department for preventive conservation national ... - WebSajtovi

Predavači i saradniciOd samog početka smo se trudili da se teorijska i praktičnaobuka u DIJANA Centru sprovodi sa najboljim ekspertimaiz oblasti muzeologije, preventivne zaštite, tehnologije,hemije, konzervacije, arheologije i dr, iz naše zemlje i izinostranstva.Oni direktno doprinose da se obezbedi najbolji mogućinivo teorijske i praktične obuke, pomažu da se poboljša radi unapredi struka, doprinose teorijskoj i praktičnoj primeninajsavremenijih i najboljih materijala i metoda, i dr.DIJANA Centar je oko sebe okupio stalni tim predavačai eksperata. Na naše zadovoljstvo, ovaj krug se stalno širi.Ideju zaštite baštine, koja se kreira i praktično sprovodi uDIJANA Centru, prepoznaje veći broj uglednih stručnjaka izzemlje i inostranstva. Zato oni sve više žele da direktnoučestvuju u razvoju naših teorijskih i praktičnih edukativnihprograma zaštite baštine.To su profesori i eksperti sa univerziteta, specijalizovanihinstitucija i privatnih studija, iz naše zemlje i sveta. Ovom prilikomnavodimo samo one koji su doprineli realizaciji našihedukativnih programa u 2004. godini: Dušan Trifunović, Metalurško-tehnološki fakultet Ubavka Mioč, Silvio Kečkeš i Jelena Petrović, Fizičkohemijskifakultet Dragan Milovanović, Rudarsko-geološki fakultet Vanja Jovanović, Škola umetničkih zanata Ljuba Dragičević, Konzervatorska Akademija SPC Filip Fidanovski i Simonida Miljković, Muzej Makedonije,Makedonija Kiril Temkov, Filozofski fakultet u Skoplju, Makedonija Martina Blečić, Zavod za zaštitu iz Rijeke, Hrvatska Jana Šubic Prislan, Goriški muzej, Slovenija Janja Slabe i Gojka Pajagič-Bregar, Narodni muzejSlovenije, Slovenija Sandra Dejvison, UKIC, Dejvison studio, V.Britanija Pamela Vorner, UKIC, Adington studio, V.Britanija Robin Sajmonds, Muzej grada Londona, Velika Britanija Bent Ešhoj, ICCROM, Danska Kraljevska Akademija,Danska Morten Ril Svendsen, ICCROM, Nacionalni muzejDanske Nikolas Stenli Prajs, Valeri Magar i Korado Pedeli,ICCROM Žak Ribier, Laboratorija za konzervaciju u Draginjanu,Francuska Patrik Blan i Mari-Lor Kurbules, Muzej Antike u Arlu,Francuska Milovan Vidaković, Društvo inžinjera i tehničara Srbije Živojin Perišić, Društvo za grejanje i hlađenje, Beograd Dušan Drndarević, Vojno-medicinska akademija, Beograd Nenad Tasić, Filozofski fakultet u Beogradu Aleksandar Palavestra, Filozofski fakultet u Beogradu Milena Šešić-Dragičević, Univerzitet Umetnosti uBeogradu Franc Curk, Narodni muzej u Nišu, Likovna akademija uNišu Tatjana Cvjetićanin, Narodni muzej u Beogradu Ranko Savić, Narodni muzej u Beogradu Neda Jevremović, Narodni muzej u Beogradu Milorad Živković, Narodni muzej u Beogradu Malena Stojčev, DIJANA Centar Mila Popović-Živančević, Narodni muzej u Beogradu,DIJANA Centar- Cleaning of structure and surface- Stabilization – consolidation of the structure andthe surface- Bonding of fragments- Restoration and reconstruction- Final protection- Storing in adequate environmental conditionsSome of these treatments are identical both for preventiveand curative active conservation, e.g. documentationand investigation. Others, such as cleaning andconsolidation of structure can be applied, but are notcompulsory and depend on the needs and condition ofthe archaeological object. There are parts of treatmentsthat raise the dilemma whether they should belong topreventive or curative conservation. For example,restoration and reconstruction as part of the preventiveconservation treatment may save or prevent loss or damageof fragments of a vessel. When curative conservationtreatment is concerned this can be understood as “healing/curing”i.e. re-assembling of the archaeologicalobject, partially reconstructing its former shape andlook.Active conservation treatments in DIANA Centre arecarried out as part of practical training. They are coordinatedby trainees and experienced seniors and permanentlysupervised by the experts and collaborators incharge.In conservation workshops of DIANA Centre theexisting conditions allow for only part of archaeologicalmaterial of inorganic, organic and composite originto be treated. During 2004 this referred mainly toceramics, glass, stone, mosaics. This archaeologicalmaterial comes mainly from collections of the NationalMuseum in Belgrade, as well as from other museums inSerbia.24PARTNERSHIPDevelopment of partnership relations contributes toexchange of experience, knowledge and informationrelated to preventive conservation and conservation inthe country and abroad. Our partnership relationsdevelop dynamically and DIANA Centre is consequentlyrecognized as an interesting, flexible, open andstrategic partner for many institutions in the world andin our neighbourhood, Balkan region and south eastEurope. Even in some far away countries such as SouthKorea, Canada, South Africa, Iran and Nepal there areinstitutions in charge of protection that show interest inestablishing partnership relations through joint projectsand programmes.Partnership relations are carried out through:- professional networking; partnership projects andcommon activities with museums and institutions ofprotection- partnership projects and common activities withNGOs and professional organisations- expanding cooperation through partnership projectsand common activities with eminent scientists andexpertsInternational cooperationCooperation on joint projects and initiatives withexperts and officials includes ICCROM, Studio ArtCenter International (SACI)) Florence, United KingdomInstitute for Conservation of Historic and Artistic Works(UKIC), UNESCO and UNESCO ROSTE, Museum ofMacedonia, National Museum of Slovenia, GoriceMuseum Slovenia, University Paris I, Centre forConservation and Research of the Direction of Museumsof France (C2RMF-DMF), Museum of Antiquities in