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Mila Popović-Živančević, muzejski savetnik - konzervator, Rukovodilac DIJANA CentraKako je Dijana centar počeo daprimenjuje preventivnu zaštitu u praksiOsam godina razvoja – Šta je obeležilo 2004.Narodni muzej je, u skladu sa evropskim strategijamau oblasti zaštite kulturnih dobara, na vremepočeo sa <strong>for</strong>miranjem centra preventivne zaštite,kakav je DIJANA Centar. Zato je, u ovim važnim momentima,kada predstoji dugotrajan i kompleksanrad na revitalizaciji muzeologije i zaštite, srećnaokolnost da DIJANA Centar već radi na poslovima izadacima preventivne zaštite, kako u Narodnom muzejutako i u muzejskoj mreži SCG.Predstojeća rekonstrukcija i reorganizacija Narodnogmuzeja, koja je već počela da se priprema,upravo sada postavlja poslove preventivne zaštite kaoaktuelne i urgentne. Ovi poslovi će Narodnom muzejuomogućiti primenu odgovarajućih muzeološkihstandarda brige za kulturno nasleđe i eliminisanjepotencijalnih rizika po bezbednost muzejskih predmeta,u procesima rekonstrukcije koji slede.Predstojeći važni zadaci Narodnog muzeja moćiće da se organizuju i uspešno realizuju zahvaljujući,jednim delom, i činjenici da se oko DIJANA Centraokuplja značajan broj mladih i talentovanih ljudi, većposvećenih zaštiti baštine. Kroz duži niz godina, <strong>for</strong>miranaje i definisana grupa, tim koji predstavlja jezgronovog pristupa u organizovanju sistema brige zabaštinu. Svi oni su doprineli da ideja o preventivnojzaštiti, kao kompleksne i kompletne brige za kulturnonasleđe i kao interdisciplinarni metodološki postupakzaštite, predstavlja istinski doprinos unapre-Mila Popović-Živančević, museum councillor-conservator, head of DIANA CentreEight Years of Development – What Markedthe Year 2004In compliance with European strategies related to culturalheritage protection, the National Museum inBelgrade had started in time the preparations <strong>for</strong> foundinga centre <strong>for</strong> <strong>preventive</strong> <strong>conservation</strong> as DIANACentre is. It is by happy combination of circumstancesthat when the museums are facing a long-term and complextask to revitalize our museology and protection,DIANA Centre has already been engaged in implementationof <strong>preventive</strong> <strong>conservation</strong> both in the NationalMuseum in Belgrade and in the museum network ofSerbia and Montenegro.The <strong>for</strong>thcoming reconstruction and revitalisation ofthe National Museum in Belgrade, already under preparation,makes solving of the <strong>preventive</strong> <strong>conservation</strong>tasks urgent and increasingly important. It will help theNational Museum in Belgrade to implement adequatemuseological standards in care of cultural heritage inthe reconstruction and eliminate potential risks whensecurity and safety of museum objects are concerned.The success of the tasks of the National Museum inBelgrade will partly rely on the fact that DIANA Centregathers around itself significant number of young andtalented people already dedicated to the heritage protection.In the past years the group was created and defined,making the core of the new approach to organisation ofthe heritage care system. They helped the concept of<strong>preventive</strong> <strong>conservation</strong> to become true contribution to14đenju struke i konzervatorske profesije u našoj zemlji.Da ovo već ozbiljno utiče na razvoj zaštite baštine,pa i muzeologije, jasno se vidi po načinu na koji senaše kolege iz muzeja i institucija zaštite SCG i regionaokupljaju oko ideja i aktivnosti DIJANA Centra.Sada je već očigledno da definisanje DIJANACentra kao novog sistema zaštite kulturnih dobara,ima značajnu ulogu u muzejskoj mreži Srbije i CrneGore. Ideja preventivne zaštite se iz DIJANA Centraširi u regionalnom i međunarodnom smislu. Razvojnaše ideje o preventivnoj zaštiti učinio je da značajnijeinstitucije zaštite u svetu prepoznaju DIJANACentar kao jedan od regionalnih lidera primene novogteorijskog i praktičnog pristupa brizi za kulturnubaštinu.Ono što je obeležilo 2004. godinu u DIJANA Centrujeste sazrevanje mlade generacije, koja je sada ustanju da nosi organizaciju brige za baštinu, koja sestalno usavršava i kvalitetno i naporno radi.Godina 2004-ta će svakako ostati zabeležena i kaopočetak usmerenih i sistematskih specijalizacija urenomiranim muzejskim institucijama, pre svega uFrancuskoj. Na ovaj način smo postigli da se, poredsavladavanja znanja iz nekih deficitarnih oblastikonzervatorskog tretmana, pre svega sagledaju savremeniproblemi brige za kulturno nasleđe, usvoji načinpromovisanja i primene principa preventivne zaštiteu muzeologiji i zaštiti baštite uopšte.Ova godina će ostati zabeležena i po seriji strateš-Diana centre has started with implementationof <strong>preventive</strong> <strong>conservation</strong> in practicethe promotion of the profession and <strong>conservation</strong> ascomplex and complete care about cultural heritage andas interdisciplinary methodological approach to protection.The eagerness of our colleagues from museums andprotection institutions from Serbia and Montenegro andfrom the region to gather around concepts and activitiesof DIANA Centre are a positive sign of the influenceexerted on the development of heritage protection andeven museology.It is obvious now that the establishing of DIANACentre as a new system of cultural heritage protectionhas played an important role in the museum network inSerbia and Montenegro. The concept of <strong>preventive</strong> <strong>conservation</strong>has been spreading regionally and inter<strong>national</strong>ly.Our concept of <strong>preventive</strong> <strong>conservation</strong> madeDIANA Centre inter<strong>national</strong>ly recognized as one of theleaders in implementing theoretical and practicalapproach to the care <strong>for</strong> cultural heritage.The maturing of the young generation at DIANACentre marked the year 2004. They are now able to dealwith organisation of care <strong>for</strong> heritage and continue theirdevelopment.This year will also be remembered <strong>for</strong> the beginningof targeted and systematic specialisations of our studentsin renown museum institutions, of France in thefirst place. Together with covering some deficient areasin <strong>conservation</strong> treatments knowledge, this enabled usto “get” a comprehensive insight into modern issues ofcare <strong>for</strong> cultural heritage, and promote and implement

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