department for preventive conservation national ... - WebSajtovi

Maja Franković, konzervatorNarodni muzej u BeograduSaradnja Narodnog muzeja –Dijana Centra za preventivnuzaštitu sa ateljeom za konzervacijui restauraciju mozaika Muzejaantičkog Arla i ProvanseNastavak obuke iz konzervacije mozaika u Muzejuantičkog Arla i ProvanseObuku iz konzervacije mozaika počela sam 2002. godine,u Ateljeu za konzervaciju i restauraciju mozaikau Muzeju antičkog Arla i Provanse. ZahvaljujućiFrancuskom kulturnom centru u Beogradu koji, sadaveć redovno, pomaže edukativne programe DIJANACentra za preventivnu zaštitu, prošlog leta sam dobilapriliku da nastavim sa usavršavanjem iz ove oblasti. Poredtoga što programi DIJANA Centra podrazumevajuobuku iz, kod nas, deficitarnih grana u oblasti konzervacije,direktan povod za nastavak moje obuke u Muzejuantičkog Arla i Provanse bio je plan da se počne sa sanacijommozaika iz zbirke Narodnog muzeja u Beogradu.Glavni zadatak tokom ovogodišnjeg boravka u Francuskojbio je da se u što većoj meri osposobim za samostalanrad na konzervaciji mozaika i kao koordinator timakoji će se baviti tim poslovima u Narodnom muzejuu Beogradu.Prvi deo moje obuke bio je usmeren na to da savladamproces konzervacije i restauracije mozaika iz muzejskihzbirki, kroz metode i tehnike koje se koriste utom muzeju. Tokom prvog meseca boravka u Arlu, uzstručni nadzor gospodina Patrika Blana, direktora Ateljai ostalih konzervatora, radila sam na konzervaciji irestauraciji fragmenta mozaika koji pripada zbirci Muzejaantičkog Arla i Provanse. Konzervatorski tretmanje podrazumevo uklanjanje antičkog maltera i njegovuzamenu sintetičkim, zatim postavljanje fragmenta naaluminijumski nosač u vidu saća i restauraciju teselatuma.Ovakav pristup mi je omogućio da, za kratko vreme,prođem osnovne procese i postupke koji se koriste ukonzervaciji i restauraciji mozaika.Pored toga, učestvovala sam u poslovima koji su biliu toku u Ateljeu. Zajedno sa ekipom konzervatora izAteljea i sa još dvoje stažista, učestvovala sam u završnimfazama rada na derestauraciji mozaika sa scenomlova iz Narodnog muzeja u Alžiru. Takođe sam radila najednom opus signinum-u iz zbirke Istorijskog muzejaMaja Franković, conservatorNational Museum BelgradeCollaboration of the National museumBelgrade – Diana Centre for preventiveconservation with the atelier forconservation and restoration of mosaicsfrom the Museum of antiquities of Arlesand ProvenceContinuation of Training in Mosaic Conservation inthe Museum of Antiquities of Arles and ProvenceMy training in mosaic conservation started in 2002,in Atelier for Conservation and Restoration of Mosaicsin the Museum of Antiquities of Arles and Provence.Thanks to the French Cultural Centre in Belgrade,who regularly supports educational programs of DIA-NA Centre for Preventive Conservation, last summer Igot the opportunity to continue training in this field.Beside the fact that programs of DIANA Centre includetraining in fields of conservation lacking in our country,direct motive for continuation of my training was theplan to start restoration of mosaics collection of the NationalMuseum Belgrade. Consequently, the main objectiveof my second stay in France was to become independentin work on mosaics conservation and to preparemyself for the role of the coordinator of mosaic conservationin the National Museum Belgrade.First part of my training was directed to adoptingprocesses and techniques of conservation and restorationof mosaics from museum collections, using a methodof the Atelier in Arles. During the first month of mytraining, under the professional guidance of Mr. PatrickBlanc, director of the Atelier, and of other conservators,I worked on conservation and restoration of a fragmentfrom the collection of the Museum of Antiquities of Arlesand Provence. Treatment consisted of removing antiquemortar and applying a synthetic one, setting thefragment on an aluminum honeycomb panel and restorationof the tessellatum.Within this approach, I was givenan opportunity to follow through basic techniquesand methods used in mosaic conservation in a short time.Besides, I participated in ongoing works in the Atelier.Together with the team of conservators from Arlesand two other interns, I participated in final phases ofde-restoration of the Hunting mosaic from the NationalMuseum of Alger. In addition, I worked on an opus sig-Konzervacija mozaika iz Narodnog muzeja AlžiraConservation of mosaics from National Museum in Algers150Praktična obuka u Muzeju antičkog Arla i ProvansePractical training in Museum of Antique Arles and Provance