 0432 816 034<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: omnicultureliss@yahoo.com<br />

www.honeybeetemple.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Ph: 0432 816 034<br />

Hosted at: Old School House,<br />

Cnr Badger Creek Rd & Glen Eadie Ave,<br />

(opp Healesville Sanctuary)<br />

Badger Creek<br />

Email: omnicultureliss@yahoo.com<br />

www.honeybeetemple.com<br />

Healesville<br />

Sanctuary<br />

BADGER CREEK ROAD<br />

Melways Ref: 278 F8<br />

Melways Ref: 278 F8<br />

Melways Ref: 278 F8<br />

yarra valley openstudios 2010 27<br />

yarra valley openstudios 2010 27<br />

yarra valley openstudios 2010 27


25<br />

25<br />

25<br />

Denise Sm<strong>it</strong>h<br />

artist<br />

Denise Sm<strong>it</strong>h<br />

artist<br />

Denise Sm<strong>it</strong>h<br />

artist<br />

“Nature, Wildlife and Painting” are my passions! Oils<br />

and Pastels are my preferred mediums w<strong>it</strong>h which I love<br />

creating wildlife and nature artworks. I really get lost in<br />

my paintings and love every minute of the journey. The<br />

<strong>Yarra</strong> <strong>Valley</strong> is such an inspiring area in which <strong>to</strong> live -<br />

I believe this is my “l<strong>it</strong>tle piece of heaven”.<br />

I would hope my art is in some way a message for people<br />

<strong>to</strong> think about Healesville their actions so our wildlife, their hab<strong>it</strong>ats<br />

Oval<br />

and humans can all live peacefully alongside each other.<br />

MAROONDAH HWY<br />

“Nature, Wildlife and Painting” are my passions! Oils<br />

and Pastels are my preferred mediums w<strong>it</strong>h which I love<br />

creating wildlife and nature artworks. I really get lost in<br />

my paintings and love every minute of the journey. The<br />

<strong>Yarra</strong> <strong>Valley</strong> is such an inspiring area in which <strong>to</strong> live -<br />

I believe this is my “l<strong>it</strong>tle piece of heaven”.<br />

I would hope my art is in some way a message for people<br />

<strong>to</strong> think about Healesville their actions so our wildlife, their hab<strong>it</strong>ats<br />

Oval<br />

and humans can all live peacefully alongside each other.<br />

MAROONDAH HWY<br />

“Nature, Wildlife and Painting” are my passions! Oils<br />

and Pastels are my preferred mediums w<strong>it</strong>h which I love<br />

creating wildlife and nature artworks. I really get lost in<br />

my paintings and love every minute of the journey. The<br />

<strong>Yarra</strong> <strong>Valley</strong> is such an inspiring area in which <strong>to</strong> live -<br />

I believe this is my “l<strong>it</strong>tle piece of heaven”.<br />

I would hope my art is in some way a message for people<br />

<strong>to</strong> think about Healesville their actions so our wildlife, their hab<strong>it</strong>ats<br />

Oval<br />

and humans can all live peacefully alongside each other.<br />

MAROONDAH HWY<br />

Healesville<br />

Ph: 03 5962 3950<br />

M: 0408 351 700<br />

3 Anderson Road, Healesville<br />

Email: densarts@tadaust.org.au<br />

www.vis<strong>it</strong>yarravalley.com.au/artisans,galleries<br />

Permanent open hours:<br />

3rd - Sat & Sun monthly, 10am - 5pm<br />

Melways Ref: 278 J3<br />

DON ROAD<br />

MOUNT RIDDELL ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

28 yarra valley openstudios 2010<br />

Gibbs Road<br />

Anderson Rd<br />

Romeo Road<br />

Healesville<br />

Ph: 03 5962 3950<br />

M: 0408 351 700<br />

3 Anderson Road, Healesville<br />

Email: densarts@tadaust.org.au<br />

www.vis<strong>it</strong>yarravalley.com.au/artisans,galleries<br />

Permanent open hours:<br />

3rd - Sat & Sun monthly, 10am - 5pm<br />

Melways Ref: 278 J3<br />

DON ROAD<br />

MOUNT RIDDELL ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

28 yarra valley openstudios 2010<br />

Gibbs Road<br />

Anderson Rd<br />

Romeo Road<br />

Healesville<br />

Ph: 03 5962 3950<br />

M: 0408 351 700<br />

3 Anderson Road, Healesville<br />

Email: densarts@tadaust.org.au<br />

www.vis<strong>it</strong>yarravalley.com.au/artisans,galleries<br />

Permanent open hours:<br />

3rd - Sat & Sun monthly, 10am - 5pm<br />

Melways Ref: 278 J3<br />

DON ROAD<br />

MOUNT RIDDELL ROAD<br />

Donald Road<br />

Healesville<br />

Showgrounds<br />

28 yarra valley openstudios 2010<br />

Gibbs Road<br />

Anderson Rd<br />

Romeo Road


26<br />

26<br />

26<br />

Aileen Stinten<br />

mixed media<br />

Aileen Stinten<br />

mixed media<br />

Aileen Stinten<br />

mixed media<br />

My artwork which started as a hobby, has become<br />

enjoyable, challenging, rewarding and at times exc<strong>it</strong>ing.<br />

Instead of directing my energy in<strong>to</strong> negative thinking,<br />

making art lets me use the same energy in a pos<strong>it</strong>ive<br />

and creative way. I particularly enjoy the challenge of<br />

portra<strong>it</strong>ure and people often comment on the expressions<br />

I’ve been able <strong>to</strong> capture in the faces. I personally think<br />

that some of the emotions and bottled up feelings w<strong>it</strong>hin<br />

me, or what I can see in others, comes out in my work.<br />

For me art is a freeing and healing form of expression.<br />

My artwork which started as a hobby, has become<br />

enjoyable, challenging, rewarding and at times exc<strong>it</strong>ing.<br />

Instead of directing my energy in<strong>to</strong> negative thinking,<br />

making art lets me use the same energy in a pos<strong>it</strong>ive<br />

and creative way. I particularly enjoy the challenge of<br />

portra<strong>it</strong>ure and people often comment on the expressions<br />

I’ve been able <strong>to</strong> capture in the faces. I personally think<br />

that some of the emotions and bottled up feelings w<strong>it</strong>hin<br />

me, or what I can see in others, comes out in my work.<br />

For me art is a freeing and healing form of expression.<br />

My artwork which started as a hobby, has become<br />

enjoyable, challenging, rewarding and at times exc<strong>it</strong>ing.<br />

Instead of directing my energy in<strong>to</strong> negative thinking,<br />

making art lets me use the same energy in a pos<strong>it</strong>ive<br />

and creative way. I particularly enjoy the challenge of<br />

portra<strong>it</strong>ure and people often comment on the expressions<br />

I’ve been able <strong>to</strong> capture in the faces. I personally think<br />

that some of the emotions and bottled up feelings w<strong>it</strong>hin<br />

me, or what I can see in others, comes out in my work.<br />

For me art is a freeing and healing form of expression.<br />

Ph: 03 5962 6890<br />

M: 0400 637 826<br />

Hosted at “Rivendell”, next <strong>to</strong><br />

Healesville Living & Learning Centre<br />

1 Badger Creek Road<br />

Healesville<br />

Healesville<br />

MAROONDAH HWY<br />

Badger Creek Rd<br />

Queens Park<br />

Don Rd<br />

Ph: 03 5962 6890<br />

M: 0400 637 826<br />

Hosted at “Rivendell”, next <strong>to</strong><br />

Healesville Living & Learning Centre<br />

1 Badger Creek Road<br />

Healesville<br />

Healesville<br />

MAROONDAH HWY<br />

Badger Creek Rd<br />

Queens Park<br />

Don Rd<br />

Ph: 03 5962 6890<br />

M: 0400 637 826<br />

Hosted at “Rivendell”, next <strong>to</strong><br />

Healesville Living & Learning Centre<br />

1 Badger Creek Road<br />

Healesville<br />

Healesville<br />

MAROONDAH HWY<br />

Badger Creek Rd<br />

Queens Park<br />

Don Rd<br />

Melways Ref: 278 E1<br />

Melways Ref: 278 E1<br />

Melways Ref: 278 E1<br />

yarra valley openstudios 2010 29<br />

yarra valley openstudios 2010 29<br />

yarra valley openstudios 2010 29


27<br />

27<br />

27<br />

Craig Swindells<br />

silver, gold, metalsm<strong>it</strong>h<br />

Craig Swindells<br />

silver, gold, metalsm<strong>it</strong>h<br />

Craig Swindells<br />

silver, gold, metalsm<strong>it</strong>h<br />

Creating jewellery for me is an endless world of artistic<br />

expression, and provides the opportun<strong>it</strong>y <strong>to</strong> design and<br />

make sculpted pieces of wearable art.<br />

I work from my studio in Healesville designing and<br />

producing unique jewellery for private commissions and<br />

shops all over Australia. I have exhib<strong>it</strong>ed jewellery in<br />

Queensland and Vic<strong>to</strong>ria.<br />

Through my work I explore the many textural qual<strong>it</strong>ies<br />

of metals and incorporate contrasting elements such as<br />

light, dark and colour.<br />

MAROONDAH HWY<br />

Creating jewellery for me is an endless world of artistic<br />

expression, and provides the opportun<strong>it</strong>y <strong>to</strong> design and<br />

make sculpted pieces of wearable art.<br />

I work from my studio in Healesville designing and<br />

producing unique jewellery for private commissions and<br />

shops all over Australia. I have exhib<strong>it</strong>ed jewellery in<br />

Queensland and Vic<strong>to</strong>ria.<br />

Through my work I explore the many textural qual<strong>it</strong>ies<br />

of metals and incorporate contrasting elements such as<br />

light, dark and colour.<br />

MAROONDAH HWY<br />

Creating jewellery for me is an endless world of artistic<br />

expression, and provides the opportun<strong>it</strong>y <strong>to</strong> design and<br />

make sculpted pieces of wearable art.<br />

I work from my studio in Healesville designing and<br />

producing unique jewellery for private commissions and<br />

shops all over Australia. I have exhib<strong>it</strong>ed jewellery in<br />

Queensland and Vic<strong>to</strong>ria.<br />

Through my work I explore the many textural qual<strong>it</strong>ies<br />

of metals and incorporate contrasting elements such as<br />

light, dark and colour.<br />

MAROONDAH HWY<br />

Ph: 0432 089 343<br />

8a Elamo Rd, Healesville<br />

www.affin<strong>it</strong>ivedesigns.com.au<br />

Melways Ref: 270 E12<br />

MAROONDAH HWY<br />

St Leonards Rd<br />

Elamo Rd<br />

Ph: 0432 089 343<br />

8a Elamo Rd, Healesville<br />

www.affin<strong>it</strong>ivedesigns.com.au<br />

Melways Ref: 270 E12<br />

MAROONDAH HWY<br />

St Leonards Rd<br />

Elamo Rd<br />

Ph: 0432 089 343<br />

8a Elamo Rd, Healesville<br />

www.affin<strong>it</strong>ivedesigns.com.au<br />

Melways Ref: 270 E12<br />

MAROONDAH HWY<br />

St Leonards Rd<br />

Elamo Rd<br />

30 yarra valley openstudios 2010<br />

DON ROAD<br />

30 yarra valley openstudios 2010<br />

DON ROAD<br />

30 yarra valley openstudios 2010<br />

DON ROAD


Myers Myers Creek Creek Rd Rd<br />

51<br />

52<br />

55<br />

CASTELLA<br />

KINGLAKE<br />

Vic<strong>to</strong>ria Rd<br />

STEELS CREEK<br />

DIXONS CREEK<br />

Etham - <strong>Yarra</strong> Glen Rd<br />

Glenview Rd<br />

Macintyre Ln<br />

MAROONDAH HWY<br />

LILYDALE<br />

50<br />

D<br />

YARRA GLEN<br />

H<br />

King St<br />

MELBA HWY<br />

COLDSTREAM<br />

53<br />

WARBURTON HWY<br />

56<br />

A<br />

<strong>Yarra</strong> Glen - Yea Rd<br />

MELBA HWY<br />

49<br />

Kilara Rd<br />

33<br />

34<br />

TOOLANGI<br />

19<br />

21<br />

F<br />

17<br />

22<br />

Healesville - <strong>Yarra</strong> Glen Rd<br />

MAROONDAH HWY<br />

G<br />

Medhurst Rd<br />

GRUYERE<br />

45<br />

54<br />

WANDIN<br />

43<br />

NORTH<br />

SEVILLE<br />

Kinglake Kinglake - - Chum Chum Creek Creek Rd Rd<br />

CHUM<br />

CREEK<br />

3<br />

Healesville Koo Wee Rup Rd<br />

Maddens Ln<br />

WARBURTON HWY<br />

47<br />

11<br />

Lowes Rd<br />

HEALESVILLE<br />

LLE<br />

1<br />

1<br />

1<br />

1<br />

BADGER<br />

CREEK<br />

K<br />

Don Don Rd Rd<br />

MAROONDAH MAROONDAH MAROONDAH HWY HWY HWY HWY<br />

Donna Buang Rd<br />

Don Rd<br />

42<br />

LAUNCHING<br />

PLACE<br />

WOORI<br />

B<br />

YALLOCK<br />

4<br />

31<br />

14<br />

1<br />

32<br />

2<br />

HEALESVILLE<br />

18<br />

27<br />

NARBETHONG<br />

E 23<br />

7<br />

26<br />

29<br />

30<br />

20<br />

MAROONDAH MAROONDAH HWY HWY<br />

Healesville Healesville Koo Koo Wee Wee Rup Rup Rd Rd<br />

57<br />

Donna Buang Rd<br />

Acheron Acheron Way Way Way Way<br />

Don Don Rd Rd<br />

Badger Badger Creek Creek Rd Rd<br />

12<br />

10<br />

5<br />

J<br />

MAROONDAH HWY<br />

8<br />

9<br />

25<br />

13<br />

28<br />

BADGER<br />

CREEK<br />

16 24<br />

Healesville<br />

Sanctuary<br />

15<br />

6<br />

35<br />

37<br />

C<br />

EAST<br />

36<br />

MILLGROVE<br />

WARBURTON<br />

WARBURTON<br />

40<br />

48<br />

38<br />

WESBURN<br />

YARRA<br />

JUNCTION<br />

39<br />

41<br />

McMAHONS<br />

CREEK<br />

All studios<br />

are open by<br />

appointment for<br />

12 months from<br />

the <strong>Open</strong> <strong>Studios</strong><br />

weekend.<br />

!<br />

!<br />

!<br />

<strong>Studios</strong> open only by appointment during the year.<br />

Please contact the artist directly <strong>to</strong> make a time.<br />

Permanent studios. Check the artist’s page for<br />

opening times.<br />

Recommended food s<strong>to</strong>ps.<br />

46<br />

Plan your trip, or take one of our pre-planned<br />

<strong>to</strong>urs. Go <strong>to</strong>: yvopenstudios.net.au<br />

44<br />

Start your <strong>to</strong>ur here...<br />

Make sure you see the group exhib<strong>it</strong>ion<br />

at Sticks Winery, showcasing work from<br />

each artist – a great way <strong>to</strong> start your<br />

<strong>Open</strong> <strong>Studios</strong> journey.<br />

Need directions?<br />

<strong>Open</strong> <strong>Studios</strong> information, pho<strong>to</strong>s,<br />

