26 RUBRICA
FRAMES 27 SO-IL’s design builds on Logan’s dynamic working model <strong>and</strong> attempts to create an environment that supports a strong sense of collaboration <strong>and</strong> collectivity. The space is divided into two identical, symmetrical rectilinear spaces. Each long room has a 65 foot continuous custom work table. Accommodating working groups of any size, the shared desks consolidate almost every operation of the company in one place: design, production, <strong>and</strong> meetings. The end section of each continuous table is divided by glass walls, allowing for acoustically private offices <strong>and</strong> meeting rooms to share the same work surface. Seamless, floor-to-ceiling translucent fabric walls separate the central work areas, visually breaking down the scale of the space, while maintaining a shared environment, <strong>and</strong> allowing natural light to penetrate. A stretched PVC luminous ceiling provides totally even, shadowless lighting. Looking through layers of fabric, people <strong>and</strong> objects perpetually appear almost as if out of focus. Fabric walls catch natural light, <strong>and</strong> like a projection screen, change colors as light changes throughout the day. Together, the seamless fabric, luminous ceiling, <strong>and</strong> continuous desks create an environment of abstraction <strong>and</strong> scalelessness, freeing those working in the space from typical expectations of use. This abstraction, combined with the symmetry of spaces, the spatial ambiguity of the fabric, creates the illusion of reflections when looking into adjacent spaces, creating a dream-like, surreal experience. Il progetto di SO-IL sfrutta il modello di lavoro dinamico di Logan nel tentativo di creare un ambiente che favorisca un forte senso di collaborazione e collettività. Lo spazio è diviso in due parti rettilinee uguali e simmetriche. Ciascun ambiente è dotato di un tavolo da lavoro su misura continuo della lunghezza di 65 piedi. Le scrivanie comuni possono ospitare gruppi di lavoro di qualsiasi dimensione, concentr<strong>and</strong>o praticamente tutte le attività dell’azienda – design, produzione, riunioni – in un unico luogo. La parte terminale di ciascun tavolo è separata mediante divisori in vetro che creano uffici e sale riunioni acusticamente isolati, pur condividendo la stessa superficie di lavoro. Pareti in tessuto traslucido a tutta altezza e continue separano le aree di lavoro centrali, rompendo visivamente la scala dello spazio ma mantenendo il carattere condiviso dell’ambiente e lasci<strong>and</strong>o penetrare la luce naturale. Un soffitto luminoso in PVC teso assicura un’illuminazione del tutto uniforme e priva di ombre. Guard<strong>and</strong>o attraverso gli strati di tessuto, persone e oggetti appaiono sempre quasi sfuocati. Le pareti in tessuto catturano la luce naturale e, come uno schermo di proiezione, cambiano colore al variare della luminosità durante la giornata. Insieme, il tessuto senza giunture, il soffitto luminoso e le scrivanie continue creano un ambiente astratto e privo di dimensioni, liber<strong>and</strong>o coloro che lavorano nello spazio dalle normali aspettative d’uso. Questa astrazione, associata alla simmetria degli spazi e all’ambiguità spaziale del tessuto, crea l’illusione di riflessi nell’osservazione degli spazi adiacenti, d<strong>and</strong>o luogo a un’esperienza onirica e surreale.
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- Page 6 and 7: 4 PRIMED CHANGE BRINGS ABOUT RENEWA
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- Page 10 and 11: 8 ABOUT FRAMES LIGHTNESS IN ARCHITE
- Page 12 and 13: 10 FRAMES Photos STUDIO ARANEA
- Page 14 and 15: 12 FRAMES CURVE, AND OF COURSE TWIS
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- Page 18 and 19: 16 FRAMES MAGMA ARCHITECTURE The th
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- Page 26 and 27: James Bort “ It is just the begin
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- Page 47 and 48: FRAMES 45 International Competition
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- Page 54 and 55: 52 PORTRAIT INTERVIEW: Luisa Bocchi
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- Page 62 and 63: 60 PORTRAIT Michele De Lucchi, Nich
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BACKSTAGE 77
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Richiedi online il tuo INVITO GRATU
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TIMELESS 81
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TIMELESS 83
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TIMELESS 85 The Torre del Mare Arch
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INKED 87
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INSIGHT 89 Arianna walking through
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91 Ergonomic seat “Wellness Ball
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INSIGHT 93 Arianna Malagoli ha intr
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INSIGHT 95 Copenhagen harbor seen f
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ARTEFACTS 97 Francesco Camillo Gior
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specialmente perché ho dovuto inge
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DOWSING 101 Luigi Bonotto took his
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OFFICE & WORKPLACE Emmesystem by Em
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PATHFINDERS 105 Ph. Hamed Ouattara
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PATHFINDERS 107 La parola d’ordin
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SEEDS 109
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SEEDS 111 Nuove generazioni di arch
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OVERVIEW 113 Capital and the leadin
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OVERVIEW 115
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1964-2014|CINQUANT’ANNI DI DESIGN
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OVERVIEW 119 MEGANOM VINCE LA GARA
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ID 121 Francisco Gomez, Designer
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MAKERS 123 The term “maker” was
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MAKERS 125 Il termine marker nasce
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LOBBY 127
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LOBBY 129 Il Compasso d’Oro, il p
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TILE RUBRICA TALES 131 Ragno, Rewin
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TILE TALES 133 Laminam, Table with
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TAGS 137 2. KARTELL The architect F
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TAGS 139 4. NENDO The line of choco
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141 141 Big 5 The Big 5 Saudi Arab
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143 9 - 12 March 2015 - 18 21 جم
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OVUM 4U foto di Matteo Piazza graph