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In the Beginning was Information

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8 Three Kinds of Transmitted <strong>In</strong>formation<strong>In</strong> our study of <strong>the</strong> nature of information we have come across variousdifferent distinguishing criteria:a) Distinction according to aspect: statistics, syntax, semantics,pragmatics, and apobetics.b) Distinction according to purpose: constructional/creative information,operational, and communication information.c) Distinction according to direction of flow: transmitted orreceived information.Yet ano<strong>the</strong>r distinction could also be made regarding <strong>the</strong> senderand <strong>the</strong> quality of <strong>the</strong> information processing involved. There arethree types:1. Copied information: This comprises <strong>the</strong> identical propagationof existing information. No new information arises during copying,so that it is a mechanical process and not an intellectual one. Theequipment and methods used for copying were created by <strong>the</strong> initiativeof one or more minds, and <strong>the</strong> copying process itself is alsoa deliberate and purposeful action, but it can be done by a machine.Examples of copied information: Duplication of a computer programin a data processing system (e. g. magnetic tape, magneticdisk, and real memory), replication of DNA molecules in livingcells, <strong>the</strong> second printing of a book without any changes or additions,making a photocopy, and reading an extract or a letter. Everypiece of copied information must however have been createdsomewhere along <strong>the</strong> line.2. Reproduced information: <strong>In</strong> <strong>the</strong> arts <strong>the</strong>re is a clear distinctionbetween <strong>the</strong> original composer, poet, or writer, and <strong>the</strong> subsequentperformers of such works. An actor did not create <strong>the</strong> acts or <strong>the</strong>text, but he does contribute by employing his own talents of intonation,mimicry, and creativity. Similarly, when a Mozart symphonyor a Bach cantata is performed, <strong>the</strong> musicians play a reproductiverole – <strong>the</strong>y do not alter <strong>the</strong> work of <strong>the</strong> composer, but <strong>the</strong>ymight introduce individual effects. We thus define reproduced112

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