and maps (including GPS-assisted<br />

driving directions) all in the palm of<br />

your hand.<br />

32<br />

<strong>Open</strong> from Sept. 5th-19th, 10-5pm daily.<br />

179 Glenview Road, <strong>Yarra</strong> Glen<br />

Melways Ref: 274 F5<br />

Download your free <strong>Open</strong> <strong>Studios</strong><br />

iphone app from the iTunes s<strong>to</strong>re from<br />

August 2010.<br />

33


22 28 22 28 22 28<br />

Agnes Szetey<br />

painter<br />

Agnes Szetey<br />

painter<br />

Agnes Szetey<br />

painter<br />

I am passionate and dedicated <strong>to</strong> capturing the unique<br />

essence of Australia. Inspired by my love of nature,<br />

the outback, horses, birds, people, his<strong>to</strong>ry and the high<br />

country, I have been painting for more than 40 years. I<br />

paint in most mediums but my favour<strong>it</strong>e is oils, which I use<br />

in my own unique impressionist style.<br />

Over the years, I have won numerous art prizes and<br />

awards and my work has been purchased by local and<br />

overseas art lovers.<br />

I am passionate and dedicated <strong>to</strong> capturing the unique<br />

essence of Australia. Inspired by my love of nature,<br />

the outback, horses, birds, people, his<strong>to</strong>ry and the high<br />

country, I have been painting for more than 40 years. I<br />

paint in most mediums but my favour<strong>it</strong>e is oils, which I use<br />

in my own unique impressionist style.<br />

Over the years, I have won numerous art prizes and<br />

awards and my work has been purchased by local and<br />

overseas art lovers.<br />

I am passionate and dedicated <strong>to</strong> capturing the unique<br />

essence of Australia. Inspired by my love of nature,<br />

the outback, horses, birds, people, his<strong>to</strong>ry and the high<br />

country, I have been painting for more than 40 years. I<br />

paint in most mediums but my favour<strong>it</strong>e is oils, which I use<br />

in my own unique impressionist style.<br />

Over the years, I have won numerous art prizes and<br />

awards and my work has been purchased by local and<br />

overseas art lovers.<br />

Ph: 03 5962 1129<br />

278 Badger Ck. Road,<br />

Healesville<br />

www.healesvillefineart.com.au<br />

BADGER CREEK ROAD<br />

Healesville<br />

BADGER CREEK ROAD<br />

DON ROAD<br />

Ph: 03 5962 1129<br />

278 Badger Ck. Road,<br />

Healesville<br />

www.healesvillefineart.com.au<br />

BADGER CREEK ROAD<br />

Healesville<br />

Permanent open hours:<br />

Thurs - Sun. 10am - 5pm<br />

Melways Ref: 278 F6<br />

Toora Cres<br />

Hannover Rd<br />

BADGER CREEK ROAD<br />

DON ROAD<br />

Ph: 03 5962 1129<br />

278 Badger Ck. Road,<br />

Healesville<br />

www.healesvillefineart.com.au<br />

BADGER CREEK ROAD<br />

Healesville<br />

Permanent open hours:<br />

Thurs - Sun. 10am - 5pm<br />

Melways Ref: 278 F6<br />

Toora Cres<br />

Hannover Rd<br />

BADGER CREEK ROAD<br />

DON ROAD<br />

Permanent open hours:<br />

Thurs - Sun. 10am - 5pm<br />

Melways Ref: 278 F6<br />

Toora Cres<br />

Hannover Rd<br />

yarra valley openstudios 2010 PAGE 35<br />

yarra valley openstudios 2010 PAGE 35<br />

yarra valley openstudios 2010 PAGE 35


29<br />

29<br />

29<br />

Dianna Tarr<br />

Painter<br />

Dianna Tarr<br />

Painter<br />

Dianna Tarr<br />

Painter<br />

Creating art is a med<strong>it</strong>ative practice for me, a discipline of<br />

focused awareness.<br />

Highly textured and sometimes sculpted w<strong>it</strong>h papier–<br />

mache, my love of line and textures come <strong>to</strong>gether <strong>to</strong><br />

create, w<strong>it</strong>h vivid colour, art <strong>to</strong> stimulate the senses.<br />

I have been exploring the ancient art of Yantra, that is<br />

specific art used for open eye med<strong>it</strong>ation. The paintings<br />

produced w<strong>it</strong>h this in mind are functional contemporary<br />

images <strong>to</strong> be med<strong>it</strong>ated upon.<br />

My med<strong>it</strong>ative works s<strong>it</strong> alongside commission pieces,<br />

figurative, landscape and purely energetic art works.<br />

Creating art is a med<strong>it</strong>ative practice for me, a discipline of<br />

focused awareness.<br />

Highly textured and sometimes sculpted w<strong>it</strong>h papier–<br />

mache, my love of line and textures come <strong>to</strong>gether <strong>to</strong><br />

create, w<strong>it</strong>h vivid colour, art <strong>to</strong> stimulate the senses.<br />

I have been exploring the ancient art of Yantra, that is<br />

specific art used for open eye med<strong>it</strong>ation. The paintings<br />

produced w<strong>it</strong>h this in mind are functional contemporary<br />

images <strong>to</strong> be med<strong>it</strong>ated upon.<br />

My med<strong>it</strong>ative works s<strong>it</strong> alongside commission pieces,<br />

figurative, landscape and purely energetic art works.<br />

Creating art is a med<strong>it</strong>ative practice for me, a discipline of<br />

focused awareness.<br />

Highly textured and sometimes sculpted w<strong>it</strong>h papier–<br />

mache, my love of line and textures come <strong>to</strong>gether <strong>to</strong><br />

create, w<strong>it</strong>h vivid colour, art <strong>to</strong> stimulate the senses.<br />

I have been exploring the ancient art of Yantra, that is<br />

specific art used for open eye med<strong>it</strong>ation. The paintings<br />

produced w<strong>it</strong>h this in mind are functional contemporary<br />

images <strong>to</strong> be med<strong>it</strong>ated upon.<br />

My med<strong>it</strong>ative works s<strong>it</strong> alongside commission pieces,<br />

figurative, landscape and purely energetic art works.<br />

Ph: 0413 687 570<br />

21 Auburn Road, Healesville<br />

www.internalart.com.au<br />

Melways Ref: 278 F1<br />

MAROONDAH HWY<br />

Healesville<br />

DON ROAD<br />

Farnham Rd<br />

Auburn Rd<br />

Ph: 0413 687 570<br />

21 Auburn Road, Healesville<br />

www.internalart.com.au<br />

Melways Ref: 278 F1<br />

MAROONDAH HWY<br />

Healesville<br />

DON ROAD<br />

Farnham Rd<br />

Auburn Rd<br />

Ph: 0413 687 570<br />

21 Auburn Road, Healesville<br />

www.internalart.com.au<br />

Melways Ref: 278 F1<br />

MAROONDAH HWY<br />

Healesville<br />

DON ROAD<br />

Farnham Rd<br />

Auburn Rd<br />

Thomas Rd<br />

Thomas Rd<br />

Thomas Rd<br />

PAGE 36 yarra valley openstudios 2010<br />

PAGE 36 yarra valley openstudios 2010<br />

PAGE 36 yarra valley openstudios 2010


30<br />

30<br />

30<br />

Cathy Van Den Essen<br />

gold and silversm<strong>it</strong>h<br />

Cathy Van Den Essen<br />

gold and silversm<strong>it</strong>h<br />

Cathy Van Den Essen<br />

gold and silversm<strong>it</strong>h<br />

I completed my Craft Degree in 1991, majoring in Gold<br />

and Silversm<strong>it</strong>hing. Life’s journey has brought me family,<br />

motherhood and now, Designer Jeweller in precious<br />

metals, s<strong>to</strong>nes and wood.<br />

I love the different colours and patterns in the timbers<br />

that exist on our planet and I intend <strong>to</strong> use more recycled<br />

timbers in the future. l also like experimenting w<strong>it</strong>h<br />

textures in my metal. My inspiration comes from life,<br />

nature, communication and symbolism, (his<strong>to</strong>rical, cultural<br />

and modern) particularly the Runes; the Vikings used them<br />

as a simple form of communication, unspoken language. I<br />

hope my individual pieces communicate <strong>to</strong> you.<br />

I completed my Craft Degree in 1991, majoring in Gold<br />

and Silversm<strong>it</strong>hing. Life’s journey has brought me family,<br />

motherhood and now, Designer Jeweller in precious<br />

metals, s<strong>to</strong>nes and wood.<br />

I love the different colours and patterns in the timbers<br />

that exist on our planet and I intend <strong>to</strong> use more recycled<br />

timbers in the future. l also like experimenting w<strong>it</strong>h<br />

textures in my metal. My inspiration comes from life,<br />

nature, communication and symbolism, (his<strong>to</strong>rical, cultural<br />

and modern) particularly the Runes; the Vikings used them<br />

as a simple form of communication, unspoken language. I<br />

hope my individual pieces communicate <strong>to</strong> you.<br />

I completed my Craft Degree in 1991, majoring in Gold<br />

and Silversm<strong>it</strong>hing. Life’s journey has brought me family,<br />

motherhood and now, Designer Jeweller in precious<br />

metals, s<strong>to</strong>nes and wood.<br />

I love the different colours and patterns in the timbers<br />

that exist on our planet and I intend <strong>to</strong> use more recycled<br />

timbers in the future. l also like experimenting w<strong>it</strong>h<br />

textures in my metal. My inspiration comes from life,<br />

nature, communication and symbolism, (his<strong>to</strong>rical, cultural<br />

and modern) particularly the Runes; the Vikings used them<br />

as a simple form of communication, unspoken language. I<br />

hope my individual pieces communicate <strong>to</strong> you.<br />

M: 0407 655 483<br />

Silvermist <strong>Studios</strong><br />

136 Maroondah Hwy, Healesville<br />

Healesville-Kinglake Rd<br />

Lilydale Rd<br />

Harker St<br />

HWY<br />

MAROONDAH HWY<br />

Healesville<br />

M: 0407 655 483<br />

Silvermist <strong>Studios</strong><br />

136 Maroondah Hwy, Healesville<br />

Healesville-Kinglake Rd<br />

Lilydale Rd<br />

Harker St<br />

HWY<br />

MAROONDAH HWY<br />

Healesville<br />

M: 0407 655 483<br />

Silvermist <strong>Studios</strong><br />

136 Maroondah Hwy, Healesville<br />

Healesville-Kinglake Rd<br />

Lilydale Rd<br />

Harker St<br />

HWY<br />

MAROONDAH HWY<br />

Healesville<br />

Permanent open hours: Thurs - Sun<br />

10am - 5pm and Public holidays,<br />

Melways Ref: 278 B1<br />

MAROONDAH<br />

MAROONDAH<br />

Permanent open hours: Thurs - Sun<br />

10am - 5pm and Public holidays,<br />

Melways Ref: 278 B1<br />

MAROONDAH<br />

MAROONDAH<br />

Permanent open hours: Thurs - Sun<br />

10am - 5pm and Public holidays,<br />

Melways Ref: 278 B1<br />

MAROONDAH<br />

MAROONDAH<br />

yarra valley openstudios 2010 PAGE 37<br />

yarra valley openstudios 2010 PAGE 37<br />

yarra valley openstudios 2010 PAGE 37


31<br />

31<br />

31<br />

An<strong>to</strong>nio Villella<br />

painter and sculp<strong>to</strong>r<br />

An<strong>to</strong>nio Villella<br />

painter and sculp<strong>to</strong>r<br />

An<strong>to</strong>nio Villella<br />

painter and sculp<strong>to</strong>r<br />

I am inspired and influenced by the inherent beauty of the<br />

natural environment, <strong>it</strong>s colours, shapes, texture and <strong>it</strong>s<br />

changing moods.<br />

My art making is a process of following your instinct<br />

rather than consciously trying <strong>to</strong> pre-determine an<br />

outcome. Vibrancy, spontane<strong>it</strong>y and an atmosphere of<br />

mystery is essential.<br />

In painting I try <strong>to</strong> express the landscape in an intu<strong>it</strong>ive<br />

rather than l<strong>it</strong>eral manner, using acrylic, watercolour and<br />

gouache, <strong>to</strong> interpret the rhythm and patterns of nature.<br />

I am inspired and influenced by the inherent beauty of the<br />

natural environment, <strong>it</strong>s colours, shapes, texture and <strong>it</strong>s<br />

changing moods.<br />

My art making is a process of following your instinct<br />

rather than consciously trying <strong>to</strong> pre-determine an<br />

outcome. Vibrancy, spontane<strong>it</strong>y and an atmosphere of<br />

mystery is essential.<br />

In painting I try <strong>to</strong> express the landscape in an intu<strong>it</strong>ive<br />

rather than l<strong>it</strong>eral manner, using acrylic, watercolour and<br />

gouache, <strong>to</strong> interpret the rhythm and patterns of nature.<br />

I am inspired and influenced by the inherent beauty of the<br />

natural environment, <strong>it</strong>s colours, shapes, texture and <strong>it</strong>s<br />

changing moods.<br />

My art making is a process of following your instinct<br />

rather than consciously trying <strong>to</strong> pre-determine an<br />

outcome. Vibrancy, spontane<strong>it</strong>y and an atmosphere of<br />

mystery is essential.<br />

In painting I try <strong>to</strong> express the landscape in an intu<strong>it</strong>ive<br />

rather than l<strong>it</strong>eral manner, using acrylic, watercolour and<br />

gouache, <strong>to</strong> interpret the rhythm and patterns of nature.<br />

My drawings are an exploration of line and texture in pen<br />

and ink, graph<strong>it</strong>e and pastels while my sculptures cover<br />

a variety of subjects from figurative <strong>to</strong> abstract, working<br />

