06.12.2012 Views

Susanne Schulz-Falster Catalogue Ten

Susanne Schulz-Falster Catalogue Ten

Susanne Schulz-Falster Catalogue Ten

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The Classics Translated<br />

200 MAFFEI, Scipione. Traduttori Italiani o sia Notizia de’ volgarizzamenti<br />

d’antichi Scrittori Latine, e Greci , che sono in luce.<br />

Aggiunto il Volgarizzamento d’alcune insigni Iscrizioni Greche,<br />

e la notizia del nuovo Museo d’Iscrizioni in Verona. Venezia,<br />

Sebastian Coleti, 1720. £480<br />

8vo, pp. 213, [1] imprint, [2] blank; faint circular stain to margin of<br />

title and Wrst leaf; some signatures lightly browned; contemporary full<br />

vellum.<br />

First and only edition of the Wrst bibliography of Italian translations of classical<br />

literature, with information on the translators and editions. This is followed<br />

by an essay on Greek inscriptions, including the one of the Marmora<br />

Oxoniensia, today in the Ashmolean Museum, and details of the museum<br />

of inscription in Verona. MaVei, (1675–1755), was one of the leading intellectual<br />

Wgures of the late seventeenth and early eighteenth century.<br />

Petzholdt 353 (‘nicht ohne Wert’); RLIN lists copies at the Getty Library,<br />

Harvard, Michigan University and Duke.<br />

201 [MAILLET, M. Benoit de.] Telliamed ou Entretiens d’un<br />

Philosophe indien avec un Missionnaire Francois sur la Diminution<br />

de la Mer, la Formation de la Terre, l’Origine de l’Homme, &c.<br />

Amsterdam, l’Honoré & Fils, 1748. £500<br />

Two volumes, 8vo in 4s, pp. [x], cxix (vere 77), 1 blank, [7] contents, [1]<br />

blank, 80, 77–92, 97–112, 121–208; [ii], 231, [I] blank, [3] addenda &<br />

errata; volume one with irregular pagination, but complete; title vignettes<br />

to both volumes; occasional light spotting and browning; bound in<br />

contemporary mottled calf, spine gilt, head of volume two chipped; a Wne<br />

set with discreet crossed out ownership inscription to titles.<br />

First edition, rare, of this early theory of evolution, published, for fear of<br />

prosecution, posthumously and anonymously with the title forming an<br />

anagram of the author’s name. Written and published before Haller, Linné,<br />

Bonnet and Hutton, this early example of evolutionary speculation is remarkable.<br />

Maillet clearly not only had a deWnite conception of evolutionary<br />

susanne schulz-falster rare books catalogue ten<br />

theory and of the production of existing species by modiWcation of their<br />

predecessors, but he also undoubtedly applied the basic maxim of modern<br />

geological science. The explanation of the structure of the globe is to be<br />

sought in the application of the principles established inductively by the<br />

study of the present course of nature to geological phenomena.<br />

Cioranescu XVIII, 41376.<br />

202 MANFREDINI, Vincenzo. Difesa della Musica Moderna e de’<br />

suoi celebri Esecutori. Bologna, Carlo Trenti, 1788. £500<br />

8vo, pp. 207, 1 imprint; uncut in the original printed pale blue<br />

wrappers; unsympathetic reback, with title strengthened in gutter<br />

margin.<br />

First edition of a fascinating contemporary assessment of eighteenth century<br />

music, written in response to Arteaga’s criticism of the respective values of<br />

ancient and modern music. Manfredini shows a sound knowledge of the<br />

vocal repertoire and the conditions of musical life in eighteenth century Italy.<br />

Manfredini (1737–1799), composer and musical theorist, was for many<br />

years Chapel Master of the Italian Opera Company at St Petersburg, Wrst<br />

for Tsar Peter then for Catherine II. After leaving the court in 1769,<br />

Manfredini continued to compose operas for a time but soon devoted most<br />

of his time to writing and teaching. His writings reveal a man in tune with<br />

Enlightenment thought, grappling with the changing nature of music, the<br />

social status of composers and the role music has to play in public life.<br />

Gregory & Bartlett, <strong>Catalogue</strong> of early Books on Music, p. 163.<br />

Promoting the Manufacturing Industry<br />

203 [MANUFACTURING INDUSTRY.] Das Maschinenwesen<br />

und die darüber verbreiteten Vorurtheile. Leipzig, Otto Wigand,<br />

1846. £420<br />

8vo, pp. 40, including subscribers’ list; some marginal foxing; uncut,<br />

with paper spine; from the Donaueschingen library with shelf mark in<br />

mss. to verso of title.<br />

First and only edition of this pamphlet in support of the manufacturing<br />

industry. The express purpose of the publication was to raise public awareness<br />

of the importance of the manufacturing industry, and to counteract its<br />

negative reputation. Parts of it consist of a translation and German adaptation<br />

of Taylor’s Factories and the Factory System. The pamphlet was published<br />

on the occasion of the fourth meeting of German industrialists and<br />

manufacturers in Leipzig, and used by the participants for promotional<br />

purposes, as can be seen by the extensive subscribers’ list, who all ordered<br />

multiple copies for distribution. The Wurttemberg Association of Industrialists<br />

subscribed to 400 copies.<br />

Engelmann supplement, p. 74; not in Holzmann/Bohatta, not found in Kress or<br />

Goldsmiths’, no copy in RLIN or OCLC.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!