JAPANESE ART

CONDITIONS OF SALE1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co.,Inc. (hereinafter referred to as Eldred’s) has exercised reasonablecare to catalog and describe correctly the property to be sold, butneither Eldred’s nor its consignors warrant the correctness ofdescription, attribution, authenticity, or condition of said property.No statements shall be deemed such a warranty or representation oran assumption of liability with respect thereto, but are to be construedas opinions only. Bidders are encouraged to personally examine allproperty to be sold prior to the beginning of the auction.2. Unless otherwise announced by the auctioneer at the time of sale,all bids are per lot as numbered.3. Eldred’s reserves the right to withdraw any property before the sale.4. DETERMINATION OF HIGHEST BIDDER: The highest bidderaccepted by the auctioneer shall be the buyer. In the event of any disputebetween bidders, the auctioneer may determine who is the successfulbidder or the auctioneer may re-offer the article in dispute and hisdecision shall be final.5. REJECTION OF BIDS: The auctioneer reserves the right toreject any nominal raise or any bid or raise which, in his opinion, isnot commensurate with the value of the article being offered. At hisdiscretion, he may also reject any nominal raise or any bid that he maydetermine as having a detrimental effect on the item in question or thesale as a whole. Eldred’s may refuse to issue bidding privileges to anyperson not in good credit standing with Eldred’s, or to any person who isdeemed by Eldred’s in its sole discretion, to be disruptive of or harmfulto established auction practices, either before or after the acceptance ofbids or the fall of the hammer.6. TITLE: Except as herein otherwise provided, title will pass to thehighest bidder as determined by the auctioneer, and the property isthereafter at the purchaser’s sole risk and responsibility.7. PAYMENT: On title passing to the highest bidder acknowledgedby the auctioneer, and subject to all the conditions set forth herein, suchbidder will thereupon pay the full purchase price. Payment in full is dueat the time of sale. Any bills not paid in full within 25 days of the dateof the sale will accrue interest at a rate of 1.5% per month. In addition,the purchaser may be subject to one or more of the following actions:a) Any and all legal remedies available to Eldred’s and its consignorsby law including without limitation the right to hold the purchaserliable for the total purchase price; b) Immediate cancellation of the sale,with Eldred’s retaining as liquidated damages all payments made bythe purchaser; c) Resale of the property at public auction, wherein theoriginal purchaser shall be liable for any deficiency, costs, and Eldred’scommission on both sales. At Eldred’s option, payment will not bedeemed to have been made in full until Eldred’s has collected fundsrepresented by checks, or in the case of bank or cashier’s checks, theirauthenticity has been confirmed.A buyer’s premium will be added to the hammer price to be paidby the buyer as part of the purchase price.8. ORDER BIDS: Subject to these Conditions of Sale and to such termsand conditions as it may prescribe, but at no charge to the customer,Eldred’s will undertake to execute all order bids submitted to it bya customer who has established credit with said company. Requests forsuch bidding must be given in writing with such clearness as to leaveno room for misunderstanding as to the amount to be bid and muststate the catalog number and the name or title of the article to be bidon. Telephone bids must be confirmed in writing or by cable. All bidsare kept in strict confidence. In the event of identical bids, the earliestreceived by Eldred’s will take precedence. Eldred’s shall not be heldresponsible for errors or failure to execute bids. A deposit of 10% ofthe total amount bid is required.TELEPHONE BIDS: While the sale is in progress, bidding by telephonemay be allowed by the auctioneer at his discretion. A deposit of 10% ofthe anticipated top bid is required. Eldred’s shall not be held responsiblefor any failure to properly execute such a bid whether it be due toequipment failure, loss of connection, or failure to hear or understandthe bidder’s directions. Any advice or opinions provided by Eldred’s orits employees are given strictly as a courtesy and are not a warrant ofcondition, attribution, authenticity, or description of said property. Allbidding by telephone s solely at the risk of the bidder.9. CONDITION: If for any cause whatsoever any article sold cannotbe delivered, or cannot be delivered in as good condition as the samemay have been at the time of sale, due to a failure or damage on thecompany’s part, the sale will be cancelled, and any amount that mayhave been paid on account of the sale will be returned to the purchaser.EXCEPTION: Eldred’s will not be held responsible for damage topicture frames or lampshades.10. SALES TAX: All purchases are subject to the Massachusetts salestax (currently 6.25%) unless the purchaser A) possesses a Massachusettssales tax exemption or resale number and registers that number with thecompany, B) is an out-of-state vendor who meets all the requirementsof Massachusetts Department of Revenue GLC 64H 1(5) and Directive89-10 and registers with the company prior to each purchase, or C) haspurchases shipped out of state directly from Eldred’s by a bona fideship ping agent. Dealers, museums, etc. can apply for a Massachusettsnumber prior to the auction by contacting the Massachusetts Departmentof Corporations and Taxation, 100 Cambridge Street, Boston, MA02204.11. RESERVES: Unless advertised as an “Unreserved Auction”, allsales may have items subject to reserve (an agreed upon price betweenthe auctioneer and the consignor, below which the article will not besold).12. UNDELIVERED ITEMS: All purchases not picked up withintwo weeks of the day of the sale may be shipped by Eldred’s to thepurchaser. All shipping, packing and handling charges will be theresponsibility of the purchaser. If said articles have not been paid for,see paragraph 7 above.13. PACKING: Purchasers are advised that packing and/or handling byEldred’s employees is undertaken solely as a courtesy for the convenienceof customers. In the case of fragile articles, it will be undertaken at thesole discretion of the company. Handling and packing by Eldred’s is atthe risk of the purchaser. SHIPPING: When requested, Eldred’s mayarrange shipment of paid purchases. Eldred’s will not be responsible fordamage or loss once the item has been received by the shipper. In thecase of fragile articles, shipping will be undertaken at the sole discretionof the shipper. Please refer to our Advice to Bidders for details.14. These Conditions of Sale cannot be altered except in writing byEldred’s or by public announcement by the auctioneer at the time ofthe sale.15. Bidding on any article(s) indicates acceptance of the terms setforth above.16. These Conditions of Sale and any suits arising thereundershall be construed and governed by the laws of Massachusetts.Revised 8/1/09

Eldred’s Staff DirectoryAntiques and Fine Art SpecialistsRobert C. Eldred Jr.CEOAmericana and Maritime Artsrce@eldreds.comJohn H. SchofieldPresidentAsian Artjohns@eldreds.comSusan M. SchofieldTreasurerThe Prints of Paul Jacouletsue@eldreds.comJoshua F. EldredVice PresidentAmerican and European Paintingsjosh@eldreds.comWilliam BourneAssistant Vice PresidentAmericana, Maritime Arts and Sporting Antiquesbill@eldreds.comEric S. MulakAmericana, Sporting Antiques and Collectibleseric@eldreds.comGlen KrawczykOriental Rugsglen@eldreds.comCynthia L. GageSilver, Shipping Administratorcindyg@eldreds.comProduction and AdministrativeMary Ann EldredAppraisal and Mailing List Directormaeldred@eldreds.comDeborah G. ClemenceCatalog Layout and Designdeb@eldreds.comDennis C. CowanMusical Instruments, Shippingdennis@eldreds.comWendy A. DunfordAssistant Treasurerwendy@eldreds.comWilliam GarnierPhotographybillg@eldreds.comAnne G. LajoieAppraisals and Condition Reportsannie@eldreds.comKristyn MachonAssistant Photographer and Digital Image Editorkmachon@eldreds.comBobby Nunes, Jr.Assistant Shipping Managerbobby@eldreds.comCheryl StewartCatalog Layout and Designcheryl@eldreds.comSarah Eldred TaylorAdministrative Assistantsarah@eldreds.comBarbara H. Cleary & Mary M. KuhrtzAuction Exhibit Staff

SESSION ITuesday, August 20 th , 2013, at 10:00 a.m.1. STAGHORN NETSUKE 19th CenturyIn the form of a mushroom and two chestnuts. 300/4002. IVORY MANJU 19th CenturyWith engraved and sunken relief-carved design of Okame and a tengu on one face; textile and fan on reverse. Signed. 500/6003. BONE SASHI NETSUKE 20th CenturyBy Bishu, in squash and mantis form. Signed. Length 7” (18 cm). 350/4504. KAKIEMON PORCELAIN NETSUKE Early 19th CenturyIn clam’s dream design. With Shinto shrine on interior; bird’s-nest and marsh grass design on exterior. As is. 300/5005. IVORY NETSUKE 18th CenturyDepicting a sennin holding a peach and a basket. Height 3” (7.5 cm). 400/5006. IVORY NETSUKE Late 19th CenturyIn the form of a pearl diver holding a knife and clamshell. 250/3507. IVORY NETSUKE Early 19th CenturyIn the form of Daikoku standing on a rice bale while holding a treasure sack and hammer. 400/6008. IVORY NETSUKE 19th CenturyIn the form of a carp with inlaid eyes. 1,500/2,0009. IVORY NETSUKE 20th CenturyBy Kagetoshi. In the form of a sparrow with inlaid eyes and detailed featherwork. Signed.2,200/2,80010. IVORY NETSUKE 20th CenturyIn the form of a pearl diver with an octopus. Signed. 350/45011. IVORY NETSUKE Meiji PeriodBy Masakazu. In the form of an overturned bowl with an octopus tentacle being explored by a cat. Signed. 3,500/4,50012. IVORY NETSUKE 19th CenturyIn the form of Hotei and a karako playing about his treasure sack. 500/60013. ITTA-BORI CARVED WOOD NETSUKE 19th CenturyDepicting a woman with a gathering basket and painted with polychrome details. 400/60014. WOOD NETSUKE 19th CenturyDepicting a mask carver holding a mask of Okame. 300/40015. STAINED IVORY NETSUKE 19th CenturyIn the form of a quail resting on millet. Inlaid eyes. Signed “Okatomo”. 500/80016. WOOD, IVORY, AND HORN NETSUKE 19th CenturyIn the form of a Sambaso dancer with a horn cap and movable tongue. Costume carved with pine-branch design. 500/70017. POLYCHROME WOOD NETSUKE Late 19th CenturyDepicting Daruma holding a fly whisk as a rat runs across the length of his extended arm. 1,000/1,20018. WOOD NETSUKE Late 19th CenturyBy Shoko. In the form of a seated tenaga with inlaid eyes. Signed.Ex Collection: Duke of Gloucester. 1,500/2,00019. POLYCHROME WOOD NETSUKE Early 19th CenturyDepicting an oni mourning the loss of a demon at the Rashomon gate. With sign post inscribed “Kinsatsu”. 1,500/2,00020. WOOD NETSUKE 19th CenturyBy Ikko. In the form of two frogs resting on a folded lotus leaf. Signed. 2,500/3,00021. IVORY NETSUKE 18th/19th CenturyIn the form of a fl ute player. 200/300

22. POLYCHROME BONE NETSUKE 19th CenturyIn the form of a tenaga standing while holding a drum and drumstick. Height 4” (10.5 cm). 300/50023. IVORY NETSUKE 18th CenturyIn the form of a sage carrying a gourd bottle on his back. Height 3½” (9.2 cm). 300/50024. IVORY NETSUKE 19th CenturyDepicting an ashinaga and a tenaga in an acrobatic pose.Ex Collection: Duke of Gloucester. 1,500/2,00025. POLYCHROME WOOD NETSUKE 19th CenturyIn the manner of Yoshimura Shuzan. Depicting a bearded Mongolian warrior holding a jar with a coral branch while bearinga sheathed sword on his back. Height 4⅜”. 2,500/3,00026. IVORY NETSUKE Early 19th CenturyIn the form of a dried fi sh with double inlaid eyes. 800/1,20027. KENZAN POTTERY THREE-PART INRO 20th CenturyIn crane and willow tree design with matching manju. Signed. 400/60028. WOOD NETSUKE 18th CenturyIn the form of Gama Sennin dressed in a mugwart cape and holding a tree branch staff while accompanied by a frog.Height 4½” (11.5 cm). 2,000/2,50029. IVORY NETSUKE Meiji PeriodBy Zokoku. In the form of a crab and lotus pod. Horn inlay. Signed. 2,500/3,00030. IVORY NETSUKE 19th CenturyBy Tomochika. In the form of a skeleton beating on a mokugyo bell. Signed.Ex Collection: Bette Mittleman. 3,500/4,50031. IVORY NETSUKE Early 20th CenturyBy Senzai. In the form of a dignitary being carried across a bridge by eight oni. Signed. 800/1,20032. IVORY NETSUKE 19th CenturyBy Haku-un. In the form of six poets. Signed and marked with kakihan. 700/90033. IVORY NETSUKE 18th CenturyIn the form of a child resting on a treasure sack. Fine patina. 300/50034. IVORY NETSUKE 18th/19th CenturyDepicting a standing nobleman with pensive expression. 300/40035. IVORY NETSUKE Early 19th CenturyIn the form of a kirin with inlaid eyes. 700/90036. IVORY NETSUKE 19th CenturyIn the form of a Dutchman holding a rooster. Inlaid eyes. 300/50037. WOOD NETSUKE ContemporaryBy Shinzan Masanao. In the form of a reclining ram with amber inlaid eyes. Signed “Masanao Shinzan”. 1,200/1,80038. WOOD NETSUKE ContemporaryBy Shinzan Masanao. In the form of a reclining dog scratching himself. With inlaid eyes. Signed “Masanao Shinzan”.1,200/1,80039. WOOD NETSUKE ContemporaryBy Shinzan Masanao. In the form of a coiled rat with inlaid eyes. Signed “Masanao Shinzan”. 1,200/1,80040. COLLECTION OF FOURTEEN IVORY AND BONE NETSUKE/OKIMONOShishi with ball, rat group, sage with staff, karako with fan, doll maker, peasant with hoe, man with matchlock gun, sennin withfl ower blossom, craftsman with sake jar, seated Hotei, woman with gourd bottle, traveler with monkey, traveler with gourd, andlion on a pedestal. 1,000/1,20041. IVORY NETSUKE 18th CenturyIn the form of the Sennin Chokwaro wearing a mugwart robe and holding a gourd bottle. Height 3½” (9 cm). 2,500/3,000