mainly in wood.<br />

Ph: 03 5962 2428<br />

450 Maroondah Hwy<br />

(enter via Monda Pde)<br />

Healesville<br />

MAROONDAH HWY<br />

Monda Pde<br />

MAROONDAH HWY<br />

Graceburn Ave<br />

My drawings are an exploration of line and texture in pen<br />

and ink, graph<strong>it</strong>e and pastels while my sculptures cover<br />

a variety of subjects from figurative <strong>to</strong> abstract, working<br />

mainly in wood.<br />

Ph: 03 5962 2428<br />

450 Maroondah Hwy<br />

(enter via Monda Pde)<br />

Healesville<br />

MAROONDAH HWY<br />

Monda Pde<br />

Graceburn Ave<br />

MAROONDAH HWY<br />

My drawings are an exploration of line and texture in pen<br />

and ink, graph<strong>it</strong>e and pastels while my sculptures cover<br />

a variety of subjects from figurative <strong>to</strong> abstract, working<br />

mainly in wood.<br />

Ph: 03 5962 2428<br />

450 Maroondah Hwy<br />

(enter via Monda Pde)<br />

Healesville<br />

MAROONDAH HWY<br />

Monda Pde<br />

Graceburn Ave<br />

MAROONDAH HWY<br />

Melways Ref: 270 H11<br />

PAGE 38 yarra valley openstudios 2010<br />

Monda Pde<br />

Melways Ref: 270 H11<br />

PAGE 38 yarra valley openstudios 2010<br />

Monda Pde<br />

Melways Ref: 270 H11<br />

PAGE 38 yarra valley openstudios 2010<br />

Monda Pde


Wh<strong>it</strong>e St<br />

Wh<strong>it</strong>e St<br />

Wh<strong>it</strong>e St<br />

1<br />

1<br />

1<br />

32<br />

32<br />

32<br />

Laura Windmill<br />

Ceramist<br />

Laura Windmill<br />

Ceramist<br />

Laura Windmill<br />

Ceramist<br />

I am drawn <strong>to</strong> unique firing techniques such as saggar,<br />

wood firing and raku. My style is very much influenced by<br />

the Central Australian outback. The effects achieved allow<br />

me <strong>to</strong> capture the amazing colours of the region.<br />

Ceramics <strong>to</strong> me is an ever changing journey; the road I<br />

set out on isn’t necessarily the path I end up on, however<br />

there is plenty of interest along the way. The process is as<br />

enjoyable as the results and after many years of potting I<br />

still haven’t lost the passion or the enjoyment.<br />

I am drawn <strong>to</strong> unique firing techniques such as saggar,<br />

wood firing and raku. My style is very much influenced by<br />

the Central Australian outback. The effects achieved allow<br />

me <strong>to</strong> capture the amazing colours of the region.<br />

Ceramics <strong>to</strong> me is an ever changing journey; the road I<br />

set out on isn’t necessarily the path I end up on, however<br />

there is plenty of interest along the way. The process is as<br />

enjoyable as the results and after many years of potting I<br />

still haven’t lost the passion or the enjoyment.<br />

I am drawn <strong>to</strong> unique firing techniques such as saggar,<br />

wood firing and raku. My style is very much influenced by<br />

the Central Australian outback. The effects achieved allow<br />

me <strong>to</strong> capture the amazing colours of the region.<br />

Ceramics <strong>to</strong> me is an ever changing journey; the road I<br />

set out on isn’t necessarily the path I end up on, however<br />

there is plenty of interest along the way. The process is as<br />

enjoyable as the results and after many years of potting I<br />

still haven’t lost the passion or the enjoyment.<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Healesville<br />

District Hosp<strong>it</strong>al<br />

Ph: 03 5962 6606<br />

31 Silverleaf Pl<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw Rd<br />

Healesville<br />

Old Fernshaw Rd<br />

Silverleaf Pl<br />

Ph: 03 5962 6606<br />

31 Silverleaf Pl<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw Rd<br />

Healesville<br />

Old Fernshaw Rd<br />

Silverleaf Pl<br />

Ph: 03 5962 6606<br />

31 Silverleaf Pl<br />

Healesville<br />

MAROONDAH HWY<br />

Old Fernshaw Rd<br />

Healesville<br />

Old Fernshaw Rd<br />

Silverleaf Pl<br />

Melways Ref: 270 G12<br />

Melways Ref: 270 G12<br />

Melways Ref: 270 G12<br />

yarra valley openstudios 2010 PAGE 39<br />

yarra valley openstudios 2010 PAGE 39<br />

yarra valley openstudios 2010 PAGE 39


33<br />

33<br />

33<br />

Savaad Felich<br />

sculp<strong>to</strong>r<br />

Savaad Felich<br />

sculp<strong>to</strong>r<br />

Savaad Felich<br />

sculp<strong>to</strong>r<br />

My Arts practice has moved away from direct carving<br />

<strong>to</strong> construction, assemblage and lamination of timber,<br />

incorporating an array of found objects and recycled<br />

materials. I am particularly fond of old furn<strong>it</strong>ure parts<br />

which often form the nucleus of my sculpture.<br />

My Arts practice has moved away from direct carving<br />

<strong>to</strong> construction, assemblage and lamination of timber,<br />

incorporating an array of found objects and recycled<br />

materials. I am particularly fond of old furn<strong>it</strong>ure parts<br />

which often form the nucleus of my sculpture.<br />

My Arts practice has moved away from direct carving<br />

<strong>to</strong> construction, assemblage and lamination of timber,<br />

incorporating an array of found objects and recycled<br />

materials. I am particularly fond of old furn<strong>it</strong>ure parts<br />

which often form the nucleus of my sculpture.<br />

I generally commence w<strong>it</strong>h a loose image and allow<br />

unfolding <strong>to</strong> flow <strong>it</strong>s own course and momentum. I am<br />

presently less inclined <strong>to</strong> wanting <strong>to</strong> wear the mantle<br />

of sculp<strong>to</strong>r and <strong>it</strong>s associated connotations <strong>to</strong> simply<br />

enjoying playing in the studio immersed in a timeless<br />

plane.<br />

Cherrys Lane<br />

I generally commence w<strong>it</strong>h a loose image and allow<br />

unfolding <strong>to</strong> flow <strong>it</strong>s own course and momentum. I am<br />

presently less inclined <strong>to</strong> wanting <strong>to</strong> wear the mantle<br />

of sculp<strong>to</strong>r and <strong>it</strong>s associated connotations <strong>to</strong> simply<br />

enjoying playing in the studio immersed in a timeless<br />

plane.<br />

Cherrys Lane<br />

I generally commence w<strong>it</strong>h a loose image and allow<br />

unfolding <strong>to</strong> flow <strong>it</strong>s own course and momentum. I am<br />

presently less inclined <strong>to</strong> wanting <strong>to</strong> wear the mantle<br />

of sculp<strong>to</strong>r and <strong>it</strong>s associated connotations <strong>to</strong> simply<br />

enjoying playing in the studio immersed in a timeless<br />

plane.<br />

Cherrys Lane<br />

Ph: 03 5962 9414<br />

M: 0402 018 675<br />

44 – 48 Cherrys Lane, Toolangi<br />

Cherrys Lane<br />

Ph: 03 5962 9414<br />

M: 0402 018 675<br />

44 – 48 Cherrys Lane, Toolangi<br />

Cherrys Lane<br />

Ph: 03 5962 9414<br />

M: 0402 018 675<br />

44 – 48 Cherrys Lane, Toolangi<br />

Cherrys Lane<br />

Melways Ref: Key Map 10, Q2<br />

Toolangi<br />

Melways Ref: Key Map 10, Q2<br />

Toolangi<br />

Melways Ref: Key Map 10, Q2<br />

Toolangi<br />

HEALESVILLE KINGLAKE ROAD<br />

HEALESVILLE KINGLAKE ROAD<br />

HEALESVILLE KINGLAKE ROAD<br />

Cherrys Lane<br />

Cherrys Lane<br />

Cherrys Lane<br />

PAGE 40 yarra valley openstudios 2010<br />

PAGE 40 yarra valley openstudios 2010<br />

PAGE 40 yarra valley openstudios 2010


34<br />

34<br />

34<br />

David Williams<br />

Ceramist<br />

David Williams<br />

Ceramist<br />

David Williams<br />

Ceramist<br />

I established my studio after completing a BA (Fine Art)<br />

at Phillip Inst<strong>it</strong>ute, Melbourne in 1980. Using one of the<br />

most unpredictable glazing techniques, my ceramics<br />

feature crystal patterns or blooms.<br />

Very high kiln temperatures are used <strong>to</strong> fire the clay<br />

and then the kiln is cooled over many hours. During this<br />

cooling process, crystal patterns of various shapes and<br />

sizes form, giving the appearance of delicate flowers,<br />

stars or frosts. My work has been exhib<strong>it</strong>ed in the National<br />

Gallery of Vic<strong>to</strong>ria and Parliament House, Canberra.<br />

I established my studio after completing a BA (Fine Art)<br />

at Phillip Inst<strong>it</strong>ute, Melbourne in 1980. Using one of the<br />

most unpredictable glazing techniques, my ceramics<br />

feature crystal patterns or blooms.<br />

Very high kiln temperatures are used <strong>to</strong> fire the clay<br />

and then the kiln is cooled over many hours. During this<br />

cooling process, crystal patterns of various shapes and<br />

sizes form, giving the appearance of delicate flowers,<br />

stars or frosts. My work has been exhib<strong>it</strong>ed in the National<br />

Gallery of Vic<strong>to</strong>ria and Parliament House, Canberra.<br />

I established my studio after completing a BA (Fine Art)<br />

at Phillip Inst<strong>it</strong>ute, Melbourne in 1980. Using one of the<br />

most unpredictable glazing techniques, my ceramics<br />

feature crystal patterns or blooms.<br />

Very high kiln temperatures are used <strong>to</strong> fire the clay<br />

and then the kiln is cooled over many hours. During this<br />

cooling process, crystal patterns of various shapes and<br />

sizes form, giving the appearance of delicate flowers,<br />

stars or frosts. My work has been exhib<strong>it</strong>ed in the National<br />

Gallery of Vic<strong>to</strong>ria and Parliament House, Canberra.<br />

Ph: 03 5962 9287<br />

1691 Kinglake/Healesville Rd<br />

Toolangi<br />

Ph: 03 5962 9287<br />

1691 Kinglake/Healesville Rd<br />

Toolangi<br />

Ph: 03 5962 9287<br />

1691 Kinglake/Healesville Rd<br />

Toolangi<br />

Permanent open hours:<br />

weekends 10am - 4pm<br />

Melways Ref:<br />

Key Map 10, Q2<br />

Old Toolangi Rd<br />

Cherrys Lane<br />

C.J. Dennis Road<br />

Toolangi<br />

HEALESVILLE KINGLAKE ROAD<br />

Permanent open hours:<br />

weekends 10am - 4pm<br />

Melways Ref:<br />

Key Map 10, Q2<br />

Old Toolangi Rd<br />

Cherrys Lane<br />

C.J. Dennis Road<br />

Toolangi<br />

HEALESVILLE KINGLAKE ROAD<br />

Permanent open hours:<br />

weekends 10am - 4pm<br />

Melways Ref:<br />

Key Map 10, Q2<br />

Old Toolangi Rd<br />

Cherrys Lane<br />

C.J. Dennis Road<br />

Toolangi<br />

HEALESVILLE KINGLAKE ROAD<br />

yarra valley openstudios 2010 PAGE 41<br />

yarra valley openstudios 2010 PAGE 41<br />

yarra valley openstudios 2010 PAGE 41


35<br />

35<br />

35<br />

Jena Bedson<br />

Ceramist<br />

Jena Bedson<br />

Ceramist<br />

Jena Bedson<br />

Ceramist<br />

I have been making pots for over 25 years and I still love<br />

the feel and texture of the clay on my hands.<br />

The bright underglaze colours I use <strong>to</strong> decorate my pots<br />

exc<strong>it</strong>e me w<strong>it</strong>h their vibrancy and each of my pieces<br />

becomes a celebration of colour.<br />

Fun and whimsy abound in my work but attention <strong>to</strong><br />

function and form is always present.<br />

I create each piece e<strong>it</strong>her on the potter’s wheel or by hand<br />

and enjoy the rhythm of my days working in my studio.<br />

I have been making pots for over 25 years and I still love<br />

the feel and texture of the clay on my hands.<br />

The bright underglaze colours I use <strong>to</strong> decorate my pots<br />

exc<strong>it</strong>e me w<strong>it</strong>h their vibrancy and each of my pieces<br />

becomes a celebration of colour.<br />

Fun and whimsy abound in my work but attention <strong>to</strong><br />

function and form is always present.<br />

I create each piece e<strong>it</strong>her on the potter’s wheel or by hand<br />

and enjoy the rhythm of my days working in my studio.<br />

I have been making pots for over 25 years and I still love<br />

the feel and texture of the clay on my hands.<br />

The bright underglaze colours I use <strong>to</strong> decorate my pots<br />

exc<strong>it</strong>e me w<strong>it</strong>h their vibrancy and each of my pieces<br />

becomes a celebration of colour.<br />

Fun and whimsy abound in my work but attention <strong>to</strong><br />

function and form is always present.<br />

I create each piece e<strong>it</strong>her on the potter’s wheel or by hand<br />

and enjoy the rhythm of my days working in my studio.<br />

Ph: 03 5966 9951<br />

5 Arm<strong>it</strong>age Ave, East Warbur<strong>to</strong>n<br />

www.jenaceramics.com<br />

Permanent open hours:<br />

Saturdays & public holidays,<br />

11am - 5pm<br />

Melways Ref: 291 C7<br />

Hazelwood Rd<br />

Arm<strong>it</strong>age Ave<br />

Arm<strong>it</strong>age Ave<br />

WOODS POINT ROAD<br />

Warbur<strong>to</strong>n<br />

Ph: 03 5966 9951<br />

5 Arm<strong>it</strong>age Ave, East Warbur<strong>to</strong>n<br />

www.jenaceramics.com<br />

Permanent open hours:<br />

Saturdays & public holidays,<br />

11am - 5pm<br />

Melways Ref: 291 C7<br />

Hazelwood Rd<br />

Arm<strong>it</strong>age Ave<br />

Arm<strong>it</strong>age Ave<br />

WOODS POINT ROAD<br />

Warbur<strong>to</strong>n<br />

Ph: 03 5966 9951<br />

5 Arm<strong>it</strong>age Ave, East Warbur<strong>to</strong>n<br />

www.jenaceramics.com<br />

Permanent open hours:<br />

Saturdays & public holidays,<br />

11am - 5pm<br />

Melways Ref: 291 C7<br />

Hazelwood Rd<br />

Arm<strong>it</strong>age Ave<br />

Arm<strong>it</strong>age Ave<br />

WOODS POINT ROAD<br />

Warbur<strong>to</strong>n<br />

PAGE 42 yarra valley openstudios 2010<br />

PAGE 42 yarra valley openstudios 2010<br />

PAGE 42 yarra valley openstudios 2010


36<br />

36<br />

36<br />

Michael Boatwood<br />

printmaker<br />

Michael Boatwood<br />

printmaker<br />

Michael Boatwood<br />

printmaker<br />

My life is an obsession w<strong>it</strong>h creativ<strong>it</strong>y. From childhood<br />

