The Meme Machine
TheMemeMachine1999
TheMemeMachine1999
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UNIVERSAL DARWINISM 15<br />
millions of stories every day but most are completely forgotten and only very<br />
few achieve urban-myth status.<br />
Where do new memes come from? <strong>The</strong>y come about through variation and<br />
combination of old ones – either inside one person’s mind, or when memes are<br />
passed from person to person. So, for example, the poodle story is concocted<br />
out of language that people already know and ideas they already have, put<br />
together in new ways. <strong>The</strong>y then remember it and pass it on, and variations<br />
occur in the process. And the same is true of inventions, songs, works of art,<br />
and scientific theories. <strong>The</strong> human mind is a rich source of variation. In our<br />
thinking we mix up ideas and turn them over to produce new combinations. In<br />
our dreams we mix them up even more, with bizarre – and occasionally creative<br />
– consequences. Human creativity is a process of variation and recombination.<br />
In thinking about thinking we should remember that not all thoughts are<br />
memes. In principle, our immediate perceptions and emotions are not memes<br />
because they are ours alone, and we may never pass them on. We may imagine<br />
a beautiful scene from memory, or fantasise about sex or food, without using<br />
ideas that have been copied from someone else. We may even, in principle,<br />
think up a completely new way of doing something without using any memes<br />
from anyone else. However, in practice, because we use memes so much, most<br />
of our thinking is coloured by them in one way or another. <strong>Meme</strong>s have become<br />
the tools with which we think.<br />
Human thinking (indeed all thinking) may itself depend on other Darwinian<br />
processes. <strong>The</strong>re have been many attempts to treat learning as a Darwinian<br />
process (e.g. Ashby 1960; Young 1965) or the brain as a ‘Darwin machine’<br />
(Calvin 1987, 1996; Edelman 1989). And the idea that creativity and individual<br />
learning are selection processes is far from new (Campbell 1960; Skinner 1953).<br />
However, all these ideas concern processes entirely within one brain, while the<br />
meme is a replicator that jumps from one brain to another. Darwinian principles<br />
may apply to many aspects of brain function and development, and<br />
understanding them will be very important, but this book is just about memetics.<br />
<strong>The</strong>re are many reasons why some memes succeed and others fail. <strong>The</strong>se<br />
reasons fall roughly into two categories. First, there is the nature of human<br />
beings as imitators and selectors. From the memetic point of view the human<br />
being (with its clever thinking brain) acts both as the replicating machinery, and<br />
as the selective environment for the memes. Psychology can help us understand<br />
why and how this operates. <strong>The</strong>re are the properties of our sensory systems that<br />
make some memes obvious and others not, the mechanisms of attention that