42. IVORY NETSUKE 18th CenturyDepicting a sennin dressed in a mugwart cape holding a staff and peering skyward. Height 3¾” (9.5 cm).Ex Collection: Francois Storno. 4,000/5,00043. IVORY NETSUKE Circa 1800Depicting Shoki dressed in a cloud-pattern robe with a drawn sword. 2,500/3,00044. IVORY NETSUKE 18th CenturyIn the form of a sennin holding a pearl. Height 3⅜” (8.5 cm). 2,500/3,00045. IVORY NETSUKE 18th CenturyBy Okatomo. Depicting two quail resting on millet. Signed “Okatomo” and dated “In his 77th year”.Ex Collection: Duke of Gloucester. 5,000/7,00046. IVORY NETSUKE Early 20th CenturyBy Kogyoku. Depicting two blind men clinging to a raft. Signed. 1,200/1,50047. IVORY NETSUKE 19th CenturyDepicting a woman kneeling at a wash tub.Ex Collection: Duke of Gloucester. 1,000/1,50048. IVORY NETSUKE Kyoto StyleIn the form of a reclining water buffalo with horn-inlaid eyes. Unusual expression derived from misaligned eye inlay.Ex Collection: Duke of Gloucester. 2,500/3,00050. SOMADA-STYLE FOUR CASE LACQUER INRO 19th CenturyDepicting ravens on a golden tree branch surrounded by an awabi shell border, all on a black ground. 4,000/6,00051. SUPERBLY CARVED THREE-CASE WOOD INRO Meiji PeriodWith figural landscape cartouches on a brocade ground. 3,000/5,00052. FOUR-CASE LACQUER INRO WITH IVORY NETSUKE 19th CenturyInro with fl oral rondel design on a lattice and nashiji ground. Signed. Netsuke depicting a tortoise and signed “Okatomo”.800/1,00053. WOOD AND LACQUER INRO WITH OJIME 19th CenturyInro with wood outer case carved in cloud design. Four inner gold lacquer sections with floral designs. Silver metal ojime.Ex Collection: Duke of Gloucester. 2,000/2,50049. SUPERB FIVE-CASE IVORY INRO WITH MATCHING MANJU AND OJIME Meiji PeriodBy Kanemitsu. Depicting numerous fi gures in a landscape with pavilions and pine trees. Signed in seal form on inro.12,000/15,00054. FIVE-CASE GOLD LACQUER INRO 19th CenturyDepicting a silver and black water buffalo drawing a cart through a hilly landscape. Nashiji interior. Copper and goldkagamabuta-style manju with bird and wave design. Carnelian ojime. 8,000/10,00055. FOUR-CASE BLACK AND GOLD LACQUER INRO Early 19th CenturyBy Kajikawa. With high-relief design of shipping in rolling waves. Signed and marked with kakihan. 12,000/15,00056. FOUR-CASE BLACK AND GOLD LACQUER INRO 18th CenturyBy Kajikawa. With red maple landscape decoration. Signed.Ex Collection: Tomkinson.Ex Collection: E. Doris. 5,000/7,00057. FOUR-CASE GOLD LACQUER INRO Early 19th CenturyBy Kajikawa. With high-relief rooster design on a nashiji ground. Fine nashiji interior. Signed on base. Mixed-metal ojime.15,000/20,00058. FOUR-CASE GOLD LACQUER INRO Early 19th CenturyBy Kajikawa Akihide. Depicting a rooster and rockery. Signed and marked with a kakihan. Coral ojime. 8,000/10,00059. FIVE-CASE GOLD LACQUER INRO Early 19th CenturyBy Koho. With gold inlaid landscape design featuring two running horses and a resting water buffalo. Signed. With goldlacquer manju in pine branch and fl ower design. Glass ojime. 18,000/22,000

60. FIVE-CASE GOLD LACQUER INRO 18th CenturyBy Asami Kogyoku. Depicting Kwan Ti on one face; a warrior with a halberd on the reverse. Staghorn and mixed-metalkagamabuta netsuke. Amber ojime. 8,000/10,00061. FOUR-CASE GOLD LACQUER INRO 19th CenturyBy Kajikawa. Depicting Jurojin in high-relief beside a deer and beneath pine trees. Signed. 25,000/30,00062. IVORY NETSUKE 18th CenturyIn Kyoto style. Depicting a puppy with inlaid eyes grasping an awabi shell. 1,200/1,80063. IVORY NETSUKE Circa 1800In tsuitate form. Depicting a warrior riding through waves. 500/6,00064. IVORY NETSUKE 18th CenturyIn the manner of Tomotada. Depicting a water buffalo and calf with detailed musculature and ropework. 5,000/6,00065. IVORY NETSUKE 18th CenturyBy Tomotada. Depicting a shishi with its young. Finely detailed manes. Fine patina. Signed.Ex Collection: Duke of Gloucester. 6,000/8,00066. WOOD NETSUKE 19th CenturyDepicting a kneeling hunter with a matchlock rifle on a rectangular platform. 600/80067. INLAID WOOD NETSUKE 19th CenturyBy Tomochika. In the form of a blind man holding a geta as he is about to trip over a small dog. Some horn and ivory inlay.Signed.1,500/2,00068. EBONY NETSUKE 19th CenturyIn the form of a peasant woman poet seated while holding a brush and tablet. 1,000/1,50069. WOOD NETSUKE Early 19th CenturyBy Shuzan. In the form of Okame in a seated position holding a tree branch in a suggestive fashion. 1,500/2,00070. BOAR’S TUSK NETSUKE 19th CenturyIn the form of a snail crawling on a bamboo leaf with bamboo branch. Marked with seal mark “Ren.” 1,500/2,00071. IVORY NETSUKE 20th CenturyBy Shubi. In the form of inro, writing boxes, netsuke, and sandals. Signed. 2,000/2,50072. IVORY NETSUKE 19th CenturyBy Mitsuhiro. Depicting a sennin riding on a giant carp through curling waves. Inlaid eyes. Signed.Ex Collection: Duke of Gloucester. 4,000/5,00073. IVORY NETSUKE Late 19th CenturyBy Mitsuhiro. In the form of two shell fishermen in waves. Signed. 1,200/1,80074. IVORY NETSUKE Meiji PeriodIn the form of a snake crawling on a human skull. Signed. 300/40075. IVORY NETSUKE Showa PeriodDepicting Gama Sennin with a three-legged frog. 250/35076. IVORY NETSUKE Taisho PeriodDepicting Fukurokuju and two children painting calligraphy. Signed. 250/35077. BONE NETSUKE 19th CenturyIn the form of a karako with a treasure sack. 200/30078. IVORY NETSUKE 19th CenturyBy Rantei. In the form of a pearl diver with amber-inlaid eyes holding a basket of shells. Signed. 1,000/1,50079. IVORY NETSUKE Early 19th CenturyBy Nagatsugu. Depicting street entertainers with drums. Signed. 1,000/1,50080. IVORY NETSUKE Meiji PeriodBy Hagiwara Kaito Masamitsu. Depicting Christian church grounds in fi ne detail. Signed. 4,000/5,000

81. IVORY NETSUKE 19th CenturyBy Jugyoku. Depicting an elderly woman seated on a decaying timber while holding a basket and a straw cap. Signed insidehimotoshi.Ex Collection: Duke of Gloucester. 2,500/3,00082. IVORY NETSUKE Early 19th CenturyIn the form of a frog with inlaid eyes discovering a crab amongst a pile of decaying shells.Ex Collection: Duke of Gloucester. 1,000/1,50083. IVORY NETSUKE Early 20th CenturyBy Bishu, in the form of a kirin with inlaid eyes. Signed. 500/60084. IVORY NETSUKE Early 19th CenturyIn the form of Hotei rubbing his head while holding a clamshell. 400/50085. IVORY NETSUKE 18th CenturyIn the form of a guardian lion with two pups. 2,500/3,00086. WOOD NETSUKE Early 19th CenturyBy Shozan. In the form of two wrestlers, both in kneeling position. Signed. 2,500/3,00087. WOOD NETSUKE 19th CenturyAttributed to Masanao. Depicting a striped tiger with inlaid eyes crouched in a position with his tail and head nearlymeeting at his back. 6,500/7,00088. WOOD NETSUKE 19th CenturyBy Ise-Yamada Masanao. In the form of a snail resting on a folded sandal. Signed.Ex Collection: Duke of Gloucester. 1,800/2,20089. WOOD NETSUKE Early 19th CenturyDepicting Benkei emerging from a conch shell while reading a scroll. Some inlaid details. 3,500/4,00090. WOOD NETSUKE 19th CenturyIn the form of two quail with inlaid eyes resting on millet. 2,200/2,60091. WOOD AND IVORY NETSUKE 19th CenturyIn the form of an acrobat performing on the back of a baku. Signed “Tomotada”. 1,200/1,80092. WOOD NETSUKE 18th CenturyBy Kyoto Masanao. In the form of a seated pup with inlaid eyes. Signed. 2,500/3,00093. WOOD NETSUKE 19th CenturyIn the form of a grazing horse.Ex Collection: Duke of Gloucester. 600/80094. PORCELAIN NETSUKE Early 19th CenturyIn the form of a sleeping dog with a red collar. 300/40095. IVORY OJIMEIn the form of a seated monkey. Height ¾” (1.8 cm). 150/25096. TWO POLYCHROME IVORY NETSUKE Circa 1920By Akihiro. Depicting a man holding a fan and fungus, and a woman holding a rabbit. 400/50097. IVORY NETSUKEDepicting Okame capturing an oni. 200/30098. IVORY NETSUKE 19th CenturyIn the form of a man caressing a huge clamshell. 300/40099. BONE NETSUKE 19th CenturyDepicting a warrior wearing armor and playing a flute. 300/500100. IVORY NETSUKE 20th CenturyIn the form of a standing scholar holding a book and brush. Signed, possibly “Mingyoku”. 600/800101. WOOD NETSUKE 19th CenturyIn the form of eggplant, melon, cucumber, mushroom, and bean. 800/1,200

102. WOOD NETSUKE Meiji PeriodBy Sukenaga. Carved in Ittabori style depicting Daruma with inlaid eyes. Signed. 600/800103. WOOD NETSUKE 19th CenturyIn the form of a reclining horse with turned head. 350/450104. PEACH PIT NETSUKE Late 19th CenturyDepicting a karako with a fi shing pole. Carved with calligraphy and dedicated to the artist’s seventy-fourth year. 600/800105. SET OF TEN LACQUER-ON-WOOD MINIATURE MASKS 19th CenturyDepicting various theatrical characters with glass eyes. Lengths approximately 2½” (6 cm). 1,000/1,500106. IVORY NETSUKE 18th CenturyDepicting Gama Sennin in standing position with a frog resting on his shoulder. Height 4½” (11.5 cm). 600/800107. TWO IVORY NETSUKE Early 20th CenturySkeleton with mokugyo bell and skeleton with skull and snake. 1,000/1,200108. MINIATURE IVORY NETSUKE Early 20th CenturyDepicting a seated scholar with movable head. Signed and seal marked. Height 1” (2.5 cm). 250/350109. IVORY NETSUKE 18th CenturyIn the form of two karako playing on a treasure sack. 300/400110. IVORY NETSUKE Early 19th CenturyDepicting a sleeping figure resting on a mortar while wearing a rondel-decorated kimono. 300/400111. POLYCHROME IVORY NETSUKE Early 20th CenturyBy Kogyoku depicting a youth carrying a lantern and a sack. Signed on left foot. 250/350112. IVORY NETSUKE Early 19th CenturyDepicting a seated Hotei. Signed. 250/350113. IVORY MANJU 19th CenturyCarved on one face in sunken relief with a samurai and his horse; on reverse with a bow. 400/600114. INLAID IVORY NETSUKE Early 19th CenturyDepicting a cicada resting on a leaf. Signed. Length 3” (7.5 cm). 350/450115. IVORY MASK NETSUKE/OKIMONO Meiji PeriodDepicting Hannya with fi erce expression, pointed ears, and distinctive horns.Ex Collection: Duke of Gloucester. 600/700116. SHIBUICHI AND MIXED-METAL KAGAMABUTA NETSUKE 19th CenturyDepicting a family of rabbits in traveling gear. Ivory holder. 600/800117. IVORY NETSUKE Meiji PeriodIn the form of a karako holding a tassel and wearing a scholar’s cap. Signed “Tomokazu”. 400/500118. IVORY NETSUKE 20th CenturyBy Hiroaki. Depicting a baying kirin. Signed. 600/800119. IVORY NETSUKE Meiji PeriodDepicting two ladies and a child with a tsuitate screen. Signed “Masahiro”. 500/700120. STAGHORN NETSUKE 19th CenturySigned “Tomokazu”. Depicting a monkey holding a tree branch. 350/450121. IVORY NETSUKE Early 19th CenturyBy Norishige. Depicting a sage holding a peach while attended by a youth. Signed. 500/700122. IVORY NETSUKE 19th CenturyBy Kaigyokusai Masatsugu. Depicting seven sages with two attendants standing on a rockery base. Extensive signature withkakihan and seal mark. 4,000/5,000123. IVORY NETSUKE/OKIMONO 19th CenturyBy Muneshige. Depicting a grimmacing rat catcher observing an escaping rat running across his back. Signed. 800,1,200

124. IVORY NETSUKE Late 19th CenturyBy Rantei. In the form of a rat feeding on nuts. Signed 600/800125. BONE NETSUKE 19th CenturyIn the form of a child carrying a treasure sack on his back. 200/300126. BONE NETSUKE Early 19th CenturyIn the form of a standing Dutchman holding a fan while wearing a robe with horn- inlaid buttons. 300/500127. WOOD NETSUKE 19th CenturyIn the form of a mendicant holding a straw hat. 200/300128. FOUR IVORY NETSUKETakarabune with fi gures, man with a basket of fish, sennin and fish group, and two figures with a turtle. 200/300129. STUDIO POTTERY DISH 20th CenturyIn rectangular form with seal mark decoration on a beige and green glaze ground. Potter’s mark on base. Possibly by Iku. 9½”x 8¼” (24 cm x 21 cm). Original kiriwood box. 500/600130. KYOTO POTTERY TAZZA Late 19th CenturyIn lotus petal form with figural landscape design. Extensively signed. Marked “Kozan”. Height 5½” (14 cm). Diameter 9¼” (23.5 cm).200/300131. FOUR POTTERY SAKE BOTTLESOne in gourd and vine design, one with Daikoku design, and two in studio designs. Heights approximately 6” (15 cm). 300/500132. SATSUMA POTTERY BOWL Meiji PeriodIn flower form with figural cartouches on a floral ground. Diameter 6” (15 cm). 300/400133. AO-KUTANI PORCELAIN FIGURE Meiji PeriodDepicting Kwannon seated on a rockery base beside a bird-decorated jar. Height 11¼” (28.5 cm). 500/700134. SATSUMA POTTERY VASE Early Meiji PeriodIn seed form. Depicting three warriors battling a dragon. Height 6¼”. 250/350135. BLACK GLAZE POTTERY STORAGE JAR 19th CenturyIn ovoid form. Height 18½” (47 cm). 200/300136. SHIGARAKI POTTERY STORAGE JAR 19th CenturyIn a blistered olive-green glaze. Height 20½” (52 cm). 500/700137. UNDERGLAZE BLUE PORCELAIN JAR 19th CenturyIn ovoid form with pine tree and chrysanthemum design and marked with calligraphy. Height 7¾” (19.5 cm). Mounted as atable lamp. 150/200138. FIVE PIECES OF JAPANESE POTTERYLeaf-form dish, crackleware bowl, spouted cup, Satsuma cup with fl owers, and a crane and tortoise-decorated dish. Allpurported to have come from the Edward Morse Collection. Deaccession numbers on bases. 600/800139. ROBERT FORNELL SHINO POTTERY CHAWAN 20th CenturyIn black and white glaze. Diameter 5” (12.7 cm). With original kiriwood box. 250/350140. SHINO POTTERY CHAWAN 20th CenturyIn cream and green glaze with landscape design. Potter’s mark at foot. Diameter 4¾” (12 cm). With kiriwood box. 250/350141. ORIBE POTTERY CHA-IRE Early 20th CenturyIn ovoid form with applied handle and pine branch decoration. Ivory cover. Height overall 3¼” (8.5 cm). 250/350142. IMARI PORCELAIN COVERED JAR Late Meiji PeriodIn inverted pear shape with domed cover and onion fi nial. Body with floral brocade decoration. Height 25” (63.5 cm).1,000/1,500143. NAMBAN PORCELAIN CHARGERWith blue and white depiction of a Dutch trading ship. Diameter 14½” (37 cm). 100/200144. PAIR OF AO-KUTANI PORCELAIN DISHES 20th CenturyIn rectangular form with bird and chrysanthemum design. Length 8¼”. 100/200