I have always observed, created, learned and lived art.<br />

Drawing, visual documentation, art his<strong>to</strong>ry and design<br />

fill my mind. Now, after a love affair w<strong>it</strong>h coffee and <strong>it</strong>s<br />

industry I have returned <strong>to</strong> art.<br />

While recently living on Vancouver Island, two things<br />

changed my life. The first being exposure <strong>to</strong> the art of<br />

Japanese woodblock printmaking. The second was the<br />

culture and artwork of the Northwest coast native peoples.<br />

My life is an obsession w<strong>it</strong>h creativ<strong>it</strong>y. From childhood<br />

I have always observed, created, learned and lived art.<br />

Drawing, visual documentation, art his<strong>to</strong>ry and design<br />

fill my mind. Now, after a love affair w<strong>it</strong>h coffee and <strong>it</strong>s<br />

industry I have returned <strong>to</strong> art.<br />

While recently living on Vancouver Island, two things<br />

changed my life. The first being exposure <strong>to</strong> the art of<br />

Japanese woodblock printmaking. The second was the<br />

culture and artwork of the Northwest coast native peoples.<br />

My life is an obsession w<strong>it</strong>h creativ<strong>it</strong>y. From childhood<br />

I have always observed, created, learned and lived art.<br />

Drawing, visual documentation, art his<strong>to</strong>ry and design<br />

fill my mind. Now, after a love affair w<strong>it</strong>h coffee and <strong>it</strong>s<br />

industry I have returned <strong>to</strong> art.<br />

While recently living on Vancouver Island, two things<br />

changed my life. The first being exposure <strong>to</strong> the art of<br />

Japanese woodblock printmaking. The second was the<br />

culture and artwork of the Northwest coast native peoples.<br />

I hope <strong>to</strong> honestly reflect the world I see w<strong>it</strong>hin anything<br />

that I produce, whilst utilising materials that do not harm<br />

others.<br />

Kellys Rd<br />

I hope <strong>to</strong> honestly reflect the world I see w<strong>it</strong>hin anything<br />

that I produce, whilst utilising materials that do not harm<br />

others.<br />

Kellys Rd<br />

I hope <strong>to</strong> honestly reflect the world I see w<strong>it</strong>hin anything<br />

that I produce, whilst utilising materials that do not harm<br />

others.<br />

Kellys Rd<br />

Riverside Dr<br />

Riverside Dr<br />

Riverside Dr<br />

Ph: 03 5966 5840<br />

16 Ferntree Ave, Warbur<strong>to</strong>n<br />

Melways Ref: 290 F5<br />

Riverside Dr<br />

Ferntree Ave<br />

Ph: 03 5966 5840<br />

16 Ferntree Ave, Warbur<strong>to</strong>n<br />

Melways Ref: 290 F5<br />

Riverside Dr<br />

Ferntree Ave<br />

Ph: 03 5966 5840<br />

16 Ferntree Ave, Warbur<strong>to</strong>n<br />

Melways Ref: 290 F5<br />

Riverside Dr<br />

Ferntree Ave<br />

yarra valley openstudios 2010 PAGE 43<br />

yarra valley openstudios 2010 PAGE 43<br />

yarra valley openstudios 2010 PAGE 43


37<br />

37<br />

37<br />

Gayle De Angelis<br />

textiles<br />

Gayle De Angelis<br />

textiles<br />

Gayle De Angelis<br />

textiles<br />

“The Sheila’s Shed” reflects my diverse interests as poet,<br />

painter and garment designer. What inspires me about<br />

making Wearable Art from recycled and collectable<br />

materials is that <strong>it</strong> encourages ordinary people <strong>to</strong> express<br />

their own style and beauty in collaboration w<strong>it</strong>h the artist.<br />

My joy is in the creative process.<br />

I was born in<strong>to</strong> an artistic family and have sewn, sketched<br />

and wr<strong>it</strong>ten poetry since childhood. I continue <strong>to</strong> explore<br />

different mediums and am currently taking pastel classes<br />

in Healesville.<br />

My studio, at the foothills of Mt Donna Buang, is colourful<br />

and light, and visi<strong>to</strong>rs can enjoy many sensory pleasures<br />

in the beautiful surrounds.<br />

M: 0416 046 788<br />

6 Ferndale Rd, Warbur<strong>to</strong>n<br />

www.retiedattire.com<br />

Donna Buang Rd (Acheron Way)<br />

Ferndale Rd<br />

“The Sheila’s Shed” reflects my diverse interests as poet,<br />

painter and garment designer. What inspires me about<br />

making Wearable Art from recycled and collectable<br />

materials is that <strong>it</strong> encourages ordinary people <strong>to</strong> express<br />

their own style and beauty in collaboration w<strong>it</strong>h the artist.<br />

My joy is in the creative process.<br />

I was born in<strong>to</strong> an artistic family and have sewn, sketched<br />

and wr<strong>it</strong>ten poetry since childhood. I continue <strong>to</strong> explore<br />

different mediums and am currently taking pastel classes<br />

in Healesville.<br />

My studio, at the foothills of Mt Donna Buang, is colourful<br />

and light, and visi<strong>to</strong>rs can enjoy many sensory pleasures<br />

in the beautiful surrounds.<br />

M: 0416 046 788<br />

6 Ferndale Rd, Warbur<strong>to</strong>n<br />

www.retiedattire.com<br />

Donna Buang Rd (Acheron Way)<br />

Ferndale Rd<br />

“The Sheila’s Shed” reflects my diverse interests as poet,<br />

painter and garment designer. What inspires me about<br />

making Wearable Art from recycled and collectable<br />

materials is that <strong>it</strong> encourages ordinary people <strong>to</strong> express<br />

their own style and beauty in collaboration w<strong>it</strong>h the artist.<br />

My joy is in the creative process.<br />

I was born in<strong>to</strong> an artistic family and have sewn, sketched<br />

and wr<strong>it</strong>ten poetry since childhood. I continue <strong>to</strong> explore<br />

different mediums and am currently taking pastel classes<br />

in Healesville.<br />

My studio, at the foothills of Mt Donna Buang, is colourful<br />

and light, and visi<strong>to</strong>rs can enjoy many sensory pleasures<br />

in the beautiful surrounds.<br />

M: 0416 046 788<br />

6 Ferndale Rd, Warbur<strong>to</strong>n<br />

www.retiedattire.com<br />

Donna Buang Rd (Acheron Way)<br />

Ferndale Rd<br />

Permanent open hours:<br />

Tues - Thurs. 10am - 4pm<br />

Melways Ref: 290 F2<br />

Wattletree Rd<br />

Ferndale Rd<br />

Permanent open hours:<br />

Tues - Thurs. 10am - 4pm<br />

Melways Ref: 290 F2<br />

Wattletree Rd<br />

Ferndale Rd<br />

Permanent open hours:<br />

Tues - Thurs. 10am - 4pm<br />

Melways Ref: 290 F2<br />

Wattletree Rd<br />

Ferndale Rd<br />

PAGE 44 yarra valley openstudios 2010<br />

PAGE 44 yarra valley openstudios 2010<br />

PAGE 44 yarra valley openstudios 2010


38<br />

38<br />

38<br />

Sioux Dollman<br />

Painter/Sculp<strong>to</strong>r<br />

Sioux Dollman<br />

Painter/Sculp<strong>to</strong>r<br />

Sioux Dollman<br />

Painter/Sculp<strong>to</strong>r<br />

‘Imagination Equals Creation’<br />

‘Imagination Equals Creation’<br />

‘Imagination Equals Creation’<br />

It is through my art that the heart is expressed and<br />

manifested in an outward visual form <strong>to</strong> be shared w<strong>it</strong>h the<br />

people and the world around me. Expressing and sharing<br />

all that is felt and experienced w<strong>it</strong>hin me and allowing me<br />

<strong>to</strong> contribute JOY, PASSION, LOVE, MAGIC and BEAUTY<br />

TO THE WORLD.<br />

WARBURTON HWY<br />

I believe <strong>it</strong> is through art and our imaginal faculties that we<br />

shall <strong>to</strong>gether CREATE HEAVEN ON EARTH.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

It is through my art that the heart is expressed and<br />

manifested in an outward visual form <strong>to</strong> be shared w<strong>it</strong>h the<br />

people and the world around me. Expressing and sharing<br />

all that is felt and experienced w<strong>it</strong>hin me and allowing me<br />

<strong>to</strong> contribute JOY, PASSION, LOVE, MAGIC and BEAUTY<br />

TO THE WORLD.<br />

WARBURTON HWY<br />

I believe <strong>it</strong> is through art and our imaginal faculties that we<br />

shall <strong>to</strong>gether CREATE HEAVEN ON EARTH.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

It is through my art that the heart is expressed and<br />

manifested in an outward visual form <strong>to</strong> be shared w<strong>it</strong>h the<br />

people and the world around me. Expressing and sharing<br />

all that is felt and experienced w<strong>it</strong>hin me and allowing me<br />

<strong>to</strong> contribute JOY, PASSION, LOVE, MAGIC and BEAUTY<br />

TO THE WORLD.<br />

WARBURTON HWY<br />

I believe <strong>it</strong> is through art and our imaginal faculties that we<br />

shall <strong>to</strong>gether CREATE HEAVEN ON EARTH.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

Ph: 03 5966 5936<br />

4 Azalea Court, Warbur<strong>to</strong>n<br />

www.siouxdollman.com<br />

Clarke Ave<br />

Old Warbur<strong>to</strong>n Rd<br />

< To Warbur<strong>to</strong>n Hwy<br />

< To Warbur<strong>to</strong>n Hwy<br />

< To Warbur<strong>to</strong>n Hwy<br />

Ph: 03 5966 5936<br />

4 Azalea Court, Warbur<strong>to</strong>n<br />

www.siouxdollman.com<br />

Clarke Ave<br />

Ph: 03 5966 5936<br />

4 Azalea Court, Warbur<strong>to</strong>n<br />

www.siouxdollman.com<br />

Clarke Ave<br />

Old Warbur<strong>to</strong>n Rd<br />

Old Warbur<strong>to</strong>n Rd<br />

Melways Ref: 290 D7<br />

Sylvan Ave<br />

Melways Ref: 290 D7<br />

Sylvan Ave<br />

Melways Ref: 290 D7<br />

Sylvan Ave<br />

Old Warbur<strong>to</strong>n Rd<br />

Old Warbur<strong>to</strong>n Rd<br />

Old Warbur<strong>to</strong>n Rd<br />

Azalea Ct<br />

Azalea Ct<br />

Azalea Ct<br />

yarra valley openstudios 2010 PAGE 45<br />

yarra valley openstudios 2010 PAGE 45<br />

yarra valley openstudios 2010 PAGE 45


39<br />

39<br />

39<br />

Ember Fairbairn-Ramsay<br />

Painter<br />

Ember Fairbairn-Ramsay<br />

Painter<br />

Ember Fairbairn-Ramsay<br />

Painter<br />

To me, creating art is a communion w<strong>it</strong>h creation, <strong>it</strong> is<br />

a med<strong>it</strong>ation where one “loses” self and merges in<strong>to</strong> all<br />

that is and all that is yet <strong>to</strong> be. The artwork can also be<br />

a contemplation, rather than a mental, conceptual idea<br />

of artmaking. To a large degree <strong>it</strong> is the process and the<br />

form which shapes the content of the work, employing<br />

colour, mark making, symbol and shape through oil paint,<br />

and texture via the encaustic process.<br />

Trained in Queensland, I have been exhib<strong>it</strong>ing since 2000,<br />

selling work and completing commissions. My works have<br />

sold in Australia, USA and Canada.<br />

To me, creating art is a communion w<strong>it</strong>h creation, <strong>it</strong> is<br />

a med<strong>it</strong>ation where one “loses” self and merges in<strong>to</strong> all<br />

that is and all that is yet <strong>to</strong> be. The artwork can also be<br />

a contemplation, rather than a mental, conceptual idea<br />

of artmaking. To a large degree <strong>it</strong> is the process and the<br />

form which shapes the content of the work, employing<br />

colour, mark making, symbol and shape through oil paint,<br />

and texture via the encaustic process.<br />

Trained in Queensland, I have been exhib<strong>it</strong>ing since 2000,<br />

selling work and completing commissions. My works have<br />

sold in Australia, USA and Canada.<br />

To me, creating art is a communion w<strong>it</strong>h creation, <strong>it</strong> is<br />

a med<strong>it</strong>ation where one “loses” self and merges in<strong>to</strong> all<br />

that is and all that is yet <strong>to</strong> be. The artwork can also be<br />

a contemplation, rather than a mental, conceptual idea<br />

of artmaking. To a large degree <strong>it</strong> is the process and the<br />

form which shapes the content of the work, employing<br />

colour, mark making, symbol and shape through oil paint,<br />

and texture via the encaustic process.<br />

Trained in Queensland, I have been exhib<strong>it</strong>ing since 2000,<br />

selling work and completing commissions. My works have<br />

sold in Australia, USA and Canada.<br />

WARBURTON HWY<br />

WARBURTON HWY<br />

WARBURTON HWY<br />

<strong>Yarra</strong> Junction<br />

Railway St<br />

<strong>Yarra</strong> Junction<br />

Railway St<br />

<strong>Yarra</strong> Junction<br />

Railway St<br />

Ph: 0421 000 361<br />

Lot 1/4 Douglas Pde, <strong>Yarra</strong> Junction<br />

Email: emberatia@iprimus.com.au<br />

Permanent open hours: last Sunday of every month<br />

Melways Ref: 288 G8<br />

McOwan Cres<br />

Douglas Pde<br />

Ph: 0421 000 361<br />

Lot 1/4 Douglas Pde, <strong>Yarra</strong> Junction<br />

Email: emberatia@iprimus.com.au<br />

Permanent open hours: last Sunday of every month<br />

Melways Ref: 288 G8<br />

McOwan Cres<br />

Douglas Pde<br />

Ph: 0421 000 361<br />

Lot 1/4 Douglas Pde, <strong>Yarra</strong> Junction<br />

Email: emberatia@iprimus.com.au<br />

Permanent open hours: last Sunday of every month<br />

Melways Ref: 288 G8<br />

McOwan Cres<br />

Douglas Pde<br />

PAGE 46 yarra valley openstudios 2010<br />

PAGE 46 yarra valley openstudios 2010<br />

PAGE 46 yarra valley openstudios 2010


40<br />

40<br />

40<br />

Gillian Farrow<br />

textiles and collage<br />

Gillian Farrow<br />

textiles and collage<br />

Gillian Farrow<br />

textiles and collage<br />

My training as a textile designer and screen printer has<br />

rewired the way I look at the world. From smooth river<br />

s<strong>to</strong>nes, <strong>to</strong> the unique tactile nature of a eucalyptus tree or<br />

composi<strong>to</strong>rs printing block, I see not just the object <strong>it</strong>self,<br />

but a motif or a texture.<br />

My training as a textile designer and screen printer has<br />

rewired the way I look at the world. From smooth river<br />

s<strong>to</strong>nes, <strong>to</strong> the unique tactile nature of a eucalyptus tree or<br />

composi<strong>to</strong>rs printing block, I see not just the object <strong>it</strong>self,<br />

but a motif or a texture.<br />

My training as a textile designer and screen printer has<br />

rewired the way I look at the world. From smooth river<br />

s<strong>to</strong>nes, <strong>to</strong> the unique tactile nature of a eucalyptus tree or<br />

composi<strong>to</strong>rs printing block, I see not just the object <strong>it</strong>self,<br />

but a motif or a texture.<br />

This all becomes part of my visual language, as I simplify<br />

shapes and build layers in my collage, using my printed<br />

fabrics, found objects and the ephemera of every day life.<br />

WARBURTON HWY<br />

I love my studio space. It allows me <strong>to</strong> explore different<br />

elements of my textile and art practice.<br />

I also enjoy the collaborative process w<strong>it</strong>h people from<br />

different creative backgrounds.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

