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The Meme Machine

TheMemeMachine1999

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236 THE MEME MACHINE<br />

language and our memetic environment, we are all repositories of vast numbers<br />

of memes, some of them simply pieces of stored information, others organised<br />

into self-protecting memeplexes. <strong>The</strong> memes themselves have come from other<br />

people and will, if we speak and write and communicate, go on into yet more<br />

people. We are the temporary conglomerations of all these replicators and their<br />

products in a given environment.<br />

<strong>The</strong>n there is the self we think we are. Among all these memeplexes is an<br />

especially potent one based around the idea of an inner self. Each selfplex has<br />

been put together by the processes of memetic evolution acting in the relatively<br />

short period of one human lifetime. ‘I’ am the product of all the memes that<br />

have successfully got themselves inside this selfplex – whether because my<br />

genes have provided the sort of brain that is particularly conducive to them, or<br />

because they have some selective advantage over other memes in my memetic<br />

environment, or both. Each illusory self is a construct of the memetic world in<br />

which it successfully competes. Each selfplex gives rise to ordinary human<br />

consciousness based on the false idea that there is someone inside who is in<br />

charge.<br />

<strong>The</strong> ways we behave, the choices we make, and the things we say are all a<br />

result of this complex structure: a set of memeplexes (including the powerful<br />

selfplex) running on a biologically constructed system. <strong>The</strong> driving force behind<br />

everything that happens is replicator power. Genes fight it out to get into the<br />

next generation, and in the process biological design comes about. <strong>Meme</strong>s fight<br />

it out to get passed on into another brain or book or object, and in the process<br />

cultural and mental design comes about. <strong>The</strong>re is no need for any other source<br />

of design power. <strong>The</strong>re is no need to call on the creative ‘power of<br />

consciousness’, for consciousness has no power. <strong>The</strong>re is no need to invent the<br />

idea of free will. Free will, like the self who ‘has’ it, is an illusion. Terrifying as<br />

this thought seems, I suggest it is true.<br />

Free mid<br />

Benjamin chose cornflakes this morning for breakfast. Why? He did so because<br />

he is a human with human tastes and the genetic make-up that inclines him<br />

towards carbohydrates in the morning, especially this morning when he was<br />

rather hungry. He lives in a rich society where cornflakes have been invented<br />

and he has enough money to buy them. He responds positively to the picture on<br />

the packet and the advertisements he sees. <strong>Meme</strong>s and genes together produced<br />

this behaviour in this environment. If asked, Benjamin will say that he chose the

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