145. CARVED PORCELAIN WINE POT Early 20th CenturyIn square form with peony design. Height 6”. 150/250146. SATSUMA POTTERY BOWL Meiji PeriodIn four-lobed form with bird, gourd, and grape design on exterior. Interior with butterfly, flower, and dragon design. Threecharactergilt signature on base. Diameter 5” (13 cm). 500/700147. POTTERY WATER JAR 19th CenturyIn double gourd form with brown drip glaze at shoulder and flower garden design. Two-character potter’s mark on base. Height7” (18 cm). 200/300148. STUDIO PORCELAIN VASE Late Meiji PeriodIn inverted pear shape with dragon design in a soft rose glaze. Four-character mark on base. Height 6” (15 cm). 700/900149. IMARI PORCELAIN CHARGER Meiji PeriodWith decoration of a boatman, birds, and chrysanthemum. Diameter 18” (46 cm). 400/600150. BLUE AND WHITE HIRADO PORCELAIN BOTTLE VASE Circa 1900In hexagonal form with relief dragon and cloud design. Height 6½” (16.5 cm). 150/250151. KORANSHA PORCELAIN SHALLOW BOWL Circa 1900In fl ower form with fi sh and iris design. Diameter 8¼” (21 cm). 100/200152. PAIR OF KUTANI PORCELAIN DISHES Late Meiji PeriodWith decoration of ladies at the seashore with fish and shellfish. Diameters 8¼” (21 cm). Framed together. 200/400153. NABESHIMA PORCELAIN DISH 19th CenturyIn peach design with peony decoration on exterior above a combed foot. Diameter 6” (15.2 cm). 150/250154. HIRADO PORCELAIN PLATE Circa 1900In fl ower form with dragon and cloud design. Diameter 6¾” (17 cm). 100/200155. PAIR OF NABESHIMA PORCELAIN DISHES 19th CenturyWith blue and white peony design. Exterior with comb and coin design. Diameter 8” (20.7 cm). 600/800156. SIX BLUE AND WHITE PORCELAIN PLATES Early 20th CenturyIn fl ower form with fi gural landscape design. Diameter 8¾” (22.3 cm). 400/600157. BLUE AND WHITE PORCELAIN TOKKURI Circa 1800In ovoid form with a floral design. Height 10” (25.5 cm). 150/250158. ENAMEL-ON-CELADON PORCELAIN GARDEN SEAT Late 19th CenturyIn hexagonal form with snow-covered bird and fl ower landscape design. Height 20” (50.5 cm). 300/400159. SATSUMA POTTERY BOTTLE VASE Meiji PeriodIn pilgrim flask form. With fi gural decoration on one face; flower basket design on reverse. Height 5” (12.5 cm). 600/800160. SATSUMA POTTERY KORO Meiji PeriodIn ovoid form with figural cartouches on a fl oral ground. Gyokuzan mark on base. Height 3¾” (9.5 cm). 400/600161. SATSUMA POTTERY VASE Meiji PeriodIn squat ovoid form with cylindrical neck. Body decorated with zodiac animals. Height 4¼” (10.7 cm). 400/600162. SATSUMA POTTERY VASE Meiji PeriodIn modifi ed rectangular form with decoration of ladies in garden settings and floral landscapes. Surrounded by cobalt blueand gilt brocade patterns. Shimazu crest on base. Height 5¾” (15 cm). 1,200/1,800163. IMARI PORCELAIN BOWL Meiji PeriodIn ovoid form with faceted body. Body decorated with bamboo, prunus, and pine tree design. Diameter 10” (25.4 cm). 650/850164. SATSUMA POTTERY VASE Late Meiji PeriodIn inverted pear shape with elephant’s-head handles and lohan decoration. Height 7”. 150/250165. SATSUMA POTTERY COVERED CREAM PITCHER Meiji PeriodIn pear shape with figural cartouches on a brocade ground. Height 5”. 100/150

166. SATSUMA POTTERY VASE Circa 1870In hexagonal ovoid form with wisteria and iris design with chrysanthemum basket. Rich gold and blue coloration. Base markedwith gilt signature, Shimazu crest, and kakihan. Height 10¼” (26 cm). 8,000/10,000167. SUPERB SATSUMA POTTERY VASE Circa 1870In inverted pear shape with gold three-claw dragon rising from a blue wave sea. Underside with six-character signature in goldwith blue kakihan. Height 12¼” (31 cm). 10,000/12,000168. FOUR IMARI PORCELAIN DISHES Late Meiji PeriodEach in fi sh form. Lengths 7½” (19 cm), 9” (23 cm), 8¾” (22 cm), and 10” (26 cm). 300/500169. SATSUMA POTTERY WINE POT Meiji PeriodIn squat ovoid form with figural decoration. Diameter 4” (10 cm). 100/300170. SET OF EIGHT IMARI PORCELAIN BOWLS Late Meiji PeriodIn fl ower form with decoration of sages in landscape settings about a floral medallion. Fuku mark on base. Diameter 6½” (16.5cm). 300/400171. NINE IMARI PORCELAIN PLATES Circa 1900In fl ower form with bird and fl ower design. Diameters 9” (13 cm). 400/600172. SATSUMA POTTERY VASE Late Meiji PeriodIn inverted pear shape with figural and lohan landscape designs beneath a relief dragon. Height 7”. 150/250173. PAIR OF SATSUMA POTTERY VASES Circa 1870In inverted pear shape with lion’s-head handles and sculpted chrysanthemum decoration. Highlighted in gosu blue. Heights12” (30.5 cm). 4,000/5,000174. AO KUTANI PORCELAIN DISH Early 20th CenturyIn nonagon form with landscape decoration. Fuku mark on base. Diameter 12” (30.5 cm). 500/600175. PAIR OF IMARI PORCELAIN BOWLS Meiji PeriodIn square form with passionflower and lohan design. Interior decorated with kirin, paulownia, and ho bird. 6¾” (17.2 cm) square.600/800176. BIZEN POTTERY TOKKURI 18th/19th CenturyWith pinched sides and black and brown glaze. Height 8½” (21.5 cm). 100/200177. BIZEN POTTERY JAR 18th/19th CenturyIn ovoid form with black striped glaze. Height 5¾” (14.5 cm). 100/200178. PAIR OF SATSUMA POTTERY BOTTLE VASES Meiji PeriodWith hexagonal bases and cylindrical necks mounted with figural handles. Heights 12½” (31.5 cm). 200/300179. PAIR OF SATSUMA POTTERY BOTTLE VASES Meiji PeriodIn seed form with cylindrical necks. Decorated with figural landscapes and brocadework. Height 18½” (47 cm). 2,500/3,000180. SATSUMA POTTERY CENSER Meiji PeriodIn ovoid form with tripod base, flower-form handles, and domed cover with lion finial. Body decorated with lohan design. Height16¼” (41 cm). 200/300181. PAIR OF SATSUMA POTTERY VASES Late 19th CenturyWith figural and fl oral scenes on a brocade ground. Heights 9½” (24 cm). 400/600182. SATSUMA POTTERY DEMITASSE SET 20th CenturyConsisting of six cups and saucers in a bamboo and flower design. With original case. 250/350183. HIZEN PORCELAIN VASE 19th CenturyIn pear shape with flared rim, openwork handles, and samurai decoration. Height 24½” (62.2 cm). 250/350184. IMARI PORCELAIN BOWL 19th CenturyInterior with fl oral design. Exterior with vine and shou motif. Diameter 8¾” (22.3 cm). 200/300185. KAKIEMON PORCELAIN COVERED BOWL 19th CenturyWith quail and fl ower garden design. Domed cover with flower-form finial. Diameter 4¼” (11 cm). 200/300186. SET OF FOUR KORANSHA PORCELAIN BOWLS 19th CenturyWith floriform rim and decoration of crayfi sh and seagrasses. Koransha mark on base. Diameter 4¾” (12 cm). 350/450

187. IMARI PORCELAIN CHARGER Meiji PeriodWith brocade and maple leaf center surrounded by prunus, bamboo, pine tree, shi shi, and peony border. Diameter 24” (61 cm).700/900188. KUTANI PORCELAIN VASE Early 20th CenturyIn octagonal form with lion’s-head handles and bird and fl ower decoration. Height 12½” (32 cm). 100/200189. SETO WARE POTTERY COVERED CUP 18th CenturyIn wheat pattern with impressed potter’s mark on base. Height 3½” (9 cm). 250/350190. SATSUMA POTTERY VASE Meiji PeriodWith decoration of fi gures in a landscape and birds on a flowering tree branch. Height 4¾” (12 cm). 150/200191. IMARI PORCELAIN BOWL 19th CenturyWith floral center surrounded by fl ower garden cartouches. Exterior with vine and shou design. Diameter 9¾” (24.8 cm).250/350192. SET OF FOUR IMARI PORCELAIN PLATES Circa 1900In fl ower form with blue dragon design. Diameter 8¼” (21 cm). 400/600193. SIXTY-FIVE SATSUMA POTTERY BUTTONSIncluding ten 2” buttons with fi gural designs; thirty landscape, flower, and dragon buttons; thirteen buttons with animals andfl owers; and twelve buttons with historical personages and noted scenes. All mounted in four trays. 600/800194. TAKATORI POTTERY CHA-IRE Early 19th CenturyIn seed form with brown and black glaze over a brown body. Thumbprint string marks on base. Ivory cover. Height 2¾” (7 cm).500/600195. BLUE AND WHITE HIRADO PORCELAIN VASE Meiji PeriodIn baluster form with trumpet mouth. Body with pine tree decoration. Height 16” (40.6 cm). 1,200/1,800196. SATSUMA POTTERY VASE Early 20th CenturyIn ovoid form with Thousand Flowers pattern. Signed. Height 4” (10 cm). 200/300197. HIZEN PORCELAIN VASE 19th CenturyIn pear shape with flared rim, coral-red stylized dragon handles, and figural decoration. Height 24¾” (62.5 cm). 500/700198. SATSUMA POTTERY VASE 20th CenturyIn elongated ovoid form with Thousand Flowers pattern. Signed. Height 7½” (19cm). 100/200199. HIZEN PORCELAIN PALACE VASE Meiji PeriodWith ruffled rim, leaf and grape-design handles, and dramatic bird decoration between gilt and rust-red bands. Signed. Height42½” (108 cm). 1,500/2,000200. BLUE AND WHITE ARITA PORCELAIN CHARGER Mid-20th CenturyWith hawk and pine branch design. Signature on base. Diameter 15¾” (40 cm). 150/250201. SATSUMA POTTERY JAR Late Meiji PeriodWith elaborately gilded Kwannon and lohan design. Height 12” (30.5 cm). Mounted as a table lamp. 400/500202. IVORY FIGURE Meiji PeriodDepicting a winged tengu and dragons. Height 5½” (14 cm). 300/500203. IVORY CARVING Meiji PeriodDepicting Kwannon standing on a dragon while holding a lotus blossom. Signed “Gyokumin”. Height 10½” (27 cm). 700/900204. TWO IVORY CARVINGS Meiji PeriodDepicting net menders with hanging nets. Heights 10½” (27 cm) and 7½” (19 cm). 1,400/1,800205. IVORY FIGURE OF FUKUROKUJU 19th CenturyIn standing position. Height 5½” (14.1 cm). 250/350206. LOT OF COSMETIC BOXES 19th CenturyIncluding six lacquer-on-ivory boxes, two lacquer-on-ivory box covers, one lacquer-on-wood box cover, and one mismatchedbase. 1,000/1,500207. IVORY PLAQUE 19th CenturyIn the form of two monkeys examining a peach-decorated scroll. Height 3½” (9 cm). 200/300

208. IVORY FIGURE GROUPDepicting a barrel maker with his youthful attendant and a puppy working on a large barrel. Height 3½” (8.9 cm). 300/500209. STAINED IVORY FIGURE Early 20th CenturyDepicting Chokwaro releasing a horse from a double gourd bottle. Signed in seal form. Height 6” (15.2 cm). 400/600210. IVORY CARVING Meiji PeriodIn the form of Jurojin standing while holding a basket of peaches. Height 9½” (24 cm). 400/600211. IVORY FIGURE Meiji PeriodIn the form of a standing sage with a monkey at his feet. Height 6½” (16.5 cm). 500/700212. IVORY FIGURE Early 20th CenturyIn the form of a bearded man holding a basket. Signed with red lacquer seal mark. Height 8¼” (21 cm). 800/1,000213. IVORY CARVING Meiji PeriodIn the form of a man unrolling a scroll releasing a carp and sennin from its surface. Height 8½” (21.5 cm). 500/700214. IVORY FIGURE Meiji PeriodIn the form of a farmer gathering grapes. Height 6¾” (17.3 cm). 300/500215. IVORY FIGURE Early 20th CenturyIn the form of a farmer holding a sickle and millet. Height 7¼” (18.5 cm). 300/500216. HIPPOPOTAMUS TOOTH CARVING Meiji PeriodDepicting a fruit seller with four monkeys attempting to steal his fruit. Height 6” (15.2 cm). 400/600217. IVORY FIGURE OF HOTEI Late Meiji PeriodIn standing position carrying his treasure sack and a fan. Height 3½” (9 cm). 250/350218. IVORY CANE HANDLE Meiji PeriodIn the form of two rats feasting on grapes. Length 4” (10.2 cm). 300/500219. CARVED IVORY TUSK Meiji PeriodDepicting three dragons fl ying amongst clouds. Mother-of-pearl-inlaid eyes. Length 11¾” (29.5 cm). 800/1,000220. IVORY MASK NETSUKE/OKIMONO Meiji PeriodDepicting a grinning man with shibayama earrings and inlaid horn eyes. Length 2¾” (7 cm). 250/350221. POLYCHROME IVORY ZUSHI 19th CenturyIn chrysanthemum form with polychrome carving of Buddha and Kwannon. Marked with gilt Sanskrit. Signed. Diameter 2”.800/1,000222. IVORY MASK NETSUKE/OKIMONO Meiji PeriodDepicting a tengu. Length 1½” (3. 5 cm). 200/300223. IVORY FIGUREIn the form of Fukurokuju standing while holding a tree branch staff and accompanied by a crane. Height 7” (18 cm). 300/400224. IVORY CARVING Meiji PeriodIn the form of a prowling bear. Length 2¾” (7 cm). 200/300225. IVORY FIGURE GROUP 19th CenturyIn the form of a barrel maker and attendant. Signed “Mitsukazu”. Height 4¾” (12 cm). 200/300226. IVORY OKIMONO Meiji PeriodDepicting a Chinese woman seated in an armchair beside a vase of flowers. Red lacquer signature on base. Height 2½”(6.2 cm). 300/400227. IVORY FIGURE GROUP Meiji PeriodBy Mitsuchika. Depicting seven blind men falling over each other. Signed. Height 4¾” (12.1 cm). Length 4¾” (12.1 cm).From a Houston, Texas, Estate. 3,000/4,000228. IVORY FIGURE Meiji PeriodIn the form of a fi sherman with a fi sh spear. Height 5” (12.5 cm). 400/600229. IVORY FIGURE OF A MAIDEN Meiji PeriodDepicted walking while holding a fan. Signed on red lacquer plaque “Masayoshi?”. Height 6¼” (16 cm). 300/400