This all becomes part of my visual language, as I simplify<br />

shapes and build layers in my collage, using my printed<br />

fabrics, found objects and the ephemera of every day life.<br />

WARBURTON HWY<br />

I love my studio space. It allows me <strong>to</strong> explore different<br />

elements of my textile and art practice.<br />

I also enjoy the collaborative process w<strong>it</strong>h people from<br />

different creative backgrounds.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

This all becomes part of my visual language, as I simplify<br />

shapes and build layers in my collage, using my printed<br />

fabrics, found objects and the ephemera of every day life.<br />

WARBURTON HWY<br />

I love my studio space. It allows me <strong>to</strong> explore different<br />

elements of my textile and art practice.<br />

I also enjoy the collaborative process w<strong>it</strong>h people from<br />

different creative backgrounds.<br />

Park Rd<br />

Lala Rd<br />

Homers Rd<br />

Ph: 0412 499 869<br />

17 Clarke Ave, Warbur<strong>to</strong>n<br />

www.gillianfarrow.com.au<br />

Old Warbur<strong>to</strong>n Rd<br />

< To Warbur<strong>to</strong>n Hwy<br />

Ph: 0412 499 869<br />

17 Clarke Ave, Warbur<strong>to</strong>n<br />

www.gillianfarrow.com.au<br />

Old Warbur<strong>to</strong>n Rd<br />

< To Warbur<strong>to</strong>n Hwy<br />

Ph: 0412 499 869<br />

17 Clarke Ave, Warbur<strong>to</strong>n<br />

www.gillianfarrow.com.au<br />

Old Warbur<strong>to</strong>n Rd<br />

< To Warbur<strong>to</strong>n Hwy<br />

Clarke Ave<br />

Clarke Ave<br />

Clarke Ave<br />

Melways Ref: 290 D6<br />

Melways Ref: 290 D6<br />

Melways Ref: 290 D6<br />

Sylvan Ave<br />

Sylvan Ave<br />

Sylvan Ave<br />

yarra valley openstudios 2010 PAGE 47<br />

Azalea Ct<br />

yarra valley openstudios 2010 PAGE 47<br />

Azalea Ct<br />

yarra valley openstudios 2010 PAGE 47<br />

Azalea Ct


41<br />

41<br />

41<br />

Christine Goode<br />

print maker<br />

Christine Goode<br />

print maker<br />

Christine Goode<br />

print maker<br />

Inspiration for my artwork comes from my love of nature,<br />

and my home in a beautiful tranquil valley w<strong>it</strong>h huge<br />

mountain ash and flowing water.<br />

Recently I have begun <strong>to</strong> explore the elemental qual<strong>it</strong>ies<br />

of copper and dry point. Its velvet subliminal qual<strong>it</strong>ies<br />

suggestive of movement have a fragile and textual<br />

qual<strong>it</strong>y, which is in direct contrast w<strong>it</strong>h the hard-edged<br />

application on the surface of the copper. The mark has a<br />

physical<strong>it</strong>y, which is drawn directly on<strong>to</strong> the plate, derived<br />

from my insight in<strong>to</strong> the environment.<br />

The importance of the mark making process and <strong>it</strong>s<br />

strength provides a glimpse in<strong>to</strong> another detailed world.<br />

WOODS POINT RD<br />

Reef<strong>to</strong>n<br />

Hotel<br />

McMahons Creek Road<br />

Inspiration for my artwork comes from my love of nature,<br />

and my home in a beautiful tranquil valley w<strong>it</strong>h huge<br />

mountain ash and flowing water.<br />

Recently I have begun <strong>to</strong> explore the elemental qual<strong>it</strong>ies<br />

of copper and dry point. Its velvet subliminal qual<strong>it</strong>ies<br />

suggestive of movement have a fragile and textual<br />

qual<strong>it</strong>y, which is in direct contrast w<strong>it</strong>h the hard-edged<br />

application on the surface of the copper. The mark has a<br />

physical<strong>it</strong>y, which is drawn directly on<strong>to</strong> the plate, derived<br />

from my insight in<strong>to</strong> the environment.<br />

The importance of the mark making process and <strong>it</strong>s<br />

strength provides a glimpse in<strong>to</strong> another detailed world.<br />

WOODS POINT RD<br />

Reef<strong>to</strong>n<br />

Hotel<br />

McMahons Creek Road<br />

Inspiration for my artwork comes from my love of nature,<br />

and my home in a beautiful tranquil valley w<strong>it</strong>h huge<br />

mountain ash and flowing water.<br />

Recently I have begun <strong>to</strong> explore the elemental qual<strong>it</strong>ies<br />

of copper and dry point. Its velvet subliminal qual<strong>it</strong>ies<br />

suggestive of movement have a fragile and textual<br />

qual<strong>it</strong>y, which is in direct contrast w<strong>it</strong>h the hard-edged<br />

application on the surface of the copper. The mark has a<br />

physical<strong>it</strong>y, which is drawn directly on<strong>to</strong> the plate, derived<br />

from my insight in<strong>to</strong> the environment.<br />

The importance of the mark making process and <strong>it</strong>s<br />

strength provides a glimpse in<strong>to</strong> another detailed world.<br />

WARBURTON-<br />

WARBURTON-<br />

WARBURTON-<br />

WOODS POINT RD<br />

Reef<strong>to</strong>n<br />

Hotel<br />

McMahons Creek Road<br />

Warbur<strong>to</strong>n<br />

Ph: 03 59 668518<br />

75 McMahons Creek Rd, McMahons Creek<br />

Reef<strong>to</strong>n Dr<br />

Warbur<strong>to</strong>n<br />

Ph: 03 59 668518<br />

75 McMahons Creek Rd, McMahons Creek<br />

Reef<strong>to</strong>n Dr<br />

Warbur<strong>to</strong>n<br />

Ph: 03 59 668518<br />

75 McMahons Creek Rd, McMahons Creek<br />

Reef<strong>to</strong>n Dr<br />

Melways Ref: 612 U2<br />

Melways Ref: 612 U2<br />

Melways Ref: 612 U2<br />

PAGE 48 yarra valley openstudios 2010<br />

PAGE 48 yarra valley openstudios 2010<br />

PAGE 48 yarra valley openstudios 2010


42<br />

42<br />

42<br />

Lynne McDowell<br />

Ceramist<br />

Lynne McDowell<br />

Ceramist<br />

Lynne McDowell<br />

Ceramist<br />

In an old dairy overlooking the beautiful Woori Yallock<br />

<strong>Valley</strong> you will find my studio.<br />

My work encompasses a broad spectrum including decorative<br />

garden pieces, contemporary lighting, fine porcelain<br />

w<strong>it</strong>h gold inlay, and celadon or shino glazed homewares.<br />

For the garden I’ve made water features, majestic “Queen<br />

Head” planters, designer boulders and lights for terraces.<br />

For the home I’ve created large slab constructed lights<br />

w<strong>it</strong>h patterns of piercing and gold inlay, which also<br />

function as containers for reeds or bamboo.<br />

I still continue my signature work in porcelain w<strong>it</strong>h designs<br />

of fine black lines inlaid w<strong>it</strong>h gold lustre.<br />

Williams Cres<br />

In an old dairy overlooking the beautiful Woori Yallock<br />

<strong>Valley</strong> you will find my studio.<br />

My work encompasses a broad spectrum including decorative<br />

garden pieces, contemporary lighting, fine porcelain<br />

w<strong>it</strong>h gold inlay, and celadon or shino glazed homewares.<br />

For the garden I’ve made water features, majestic “Queen<br />

Head” planters, designer boulders and lights for terraces.<br />

For the home I’ve created large slab constructed lights<br />

w<strong>it</strong>h patterns of piercing and gold inlay, which also<br />

function as containers for reeds or bamboo.<br />

I still continue my signature work in porcelain w<strong>it</strong>h designs<br />

of fine black lines inlaid w<strong>it</strong>h gold lustre.<br />

Williams Cres<br />

In an old dairy overlooking the beautiful Woori Yallock<br />

<strong>Valley</strong> you will find my studio.<br />

My work encompasses a broad spectrum including decorative<br />

garden pieces, contemporary lighting, fine porcelain<br />

w<strong>it</strong>h gold inlay, and celadon or shino glazed homewares.<br />

For the garden I’ve made water features, majestic “Queen<br />

Head” planters, designer boulders and lights for terraces.<br />

For the home I’ve created large slab constructed lights<br />

w<strong>it</strong>h patterns of piercing and gold inlay, which also<br />

function as containers for reeds or bamboo.<br />

I still continue my signature work in porcelain w<strong>it</strong>h designs<br />

of fine black lines inlaid w<strong>it</strong>h gold lustre.<br />

Williams Cres<br />

Ph: 03 5964 7507<br />

1715 Warbur<strong>to</strong>n Hwy, (oppos<strong>it</strong>e TYREPOWER)<br />

Woori Yallock<br />

Permanent exhib<strong>it</strong>ion. Please ring first.<br />

Melways Ref: 286 H12<br />

Phillip Rd<br />

WARBURTON HWY<br />

Ph: 03 5964 7507<br />

1715 Warbur<strong>to</strong>n Hwy, (oppos<strong>it</strong>e TYREPOWER)<br />

Woori Yallock<br />

Permanent exhib<strong>it</strong>ion. Please ring first.<br />

Melways Ref: 286 H12<br />

Phillip Rd<br />

WARBURTON HWY<br />

Ph: 03 5964 7507<br />

1715 Warbur<strong>to</strong>n Hwy, (oppos<strong>it</strong>e TYREPOWER)<br />

Woori Yallock<br />

Permanent exhib<strong>it</strong>ion. Please ring first.<br />

Melways Ref: 286 H12<br />

Phillip Rd<br />

WARBURTON HWY<br />

yarra valley openstudios 2010 PAGE 49<br />

yarra valley openstudios 2010 PAGE 49<br />

yarra valley openstudios 2010 PAGE 49


43<br />

43<br />

43<br />

Sara McPherson<br />

painter<br />

Sara McPherson<br />

painter<br />

Sara McPherson<br />

painter<br />

My works are both au<strong>to</strong>biographical and inspired by the<br />

landscape around me. They depict the beauty of our<br />

world and the many ways we interact and experience life.<br />

Romantic cloudscapes hover over a world where day and<br />

night often appear simultaneously. Oversized <strong>to</strong>ys inhab<strong>it</strong><br />

fictional landscapes, representing the daughter/child/<br />

human race and alluding <strong>to</strong> our impact on the natural<br />

environment.<br />

Expanses of tea tree blend in<strong>to</strong> the rock pools of<br />

holidays spent at the beach, as light, both nostalgic and<br />

voyeuristic, streams across darkened front lawns.<br />

My works are both au<strong>to</strong>biographical and inspired by the<br />

landscape around me. They depict the beauty of our<br />

world and the many ways we interact and experience life.<br />

Romantic cloudscapes hover over a world where day and<br />

night often appear simultaneously. Oversized <strong>to</strong>ys inhab<strong>it</strong><br />

fictional landscapes, representing the daughter/child/<br />

human race and alluding <strong>to</strong> our impact on the natural<br />

environment.<br />

Expanses of tea tree blend in<strong>to</strong> the rock pools of<br />

holidays spent at the beach, as light, both nostalgic and<br />

voyeuristic, streams across darkened front lawns.<br />

My works are both au<strong>to</strong>biographical and inspired by the<br />

landscape around me. They depict the beauty of our<br />

world and the many ways we interact and experience life.<br />

Romantic cloudscapes hover over a world where day and<br />

night often appear simultaneously. Oversized <strong>to</strong>ys inhab<strong>it</strong><br />

