department for preventive conservation national ... - WebSajtovi

zajedničke diskusije o praktičnim konzervacijskim procesima,koje su proistekle iz individualnih problema.Polaznici su tako utvrdili da su pravilno razumeli određenedelove kursa, pa su se neki posvetili lepljenju i popunjavanjubojom, dvoje slikanju, dvoje uklanjanju flekaitd.Ukupna svest o zdravlju i sigurnosti je u DIJANI navisokom nivou. Pri njenom poslednjem boravku u Londonu,Mila i ja smo se dogovorile da se tokom kursa posebnapažnja posveti zdravstvenim i bezbednosnim aspektimakonzervatorske prakse. Zato sam sa polaznicimadosta vremena posvetila razmišljanju o načinimaunapređenja uslova rada u postojećem radnom prostoru,rukovodeći se principom mogućnosti promene postojećegmetoda rada ako on ugrožava zdravlje i bezbednostu prostoru. Na primer, koristeći najnovije akrilneboje na vodenoj bazi, sada je moguće precizno reprodukovatiporcelansku gleđ, pa upotreba boja na bazi rastvaračanije neophodna i štetna isparenja mogu potpunoda se izbegnu.Kopiran je dokument o zaštiti na radu Adington studija.U njemu su informacije o proceni rizika, COSHHuputstva, specifikacije o rizicima pri upotrebi svih proizvodakoje koristi Adington studio, sve one informacijekoje obično postoje u Velikoj Britaniji su kopirane i ostavljeneu DIJANA Centru za potrebe konsultovanja. Zakratko vreme smo se pozabavili mnogim stvarima kojemogu da se jave u praksi i koje doprinose ukupnoj svestio zdravlju i bezbednosti u Centru.Kada pogledamo na period od 1996. do 2004, jasno jeda smo počeli da postižemo svoje prvobitne ciljeve, iakoje to bilo teže i duže nego što smo predviđali 1996. Sadase polako stvaraju osnove interdisciplinarne konzervatorskeobuke koju isključivo nedostatak finansija sprečavada se još intenzivnije razvija. Praktični rad na konzervacijinastavlja da se obavlja sa puno entuzijazma,neguje se etičko i profesionalno ponašanje. Ovaj projekatće nastaviti svoj put i nakon što se povuku njegovizačetnici. Kada shvatimo da više ne možemo da napredujemo,tada treba da počnemo da brinemo za konzervatorskupraksu, a možda će naša prava tekovina da budeupravo nova generacija konzervatora koja će nastavitida razvija DIJANU.The students worked through the course systematicallyif rapidly, as the practical conservation processproceeded the individual problems that arose were discussedby everyone. The students then made sure thatthey had thoroughly understood part of the course, somespecialising in sticking and colour filling, two painting,two stain removal and so on.The overall health and safety of the profession is highon D.C.C. agenda. On her last trip to London Mila and Ihad decided to emphasise the health and safety aspectsof individual conservator’s practice during this course.So the students and I spent a considerable amount oftime considering ways of making the exsisting workspace healthier and safer, the guiding principle being ifa method of working is creating a health and safety issueis it possible to avoid or change the method? For exampleby using the latest water based acrylic paint systemit is now possible to reproduce porcelain glazes accurately,making the need to use solvent based paints unecessarythus not creating unhealthy fumes at all.Addington Studio’s health and safety file wascopied. It contains information on risk assessment, theCOSHH guidelines, health and safety sheets for allproducts used in Addington Studio, all the informationusually kept in the UK, the copies were left at the D.C.C.for reference. In the short term we had plenty of workthat could be done on our individual practice thatwould contribute to the overall health and safety of thecentre.Looking back over the years 1996-2004 we havebegun to acheive our original objectives, it has beentougher and longer than we ever envisaged 1996. Thebasis of a comprehensive interdisciplinary conservationtraining is emerging, it is only held back by lack offunding. Practical conservation work of a very highstandard continues to be undertaken and the highestspirit, ethics and profesional behaviour is fostered. Thiswill be an ongoing project long after its pioneers haveretired. The day that we believe that we have arrivedand cannot improve is the day to start worrying aboutthe state of the conservation profession, maybe our trueacheivement will be that there will be a new generationof conservators to carry on the work of Diana. Vesna Živković, kustos, Narodni muzej u BeograduIzveštaj o kursuKonzervacija naarheološkom terenuICCROM (International Centre for the Study of thePreservation and Restoration of Cultural Property) iDIJANA Centar za preventivnu zaštitu - Narodni muzeju Beogradu, organizovali su uvodni kurs “Konzervacijana arheološkom terenu”. Kurs je održan u periodu od 6.do 9. decembra 2004. godine, u Beogradu, uz podrškuUprave za razvoj saradnje italijanskog Ministarstvainostranih poslova, UNESCO Office Venice i Nacionalnogkomiteta ICOM-a Srbije i Crne Gore.Kurs je okupio 25 konzervatora, arheologa, kustosa istudenata arheologije, iz institucija koje se bave zaštitomarheološkog nasleđa u Srbiji i Crnoj Gori i Sloveniji.Uvid u osnovne principe konzervacije na arheološkomterenu učesnicima su pružili dr Nikolas StenliPrajs, generalni direktor ICCROM-a, Valeri Magar,stručnjak za konzervaciju na arheološkom terenu i KoradoPedeli, konzervator.Vesna Živković, curator, National Museum BelgradeThe course “ArchaeologicalConservation” held atDIANA CentreICCROM (International Centre for the Study of thePreservation and Restoration of Cultural Property)and DIANA Centre for Preventive Conservation, NationalMuseum in Belgrade, organized the introductorycourse “Archaeological Conservation”. The course washeld from 6 th to 9 th December 2004 in Belgrade, withsupport of Directorate General for Development Cooperationof the Italian Ministry of Foreign Affairs, ROSTE- UNESCO Office Venice and National Committee ofICOM of Serbia and Montenegro.Course gathered 25 conservators, archaeologists, curatorsand students of archaeology from the institutionsin charge of protection of cultural heritage in Serbiaand Montenegro and Slovenia. Dr Nicholas Stanley Price,Director General of ICCROM,Valerie Magar, specialistfor archaeological conservation and Corado Pedelligave participants the insight in basic principles of ar-169