230. IVORY OKIMONO Meiji PeriodDepicting a mask carver holding a comic mask while seated with various tools and brushes. Signed in seal form. Height 3¼” (8.5 cm).700/900231. CARVED IVORY FIGURE GROUP Meiji PeriodDepicting a woman holding a child at her shoulder. Height 6¾” (17.5 cm). 700/900232. IVORY PARASOL HANDLE 19th CenturyDepicting Gama Sennin and a frog. Height 5½” (14 cm). 300/400233. IVORY MASK NETSUKE/OKIMONO Early 20th CenturyDepicting a fi erce oni. Length 2” (5 cm). 100/150234. IVORY VASE Meiji PeriodIn baluster form with oni’s-head handles. Body carved with mask and fi gural designs. Stylized signature on base. Height 4¾”(12 cm). 500/700235. IVORY FIGURE OF BUDDHA Meiji PeriodSeated in lotus posture on a double lotus base. Height 3” (7.5 cm). 200/400236. POLYCHROME IVORY CARVING Circa 1900Depicting the Seven Gods of Good Fortune and a Buddhist priest. Height 6” (15 cm). 600/800237. IVORY CARVING Meiji PeriodIn the form of a standing sage holding a flower basket and tree branch staff. Height 7½” (19 cm). 400/500238. TWO MARINE IVORY CARVINGSWoman holding a biwa and a man holding a peach. Heights 4¼” (11 cm). 300/500239. IVORY PAGE TURNER Meiji PeriodCarved on one face with peony and wasp; on reverse with peony, wasp, and songbird. Signed “Masaaki”. Length 12” (30.5 cm).150/200240. THREE IVORY FIGURESArmor maker and Daikoku and Ebisu playing musical instruments. 100/150241. IVORY-HANDLED WALKING STICK 19th CenturyHandle carved in dragon and cloud design. Length of handle 3¾” (9.5 cm). 400/600242. IVORY FIGURE OF A WOMAN Meiji PeriodIn standing position with two children and a monkey. Height 5¼” (13.5 cm). 500/700243. IVORY CARVING Meiji PeriodDepicting two rats and a snake. Height 4½” (11.5 cm). 350/450244. IVORY FIGURE GROUP Meiji PeriodDepicting a man and child harvesting squash while attended by a monkey and four rats. Height 6” (15 cm). 500/700245. IVORY OKIMONO Meiji PeriodDepicting three children in a playful scene with one covered by a shishi costume. Height 3¾” (9.5). 800/1,200246. IVORY FIGURE GROUP Meiji PeriodIn the form of a rat catcher and a child. Height 4¾” (12 cm). 400/500247. MARINE IVORY CARVING Meiji PeriodIn the form of a sage riding on a crane while attended by a youth holding a gourd bottle and lotus leaf. Height 5¼” (13.5 cm).300/400248. CARVED IVORY FIGURE Late 19th CenturyDepicting Hotei standing on his treasure sack holding a fan. Signed “Masayuki”. Height 8¼” (21 cm). 300/500249. PAIR OF MARINE IVORY FIGURES Meiji PeriodDepicting a sage with youthful attendant and a farmer with grapes. Heights 5” (12.7 cm). 500/700250. WAKASANURI AND GOLD LACQUER TEA CADDY Circa 1900In rectangular form with fi gural cartouches. Interior fitted with two sections covered with sliding paneled doors. Length 8½”(21.5 cm). 200/300

251. BLACK AND GOLD LACQUER COVERED BOX Meiji PeriodWith lotus and chrysanthemum decoration on a gently curling wave ground. Top 9¼” x 13” (23.5 cm x 33 cm). Height 4¾”(12 cm). 400/500252. GOLD LACQUER BOX 18th CenturyIn square form with pine, prunus, and bamboo design on a nashiji ground. 3” square (7.5 cm). 200/300253. TSUISHU LACQUER SUZURIBAKO 19th CenturyWith relief depiction of two figures on a bridge. Length 9½” (24 cm). 400/600254. LACQUER AND CERAMIC-INLAID WOOD BOX 19th CenturyIn rectangular form with fi sh and grasses design. Length 5¼” (13.3 cm). 200/300255. BLACK AND GOLD LACQUER TEA BOWL STAND Late 19th CenturyWith takarabune and mountain landscape design. 4” square (10 cm). Height 3” (7.5 cm). 150/250256. BLACK AND GOLD LACQUER BOX 20th CenturyBy Zokoku. In rectangular form with feather design. Length 4¼” (10.7 cm). 150/250257. TWO-PART GOLD LACQUER COVERED BOX Mid-19th CenturyIn double rectangle form with decoration of temple grounds. Nashiji interior. Length 5½” (14 cm). Height 3½” (8.5 cm).1,200/1,500258. SHIBAYAMA-ON-LACQUER COVERED VASE Meiji PeriodIn drum form with bird and flower shibayama panels. Body decorated with red and gold floral motifs. Height 6¼” (16 cm).10,000/12,000259. MINIATURE GOLD LACQUER TANSU 19th CenturyWith hinged door and interior containing eight drawers. Exterior decorated with peonies and birds; interior with landscapescenes featuring waterfall, cottages, birds, and fl owers. Body contains five cosmetic boxes simulating books with gold lacquerbindings. Height of cabinet 5” (12.2 cm). 700/900260. GOLD LACQUER BOX Early 19th CenturyIn oval form with mon design. Nashiji interior, sides, and base. Length 2¾” (7 cm). 600/800261. BLACK AND GOLD LACQUER BOX SET Early 19th CenturyBy Mitsu Gyoku. Decorated on exterior with noh actor design. Interior fitted with four smaller boxes and decorated with MountFuji landscape scenes. Length overall 4¾” (12 cm). 500/600262. LACQUER PLAQUE Meiji PeriodDepicting a dancer on a nashiji ground. Signed. 8¼” x 5¼” (21 cm x 13.5 cm). 200/300263. PAIR OF RED AND BLACK LACQUER SAKE CONTAINERS Late 19th CenturyIn rectangular form with fl oral mon design. Heights 13½” (34 cm). Lengths 17” (43 cm). 300/400264. BLACK LACQUER BUTSUDAN WITH BRONZE BUDDHA FIGURE 19th CenturyWith standing fi gure holding a peach. Extensive inscription on reverse. Height of figure 5” (12.7 cm). Height overall 7½” (19.3cm). 400/600265. BLACK AND GOLD LACQUER BUTSUDAN Edo PeriodContaining a seated figure of Buddha on a lotus throne. Height overall 9¼” (23.5 cm). 300/500266. BLACK AND GOLD LACQUER PLAQUE Late 19th CenturyDepicting two doves perched on a maple branch. Signed “Gyokushin”. Diameter 14” (35.5 cm). 400/500267. BLACK AND GOLD LACQUER SHRINE 19th CenturyWith elaborate floral-engraved doors. Contains gold lacquer Buddha figure in standing position. Height of Buddha 10½” (26.5cm). Height overall 31½” (80 cm).From the estate of Georgia Cash. 1,500/2,000268. LACQUER-DECORATED BOOK COVER Early 20th CenturyIn a fruit and branch design. Interior with accordion pages. 10¾” x 7” (27 cm x 18 cm). 100/200269. BLACK AND GOLD LACQUER HOT WATER KETTLE 19th CenturyIn cylinder form with Tokugawa mon design. Height 8” (20 cm). 250/350270. WAKASANURI LACQUER STAND Early 20th CenturyIn square form with stylized floral design. 14¼” (36 cm) square. Height 5½” (14 cm). 200/300

271. PAIR OF LACQUER AND IVORY FIGURES 19th Century1) In standing position with parasol. Ivory head, hands, feet, and parasol. Gold lacquer costume in wave and grasses design.Height 8¼” (21 cm). 2) In the form of a dancer with fans. Ivory head, hands, and feet. Lacquer costume in gold floral design.Height 7” (17.8 cm). 15,000/20,000272. LACQUER-CASED LADY’S ARCHERY SET 19th CenturyBow with silver mounts engraved in a fl oral design and accompanied by six arrows with goose feather fletches. Box decoratedwith burgauté lacquer floral landscape design. Bow signed. Length of box 13” (33.2 cm). 1,000/1,500273. SUPERB GOLD LACQUER AND SHIBAYAMA TEAPOT Meiji PeriodShibayama panels depicting unusual flower vases. One with relief dragon and one in the form of a caparisoned tiger. Bothpanels with elaborate fl oral designs spotted with birds in flight. Body of teapot decorated with scrollwork on a red ground andgold and black faux bois sides. Height 6¾” (17.2 cm). 25,000/30,000274. BLACK AND GOLD LACQUER SUZURIBAKO Late 19th CenturyWith relief portrait of Hotei with three karako and his treasure sack. Interior contains water dropper and inkstone. 7¼” x 6¾”(18.3 cm x 17.2 cm). 8,000/10,000275. BLACK AND GOLD LACQUER SUZURIBAKO Early 19th CenturyIn rectangular form. Decorated on exterior with waterfall and cherry trees. Decorated on interior, both cover and base, withrolling waves, wetted rocks, and silver moon. Case contains peony-design water dropper and inkstone. 10” x 9”(25.5 cm x 22.8 cm). 20,000/25,000276. BLACK GOLD AND SILVER LACQUER SUZURIBAKO 19th CenturyDecorated on exterior with subtle floral design. Underside of lid decorated with crane and bamboo on a gold nashiji ground.Interior fitted with water dropper and inkstone. 8½” x 7¾” (21.5 cm x 19.5 cm). 2,000/2,500277. COPPER-BRONZE INCENSE BURNER Meiji PeriodIn boat form with lion’s-head handles, kirin finial, quadruped base, and kirin design. Height 9¼” (23.5 cm). 300/500278. BRASS LANTERN 19th CenturyIn paulownia and chrysanthemum design. Shaped feet, curvate top, and suspended bell-form ornaments. Height 13¾”(35 cm). 200/300279. BRONZE VASE Meiji PeriodIn baluster form with relief dragon and engraved wave design. Height 8¼” (21 cm). 250/350280. BRONZE GOOSE Early 20th CenturyIn standing position with detailed featherwork. Signed. Height 30” (76 cm). 400/600281. BRONZE BOWL Meiji PeriodWith inverted rim and key fret design. Diameter 7½”. 200/300282. PAIR OF PATINATED BRASS TEMPLE LANTERNS Early 20th CenturyWith circular bases and bell-form covers. Heights 24” (61 cm). 300/400283. BRONZE CENSER Edo PeriodIn ovoid form with tripod base, lion’s-head handles, and domed cover with lion fi nial. Height 7½” (19 cm). 250/350284. BRONZE USABATA Early 20th CenturyWith tripod base and dish-form top. Height 7½” (19 cm). Diameter 10¾” (10.5 cm). 150/200285. BRONZE USABATA Early 20th CenturyWith tripod urn-form base inlaid with silver chidori and wave design. Dish-form top. Signed. Height 9” (23 cm). Diameter 10½”(26.5 cm). 150/200286. ART DECO BRONZE VASE 20th CenturyIn pear shape with double-spouted rim. Signature on base. Height 17¾” (45 cm). 400/600287. BRONZE USABATA Early 20th CenturyWith conical base in cloud design with cursive calligraphy. Footed dish-form top. Height 8¾” (22 cm). Diameter 9” (23 cm).150/200288. BRONZE URN Meiji PeriodIn inverted pear shape with dramatic openwork wave base and relief dragon design. Height 14½” (37 cm). 150/250

310. IRON TETSUBIN 19th CenturyIn ovoid form with fret design. Inscribed bronze cover with fruit-form finial. Diameter 6½”. 300/500311. IRON USABATA Early 20th CenturyWith tripod ho bird base and dish-form top. Height 10½” (26.5 cm). Diameter 11½” (29 cm). 300/350312. BRONZE USABATA Meiji PeriodWith wave-pattern base and conical top. Height 8” (20.2 cm). Diameter 11¾” (30 cm). 150/250313. RECTANGULAR BRONZE VASE Early 20th CenturyWith high-relief decoration of deer in a pine tree landscape. Signature on base. Height 19¼” (49 cm). 1,500/2,000314. INLAID BRONZE FIGURE OF AN EAGLE Meiji PeriodPerched on a rootwood base with spread wings. Gilt and shakudo eyes. Shakudo beak. Height overall 31½” (78 cm).Wingspan 28” (71 cm). 2,500/3,500315. INLAID SENTOKU BRONZE VASE 19th CenturyIn ovoid form with cylindrical neck decorated in high relief with copper and gilt flower blossom design. Height 10¾”.(27.5 cm). 600/800316. KEYAKI WOOD AND KIRIWOOD LIFT-TOP MERCHANT’S BOX Circa 1900With candleholder, coin slot, and four drawers. Height 10” (25 cm). Length 12¾” (32 cm). 200/300317. ANDO CLOISONNÉ ENAMEL VASE 20th CenturyIn inverted pear shape. With pink and white fl oral design on a transparent pigeon’s blood red ground. Height 9¾”(24.7 cm). 300/400318. CLOISONNÉ ENAMEL VASE Meiji PeriodIn baluster form with phoenix and dragon lappet design. Height 15½” (39.3 cm). 200/300319. TOTAI ENAMEL-ON-PORCELAIN CYLINDER VASE Meiji PeriodWith dragonfly, butterfl y, and fl oral design on a blue ground. Height 8¾” (25 cm). 200/300320. CLOISONNÉ ENAMEL COVERED JAR Meiji PeriodIn oval form with dragon decoration on a blue ground. Chrysanthemum design on base. Domed cover with ball fi nial.Height 4” (10 cm). 200/300321. PAIR OF CHAMPLEVÉ ENAMEL CANDLESTICK TABLE LAMPS Early 20th CenturyWith circular foot, openwork dragon design, and inlaid iron tsuba fi nials. Heights overall 35” (94 cm). 400/600322. INLAID SENTOKU BRONZE BOX Late 19th CenturyIn circular form with decoration of a lohan and youthful attendant. Five-character signature on base. Diameter 5¼” (13.3 cm).1,800/2,200323. PAIR OF CLOISONNÉ ENAMEL VASES Meiji PeriodWith iris and butterfl y design on a pale blue ground. Heights 9½” (24 cm). 300/400324. CLOISONNÉ ENAMEL VASE Meiji PeriodIn inverted pear shape with decoration of fans, musical instruments, and symbols of the Gods of Good Fortune on a black andblue ground. Height 5” (13 cm). 400/600325. TRANSPARENT CLOISONNÉ ENAMEL COVERED JAR Meiji PeriodWith butterfl y and morning glory design on a blue ground. Height 3” (8 cm).200/300326. SILVER AND STAGHORN CANE HANDLE Late Meiji PeriodIn the form of a smiling sennin sitting on a tree branch. Monogrammed “BHG”. Length 7½” (19 cm). 600/700327. CLOISONNÉ ENAMEL VASE Meiji PeriodIn ovoid from with spider chrysanthemum design on a midnight-blue ground. Silver wire work. Height 4½” (11.5 cm). 300/500328. CLOISONNÉ ENAMEL VASE Meiji PeriodIn baluster form with bird and weeping cherry tree design. Height 18¼” (46.5 cm). 1,800/2,200