fictional landscapes, representing the daughter/child/<br />

human race and alluding <strong>to</strong> our impact on the natural<br />

environment.<br />

Expanses of tea tree blend in<strong>to</strong> the rock pools of<br />

holidays spent at the beach, as light, both nostalgic and<br />

voyeuristic, streams across darkened front lawns.<br />

Ph: 0419 999 686<br />

6 Rue de Gare, Wandin Nth<br />

www.saramcpherson.com.au<br />

Rue De Gare<br />

Ph: 0419 999 686<br />

6 Rue de Gare, Wandin Nth<br />

www.saramcpherson.com.au<br />

Rue De Gare<br />

Ph: 0419 999 686<br />

6 Rue de Gare, Wandin Nth<br />

www.saramcpherson.com.au<br />

Rue De Gare<br />

Melways Ref: 119 C10<br />

WARBURTON HWY<br />

Melways Ref: 119 C10<br />

WARBURTON HWY<br />

Melways Ref: 119 C10<br />

WARBURTON HWY<br />

PAGE 50 yarra valley openstudios 2010<br />

PAGE 50 yarra valley openstudios 2010<br />

PAGE 50 yarra valley openstudios 2010


44<br />

44<br />

44<br />

Betty M<strong>it</strong>lan<br />

Raku pottery<br />

Betty M<strong>it</strong>lan<br />

Raku pottery<br />

Betty M<strong>it</strong>lan<br />

Raku pottery<br />

I have worked w<strong>it</strong>h ceramics for over 30 years, and feel<br />

my work is evolving along a distinctly earthy path, w<strong>it</strong>h<br />

inspiration drawn from the environment in which I live<br />

and work.<br />

Recent work is largely Raku Fired, and primarily decorative<br />

rather than functional. The process involves lifting fragile<br />

pieces from the kiln at 1000°C wearing protective apparel.<br />

No firing can be repeated, making each piece highly<br />

unique.<br />

I am also an enthusiastic watercolourist, although my<br />

ceramic work has recently taken precedence.<br />

Ph: 03 5967 4304<br />

305 Jameson Road, Hoddles Creek<br />

Melways Ref: Key Map 14, R10<br />

I have worked w<strong>it</strong>h ceramics for over 30 years, and feel<br />

my work is evolving along a distinctly earthy path, w<strong>it</strong>h<br />

inspiration drawn from the environment in which I live<br />

and work.<br />

Recent work is largely Raku Fired, and primarily decorative<br />

rather than functional. The process involves lifting fragile<br />

pieces from the kiln at 1000°C wearing protective apparel.<br />

No firing can be repeated, making each piece highly<br />

unique.<br />

I am also an enthusiastic watercolourist, although my<br />

ceramic work has recently taken precedence.<br />

Ph: 03 5967 4304<br />

305 Jameson Road, Hoddles Creek<br />

Melways Ref: Key Map 14, R10<br />

I have worked w<strong>it</strong>h ceramics for over 30 years, and feel<br />

my work is evolving along a distinctly earthy path, w<strong>it</strong>h<br />

inspiration drawn from the environment in which I live<br />

and work.<br />

Recent work is largely Raku Fired, and primarily decorative<br />

rather than functional. The process involves lifting fragile<br />

pieces from the kiln at 1000°C wearing protective apparel.<br />

No firing can be repeated, making each piece highly<br />

unique.<br />

I am also an enthusiastic watercolourist, although my<br />

ceramic work has recently taken precedence.<br />

Ph: 03 5967 4304<br />

305 Jameson Road, Hoddles Creek<br />

Melways Ref: Key Map 14, R10<br />

Gembrook Launching Place Rd<br />

Gembrook Launching Place Rd<br />

Gembrook Launching Place Rd<br />

Hansen Creek Rd<br />

3 kms <strong>to</strong> studio ><br />

Jameson Rd<br />

Old Mill Rd<br />

Hansen Creek Rd<br />

3 kms <strong>to</strong> studio ><br />

Jameson Rd<br />

Old Mill Rd<br />

Hansen Creek Rd<br />

3 kms <strong>to</strong> studio ><br />

Jameson Rd<br />

Old Mill Rd<br />

yarra valley openstudios 2010 PAGE 51<br />

yarra valley openstudios 2010 PAGE 51<br />

yarra valley openstudios 2010 PAGE 51


45<br />

45<br />

45<br />

Mary Newham<br />

Painter/pastels<br />

Mary Newham<br />

Painter/pastels<br />

Mary Newham<br />

Painter/pastels<br />

W<strong>it</strong>h landscape I am particularly inspired by the effects<br />

of weather and time of day; and the subsequent light,<br />

colours and atmosphere. Sky, reflections, surface textures<br />

and shadows are often a particular focus.<br />

Working predominantly in oils, although watercolours are<br />

of great use when travelling, I prefer <strong>to</strong> paint on s<strong>it</strong>e, trying<br />

<strong>to</strong> record and share my visual awareness of places of<br />

beauty and interest w<strong>it</strong>hin the <strong>Yarra</strong> <strong>Valley</strong> and beyond.<br />

Another aspect of my work involves equestrian pastel<br />

sketches from direct observation where I try <strong>to</strong> immediately<br />

and quickly capture a sense of the movement, power and<br />

grace of individual dressage horses and riders.<br />

W<strong>it</strong>h landscape I am particularly inspired by the effects<br />

of weather and time of day; and the subsequent light,<br />

colours and atmosphere. Sky, reflections, surface textures<br />

and shadows are often a particular focus.<br />

Working predominantly in oils, although watercolours are<br />

of great use when travelling, I prefer <strong>to</strong> paint on s<strong>it</strong>e, trying<br />

<strong>to</strong> record and share my visual awareness of places of<br />

beauty and interest w<strong>it</strong>hin the <strong>Yarra</strong> <strong>Valley</strong> and beyond.<br />

Another aspect of my work involves equestrian pastel<br />

sketches from direct observation where I try <strong>to</strong> immediately<br />

and quickly capture a sense of the movement, power and<br />

grace of individual dressage horses and riders.<br />

W<strong>it</strong>h landscape I am particularly inspired by the effects<br />

of weather and time of day; and the subsequent light,<br />

colours and atmosphere. Sky, reflections, surface textures<br />

and shadows are often a particular focus.<br />

Working predominantly in oils, although watercolours are<br />

of great use when travelling, I prefer <strong>to</strong> paint on s<strong>it</strong>e, trying<br />

<strong>to</strong> record and share my visual awareness of places of<br />

beauty and interest w<strong>it</strong>hin the <strong>Yarra</strong> <strong>Valley</strong> and beyond.<br />

Another aspect of my work involves equestrian pastel<br />

sketches from direct observation where I try <strong>to</strong> immediately<br />

and quickly capture a sense of the movement, power and<br />

grace of individual dressage horses and riders.<br />

Vic<strong>to</strong>ria Rd<br />

Vic<strong>to</strong>ria Rd<br />

Vic<strong>to</strong>ria Rd<br />

Ph: 03 5964 3580<br />

Station Oak<br />

455 Vic<strong>to</strong>ria Rd, Seville<br />

www.marynewham.com<br />

Melways Ref: 119 K8<br />

Station Rd<br />

Railway Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

WARBURTON HWY<br />

Ph: 03 5964 3580<br />

Station Oak<br />

455 Vic<strong>to</strong>ria Rd, Seville<br />

www.marynewham.com<br />

Melways Ref: 119 K8<br />

Station Rd<br />

Railway Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

WARBURTON HWY<br />

Ph: 03 5964 3580<br />

Station Oak<br />

455 Vic<strong>to</strong>ria Rd, Seville<br />

www.marynewham.com<br />

Melways Ref: 119 K8<br />

Station Rd<br />

Railway Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

WARBURTON HWY<br />

PAGE 52 yarra valley openstudios 2010<br />

PAGE 52 yarra valley openstudios 2010<br />

PAGE 52 yarra valley openstudios 2010


46<br />

46<br />

46<br />

Malcolm Peel<br />

Painter/Sculp<strong>to</strong>r<br />

Malcolm Peel<br />

Painter/Sculp<strong>to</strong>r<br />

Malcolm Peel<br />

Painter/Sculp<strong>to</strong>r<br />

It is about people and place, about my sense of real<strong>it</strong>y,<br />

about the real<strong>it</strong>ies of others, in time and place, about the<br />

nature of the universe we find ourselves living in,<br />

In sculpture: about form, texture material,<br />

In painting: about form, colour, surface appearance,<br />

boundaries, shape, mind, body,<br />

In drawing: about texture, form, exploration of ideas,<br />

explanation of events.<br />

The place we occupy in this vast universe constantly<br />

as<strong>to</strong>unds and terrifies me. By the light of day I see the<br />

warmth and comfort of the present and the familiar.<br />

By night I see the vastness and the violence of the rest of<br />

time and space, I see our future.<br />

Ph: 03 5967 1107<br />

165 Milners Rd<br />

<strong>Yarra</strong> Junction<br />

Melways Ref: 288 C12<br />

Riverview Pde<br />

Milners Rd<br />

Milners Rd<br />

<strong>Yarra</strong><br />

Junction<br />

yarra valley openstudios 2010 PAGE 53<br />

It is about people and place, about my sense of real<strong>it</strong>y,<br />

about the real<strong>it</strong>ies of others, in time and place, about the<br />

nature of the universe we find ourselves living in,<br />

In sculpture: about form, texture material,<br />

In painting: about form, colour, surface appearance,<br />

boundaries, shape, mind, body,<br />

In drawing: about texture, form, exploration of ideas,<br />

explanation of events.<br />

The place we occupy in this vast universe constantly<br />

as<strong>to</strong>unds and terrifies me. By the light of day I see the<br />

warmth and comfort of the present and the familiar.<br />

By night I see the vastness and the violence of the rest of<br />

time and space, I see our future.<br />

Ph: 03 5967 1107<br />

165 Milners Rd<br />

<strong>Yarra</strong> Junction<br />

Melways Ref: 288 C12<br />

Riverview Pde<br />

Milners Rd<br />

Milners Rd<br />

<strong>Yarra</strong><br />

Junction<br />

yarra valley openstudios 2010 PAGE 53<br />

It is about people and place, about my sense of real<strong>it</strong>y,<br />

about the real<strong>it</strong>ies of others, in time and place, about the<br />

nature of the universe we find ourselves living in,<br />

In sculpture: about form, texture material,<br />

In painting: about form, colour, surface appearance,<br />

boundaries, shape, mind, body,<br />

In drawing: about texture, form, exploration of ideas,<br />

explanation of events.<br />

The place we occupy in this vast universe constantly<br />

as<strong>to</strong>unds and terrifies me. By the light of day I see the<br />

warmth and comfort of the present and the familiar.<br />

By night I see the vastness and the violence of the rest of<br />

time and space, I see our future.<br />

Ph: 03 5967 1107<br />

165 Milners Rd<br />

<strong>Yarra</strong> Junction<br />

Melways Ref: 288 C12<br />

Riverview Pde<br />

Milners Rd<br />

Milners Rd<br />

<strong>Yarra</strong><br />

Junction<br />

yarra valley openstudios 2010 PAGE 53


47<br />

47<br />

47<br />

Merrie Steven<strong>to</strong>n<br />

ceramist and mixed media<br />

Merrie Steven<strong>to</strong>n<br />

ceramist and mixed media<br />

Merrie Steven<strong>to</strong>n<br />

ceramist and mixed media<br />

A wonderful creative journey...the challenge of an empty<br />

wall…pots, platters <strong>to</strong> make, <strong>to</strong> paint on.<br />

Forms emerging, figures appearing. Concrete, mosaic,<br />

glass. Garden sculptures; complementing, enhancing<br />

magic spaces. New ideas, always searching for the right<br />

medium, the technique <strong>to</strong> create what I see. Texture, the<br />

play of light dappling leaves…come and see what I see.<br />

My work explores the joy of being alive; lol.<br />

The relationships we have w<strong>it</strong>h the natural world and<br />

ourselves.<br />

A celebration of life through colour and form.<br />

A wonderful creative journey...the challenge of an empty<br />

wall…pots, platters <strong>to</strong> make, <strong>to</strong> paint on.<br />

Forms emerging, figures appearing. Concrete, mosaic,<br />

glass. Garden sculptures; complementing, enhancing<br />

magic spaces. New ideas, always searching for the right<br />

medium, the technique <strong>to</strong> create what I see. Texture, the<br />

play of light dappling leaves…come and see what I see.<br />

My work explores the joy of being alive; lol.<br />

The relationships we have w<strong>it</strong>h the natural world and<br />

ourselves.<br />

A celebration of life through colour and form.<br />

A wonderful creative journey...the challenge of an empty<br />

wall…pots, platters <strong>to</strong> make, <strong>to</strong> paint on.<br />

Forms emerging, figures appearing. Concrete, mosaic,<br />

glass. Garden sculptures; complementing, enhancing<br />

magic spaces. New ideas, always searching for the right<br />

medium, the technique <strong>to</strong> create what I see. Texture, the<br />

play of light dappling leaves…come and see what I see.<br />

My work explores the joy of being alive; lol.<br />

The relationships we have w<strong>it</strong>h the natural world and<br />

ourselves.<br />

A celebration of life through colour and form.<br />

Ph: 03 5961 5957<br />

4 Bridgewater Rd, Seville East<br />

WARBURTON HWY<br />

Bridgewater Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

Ph: 03 5961 5957<br />

4 Bridgewater Rd, Seville East<br />

WARBURTON HWY<br />

Bridgewater Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

Ph: 03 5961 5957<br />

4 Bridgewater Rd, Seville East<br />

WARBURTON HWY<br />

Bridgewater Rd<br />

Old Warbur<strong>to</strong>n Hwy<br />

Melways Ref: 285 G11<br />

Peters Rd<br />

Melways Ref: 285 G11<br />

Peters Rd<br />

Melways Ref: 285 G11<br />

Peters Rd<br />

PAGE 54 yarra valley openstudios 2010<br />

PAGE 54 yarra valley openstudios 2010<br />

PAGE 54 yarra valley openstudios 2010


48<br />

48<br />

48<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

yarra valley openstudios 2010 PAGE 55<br />

yarra valley openstudios 2010 PAGE 55<br />

yarra valley openstudios 2010 PAGE 55


48<br />

48<br />

48<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

Alistair Whyte<br />

Porcelain Ceramist<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

I have been working as a potter for what seems a lifetime,<br />

and get great pleasure from <strong>it</strong>. My skills come from years<br />

spent studying and working in Japan learning fine porcelain<br />

techniques, though I make a diverse range of ceramics<br />

in porcelain, s<strong>to</strong>neware, earthenware, raku and by p<strong>it</strong> firing.<br />

