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no, to su glavni elementi po kojima se može prepoznatirad jednog konzervarorskog centra ili konzervatora pojedinačno.Zbog nedostatka adekvatnog sistema edukacijeu oblasti konzervacije arheoloških predmeta, u našojzemlji ne postoje ujednačeni kriterujumi i principirada. Ovi principi bi morali da budu ustanovljeni, a načinrada osavremenjen i usklađen s pristupom i metodama,koji su u opšteprihvaćeni svetu.Ana Kocjan, konzervator, Dijana CentarKonzervacija gleđosanog skifosaiz zbirke Dunjić Narodnog muzejau BeograduGleđosana keramika na prostoru Gornje Mezije zajednosa ostalom finom keramikom, kao što su mramoriziranai bojena, predstavljaju vrstu luksuzne grnčarije.Obrada površina keramike glaziranjem bila jeza rimsku keramiku karakteristična. 1 U tom periodu suse koristile olovne gleđi, čiji je sastav omogućavao dobijanjeraznolikih svetlih boja, direktno nanošenje napredmete od gline i davao je dekoritivnost i sjaj površinama.Iz ovih razloga je glaziranje keramike imalo širokuupotrebu. Olovna glazura se na keramičkim predmetimanije primenjivala pre I veka pre nove ere. 2 Prvi putse pojavljuje u oblasti istočnog Mediterana, posebnocentri u Tarsu, Smirni i u zapadnoj Maloj Aziji. Atraktivnostposuda i potrebe korisnika dovele su do širenjatehnika glaziranja u zapadne provincije Carstva, u ItalijuI Galiju. Tokom II veka počinje proizvodnja i u Podunavskimprovincijama, kao što su Panonija, Dakija,Trakija, Gornja i Donja Mezija.Predmet na kome je izvršen konzervatorski tretmanpredstavlja skifos, koji pripada Rano-carskoj gleđosanojkeramici sa prostora Gornje Mezije. Ovakav tip posudaproizvodile su radionice u istočnom Mediteranu, u severnojItaliji i u centralnoj Galiji. 3 Pojava ovog tipa posuda u GornjojMeziji vezuje se za kraj I veka, vreme Flavijevaca. 4Skifos je pronađen tokom arheoloskih iskopavanja naKosmaju, nepoznatih uslova nalaza. Predmet se čuva u Narodnommuzeju u Beogradu, zbirka Dunjić (Inv. br. 351.)Opis PredmetaPosuda je cilindrične forme, asimetrična, debljih zidovarecipijenta, čije su površine prekrivene žutom ilizeleno-žutom gleđi. Na više mesta na celoj posudi gleđje skinuta, tako da se vide «ostrvca » originalne keramikesive i crne boje. Dimenzije predmeta: visina -7 cm,prečnik oboda - 8,5 cm, prečnik dna -5,5 cm. Debljinagleđosanog sloja je između 0,25 i 0,50 mm. 5 Predmet sesastoji od tri dela: dna, recipijenta i dve drške, od kojihje jedna u fragmentima. Dno posude je kružnog oblika isastoji se od tri koncentrična prstena, koji imaju oštećenjamanjih i većih dimenzija. Površina recipijenta definisanaje kanelurama nepravilnog polukružnog oblika,koje se pružaju od donje ivice recipijenta do ispod oboda.Takođe, na spoljašnjim površinama postoji nekolikopukotina malih dimenzija. Predmet ima izvedenu jednudršku, koja je trakasta i postavljena vertikalno u odnosuna osu posude. Na gornjem, završnom delu, drška imapločastu aplikaciju. Druga drška se sastoji od dva fragmenta:gornji deo sa pločastom aplikacijom i završnideo drške. Unutrašnje površine recipijenta i dna su tamnobraon boje i zaprljane.1 T.Cvjetićanin, Gleđosana keramika Gornje Mezije, Beograd 2001, 72 Ibid, 123 Ibid, 234 Ibid, 245 Ibid, 14138Shelves in storage as well as display cases should bemade of inert materials – metal and glass. It is recommendedfor pottery to be stored in display cases with glassdoors, which makes control and observation of the objecteasy, reduces exchange of air and penetration of contaminantand dust. Shelves must be covered with polyethylenefoam, which protects object from contact with metaland at the same time it is chemically most safe material.Selection of approach to restoration and implementationof retouch partly depends on the conservator, andpartly on adopted principles by the respective centre forconservation having in mind specific demands of the curatoror the owner. At the same time those are the mainelements for identifying the work of a conservation centreor individual conservator. Due to the lack of adequate systemof education in the field of conservation of archaeologicalobjects, the are no uniform criteria and principles ofwork in our country. These principles should be established,and the work modernized and made compatible withapproach and methods, which are widely accepted. Ana Kocjan, conservator, Diana CenterConservation of a glazed skyphosfrom Dunjic collection, NationalMuseum in BelgradeGlazed pottery in Upper Moesia together with otherclasses of fine pottery as red-slipped or marbledone represents luxurious pottery. The technique of glazingwas one of characteristic procedures in the manufacturingof the Roman pottery. 1 Lead glazes compositionused in Roman times made possible its direct applicationon a clay body, gaining different bright colors,and made objects decorative and glossy. That is the reasonwhy the glazing was in widespread use. Lead glazeswere not applied on ceramics objects before 1 st centuryBC. 2 Lead glaze technique first appeared in the EasternMediterranean, particularly in workshops in Tarsus,Smyrna and in the west part of Asia Minor. The attractivenessof objects and needs of users caused diffusionof the technique of glazing towards the west part of theEmpire, in Italy and Gallia. During the 2 nd century theproduction of glazed pottery started in other regions ofthe Roman Empire e.g. in Danubian provinces - Pannonia,Dacia, Tracia, Moesia Superior and Moesia Inferior.The object conserved is a skyphos that belongs to theEarly Roman Glazed Ware from Upper Moesia. This typeof ware was produced in workshops in Eastern Mediterranean,northern Italy and Central Gallia. 3 The appearanceof this type in Upper Moesia is dated to theend of the 1 st century, period of Flavian. 4Skyphos was found during archeological excavationin Kosmaj, with unknown context. It is kept in the NationalMuseum in Belgrade, collection Dunjic (Reg.No.351).Description of objectThe skyphos is cylindrical and asymmetrical inform, with somewhat thicker walls, and yellow or greenish-yellowglaze surfaces. As the glaze had been removedfrom several spots on the vessel “islets”of the originalgray and black ceramics can be seen. Dimensions:height -7 cm, diameter of the rim 8.5 cm, and diameterof the base 5.5 cm. Thickness of the glaze surface is between0.25 and 0.5 mm 5 . The object consists of three1 T. Cvjeticanin, Glazed Pottery from Upper Moesia, Belgrade 2001, 72 Ibid, 123 Ibid, 234 Ibid, 245 Ibid, 14