SESSION IIWednesday, August 21 st , 2013, at 10:00 a.m.401. ENGRAVED BRASS MOKKO-FORM TSUBA Early 19th CenturyWith crane and minogame design. Pine branch on reverse. Length 2¼”. 250/350402. PAIR OF INLAID SENTOKU FUCHI KASHIRA 19th CenturyBy Miyata Nobukiyo. Depicting a rat with fl owers and vegetables. Signed. 300/400403. PAIR OF SENTOKU FUCHI KASHIRA 19th CenturyBy Hiroyuki. Depicting shishi. Signed. 300/400404. PAIR OF SENTOKU FUCHI KASHIRA 19th CenturyBy Yasuchika. With gold and silver inlay depicting Mount Fuji and clouds. Signed in seal form “TOU”. 300/400405. INLAID IRON NAGA MARU-GATA TSUBA Early 18th CenturyWith gold and silver landscape design with continuous scene on reverse. Length 3¼”. 300/400406. INLAID IRON HOKEI-FORM TSUBA 18th CenturyWith inlaid relief of two sages in a boat beneath mountains. Reverse with pine tree and rocky landscape. Length 3¼”. 250/350407. INLAID IRON MOKKO-FORM TSUBA Early 18th CenturyWith relief depiction of three scholars in a bamboo grove playing Go. Length 3”. 250/350408. INLAID IRON SHIN NO MARU-GATA TSUBA 17th/18th CenturyWith copper, shakudo, and gilt fl ower blossom design. Diameter 2¾”. 250/350409. ENGRAVED SHAKUDO MOKKO-FORM TSUBA 19th CenturyWith butterfl y and vine design. Length 2½”. 200/300410. COPPER BRONZE MOKKO-FORM TSUBA 19th CenturyWith relief floral design. Length 3” (7.3 cm). 300/400411. BRONZE SHIN NO MARU-GATA TSUBA 18th CenturyDepicting a farmer discovering a pot of gold. With openwork. Diameter 3”. 300/400412. IRON MOKKO-FORM TSUBA 19th CenturyBy Ikko. With engraved marsh and marsh grasses design. Length 3”. 200/300413. IRON SHIN NO MARU-GATA TSUBA 17th/18th CenturySigned “Masakuni”. With openwork paulownia design. Diameter 2¾”. 400/500414. IRON MOKKO-FORM TSUBA 18th CenturyWith cast shell and wave design. Length 2½”. 300/400415. IRON SHIN NO MARU-GATA TSUBA 17th/18th CenturySigned “Eichizen Kinai”. With an openwork maple leaf design. Diameter 2½”. 250/450416. DAISHO PAIR OF SHAKUDO NAGA MARU-GATA TSUBA 18th/19th CenturyOne engraved with bird, flower, and jui design and one with finely engraved insect, sparrow, and flower design. Bothhighlighted with gilding. Lengths 2¾” and 2½”. 800/1,200417. IRON SHIN NO MARU-GATA TSUBA 18th CenturySigned “Kuniyoshi”. With axe head and wave design. Diameter 2¼”. 250/350418. IRON SHIN NO MARU-GATA TSUBA 18th CenturyWith pierced and engraved cherry blossom design. Signed illegibly. Diameter 2¾”. 200/300419. MATCHLOCK RIFLE Early 19th CenturyWith hexagonal barrel and brass-inlaid stock. Length of barrel 39” (99 cm). 1,200/1,500420. GUNTO KATANABy Kikuhide. In hon-dzukuri form with suguha hamon. Signed. Dated “1943 December”. Leather saya. Brass tsuba. Length ofblade 26” (66 cm). 1,000/1,200421. PAIR OF GOLD LACQUER-ON-METALWORK ABUMI WITH MATCHING SADDLE Early 19th CenturyDepicting shishi and peonies. 400/600

422. FOLDING IRON SAMURAI FAN 18th CenturyWith pierced iron guards and painted paper leaves. Length 13¼” (33.5 cm). 400/500423. JAPANESE LEATHER POWDER HORN Early 19th CenturyIn modified cylinder form with gilt foliate mon. Gourd-form netsuke and bamboo ojime. Height of powder horn 6½” (16.5 cm).250/350424. INLAID SENTOKU HOKEI-FORM TSUBA 18th CenturyWith gold, copper, silver, and shakudo cherry blossom design. Length 2¾” (7 cm). 1,200/1,800425. INLAID IRON SHIN NO MARU-GATA TSUBA 18th CenturyWith high-relief mixed-metal design of street entertainers on one face; wine barrel and dipper on reverse. Diameter 2¾” (7.2 cm).7,000/8,000426. INLAID IRON SHIN NO MARU-GATA TSUBA 18th CenturyWith relief depiction in gold and copper of Shoki and an oni. Diameter 2¾” (7 cm). 1,200/1,500427. INLAID IRON HOKEI-FORM TSUBA 17th CenturyWith wheel, wave, and chrysanthemum design. Length 3” (8 cm). 7,000/8,000428. IRON MOKKO-FORM TSUBA 17th/18th CenturyIn engraved and sand cast fl oral design with unusual gilt highlights. Length 3¾”. 300/400429. IRON MOKKO-FORM TSUBA 17th/18th CenturyWith inlaid relief depiction of a dragon and tiger. Length 3½”. 500/700430. IRON MOKKO-FORM TSUBA 17th/18th CenturyWith dragon and cloud design. Length 3½”. 300/400431. INLAID IRON SHIN NO MARU-GATA TSUBA 17th/18th CenturyWith sand cast irregularities and gilt inlay. Diameter 3¼”. 300/400432. IRON SHIN NO MARU-GATA TSUBA 17th/18th CenturyWith sand cast design. Signed illegibly. Diameter 3”. 200/300433. INLAID IRON MOKKO-FORM TSUBA 18th CenturyWith gold dragon and wave design. Length 3½” (9 cm). 5,000/6,000434. SHAKUDO NAGA MARU-GATA TSUBA 18th/19th CenturyIn Omori style. With a high-relief dragon and cloud design on a nanako ground with gold highlights. Length 3¼” (8.2 cm).4,000/5,000435. SHAKUDO SHIN NO MARU-GATA TSUBA 19th CenturyBy Yurakusan Iyebumi. Depicting a sennin on horseback and a sennin riding on a fishdragon. Reverse with waterfall and clouddesign. All inlaid with silver and gold. Length 2¾” (7.2 cm). 7,000/9,000436. SHAKUDO TSUBA Early 19th CenturyIn mokko form with tortoise and grasses design on a nanako ground. Signed “Hamaba Yashi Harutoshi”. Marked witha kakihan. Length 2¼” (5.7 cm). 1,800/2,200437. MIXED-METAL TSUBA 18th CenturyIn irregular form. Signed “Yamashiro no Kuni Nishijin no ju Umetada Myojo”. With comic dragon design on one face; prunus onreverse.Ex Collection: Beresford Jones. Red Cross Exhibit 1915. 3,000/3,500438. SUKASHI IRON TSUBA 18th CenturyIn mokko form with fi gural landscape design. Inscribed “Goshu no ju Nyudo Soten”. Length 3¼” (8.5 cm). 2,500/3,000439. SHIBUICHI TSUBA Early 19th CenturyIn mokko form with shakudo and gold grasses on a stone-tooled ground. Length 2¾” (7 cm). 1,000/1,500440. TEA JAR-FORM BRASS TSUBA 19th CenturySigned “Masaaki”. Depicting a shojo lying in a wine barrel. Length 2¼”. 250/350441. BRASS NAGA MARU-GATA TSUBA 19th CenturyWith openwork design of a hawk viewing songbirds in flight. Gilt details. Length 2¾” (7.2 cm). 1,200/1,500

442. INLAID COPPER HOKEI-FORM TSUBA 19th CenturyBy Masayuki. Depicting a priest staring at a lantern on one face; temple scene on reverse. Signed. Length 3½” (9 cm).Kiriwood box. 7,000/8,000443. UNUSUAL INLAID IRON TSUBA Circa 1800By Toshinaga. With shakudo, gold, and copper depiction of a witch and a giant in a landscape. Diameter 2¾” (7.2 cm).1,500/2,000444. HIRATA-STYLE CLOISONNÉ ENAMEL TSUBA 19th CenturyIn fl ower form with fl oral design on a café-au-lait ground. Some aventurine inlay. Length 3½” (8.5 cm). 4,500/5,000445. INLAID SENTOKU SHIN NO MARU-GATA TSUBA Early 19th CenturyWith scroll and fl ower vase design. Diameter 3” (7.7 cm). 2,000/2,500446. IRON SHIN NO MARU-GATA TSUBA 18th CenturySigned “Eichizen Kinai”. With mountain landscape design. Diameter 2¾”. 300/400447. IRON SHIN NO MARU-GATA TSUBA 18th CenturyWith mountain landscape design. Diameter 2¾”. 250/350448. SHIBAYAMA-ON-LACQUER MOKKO-FORM TSUBA 19th CenturyDecorated on one face with court fi gures releasing an insect from a box; on reverse with crane and flower design. SomeHirata-style enameling on rim. Length 4½” (11.5 cm). 18,000/22,000449. SUPERB SHIBAYAMA-INLAID IVORY TSUBA Meiji PeriodIn hokei form with decoration of figures in a cherry tree landscape. Length 4¼” (10.5 cm). 8,000/10,000450. SHIBAYAMA INLAID GOLD LACQUER TSUBA 19th CenturyIn fl ower form with decoration of fi gures in a ferry boat on one face; swimming ducks on the reverse. Silver rim. Signed. Length4½” (11.5 cm). 15,000/20,000451. KOTO WAKIZASHIIn hira-dzukuri form with irregular invected hamon. Mumei. Length of blade 12” (30 cm). Iron tsuba with inlaid iron fuchikashira. Black and brown saya with puppy mounts. Kozuka in puppy design. 1,500/2,000452. PAIR OF GOLD, MOTHER-OF-PEARL, AND LACQUER-DECORATED ABUMI 19th CenturyWith peony design. Lengths 12” (30 cm). 1,000/1,200453. PARTIAL SUIT OF JAPANESE ARMOR 18th/19th CenturyIncluding breastplate, skirt, and sleeves. Decorated with two-leaf mon. 1,500/2,500454. DRAGON-CARVED LOVE SEAT Taisho PeriodWith double dragon and pearl back. Dragon-carved legs. Length 50½” (128 cm). 600/800455. LACQUER AND IRON-DECORATED TREASURE CHEST 19th CenturyWith Tokugawa mon and chrysanthemum design. Interior fitted with five drawers, all with chrysanthemum decoration. Height17¾” (45 cm). Length 18½” (47 cm). 1,500/2,000456. SHIBAYAMA AND CARVED WOOD ÉTAGÈRE Meiji PeriodWith curvate legs, pierced apron, an assortment of stepped shelves, and a molded top. Height 80½” (204.5 cm). Width 39” (89 cm).2,000/2,500457. LACQUER THREE-DRAWER TREASURE CHEST 19th CenturyWith hinged door, iron mounts, and floral decoration. Height 15¼” (39 cm). Length 15½” (39.5 cm). 400/500458. UNUSUAL TWO-PANEL SCREEN Circa 1900Made of geometric brocade segments. Length 48½” (123 cm). Height 56¾” (144 cm). 300/500459. KEYAKI WOOD SMOKER’S HIBACHI Meiji PeriodWith copper-lined burner. Lift-top compartment and one drawer. Lift-top compartment with fan-form handle. Length 12¾” (32.5cm). 150/250460. IRON-BOUND TANSU Circa 1900With three over two drawers with a small cupboard door. Iron mounts in chrysanthemum and fungus design. Height 40½” (103cm). Length 37½” (95 cm). 800/1,200

461. TWO-PART IRON-BOUND TANSU Early 20th CenturyUpper section with three full-width drawers. Lower section with one full-width drawer, two small drawers, and one mediumdrawer. Height 44¼” (112 cm). Length 33” (84 cm). 500/800462. BLACK AND GOLD LACQUER MULTI-DRAWER CABINET 19th CenturySet in a black case with gilt-metal mounts. Contains a variety of nineteen drawers decorated with bamboo and prunus motifs.Hardware in four-petal mon design. Height 32”. Length 38”. Depth 14½”. 2,500/3,500463. GOLD LACQUER AND PAINTED PAPER LANTERNIn a floral design. Height assembled 34½” (87.5 cm). 300/500464. GOLD LACQUER AND PAINTED PAPER LANTERNIn a grasses and fish trap design. Height 34½” (87.5 cm). 400/600465. SET OF FIVE GRADUATED MOKUGYO BELLS 20th CenturyIn red, black, and gold paint. Sizes 4¾” (12 cm) to 8” (20.5 cm). 300/400466. TWO-PANEL SCREEN Circa 1900Depicting two mandarin ducks, three white cranes, a snow-covered willow tree, and a flowering shrub. Height 67¼” (171 cm).Length 73” (185.5 cm). 2,000/3,000467. KEYAKI WOOD NAGA HIBACHI 20th CenturyWith copper-lined central section, three drawers, and two lift-top panels. Length 41¾” (106 cm). Height 17” (43 cm). 400/500468. ROOTWOOD IKEBANA DISPLAY BOWL Circa 1910In the form of a craterous mountain. Length 16¾” (32.5 cm). 300/400469. FIFTY-SIX CHRISTIE’S JAPANESE ART CATALOGS 1990-2012350/450470. TWO VOLUMES: FACING EASTContaining lithographs and woodcuts by Jack Levine. Random House, New York, 1970. With text by James A. Michener.Including numerous works on Japanese subjects. In two portfolio volumes. 200/300471. TWO VOLUMES: NETSUKE & INRO ARTISTS, AND HOW TO READ THEIR SIGNATURESBy George Lazarnick. 400/600472. TWO VOLUMES: THE MEINERTZHAGEN CARD INDEX ON NETSUKE IN THE ARCHIVES OF THE BRITISH MUSEUM400/600473. MARQUETRY AND LACQUER-DECORATED TANSU Circa 1900With seven drawers and two hinged doors. Doors decorated with rooster, hen, and prunus design. Copper mounts. Height 15½”(39 cm). Width 17½” (44.5 cm). 400/500474. TWO POLYCHROME CARVED WOOD FIGURES 19th CenturyDepicting apsara and clouds. Length 21¼”(54 cm). 400/500475. FOUR-PANEL FOLDING SCREEN Meiji PeriodCarved with a bird and wisteria design. Painted with a turquoise blue wash. Height 97½” (247.5 cm). Length 76” (193 cm).800/1,200476. SEVENTEEN BOOKS AND CATALOGS ON NETSUKE ARTNetsuke by Neil Davey, The Art of Netsuke Carving by Bushell, Collector’s Netsuke by Bushell, Netsukesby Brockhous, Netsuke Familiar and Unfamiliar by Bushell, Netsuke by Jonas, Netsuke: A Guide for Collectors byO’Brien, The Inro Handbook by Bushell, and The Netsuke Handbook by Reikichi, The Netsuke Collection of the PeabodySalem Museum, Netsuke, Japanese Life and Legend in Miniature, The Katchen Collection, vol I and II, Netsuke by Earle,Netsuke by Welch and Chappell, Netsuke, A Miniature Art of Japan, The Bushell Collection part III. 300/500477. TWENTY-TWO ASSORTED BOOKS REFERENCING ASIAN ARTSMostly Japanese. Bridge of Dreams; Hokusai, One Hundred Poets; Ukiyo-e, Two Hundred Fifty Years of JapaneseArt; Hiroshige, Birds and Flowers; Images from the Floating World; Japanese Art from the Gerry Collection; Japan’sGolden Age, Momoyama; The Heritage of Japanese Art; Patterns and Poetry; Japan, The Shaping of Daimyo Culture;The Male Journey in Japanese Prints; The Paintings of Jakuchu; Shin-Hanga; Japanese Art after 1945; Wisdom andCompassion, The Sacred Art of Tibet; Ancient Cambodian Sculpture; Son of Heaven; Imperial China; Art Treasuresin China; Treasures from the Bronze Age of China; A Hundred Treasures of the National Museum of Korea; and fourcatalogs from Flying Cranes Antiques, Ltd. 300/400