I gain much satisfaction knowing people use my work in<br />

everyday life. For me, function and use is an important<br />

reason <strong>to</strong> make pots. My studio reflects my nature and the<br />

satisfaction I get from spending time there. I hope you will<br />

come and vis<strong>it</strong> so that you can gain some insight in<strong>to</strong> my<br />

world and the pots I make.<br />

Ph: 03 5966 5292<br />

80 Scotchmans Creek Rd, Warbur<strong>to</strong>n<br />

www.alistairwhyte.com<br />

Melways Ref: 290 A6<br />

Warbur<strong>to</strong>n<br />

Station Rd<br />

Scotchmans Creek Rd<br />

WARBURTON HWY<br />

Glenbrook Rd<br />

Station Rd<br />

yarra valley openstudios 2010 PAGE 55<br />

yarra valley openstudios 2010 PAGE 55<br />

yarra valley openstudios 2010 PAGE 55


49<br />

49<br />

49<br />

Ernst Fries<br />

sculp<strong>to</strong>r<br />

Ernst Fries<br />

sculp<strong>to</strong>r<br />

Ernst Fries<br />

sculp<strong>to</strong>r<br />

W<strong>it</strong>h my current works, I am investigating light, colour<br />

and spatial<strong>it</strong>y, expressed through sculpture. To realise<br />

this, I am using a diverse range of materials, including<br />

stainless steel, mild steel, concrete and glass, and<br />

engaging natural light or artificial light <strong>to</strong> animate the<br />

experience of my works.<br />

Living in the <strong>Yarra</strong> <strong>Valley</strong> is always an inspiration for an<br />

artist. Especially the changes of the natural light and<br />

the colour <strong>it</strong> produces in the landscape. My work is<br />

more indirectly related <strong>to</strong> those phenomenon, but still<br />

important as I am deeply concerned w<strong>it</strong>h arch<strong>it</strong>ecture in a<br />

virgin landscape.<br />

W<strong>it</strong>h my current works, I am investigating light, colour<br />

and spatial<strong>it</strong>y, expressed through sculpture. To realise<br />

this, I am using a diverse range of materials, including<br />

stainless steel, mild steel, concrete and glass, and<br />

engaging natural light or artificial light <strong>to</strong> animate the<br />

experience of my works.<br />

Living in the <strong>Yarra</strong> <strong>Valley</strong> is always an inspiration for an<br />

artist. Especially the changes of the natural light and<br />

the colour <strong>it</strong> produces in the landscape. My work is<br />

more indirectly related <strong>to</strong> those phenomenon, but still<br />

important as I am deeply concerned w<strong>it</strong>h arch<strong>it</strong>ecture in a<br />

virgin landscape.<br />

W<strong>it</strong>h my current works, I am investigating light, colour<br />

and spatial<strong>it</strong>y, expressed through sculpture. To realise<br />

this, I am using a diverse range of materials, including<br />

stainless steel, mild steel, concrete and glass, and<br />

engaging natural light or artificial light <strong>to</strong> animate the<br />

experience of my works.<br />

Living in the <strong>Yarra</strong> <strong>Valley</strong> is always an inspiration for an<br />

artist. Especially the changes of the natural light and<br />

the colour <strong>it</strong> produces in the landscape. My work is<br />

more indirectly related <strong>to</strong> those phenomenon, but still<br />

important as I am deeply concerned w<strong>it</strong>h arch<strong>it</strong>ecture in a<br />

virgin landscape.<br />

<strong>Yarra</strong> Glen<br />

Healesville-<strong>Yarra</strong> Glen Rd<br />

<strong>Yarra</strong> Glen<br />

Healesville-<strong>Yarra</strong> Glen Rd<br />

<strong>Yarra</strong> Glen<br />

Healesville-<strong>Yarra</strong> Glen Rd<br />

Simpsons Lane<br />

Ph: 03 9730 1861<br />

899 <strong>Yarra</strong> Glen-Healesville Rd<br />

<strong>Yarra</strong> Glen<br />

Permanent open hours: weekends<br />

11:30am -5pm. Melways Ref: 275 H2<br />

Simpsons Lane<br />

Ph: 03 9730 1861<br />

899 <strong>Yarra</strong> Glen-Healesville Rd<br />

<strong>Yarra</strong> Glen<br />

Permanent open hours: weekends<br />

11:30am -5pm. Melways Ref: 275 H2<br />

Simpsons Lane<br />

Ph: 03 9730 1861<br />

899 <strong>Yarra</strong> Glen-Healesville Rd<br />

<strong>Yarra</strong> Glen<br />

Permanent open hours: weekends<br />

11:30am -5pm. Melways Ref: 275 H2<br />

56 yarra valley openstudios 2010<br />

56 yarra valley openstudios 2010<br />

56 yarra valley openstudios 2010


50<br />

50<br />

50<br />

Margaret McLoughlin<br />

mixed media artist<br />

Margaret McLoughlin<br />

mixed media artist<br />

Margaret McLoughlin<br />

mixed media artist<br />

Colour has always fascinated me, both in pattern<br />

and design and generally in my artwork. Its power of<br />

suggestion motivates the way I work.<br />

Line is another element I favour, sometimes used <strong>to</strong><br />

create strong shapes or else in calligraphic form. Its<br />

sens<strong>it</strong>iv<strong>it</strong>y can be so suggestive of space.<br />

My artwork often tells a s<strong>to</strong>ry – by suggestion rather<br />

than being merely representational. Scale changes or<br />

exaggerated shapes help <strong>to</strong> create tensions or emphasis.<br />

By exploring a range of mediums and techniques, I feel<br />

that each component of my work remains fresh, as each<br />

area of work influences the other.<br />

Colour has always fascinated me, both in pattern<br />

and design and generally in my artwork. Its power of<br />

suggestion motivates the way I work.<br />

Line is another element I favour, sometimes used <strong>to</strong><br />

create strong shapes or else in calligraphic form. Its<br />

sens<strong>it</strong>iv<strong>it</strong>y can be so suggestive of space.<br />

My artwork often tells a s<strong>to</strong>ry – by suggestion rather<br />

than being merely representational. Scale changes or<br />

exaggerated shapes help <strong>to</strong> create tensions or emphasis.<br />

By exploring a range of mediums and techniques, I feel<br />

that each component of my work remains fresh, as each<br />

area of work influences the other.<br />

Colour has always fascinated me, both in pattern<br />

and design and generally in my artwork. Its power of<br />

suggestion motivates the way I work.<br />

Line is another element I favour, sometimes used <strong>to</strong><br />

create strong shapes or else in calligraphic form. Its<br />

sens<strong>it</strong>iv<strong>it</strong>y can be so suggestive of space.<br />

My artwork often tells a s<strong>to</strong>ry – by suggestion rather<br />

than being merely representational. Scale changes or<br />

exaggerated shapes help <strong>to</strong> create tensions or emphasis.<br />

By exploring a range of mediums and techniques, I feel<br />

that each component of my work remains fresh, as each<br />

area of work influences the other.<br />

Gulf Road<br />

Gulf Road<br />

Gulf Road<br />

Ph: 03 9730 1258<br />

‘Dandara’<br />

35 Scott Road<br />

<strong>Yarra</strong> Glen<br />

Melways Ref: 266 K6<br />

Scott Road<br />

Steels Creek Road<br />

Ph: 03 9730 1258<br />

‘Dandara’<br />

35 Scott Road<br />

<strong>Yarra</strong> Glen<br />

Melways Ref: 266 K6<br />

Scott Road<br />

Steels Creek Road<br />

Ph: 03 9730 1258<br />

‘Dandara’<br />

35 Scott Road<br />

<strong>Yarra</strong> Glen<br />

Melways Ref: 266 K6<br />

Scott Road<br />

Steels Creek Road<br />

yarra valley openstudios 2010 57<br />

yarra valley openstudios 2010 57<br />

yarra valley openstudios 2010 57


51<br />

51<br />

51<br />

Justin Purser<br />

metal Artist<br />

Justin Purser<br />

metal Artist<br />

Justin Purser<br />

metal Artist<br />

My designs are based on free flowing organic forms and<br />

patterns. I am inspired by the lines and forms of nature<br />

like the growth of a plant, grass in the wind, the flow of<br />

a river or a rolling landscape. I use simple bending and<br />

shaping techniques, a gas fired forge and an old power<br />

hammer <strong>to</strong> create the components for gates, balustrades<br />

and arch<strong>it</strong>ectural details.<br />

I use my Arch<strong>it</strong>ectural Ceramics and Design background<br />

<strong>to</strong> design artistic objects for specific spaces. The major<strong>it</strong>y<br />

of my work comes from private commissions although<br />

I have completed a number of public and commercial<br />

projects.<br />

My designs are based on free flowing organic forms and<br />

patterns. I am inspired by the lines and forms of nature<br />

like the growth of a plant, grass in the wind, the flow of<br />

a river or a rolling landscape. I use simple bending and<br />

shaping techniques, a gas fired forge and an old power<br />

hammer <strong>to</strong> create the components for gates, balustrades<br />

and arch<strong>it</strong>ectural details.<br />

I use my Arch<strong>it</strong>ectural Ceramics and Design background<br />

<strong>to</strong> design artistic objects for specific spaces. The major<strong>it</strong>y<br />

of my work comes from private commissions although<br />

I have completed a number of public and commercial<br />

projects.<br />

My designs are based on free flowing organic forms and<br />

patterns. I am inspired by the lines and forms of nature<br />

like the growth of a plant, grass in the wind, the flow of<br />

a river or a rolling landscape. I use simple bending and<br />

shaping techniques, a gas fired forge and an old power<br />

hammer <strong>to</strong> create the components for gates, balustrades<br />

and arch<strong>it</strong>ectural details.<br />

I use my Arch<strong>it</strong>ectural Ceramics and Design background<br />

<strong>to</strong> design artistic objects for specific spaces. The major<strong>it</strong>y<br />

of my work comes from private commissions although<br />

I have completed a number of public and commercial<br />

projects.<br />

Ph: 0425 747 636<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

www.decorativemetal.com.au<br />

Melways Ref: 274 C4<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Ph: 0425 747 636<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

www.decorativemetal.com.au<br />

Melways Ref: 274 C4<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Ph: 0425 747 636<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

www.decorativemetal.com.au<br />

Melways Ref: 274 C4<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

58 yarra valley openstudios 2010<br />

58 yarra valley openstudios 2010<br />

58 yarra valley openstudios 2010


52<br />

52<br />

52<br />

Maureen Purser<br />

potter<br />

Maureen Purser<br />

potter<br />

Maureen Purser<br />

potter<br />

25 years ago I got out of the workforce <strong>to</strong> do something<br />

creative. Inspired by my friend Pam Merlo <strong>to</strong> “do what is<br />

in your heart”, I <strong>to</strong>ok classes at Potters School at Potters<br />

Cottage, Warrandyte. I later purchased the business and<br />

ran the school w<strong>it</strong>h my son Justin. I had the benef<strong>it</strong> of<br />

observing the different teachers and their techniques.<br />

For the past 12 years I have had a studio, Cow Shed<br />

Pottery, in <strong>Yarra</strong> Glen. I make functional pieces in<br />

S<strong>to</strong>neware w<strong>it</strong>h earthy colours of blacks, blues and reds,<br />

as well as Raku and Lustre pots.<br />

25 years ago I got out of the workforce <strong>to</strong> do something<br />

creative. Inspired by my friend Pam Merlo <strong>to</strong> “do what is<br />

in your heart”, I <strong>to</strong>ok classes at Potters School at Potters<br />

Cottage, Warrandyte. I later purchased the business and<br />

ran the school w<strong>it</strong>h my son Justin. I had the benef<strong>it</strong> of<br />

observing the different teachers and their techniques.<br />

For the past 12 years I have had a studio, Cow Shed<br />

Pottery, in <strong>Yarra</strong> Glen. I make functional pieces in<br />

S<strong>to</strong>neware w<strong>it</strong>h earthy colours of blacks, blues and reds,<br />

as well as Raku and Lustre pots.<br />

25 years ago I got out of the workforce <strong>to</strong> do something<br />

creative. Inspired by my friend Pam Merlo <strong>to</strong> “do what is<br />

in your heart”, I <strong>to</strong>ok classes at Potters School at Potters<br />

Cottage, Warrandyte. I later purchased the business and<br />

ran the school w<strong>it</strong>h my son Justin. I had the benef<strong>it</strong> of<br />

observing the different teachers and their techniques.<br />

For the past 12 years I have had a studio, Cow Shed<br />

Pottery, in <strong>Yarra</strong> Glen. I make functional pieces in<br />

S<strong>to</strong>neware w<strong>it</strong>h earthy colours of blacks, blues and reds,<br />

as well as Raku and Lustre pots.<br />

Ph: 0419 322 242<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Ph: 0419 322 242<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Ph: 0419 322 242<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

yarra valley openstudios 2010 59<br />

yarra valley openstudios 2010 59<br />

yarra valley openstudios 2010 59


53<br />

53<br />

53<br />

Carolyn Rogers<br />

textiles<br />

Carolyn Rogers<br />

textiles<br />

Carolyn Rogers<br />

textiles<br />

I was lucky <strong>to</strong> have inher<strong>it</strong>ed my mother’s artistic spir<strong>it</strong><br />

and my father’s love of blending colours. I am a self<br />

taught artist who keeps an open mind <strong>to</strong> take up new<br />

and different textile applications. My work mainly involves<br />

layering and three dimensional<strong>it</strong>y, and I often combine<br />

different disciplines of fabrics and textiles <strong>to</strong> achieve truly<br />

unique outcomes.<br />

Living in the beautiful <strong>Yarra</strong> <strong>Valley</strong> means I find endless<br />

sources of inspiration and materials including recycled<br />

materials that I incorporate whenever I can.<br />

I was lucky <strong>to</strong> have inher<strong>it</strong>ed my mother’s artistic spir<strong>it</strong><br />

and my father’s love of blending colours. I am a self<br />

taught artist who keeps an open mind <strong>to</strong> take up new<br />

and different textile applications. My work mainly involves<br />

layering and three dimensional<strong>it</strong>y, and I often combine<br />

different disciplines of fabrics and textiles <strong>to</strong> achieve truly<br />

unique outcomes.<br />

Living in the beautiful <strong>Yarra</strong> <strong>Valley</strong> means I find endless<br />

sources of inspiration and materials including recycled<br />

materials that I incorporate whenever I can.<br />

I was lucky <strong>to</strong> have inher<strong>it</strong>ed my mother’s artistic spir<strong>it</strong><br />

and my father’s love of blending colours. I am a self<br />

taught artist who keeps an open mind <strong>to</strong> take up new<br />

and different textile applications. My work mainly involves<br />

layering and three dimensional<strong>it</strong>y, and I often combine<br />

different disciplines of fabrics and textiles <strong>to</strong> achieve truly<br />

unique outcomes.<br />

Living in the beautiful <strong>Yarra</strong> <strong>Valley</strong> means I find endless<br />

sources of inspiration and materials including recycled<br />

materials that I incorporate whenever I can.<br />

North Gwy<br />

North Gwy<br />

North Gwy<br />

South Gwy<br />

South Gwy<br />

South Gwy<br />

Ph: 03 9739 1967 M: 0412 279 053<br />

8 South Gateway, Coldstream<br />

www.ripplesonthepond.com.au<br />

Melways Ref: 281 B9<br />

MAROONDAH HWY<br />

Maroondah Highway Service Ln<br />

Belchester Ave<br />

Ph: 03 9739 1967 M: 0412 279 053<br />

8 South Gateway, Coldstream<br />

www.ripplesonthepond.com.au<br />

Melways Ref: 281 B9<br />

MAROONDAH HWY<br />

Maroondah Highway Service Ln<br />

Belchester Ave<br />

Ph: 03 9739 1967 M: 0412 279 053<br />

8 South Gateway, Coldstream<br />

www.ripplesonthepond.com.au<br />

Melways Ref: 281 B9<br />

MAROONDAH HWY<br />

Maroondah Highway Service Ln<br />

Belchester Ave<br />

60 yarra valley openstudios 2010<br />

60 yarra valley openstudios 2010<br />

60 yarra valley openstudios 2010


54<br />

54<br />

54<br />

Wendy Jane Sheppard<br />

painter<br />

Wendy Jane Sheppard<br />

painter<br />

Wendy Jane Sheppard<br />

painter<br />

‘They (the animals) show themselves <strong>to</strong> me, and I cannot<br />

but respond, because I cannot turn away’<br />

This is a profound and insightful proclamation from French<br />

philosopher Emmanuel Levinas and is a predominant and<br />

undeniable influence on the art I create.Through my artwork<br />

I endeavour <strong>to</strong> create an accessible in-between space of<br />

med<strong>it</strong>ative openness for intu<strong>it</strong>ive and empathetic reflection<br />

on our complex relationship w<strong>it</strong>h other animals. To capture<br />

the physical characteristics and unique personal<strong>it</strong>ies of people<br />

and other animals I predominately paint in oils, employing<br />

a trad<strong>it</strong>ional and classic style and I also complete large<br />

graph<strong>it</strong>e drawings and watercolour studies of my s<strong>it</strong>ters.<br />

