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THE HISTORY OF V.A.R.M.S The Annual Diary 1990 - 2009

THE HISTORY OF V.A.R.M.S. The Annual Diary. 1990 - 2009

THE HISTORY OF V.A.R.M.S. The Annual Diary. 1990 - 2009

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112<br />

3. Greaser: No description required here, as we all know what a greaser looks like,<br />

right?<br />

Well, you know what’s going to happen now, don’t you? Some git is going to tell you how<br />

to fly... don’t you just hate it when that happens.<br />

Getting a model from a particular point in the sky down to a particular point on the ground<br />

is basically an exercise in energy management. At 100 feet you model has a given<br />

amount of potential energy compared to its resting state on the ground. Looking at the<br />

extremes of your many choices of action, you can dive vertically downwards converting all<br />

that energy into velocity, or you can burble around on the stall trying to retain height by<br />

energy conservation instead. Neither is a wise choice of action, instead, this is where the<br />

circuit comes into play. <strong>The</strong> idea of flying a circuit is a simple one, as the pioneer aviators<br />

at the turn of the century found out; this simple pattern gives you the time and the<br />

opportunity to adjust your glide path (which is determined by balancing speed, height, drag<br />

and direction), so that you arrive at threshold with just the right amount of remaining<br />

energy to pull off your high quality landing. As I mentioned before, without flight<br />

instrumentation we are going to have to rely on judgement to balance the factors involved,<br />

and good judgement can only come with practice.<br />

What happens with practice is that some hidden part of your subconscious becomes a<br />

computer, it automatically correlates what the eyes see with the knowledge database that<br />

you have build up from previous experience, This will vary from model to model and will<br />

be refined with experience, the critical factor being the behaviour of that particular wing<br />

section upon which your model is relying. <strong>The</strong> other critical factor is the efficiency or<br />

otherwise of your glidepath control apparatus, the airbrakes/spoilers living in the wings.<br />

So to recap, you control altitude and airspeed with the elevator, drag (and also airspeed)<br />

with the spoilers.<br />

Traditionally a circuit is square in shape; you fly overhead into wind passing to a point<br />

somewhere in front of you where you will commence your first crosswind leg, either to the<br />

right or left as the situation dictates. At the appropriate point you turn another ninety<br />

degrees in the downwind phase, losing altitude as necessary, <strong>The</strong> point at which you<br />

enter your final crosswind leg, known as base leg, is crucial, as it will determine the<br />

amount of energy you have left when you enter the last into-wind leg, known somewhat<br />

sinisterly as Finals. If you turn too soon you will come over the landing area too high and<br />

with the distinct possibility that the brakes may not be man enough to kill off the excess<br />

energy. If on the other hand you turn too late, you will find yourself short of the required<br />

energy to reach the landing area and that’s usually when the lurking fence leaps up and<br />

takes a bite out of your sailplane. <strong>The</strong> square approach is the simplest and best way to<br />

give you the time you need to sort things out and bring your flight to a suitable and<br />

satisfactory conclusion, but of course outside of competition, it doesn’t have to be a square<br />

at all, a large circle will do the job just as well.<br />

Why then, does the pilot of the full-size add down trim and speed up in the landing circuit,<br />

surely this is not the thing to do? Actually, it’s a pretty nifty idea, because it gives you<br />

options both sides of your rate of descent in this configuration. If the computer in your<br />

brain beeps and says, ‘too low too low... you can’t get back from there’ you can opt to<br />

leave the spoilers alone and rely on your extra airspeed to bring you home. If the<br />

converse applies (Beep! Beep! Too high), you can pull out the spoilers until things start<br />

looking better. But, I hear those of you still awake say, surely if you are short of the height

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