478. SEVENTEEN VOLUMES ON JAPANESE ARTSCatalogue of Japanese Lacquer: Victoria and Albert Museum, two volumes, together with three books on signaturesand marks, two books on furniture, and ten other books. 100/200479. SCROLL PAINTING ON SILK Circa 1900By Gyokuho. Depicting a snarling tiger and bamboo. 48½” x 16½” (123 cm x 42 cm). Signed and seal marked.From the estate of Georgia Cash. 400/600480. SCROLL PAINTING ON SILK Early 20th CenturyWith a humorous depiction of a woman removing ear wax from a reclining Hotei. Signed cursively and seal marked. 45” x 12½ (11.5cm x 32” cm).From the estate of Georgia Cash. 500/700481. SCROLL PAINTING ON SILK 18th CenturyAttributed to Kaigetsu. Depicting a standing woman in a floral rondel-patterned kimono. 38½” x 18” (97.5 cm x 45.5 cm).From the estate of Georgia Cash. 600/800482. SCROLL PAINTING ON SILK 20th CenturyDepicting peonies in bloom. Signed and seal marked. 33½” x 13” (85 cm x 33 cm).From the estate of Georgia Cash. 500/700483. SCROLL PAINTING ON SILK 20th CenturyDepicting a seated Daruma. Signed and seal marked. 13½” x 16¾” (34 cm x 42.5 cm). 200/300484. SCROLL PAINTING ON SILK Late 19th CenturyDepicting Shoki and an oni. Signed and seal marked “Mitsu”. 32½” x 10½” (85 cm x 27 cm). 250/350485. SCROLL PAINTING ON PAPER 18th/19th CenturyDepicting a peacock and peonies. Marked with calligraphy and seal marks. 30” x 17½” (76 cm x 44 cm). 300/500486. SILK BROCADE KESA 18th/19th CenturyWith gold, green, and brown bird-like design. 83” x 46” (211 cm x 117 cm). 600/800487. SILK BROCADE KESA 19th CenturyWith gold and rust-red fl oral design. 44” x 78” (112 cm x 198 cm). 500/700488. SILK BROCADE KESA 19th CenturyWith white chrysanthemum and peony design on a gold and green geometric ground. 42” x 70” ( 107 cm x 178 cm). 500/700489. BROCADE OBI Circa 1900With paulownia, bamboo, and chrysanthemum design in yellow, blue, and rust red on a gray-green ground. 100/150490. SILK AND METALLIC THREADWORK WEDDING KIMONO 20th CenturyIn a crane and cloud design on an orange-red ground. 200/300491. SILK AND METALLIC THREADWORK WEDDING KIMONO 20th CenturyIn fl oral metallic and silkwork design on a green ground. 200/300492. EMBROIDERED SILK JACKET Circa 1900Decorated with a fl ag-carrying tortoise, a jacket-wearing rabbit, pine trees, and calligraphy. All on a blue ground. 300/400493. GILTWOOD FIGURE OF BUDDHA Edo PeriodIn standing position on an elaborate lotus base with fl ame-form mandala. Height 20” (51 cm). 800/1,000494. GOLD LACQUER-ON-WOOD FIGURE OF BUDDHA 19th CenturyStanding in law-giving posture on an hexagonal base. Height 13¾” (35 cm). 800/1,200495. SPLINT BAMBOO IKEBANA BASKET Early 20th CenturyIn inverted pear shape with loop handles. Height 12½” (31.5 cm). 200/400496. SPLINT BAMBOO IKEBANA BASKET Early 20th CenturyIn pear shape with three-footed base and loop handles. Height 11” (27.8 cm). 200/300497. INLAID WOOD KOTO Early 20th CenturyWith silver metal dragon design. Bone mounts. Length 69” (175.5 cm). 200/400498. SPLINT BAMBOO IKEBANA BASKET Circa 1900In ovoid form with dramatic wide and narrow splinting. Loop handle. Height 14½” (37 cm). 400/500

519. SCROLL PAINTING ON SILK Early 19th CenturyKano School depiction of a hawk perched on a snowy tree branch. Signed and seal marked. 18” x 27” (46 cm x 68.5 cm).300/500520. SCROLL PAINTING ON SILK 19th CenturyNobleman by a temple gate. Signed and seal marked. 50½” x 16¼” (128 cm x 41 cm). 100/200521. SCROLL PAINTING ON SILK 19th CenturyDepicting Hotei seated with his treasure sack. Signed and seal marked. 27¼” x 19¾” (69 cm x 50 cm). 100/200522. SCROLL PAINTING ON SILK Late 19th CenturyDepicting a samurai beneath a flowering tree. Signed and seal marked. 48¼” x 16” (122.5 cm x 41 cm). 200/300523. SCROLL PAINTING ON SILK Late 19th CenturyDepicting two birds on a snow-covered tree branch with plum blossom. Signed and seal marked. 32” x 13¾” (81 cm x 35 cm).200/300524. SCROLL PAINTING ON PAPER Kano School, 18th/19th CenturyDepicting a snarling tiger. Signed and marked with two seal marks. 48” x 21¼” (122 cm x 54.5 cm). 400/600525. SCROLL PAINTING ON SILKDepicting three carp. Signed and seal marked. 52” x 19¾” (132 cm x 50 cm). 300/500526. SCROLL PAINTING ON SILK 19th CenturyAttributed to Mori Sosen. Depicting four monkeys on a cliffside with waterfall. Signed and seal marked. 18½” x 9½”. 1,000/1,500527. SCROLL PAINTING ON SILK Late 19th CenturyDepicting wedded rocks at sunrise. 13¾” x 18½” (35 cm x 47 cm). 200/400528. SCROLL PAINTING ON PAPER Circa 1900Depicting two swallows perched amongst iris. Signed and seal marked. 32” x 13¾” (81.3 cm x 35 cm). 200/300529. SCROLL PAINTING ON SILK 19th CenturyDepicting a seated samurai with youthful attendant. All beneath extensive calligraphy and seal marks. 35½” x 14½” (90 cm x 37 cm).From the estate of Georgia Cash. 300/500530. PAIR OF SCROLL PAINTINGS ON PAPER Early 19th CenturyAttributed to Toyonobu. In Ukiyo-e style. Depicting puppeteers beneath a weeping cherry and plum tree. 33” x 6½” (84 cm x 6.5cm). With kiriwood box. 1,000/1,500531. FRAMED WATERCOLOR IN WESTERN STYLE Early 20th CenturyDepicting water lilies and willow trees. Signed with kakihan lower left. 22½” x 17½” (57 cm x 44 cm). 1,000/1,500532. SCROLL PAINTING ON SILK Circa 1900Depicting a scarecrow. Signed and seal marked. 43½” x 15¾” (110 cm x 40 cm). 150/250533. SCROLL PAINTING ON SILK Circa 1900Depicting crabs and seagrasses. Signed and seal marked. 47½” x 14” (120.5 cm x 35.5 cm) 200/400534. SCROLL PAINTING ON SILK Circa 1900Depicting a tortoise viewing Mount Fuji. Signed and seal marked. 36¼” x 11½” (92 cm x 29 cm). 150/250535. PAIR OF SCROLL PAINTINGS ON PAPER 19th CenturyAttributed to Hiroshige. Depicting a series of islands and a temple landscape. 8” x 22” each. With kiriwood boxes. 1,000/1,500536. SCROLL PAINTING ON PAPER Early 19th CenturyDepicting Shoki with an oni. Signed and seal marked lower left. 29” x 15” (73.5 cm x 37.5 cm). 300/400537. SCROLL PAINTING ON PAPER Ukiyo-e SchoolDepicting a woman reading from a book while standing behind a tsuitate screen. Considerable calligraphy. Two seal marks. 39½”x 11¾” (100 cm x 30 cm). 300/400538. FRAMED PAINTING ON PAPER 19th CenturyDepicting Daikoku, Okame, and a tengu. Signed and seal marked. Mat opening 24” x 12” (61 cm x 30.5 cm). 200/300539. FRAMED CALLIGRAPHIC PANEL 20th CenturyWith four characters, signature, and seal mark. 12¾” x 42” (32.5 cm x 107 cm). 300/400

540. FRAMED CALLIGRAPHIC PANEL 20th CenturyWith single character accompanied by a signature and three seal marks. 35¾” x 26½” (91 cm x 67 cm).Ex Collection: Linda Salter. 300/400541. SHUNGA HAND SCROLLWith twelve paintings on silk depicting couples in intimate postures. 6” x 8” (15 cm x 20 cm) each. 800/1,200542. SCROLL PAINTING ON SILK Late 19th CenturyDepicting the death of Buddha with various heavenly and mythological figures. Signed and seal marked. 32¼” x 16” (82 cm x40.5 cm). 400/500543. SCROLL PAINTING ON SILK Circa 1900By Gokyou Kobayashi (1872-1928). Depicting a hawk perched on a pine branch. Signed and seal marked. 43½” x 16” (110.5 cmx 40.5 cm). With kiriwood box. 200/300544. SCROLL PAINTING ON SILK 19th CenturyDepicting fishermen on a river with distant mountains. Unsigned. 9¾” x 10¼” (25 cm x 26 cm). 300/500545. GILDED CARVED WOOD FIGURE OF BUDDHA Late 19th CenturyIn standing position on a lotus base. Height 14½”. 200/300546. FRAMED PAINTING BY HISASHI OTSUKA Late 20th Century“Benkei”. Depicting Benkei and a pine tree. Signed and seal marked. Kimono ink on canvas, 28” x 22” (71 cm x 56 cm).3,000/5,000547. FRAMED PAINTING BY HISASHI OTSUKA 1983“Samurai Warrior from the Forty-seven Ronin Collection”. Depicting a samurai cleaning his sword blade with a calligraphicbackground. . Kimono inks on silk, 36” x 24” (91.5 cm x 61 cm). Framed. Accompanied by a letter of authenticity. 300/500548. FRAMED PAINTING ON SILK Late 19th CenturyDepicting a songbird on a flowering tree branch. Signed and seal marked. 40” x 13½” (106 cm x 35.5 cm). 400/600549. NINE BOOKS ON JAPANESE ART1) National Museum of Tokyo. 2) Masterpieces of Ho-am Museum. 3) Hirado: Prince of Porcelains. 4) Japanese ExportCeramics. 5) Korea’s Pottery Heritage. 6) The Art of Japan. 7) Japanese Porcelain. 8)The Art of Japan. 9) The Ageof Oversized Dishes and Banqueting in Japan. 250/350550. SUMI PAINTING ON SILK Early 20th CenturyIn Sessu style depicting a boat and snow-covered mountain landscape. 15” x 26” (38.5 cm x 66.8 cm). Framed. 300/400551. FRAMED FAN PAINTING 19th CenturyBy Katsukawa Hokusai. Depicting a cormorant fisherman with the poem “On the Kisagawa River. In his boat, the old man waits,holding the torch in his hand.” Marked with fish and bird seal. Length 16¼” (41.5 cm). 800/1,200552. WATERCOLOR AND GILT PAINTING 20th CenturyBy Tsuguhara Foujita (1886-1968). Depicting a woman at the foot of the crucified Christ. Mat opening 16¼” x 11¾” (42.5 cmx 30 cm). Framed. 1,500/2,000553. SCROLL PAINTING ON SILK 19th CenturySchool of Hokusai. Depicting a fisherman with rod and reel, fishing from a boat. 10½” x 18¾” (27 cm x 47.5 cm). 300/400554. FRAMED SCROLL PAINTING ON SILK 19th CenturyDepicting numerous lohans set against a blue rolling sea. 39” x 13” (99 cm x 33 cm).From the estate of Georgia Cash. 800/1,000555. SCROLL PAINTING ON PAPER 19th CenturyBy Goshun. Depicting a crane and marsh grasses. Marked with two seal marks. 35½” x 15” (90 cm x 38 cm). With kiriwood box.Ex Collection: Matthias Komar. 400/500556. SCROLL PAINTING ON SILK 19th CenturyDepicting a woman standing in a boat beneath willow trees while holding a fan and drum. Signed and seal marked. 35¼” x 13”(89.5 cm x 34 cm).From the estate of Georgia Cash. 600/800557. FRAMED PAINTING ON PAPER 18th/19th CenturyBy Taizen. Depicting a fi gure in a mountain landscape. Executed in black ink, 11½ “ x 12½” (29.2 cm x 31.75 cm). 200/300

558. FRAMED PAINTING ON PAPER IN WESTERN STYLE 20th CenturyBy Seppo Akaba. Depicting fishermen in heavy rain. Signed lower right. 12” x 18” (30.5 cm x 45.7 cm). 200/300559. UTAMARO Oban tate-eDepicting two ladies reading from a book. Framed. 1,000/1,500560. EIZAN KakemonoDepicting a woman wearing a flower-decorated kimono. Framed. 500/700561. EISEN KakemonoDepicting a woman holding a roll of paper. Scroll-mounted. 300/400562. SHUNMIN Pillar PrintWoman with a black cape. Reproduction. 200/300563. KORYUSAI Pillar PrintWoman burning book pages. Reproduction. 300/400564. KORYUSAI Pillar PrintLady with an umbrella in snow. Reproduction. 400/600565. KORYUSAI Pillar PrintDepicting two ladies standing in a street. Reproduction. 400/500566. HOKUSAI Oban tate-eFrom the Waterfall series, depicting fi gures on a cliffside in azuri colors. Later edition. 800/1,200567. KATSUBUKA TAITO HosobanDepicting a leaping carp. Framed. 1,000/1,500568. SHUNTEI SurimonoDepicting a rust-red wine pot and wine cup. Framed. 450/550569. HOKKEI SurimonoDepicting a hawk perched on a red lacquer stand. Framed. 400/600570. HOKKEI SurimonoDepicting a monkey dressed in a kimono and carrying a banner. Framed. 300/500571. HOKKEI SurimonoDepicting a reclining man with a pipe and a young woman in attendance. 100/200572. SADAKAGE SurimonoDepicting a samurai with a sword. Framed. 300/500573. HIROSHIGE Oban yoko-eTravelers on a mountain path. Framed. 200/300574. HIROSHIGE Oban yoko-eIsland scene with cottages in a lake. Framed. 300/500575. HIROSHIGE Oban yoko-eAn azuri depiction of Nihonbashi and Mount Fuji. Framed. 300/500576. HIROSHIGE Oban tate-e“Tama River at Mount Koia”. Depicting two fi gures standing beside a rushing river. Mid-19th Century. 600/800577. HIROSHIGE 20th Century EditionTwenty-four Hiroshige prints in a cloth-bound edition. Including the twenty pieces from the “Grand Series of Fish” plus fourhosoban of village scenes. 400/600578. HIROSHIGE Chuban“Katagawa”. Depicting two ladies beside a lake. 100/150579. HIROSHIGE Oban yoko-eFigures crossing a bridge in heavy rain. Framed. 300/400