‘They (the animals) show themselves <strong>to</strong> me, and I cannot<br />

but respond, because I cannot turn away’<br />

This is a profound and insightful proclamation from French<br />

philosopher Emmanuel Levinas and is a predominant and<br />

undeniable influence on the art I create.Through my artwork<br />

I endeavour <strong>to</strong> create an accessible in-between space of<br />

med<strong>it</strong>ative openness for intu<strong>it</strong>ive and empathetic reflection<br />

on our complex relationship w<strong>it</strong>h other animals. To capture<br />

the physical characteristics and unique personal<strong>it</strong>ies of people<br />

and other animals I predominately paint in oils, employing<br />

a trad<strong>it</strong>ional and classic style and I also complete large<br />

graph<strong>it</strong>e drawings and watercolour studies of my s<strong>it</strong>ters.<br />

‘They (the animals) show themselves <strong>to</strong> me, and I cannot<br />

but respond, because I cannot turn away’<br />

This is a profound and insightful proclamation from French<br />

philosopher Emmanuel Levinas and is a predominant and<br />

undeniable influence on the art I create.Through my artwork<br />

I endeavour <strong>to</strong> create an accessible in-between space of<br />

med<strong>it</strong>ative openness for intu<strong>it</strong>ive and empathetic reflection<br />

on our complex relationship w<strong>it</strong>h other animals. To capture<br />

the physical characteristics and unique personal<strong>it</strong>ies of people<br />

and other animals I predominately paint in oils, employing<br />

a trad<strong>it</strong>ional and classic style and I also complete large<br />

graph<strong>it</strong>e drawings and watercolour studies of my s<strong>it</strong>ters.<br />

Ph: 03 9735 5691 M: 0402 576 068<br />

21 Bris<strong>to</strong>l Cresent, Lilydale<br />

www.wendyjanesheppard.com<br />

Melways Ref: 38 J7<br />

Bris<strong>to</strong>l Cres<br />

Bris<strong>to</strong>l Cres<br />

Ph: 03 9735 5691 M: 0402 576 068<br />

21 Bris<strong>to</strong>l Cresent, Lilydale<br />

www.wendyjanesheppard.com<br />

Melways Ref: 38 J7<br />

Bris<strong>to</strong>l Cres<br />

Bris<strong>to</strong>l Cres<br />

Ph: 03 9735 5691 M: 0402 576 068<br />

21 Bris<strong>to</strong>l Cresent, Lilydale<br />

www.wendyjanesheppard.com<br />

Melways Ref: 38 J7<br />

Bris<strong>to</strong>l Cres<br />

Bris<strong>to</strong>l Cres<br />

Hereford Rd<br />

Hereford Rd<br />

Hereford Rd<br />

Hillcrest Pl<br />

Hillcrest Pl<br />

Hillcrest Pl<br />

yarra valley openstudios 2010 61<br />

yarra valley openstudios 2010 61<br />

yarra valley openstudios 2010 61


55<br />

55<br />

55<br />

Katrina Spooner<br />

ceramist<br />

Katrina Spooner<br />

ceramist<br />

Katrina Spooner<br />

ceramist<br />

I am both a potter of functional ware, and of hand built<br />

sculptural forms.<br />

Many of my pieces take on a whimsical nature by the<br />

exaggeration of a certain feature. I enjoy the tactile<br />

nature of clay and am inspired by the environment and<br />

<strong>it</strong>s abundant palette of texture, colour and shape. I use<br />

a variety of clays and I’m particularly fond of the warm<br />

speckled earthy colours. I love explo<strong>it</strong>ing the texture<br />

in clay – e<strong>it</strong>her by highlighting patterns using oxide or<br />

placing texture over texture and glaze on glaze – thus<br />

allowing the piece <strong>to</strong> form <strong>it</strong>s own unique pattern.<br />

I am both a potter of functional ware, and of hand built<br />

sculptural forms.<br />

Many of my pieces take on a whimsical nature by the<br />

exaggeration of a certain feature. I enjoy the tactile<br />

nature of clay and am inspired by the environment and<br />

<strong>it</strong>s abundant palette of texture, colour and shape. I use<br />

a variety of clays and I’m particularly fond of the warm<br />

speckled earthy colours. I love explo<strong>it</strong>ing the texture<br />

in clay – e<strong>it</strong>her by highlighting patterns using oxide or<br />

placing texture over texture and glaze on glaze – thus<br />

allowing the piece <strong>to</strong> form <strong>it</strong>s own unique pattern.<br />

I am both a potter of functional ware, and of hand built<br />

sculptural forms.<br />

Many of my pieces take on a whimsical nature by the<br />

exaggeration of a certain feature. I enjoy the tactile<br />

nature of clay and am inspired by the environment and<br />

<strong>it</strong>s abundant palette of texture, colour and shape. I use<br />

a variety of clays and I’m particularly fond of the warm<br />

speckled earthy colours. I love explo<strong>it</strong>ing the texture<br />

in clay – e<strong>it</strong>her by highlighting patterns using oxide or<br />

placing texture over texture and glaze on glaze – thus<br />

allowing the piece <strong>to</strong> form <strong>it</strong>s own unique pattern.<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

<strong>Yarra</strong>view Rd<br />

Glenview Rd<br />

<strong>Yarra</strong>view Rd<br />

Ph: 0419 322 242 or 0411 530 157<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

Ph: 0419 322 242 or 0411 530 157<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

Ph: 0419 322 242 or 0411 530 157<br />

386 <strong>Yarra</strong>view Rd, <strong>Yarra</strong> Glen<br />

Permanent open hours: most days between<br />

10am - 4pm. Please call first.<br />

Melways Ref: 274 C4<br />

Glenview Rd<br />

62 yarra valley openstudios 2010<br />

62 yarra valley openstudios 2010<br />

62 yarra valley openstudios 2010


56<br />

56<br />

56<br />

Steels Creek St<strong>it</strong>chers & Sketchers<br />

friends of yarra valley open studios<br />

Steels Creek St<strong>it</strong>chers & Sketchers<br />

friends of yarra valley open studios<br />

Steels Creek St<strong>it</strong>chers & Sketchers<br />

friends of yarra valley open studios<br />

We are pleased <strong>to</strong> welcome the St<strong>it</strong>chers & Sketchers<br />

groups as friends of the 2010 <strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>.<br />

Alowyn Gardens hosts these two groups in 2010 whilst<br />

the <strong>Yarra</strong> Ranges Council conducts an upgrade of<br />

the commun<strong>it</strong>y hall which they usually call home. The<br />

upgrade acknowledges the importance of activ<strong>it</strong>ies such<br />

as art, in the healing of commun<strong>it</strong>ies after the 2009 fires.<br />

We are pleased <strong>to</strong> welcome the St<strong>it</strong>chers & Sketchers<br />

groups as friends of the 2010 <strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>.<br />

Alowyn Gardens hosts these two groups in 2010 whilst<br />

the <strong>Yarra</strong> Ranges Council conducts an upgrade of<br />

the commun<strong>it</strong>y hall which they usually call home. The<br />

upgrade acknowledges the importance of activ<strong>it</strong>ies such<br />

as art, in the healing of commun<strong>it</strong>ies after the 2009 fires.<br />

We are pleased <strong>to</strong> welcome the St<strong>it</strong>chers & Sketchers<br />

groups as friends of the 2010 <strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>.<br />

Alowyn Gardens hosts these two groups in 2010 whilst<br />

the <strong>Yarra</strong> Ranges Council conducts an upgrade of<br />

the commun<strong>it</strong>y hall which they usually call home. The<br />

upgrade acknowledges the importance of activ<strong>it</strong>ies such<br />

as art, in the healing of commun<strong>it</strong>ies after the 2009 fires.<br />

Gulf Road<br />

MELBA HWY<br />

Gulf Road<br />

MELBA HWY<br />

Gulf Road<br />

MELBA HWY<br />

Ph: 03 5965 2372<br />

Hosted at: Alowyn Gardens<br />

1210 Melba Highway, <strong>Yarra</strong> Glen<br />

MELBA HWY<br />

Ph: 03 5965 2372<br />

Hosted at: Alowyn Gardens<br />

1210 Melba Highway, <strong>Yarra</strong> Glen<br />

MELBA HWY<br />

Ph: 03 5965 2372<br />

Hosted at: Alowyn Gardens<br />

1210 Melba Highway, <strong>Yarra</strong> Glen<br />

MELBA HWY<br />

Melways Ref: 267 G9<br />

Melways Ref: 267 G9<br />

Melways Ref: 267 G9<br />

<strong>Yarra</strong> Glen<br />

Alowyn Gardens<br />

<strong>Yarra</strong> Glen<br />

Alowyn Gardens<br />

<strong>Yarra</strong> Glen<br />

Alowyn Gardens<br />

yarra valley openstudios 2010 63<br />

yarra valley openstudios 2010 63<br />

yarra valley openstudios 2010 63


57<br />

57<br />

57<br />

Kinglake Ranges Visual & Performing<br />

Arts Alliance<br />

We are pleased <strong>to</strong> welcome KRVPAA as friends of the 2010<br />

<strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>. Since ‘Black Saturday’, February<br />

2009 and in sp<strong>it</strong>e of many members losing their homes<br />

and all their equipment, Kinglake artists have endeavoured<br />

<strong>to</strong> express their personal response <strong>to</strong> the bushfires and <strong>to</strong><br />

create a visual record of their journey of recovery.<br />

Kinglake artists come from a diverse range of social<br />

and ethnic groups. They work <strong>to</strong>gether in a spir<strong>it</strong> of<br />

friendly cooperation <strong>to</strong> produce art that reflects their<br />

personal response <strong>to</strong> the bushfires, provides inspiration<br />

and comfort <strong>to</strong> their commun<strong>it</strong>y and offers the onlooker<br />

an artistic insight in<strong>to</strong> the strength and resilience of the<br />

Kinglake people.<br />

Kinglake Ranges Visual & Performing<br />

Arts Alliance<br />

We are pleased <strong>to</strong> welcome KRVPAA as friends of the 2010<br />

<strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>. Since ‘Black Saturday’, February<br />

2009 and in sp<strong>it</strong>e of many members losing their homes<br />

and all their equipment, Kinglake artists have endeavoured<br />

<strong>to</strong> express their personal response <strong>to</strong> the bushfires and <strong>to</strong><br />

create a visual record of their journey of recovery.<br />

Kinglake artists come from a diverse range of social<br />

and ethnic groups. They work <strong>to</strong>gether in a spir<strong>it</strong> of<br />

friendly cooperation <strong>to</strong> produce art that reflects their<br />

personal response <strong>to</strong> the bushfires, provides inspiration<br />

and comfort <strong>to</strong> their commun<strong>it</strong>y and offers the onlooker<br />

an artistic insight in<strong>to</strong> the strength and resilience of the<br />

Kinglake people.<br />

Kinglake Ranges Visual & Performing<br />

Arts Alliance<br />

We are pleased <strong>to</strong> welcome KRVPAA as friends of the 2010<br />

<strong>Yarra</strong> <strong>Valley</strong> <strong>Open</strong> <strong>Studios</strong>. Since ‘Black Saturday’, February<br />

2009 and in sp<strong>it</strong>e of many members losing their homes<br />

and all their equipment, Kinglake artists have endeavoured<br />

<strong>to</strong> express their personal response <strong>to</strong> the bushfires and <strong>to</strong><br />

create a visual record of their journey of recovery.<br />

Kinglake artists come from a diverse range of social<br />

and ethnic groups. They work <strong>to</strong>gether in a spir<strong>it</strong> of<br />

friendly cooperation <strong>to</strong> produce art that reflects their<br />

personal response <strong>to</strong> the bushfires, provides inspiration<br />

and comfort <strong>to</strong> their commun<strong>it</strong>y and offers the onlooker<br />

an artistic insight in<strong>to</strong> the strength and resilience of the<br />

Kinglake people.<br />

Ph: 03 5962 3461<br />

Hosted at: 5 Church Street, Healesville<br />

To contact KRVPAA email Michelle Bolmat:<br />

chera@iprimus.com.au<br />

www.krvpaa.com.au<br />

Healesville<br />

Church St<br />

MAROONDAH HWY<br />

Ph: 03 5962 3461<br />

Hosted at: 5 Church Street, Healesville<br />

To contact KRVPAA email Michelle Bolmat:<br />

chera@iprimus.com.au<br />

www.krvpaa.com.au<br />

Healesville<br />

Church St<br />

MAROONDAH HWY<br />

Ph: 03 5962 3461<br />

Hosted at: 5 Church Street, Healesville<br />

To contact KRVPAA email Michelle Bolmat:<br />

chera@iprimus.com.au<br />

www.krvpaa.com.au<br />

Healesville<br />

Church St<br />

MAROONDAH HWY<br />

Melways Ref: 278 B1<br />

Melways Ref: 278 B1<br />

Melways Ref: 278 B1<br />

PAGE 64 yarra valley openstudios 2010<br />

PAGE 64 yarra valley openstudios 2010<br />

PAGE 64 yarra valley openstudios 2010

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