580. HIROSHIGE Oban yoko-eProcessional figures with cherry and pine trees. Framed. 100/200581. HIROSHIGE Oban yoko-eFigures about a temple grounds. Framed. 300/500582. HIROSHIGE Oban yoko-eTravelers on a path between two cliffs. Framed. 400/500583. HIROSHIGE Oban tate-eDepicting two men emerging from a bathhouse at night with a moon and star-fi lled sky. Framed. 150/250584. HIROSHIGE Oban tate-eScene of temple grounds with numerous fi gures. Framed. 150/200585. HIROSHIGE II Oban tate-eFrom “The Fifty-three Stations of the Tokaido Road”. Depicting travelers on a mountain path. Framed. 300/500586. HIROSHIGE Oban yoko-eTemple snow scene. Framed. 300/500587. HIROSHIGE Oban yoko-eFigures in a garden. Framed. 300/500588. HIROSHIGE Oban tate-eTravelers viewing cranes in fl ight. Framed. 300/500589. HIROSHIGE Oban tate-eFrom Views of Edo, depicting boats along a canal. Framed. 300/400590. HIROSHIGE Oban yoko-eDepicting Shoji Temple. Framed. 300/500591. HIROSHIGE Oban tate-eView of Mount Fuji. Framed. 200/300592. HIROSHIGE Two TanzakuBlack and white bird and flower; crane and pine tree. Framed. 150/250593. HIROSHIGE II Oban tate-eProcessional scene with figures along a river with distant mountains. Framed. 150/250594. HIROSHIGE II ChubanDepicting a French steam sailer in the port of Yokohama. 150/250595. KUNIYOSHI Oban triptychNight scene with three actors (two men and a woman) fi ghting over a sword. Framed. 300/500596. KUNIYOSHI Oban tate-e“The Oil Thief”. Depicting a nobleman viewing a mendicant stealing oil froma lantern. Circa 1852. 300/400597. KUNIYOSHI Oban triptychBattle scene with warriors beating a drum, a bell, and blowing a conch shell. Framed. 300/400598. TOYOKUNI / HIROSHIGE Oban tate-eFrom Tales of Two Brushes. Depicting a warrior and woman in the foreground and a harbor scene in upper panel. Framed.200/300599. TOYOKUNI III Oban tate-eDepicting an actor in the role of a samurai dressed in a dragon costume, all against a dark blue ground. Framed. 100/200600. TOYOKUNI III Two Oban tate-eTwo scenes from the Tales of Genji. A snow scene. Ladies with a torch. Framed. 150/250601. KUNISADA Two Oban tate-eLadies in azuri landscapes. Framed. 150/250

602. WOODBLOCK-PRINTED MAP Circa 1850Depicting Edo with labeled streets, shrines, etc. Mat opening 29¼” x 35¾” (75 cm x 91 cm). Framed. 700/900603. TOYOKUNI III Oban yoko-eFrom the Tales ot Genji. Depicting a man, woman, and child in a moonlit garden. Framed. 150/200604. TOYOKUNI (KUNISADA)Seven oban, seven triptychs, and four diptychs, all depicting various figural scenes. Scroll-mounted. 800/1,200605. KUNISADA Half ChubanShunga scene. Foot tickler from Twelve Tunes of Love Music. 120/180606. KUNISADA Oban tate-eDepicting a woman viewing a sparrow in fl ight. From Lingering Impressions of Genji. 120/180607. YOSHITOSHI Oban tate-e“Minamoto no Raiko and Kintaro”. Depicting a bowman beside an oversized child. From Courageous Warriors series. 1886edition. 350/450608. YOSHITOSHI Oban tate-e“Kazuenokami Kato Kiyomasa”. Depicting the warrior discovering his pet monkey obliterating his books from the CourageousWarriors series. 1886 edition. 350/450609. YOSHITOSHI Oban tate-e“Taira no Tadamori and the Oil Priest”. Depicting a nobleman and a mendicant with an oil pot. From the Courageous Warriorsseries. 1886 edition. 350/450610. YOSHITOSHI Oban tate-e“Chinzei Hachiro Tametomo”. Depicting the hero beginning his banishment while encountering two primitive natives. FromCourageous Warriors series. 1886 edition. 350/450611. YOSHITOSHI DiptychTitle page to One Hundred Aspects of the Moon. From the 1891 edition. 100/150612. YOSHITOSHI Oban tate-e“Politician’s Moon”. Depicting Gen’i in thought while seated on a balcony. From One Hundred Aspects of the Moon. Number 56.1887 edition. 200/300613. YOSHITOSHI Oban tate-e“Kazan Temple Moon”. Depicting a nobleman and attendant beneath pine trees. From One Hundred Aspects of the Moon.Number 90. 1890 edition. 200/300614. YOSHITOSHI Oban tate-e“Moon of the Lonely House”. Depicting a man with a torch entering a doorway. From One Hundred Aspects of the Moon. Number85. 1890 edition. 400/600615. YOSHITOSHI Oban tate-e“Isolation Moon”. Depicting Nakamaro viewing the moon in China. From One Hundred Aspects of the Moon. Number 64. 1888edition. 200/300616. YOSHITOSHI Oban tate-e“Theater District Dawn Moon”. Depicting a woman wearing a turquoise kimono beneath a lavender sky. From One HundredAspects of the Moon. Number 43. 1886 edition. 250/350617. YOSHITOSHI Oban tate-e“Moon of Invention”. Depicting a white-robed fi gure viewing the moon as reflected in a stream. From One Hundred Aspects of theMoon. Number 95. 1891 edition. 200/300618. YOSHITOSHI Oban tate-e“Ishiyama Moon”. Depicting a woman viewing mountains from a balcony. From One Hundred Aspects of the Moon. Number 71.1889 edition. 250/350619. YOSHITOSHI Oban tate-e“Moon of Inner Vision”. Depicting two battling samurai. From One Hundred Aspects of the Moon. Number 34. 1886 edition.250/350

620. YOSHITOSHI Oban tate-e“Gojo Bridge Moon”. Depicting a fi gure high in the air wearing a passion flower robe and armor. From One Hundred Aspects ofthe Moon. Number 61. 1888 edition. 200/300621. YOSHITOSHI Oban tate-e“Moon of the Demon Leg”. Depicting a seated man with a lantern viewing the leg of a demon in the sky. From One HundredAspects of the Moon. Number 14. 1886 edition. 300/400622. YOSHITOSHI Oban tate-e“Moon of the Chinese Beauty” or “Spirit of the Plum Tree”. Depicting a Chinese woman holding a fan and standing in front of aplum tree. From One Hundred Aspects of the Moon. Number 59. 1888 edition. 250/350623. YOSHITOSHI Oban tate-e“Poet Basho’s Moon”. Depicting a poet conversing with two workmen. From One Hundred Aspects of the Moon. Number 100.1891 edition. 200/300624. YOSHITOSHI Oban tate-e“Moon Descending”. Depicting Akazome Emon viewing the moon from her palace chamber. From One Hundred Aspects of theMoon. Number 44. 1887 edition. 250/350625. YOSHITOSHI Oban tate-e“Seson Temple Moon”. Depicting a courtier in a turquoise robe standing in a forest. From One Hundred Aspects of the Moon.Number 69. 1888 edition. 200/300626. YOSHITOSHI Oban tate-e“Moon of the Gion”. Depicting a young man at a gateway. From One Hundred Aspects of the Moon. Number 4. 1885 edition.200/300627. YOSHITOSHI Oban tate-e“Moon of the Evening Snow”. Depicting a man in black robes set against a snowy background. From One Hundred Aspects ofthe Moon. Number 47. 1887 edition. 200/300628. YOSHITOSHI Oban tate-e“Moon of the Summer Night” from One Hundred Aspects of the Moon. Depicting a seated figure contemplating seppuku. Number83. 1890 edition. 300/400629. YOSHITOSHI Oban tate-e“The Gravemarker Moon”. Depicting an elderly woman seated on a grave marker. From One Hundred Aspects of the Moon.Number 25. 1886 edition. 300/400630. YOSHITOSHI Oban tate-e“Moon of the Cuckoo’s Cry. Depicting Yorimasa watching the monster approach while kneeling at the foot of a staircase. FromOne Hundred Aspects of the Moon. Number 58. 1888 edition. 250/350631. YOSHITOSHI Oban tate-e“Cuckoo Moon”. Depicting a woman wearing a colorful kimono. From One Hundred Aspects of the Moon. Number 1. 1885edition. 200/300632. YOSHITOSHI Oban tate-e“Horin Temple Moon”. Depicting a woman in a fl oral landscape. From One Hundred Aspects of the Moon. Number 89. 1890edition. 200/300633. YOSHITOSHI Oban tate-e“Mount Miyaji Moon”. Depicting a seated man playing a biwa beneath a red maple tree. From One Hundred Aspects of theMoon. Number 72. 1889 edition. 250/350634. YOSHITOSHI Four Double Book PagesFrom the Wakan Kidan Kagami series depicting warriors in night settings. 1880 edition. 200/300635. YOSHITOSHI Oban tate-e“Moon of Enchanted Music”. Depicting a standing figure on a rocky cliffside. From One Hundred Aspects of the Moon. Number31. 1886 edition. 250/350636. YOSHITOSHI Oban tate-e“Minamoto no Yurimitsu and Spider”. Depicting a giant spider attacking a seated man. From 36 Ghosts series. 1892 edition.350/450

637. YOSHITOSHI Oban tate-e“Yama Uba and Kintoki”. Depicted beneath a fl owering tree accompanied by a rabbit. 250/350638. YOSHITOSHI Oban tate-e“Moon of Yamaki Mansion”. Depicting a samurai attempting to confuse an assailant scene through a shoji panel. From OneHundred Aspects of the Moon. Number 27. 1886 edition. 250/350639. YOSHITOSHI ChubanShunga scene depicting a reclining woman in partial dress. Possibly a later edition. 150/200640. SADANOBU Eighteen ChubanIn a single volume. Depicting actors. 250/350641. CHIKANOBU DiptychAzuri landscape with bijin in foreground. 300/400642. SHOTEI HosobanDepicting a woman being drawn through a street in a rickshaw. Framed 300/400643. SHOTEI HosobanDepicting silhouetted fi gures crossing Nihonbashi. Framed. 250/350644. SADAHIDE Oban triptychDepicting figures exploring Buddhist images in carved tunnels. Framed. 400/600645. YOSHIIKU Oban tate-eDepicting a murderer seated on a fallen Buddhistic statue. From Twenty-eight Famous Murders series. 80/120646. KUNICHIKA Four Oban tate-eFramed together. Depicting a woman making tea, pearl divers, ladies on boats beneath a bridge, and fireworks scene. 250/350647. ITO SOZAN Chuban“Homing Geese”. Depicting geese in fl ight across a full moon. Framed. 100/150648. HIROAKI TanzakuDepicting figures viewing fi reworks along the Sumida River. 200/300649. HIROAKI Oban yoko-eTraveler with Mount Fuji in the distance. Framed. 200/300650. OHARA SHOSON Oban tate-e“Pomegranate and Parrot”. Depicting a white parrot and a pomegranate against a black background. Watanabe Publisher marklower left. 300/400651. OHARA SHOSON Oban tate-eDepicting geese fl ying in snow. 200/300652. OHARA SHOSON Oban tate-eDepicting plovers and waves beneath a crescent moon. 200/300653. OHARA SHOSON Oban tate-e“Hydrangeas and Wasps”. Depicting three wasps and blue hydrangea. Framed. 300/400654. OHARA SHOSON Oban tate-e“Snow at Yanagibashi”. Depicting two fi gures in snow crossing a bridge. Framed. 300/400655. OHARA KOSON HosobanA crow on a cherry tree branch in moonlight. 250/350656. OHARA KOSON HosobanTwo swallows on a weeping cherry tree. Framed. 300/400657. OHARA KOSON KakubanDepicting a puppy and pine needles. 250/350658. OHARA KOSON HosobanDeer beneath a pine tree. 150/250

659. OHARA SHOSON Oban tate-eDepicting goldfi sh and seagrasses. 200/300660. OHARA KOSON HosobanDepicts a heron on a willow tree. 13¼” x 7” (13¼ cm x 17.8 cm) sight. Framed. 200/300661. HELEN HYDE Colored EtchingBlossom Child. 1902. 7” x 5⅞” (17.8 cm x 15 cm). Catalog No. 45, Helen Hyde by Tim and Lynn Mason. Printed monogram andseal. Signed in pencil outside plate line. 400/600662. GEKKO Oban tate-eTwo woman doing embroidery. 100/150663. YOSHIMOTO GESSO Chu-tanzakuPine trees and sailboats. 150/250664. YOSHIMOTO GESSO Chu-tanzakuDepicting a traveler by moonlight. 150/250665. SHIRO KASAMATSU Oban tate-e“Pine Trees at Yudanaka Hot Spring”. An evening scene with pine trees in blues and green. 300/500666. SHIRO KASAMATSU Oban yoko-eView of Mount Fuji with blue pine trees. Framed. 500/700667. EIGYUKU Oban tate-e“A Beauty Jumps”. Depicting a young woman jumping from a sailing vessel. 300/400668. KOJO KOKAN Dai oban tate-e“A Girl of Darjeeling”. Depicting a seated girl wearing a yellow and green shawl. Considerable use of gold and silver metallics.Artist published. 400/600669. S. KONISHI Oban yoko-eDepicting a village street with a peasant figure. 150/250670. ISHIWATA KOITSU Oban yoko-e“Twilight in Imamiya Street, Choshi.” Depicting fi gures at twilight on a village street. 300/500671. SHIRO KASAMATSU Oban tate-ePine tree in misty rain. Framed. 250/350672. KAWASE HASUI Oban tate-e“Rainfall in May, Kishio”. An evening scene with boatman. Printer’s seals in margin. Framed. 600/800673. KAWASE HASUI Oban tate-eLight rain at a temple with fi gures in the foreground. Framed. 700/900674. KAWASE HASUI Oban tate-eNight scene on a beach depicting a single fi gure and towering pine trees. 500/700675. KAWASE HASUI Oban tate-eDepicting two fi gures in snow before a red temple. Watanabe Publishing seal lower left corner. 400/600676. KAWASE HASUI Oban tate-e“Evening in Spring, Five-Storied Tower in Tokyo”, with crescent moon and cherry trees. Circular Watanabe seal lower left.Framed. 400/600677. KAWASE HASUI Oban tate-eDepicting a woman and child on a village street. Framed. 400/600678. KAWASE HASUI Oban tate-eCanal scene under moonlight. Framed. 400/600679. KAWASE HASUI Oban tate-eEvening rain scene with figures and cottages. Framed. 400/600680. KAWASE HASUI Oban tate-e“Blue Iris.” 300/500

681. KAWASE HASUI Oban yoko-eA temple in snow. Publisher’s mark lower left margin. 500/700682. KIYOSHI NAGAI Dai oban tate-e“Rumbling of the Sea”. Depicts a seashell and butterfl y. Signed in pencil and titled. 200/300683. NISHIMURA HODO Oban tate-eYellow, red, and purple dahlias with green leaves and stems.From the Estate of Robert O. Muller. 150/200684. IDO MASAO Oban yoko-eTemple in snow. Numbered 75 of 100. Signed in pencil. Framed. 100/200685. HIROSHI YOSHIDA Oban yoko-e“Chikugo River”. Depicting a night scene with distant bridge. Marked with jizuri seal. Signed in pencil. Framed. 500/700686. HIROSHI YOSHIDA Dai oban yoko-e“Fujiyama from Kawaguchi Lake”. Marked with a Jizuri seal. Printed title and signature. Framed. 800/1,200687. HIROSHI YOSHIDA Oban yoko-e“Outskirt of a Village”. Depicting camels and figures outside a village. Signed in pencil. Printed title. Marked with jizuri seal.600/800688. HIROSHI YOSHIDA Oban yoko-e“Fujiyama From Okitsu”. Depicting Mout Fuji in shades of lavender. Printed signature and title. Framed. 200/300689. HIROSHI YOSHIDA Oban yoko-e“Harbor of Tomonoura”. Depicting a village and boats. Signed in pencil. Marked with jizuri seal. 300/400690. HIROSHI YOSHIDA Two Oban“In a Temple Yard” and “Small Town in Chugoku”. Both marked with jizuri seals. One signed in pencil. 300/500691. TOSHI YOSHIDA Oban tate-e“Silver Pavilion, Kyoto”. Depicting fi gures and fl owers outside a temple. Signed in pencil. Framed. 350/450692. TOSHI YOSHIDA Oban tate-e“Autumn in Hakone Museum”. Depicting a fall landscape. Signed in pencil. Framed. 300/400693. TOSHI YOSHIDA Oban tate-e“Snow Country”. Depicting a winter landscape. Signed in pencil. Printed title. Framed. 400/500694. TOSHI YOSHIDA Chuban“Yodo River”. Depicting a fi sherman in a river landscape. Signed in pencil. Framed. 200/300695. TOSHI YOSHIDA Oban tate-e“In a Kyoto Sweets Shop”. Depicting a woman seated at a small table. Signed and titled in pencil. 200/300696. TOSHI YOSHIDA Chuban“Matsumoto”. Depicting a woman and children on a village street. Signed in pencil. Framed. 200/300697. TSUCHIYA KOITSU Oban yoko-eEvening scene in light rain with boatmen and islands. Framed.From the estate of Georgia Cash. 250/350698. TSUCHIYA KOITSU Oban tate-eEvening bridge scene with light rain. Framed. 250/350699. TSUCHIYA KOITSU Oban tate-eHimaji Castle with cherry blossoms. Printer/carver seals lower left margin. 300/500700. TSUCHIYA KOITSU Oban yoko-eCormorant fishermen with torchlight. Printer/carver seals in left margin. 300/500701. TSUCHIYA KOITSU Two SurimonoKinkakuji and Nezu Shrine in snow. 200/300702. KOITSU ChubanNight scene with two fi gures along a river. Framed. 200/300

703. KOITSU ChubanRed temple and pine trees in snow. Framed. 250/350704. KOITSU Oban tate-eCastle scene with cherry blossoms. 300/400705. TSUCHIYA KOITSU Oban tate-e“Viewing Cherry Blossoms at Ueno Park.” Depicting a young woman beneath a cherry tree viewing a temple. Heisei edition.250/350706. TSUCHIYA KOITSU Oban tate-e“The Gate Yomei, the Nikko Shrine”. Depicting a temple scene with a priest ascending a stair. 400/600707. KOITSU Oban tate-eNight scene with cherry trees and bridge. 350/450708. SHIN HANGA Oban yoko-eMoonlit beach scene with a figure. 150/250709. KANZAN HosobanDepicting two puppies in snow. 150/250710. GIHACHIRO OKUYAMA Large Hosoban“Rainy Day.” Depicting figures on a street. Signed in pencil. 100/150711. YOSHIMOTO GESSO Chu-tanzaku“Fishing by Torchlight”. Depicting a man suspended from a cliffside fishing in a lake. 150/250712. NOEL NOUET Oban tate-e“Babasaki Gate”. Depicting modern buildings along a canal. Dated 1936. 300/400713. ASANO TAKEJI Oban tate-e“Night Scene of Kasuga Shrine”. 250/350714. SHODA KOHO Oban yoko-eDepicting figures passing beneath a bridge in rain. 300/500715. TAKEJI ASANO Oban yoko-e“Twilight in the Village Nara.” Depicting fi gures beside a walled pavilion. 200/300716. KATSUYUKI NISHIJIMA Oban tate-e“Snow in Gion, Kyoto”. Depicting light snow falling on a street lined with buildings. Numbered 300 of 500. Signed in pencil.Framed. 300/400717. YOSHITOSHI MORI Oban tate-e“Marketplace.” Depicting a man with banners and signs. Signed in pencil. 120/180718. KATSUYUKI NISHIJIMA Dai oban yoko-eDepicting an inn at Kyoto. Signed and numbered 190 of 500. 200/300719. KATSUYUKI NISHIJIMA Dai oban tate-e“Shop in Snow”. Depicting a building in lightly falling snow. Numbered 315 of 500. Signed in pencil. Framed. 300/400720. KATSUYUKI NISHIJIMA Dai oban tate-e“Rain in Fushimi in Kyoto”. Depicting a street scene in heavy rain. Numbered 165 of 500. Signed in pencil. Framed. 300/400721. KIYOSHI SAITO Dai oban yoko-e“Kyoto (B)”. Depicting a rural street scene with lantern. Number 77 of 100. Dated 1966. Framed. Self-carved, self-printed label onreverse of frame. 500/700722. KYOSHI SAITO Oban tate-eTwo cats chasing a butterfl y. 100/150723. KYOSHI SAITO Dai oban yoko-e“Sampo-in, Kyoto”. Depicting a temple gate. Numbered 12 of 100. Dated 1968. Framed. 800/1,200

724. KYOSHI SAITO Dai oban tate-e“Jizo-in Kinugasa-yama, Kyoto”. Depicting a temple gate seen through a forest. Numbered 47 of 100. Dated 1968. Framed.800/1,200725. JUN’ICHIRO SEKINO Dai oban yoko-eDepicting a lotus garden in winter. Signed in pencil. Mat opening 14½” x 18¾” (37 cm x 47.5 cm). Framed. 600/800726. JUN’ICHIRO SEKINO Dai oban yoko-e“Goyu”. Depicting a street in reds and blues. Signed in pencil. Mat opening 13¾” x 18¼” (35 cm x 46.3 cm). Framed. 600/800727. JUN’ICHIRO SEKINO Dai oban tate-eA blue cottage refl ected in a pool. Considerable mica work. Signed. Framed. 500/600728. KAWANO KAORU Dai oban tate-e“Dancing Figure (Mai)”. Numbered 108 of 300. Framed. 400/500729. KAORU KAWANO Dai oban tate-eAbstract design in black and yellow. Signed in pencil. Mat opening 21½”x 16¼” (54.5 cm x 41 cm). Framed. 200/300730. KAWANO KAORU Oban yoko-eYoung girl at a window. Signed in pencil. Framed. 250/350731. JOICHI HOSHI ChubanDepicting a golden tree with turquoise sky. Signed in pencil and dated ‘75. 400/600732. HAKU MAKI Hosoban“Poem 68-34”. Abstract design in black, red, and yellow on a textured white ground. Numbered 22 of 32. 300/500733. HAKU MAKI Hosoban“Work 74-66”. Depicting a persimmon on a black ground. Numbered 47 of 154. Signed in pencil. Framed. 400/600734. MAYUMI ODA 1975Pair of silk screen prints. “Spring Meadow”. Left and right depicting reclining fi gures in fields of flowers with butterfl ies. Bothnumbered 23 of 35 with pencil signature and title. Mat opening 33” x 24” (85 x 61 cm). Framed. 1,000/1,500735. TANAKA RYOHEI Black & White Etching“Path in Ohara”. Depicting a pathway and distant rustic barn. No. 14 of 150. Signed in pencil and dated ’77. Plate line 5” x 3¾”(12.5 cm x 9.5 cm). 150/250736. TANAKA RYOHEI Black & White Etching“Early Summer”. Depicting a rustic farmhouse. No. 16 of 150. Signed in pencil and dated ’77. Plate line 5” x 3¾” (12.5 cmx 9.5 cm). 150/250737. TANAKA RYOHEI Black & White Etching“Yase in May”. Depicting a rustic thatched roof. No. 165 of 200. Signed in pencil and dated ’80. Plate line 4” x 5” (10 cmx 12.5 cm). 150/250738. MATSUBARA Eleven WoodcutsFrom the series Walden, Solitude. Published by Aquarius Press 1971. All numbered 118/200. Entitled: Solitude, DecayingBeauty, Rain, Winter Serenity, Winter Pond, Autumn Color, Wind, Pine, Spring Visitor, Thoreau, Drop of Life, plus cover WaldenPond. Overall size of prints, 15¼” x 14¼” (38.5 cm x 36 cm).From the estate of Georgia Cash. 800/1,200739. NAOKO MATSUBARA Black and White Woodcut“Boston Public Library”. Numbered 65 of 100. Framed. 100/200740. HISASHI OTSUKA CollotypeDepicting a samurai dressed in a peony-pattern kimono with calligraphic inscriptions in the background. Numbered 139/300.Considerable useof metallics. 38½” x 21½” (98 cm x 54 cm). Framed. 400/600741. HISASHI OTSUKA Mixed Media Print“Kimono Fantasy”. Depicting two kimono with decoration of ladies and cranes. Numbered 37/300. Printed 1987. 26” x 26½” (66cm x 67 cm). Framed. Accompanied by a letter of authenticity. 400/600

742. SHIRO TAKAGI Oversized PrintAbstract design in black, yellow, and orange. Signed in pencil and dated 1959. Mat opening 33¼” x 21¼” (84.3 cm x 54 cm).Framed. 400/600743. NORIKANE HIROTO Surimono EtchingDepicting fugu fish and a fugu lantern. No. 57 of 120. Signed in pencil. Matted. 200/300744. SET OF FIVE WOODBLOCK-PRINTED BOOKS Late 19th CenturyDealing with Feng Shui. 100/200745. MUTSUMI MORITA Serigraph“Letter from the Sea I”. Depicting a sailboat on a mottled green ground. 12¾” x 8½”. 150/250

THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TOTHE TERMS AND CONDITIONS LISTED IN THIS CATALOG.ADVICE TO BIDDERS1. Carefully read the Conditions of Sale.2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They arenot meant to be taken as a guide to the value of an item, but as a guide to its expected selling price.Estimates are prepared well in advance of a sale and are subject to revision.3. Carefully examine any item that you might consider bidding on for any variation from the catalogdescription. If you are unfamiliar with auction procedure or terminology or would like clarificationof a catalog description, please ask for assistance from our staff members.4. Please read the Order Bid Procedure if you wish to leave an absentee bid.5. An 18% buyer’s premium will be added to the hammer price of all property sold, to be paid aspart of the purchase price. The buyer’s premium is 18% of the final bid price up to and including$300,000, and 10% of the final bid price over $300,000.6. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid,if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and toinsure fairness to consignors and other bidders.SHIPPING INFORMATIONAs a service and convenience, our shipping department can ship or arrange shipment of paid purchases. Thepacking and shipping of items by Eldred’s will be undertaken solely at our discretion. Upon receipt of payment,Eldred’s will pack and ship according to purchaser’s instructions for shipment. If no instruction is given, we willship by the best method and carrier. Eldred’s is not responsible for the acts or omissions of carriers or packers,whether or not recommended by us. Packing and handling of purchased items by us is at the entire risk of thepurchaser. Costs for this service will be based on the carrier’s current packing, transportation, and insurancecharges. There is a minimum handling charge of $10.00 for all shipments. We do not ship via the U.S. Post Officeunless special arrangements are made. All shipping costs will be C.O.D. unless otherwise arranged. Please allow4-6 weeks from receipt of payment for delivery.BIDDING INCREMENTSDue to the Artfact Live auction, please adhere to these bidding increments:$0-$49: $5 $1,000-$2,999: $100 $30,000-$49,999: $2,000$50-$199: $10 $3,000-$4,999: $250 $50,000-$99,999: $5,000$200-$499: $25 $5,000-$9,999: $500 $100,000 and above: $10,000$500-$999: $50 $10,000-$29,999: $1,000 Above $300,000 at the auctioneer’s discretion

ABSENTEE BID FORMIf you are unable to attend a sale, and if, after reading our Conditions of Sale you would like to have us bid for you on any itemor items, it can be handled in the following manner:1. Please list the lot number below with the name or title of the article(s) and the highest amount you are willing to pay. Carefullycheck your Bid Form. Although we attempt to check the description against the lot number, bids are posted by the number.2. A deposit of 10% of the total order is required. This sum will be held by us until after the auction.All absentee bids are kept in strict confidence.3. All absentee bids should be submitted in a timely manner to reduce the chance of posting error. All mail, phone, or fax bidsshould be received prior to the day of the sale. In the event of identical bids, the earliest received by Eldred’s will take precedence.4. On the day of the auction, a member of our staff will act as your agent and bid for you, and will attempt to obtain the lot or lotsfor you for the lowest possible amount. If you have indicated the highest amount you are willing to pay, you should not bedisappointed if you lose an item. Many times you will actually buy it for less than your bid.5. At the end of the auction, you will be notified. If successful, the amount of your deposit will be applied toward the purchaseprice. If unsuccessful, the full amount of your deposit will be returned promptly.6. An 18% buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price.The buyer’s premium is 18% of the final bid price up to and including $300,000, and 10% of the final bid price over $300,000.7. Eldred’s shall not be held responsible for errors or failure to execute bids. Robert C. Eldred Co., Inc. offers this service as aconvenience to its clients and will not be held responsible for errors or failure to execute bids.8. All sales are subject to the Conditions of Sale printed in the catalog.I wish to place the following bid(s) on items in your auction dated :______________________________________________________LOT NO ITEM DESCRIPTION MAXIMUM BID18% BUYER’S PREMIUM WILL BE ADDED TO THE HAMMER PRICE*(*see item 6 above)I have ( ) have not ( ) examined the item(s) listed above.SIGNATURE:NAME: (Please print)ADDRESS:TOTAL:_______________________10% DEPOSIT:_______________________MA RESALE No:WILL PICK UP: ( ) OR: PLEASE SHIP TO:TELEPHONE: FAX: DATE:Please send form & deposit to: ROBERT C. ELDRED CO., INC., P.O. Box 796, East Dennis MA 02641