Simonds), Cologne, Germany, Verlag derBuchhandlung Walther Konig, 1979,128 pages. (Book published on the occasionof the exhibition "Circles and Towers Growing",at the Museum Ludwig, Cologne, Germanyand at the Nationalgalerie, Berlin, Germany.)Molderings, Herbert-"Kunst als Gedii.chtnis/Art as Memory",Schwebende Stadte und andere ArchitekturenlFloating Cities and Other Architectures,Munster, Germany, Westfii.lischer Kunstverein,1978, pp. 7-13, in German and in English.Neff, John Hallmark-"Introduction", "Charles Simonds's EngenderedPlaces: Towards a Biology of Architecture" and"Commentaries", Charles Simonds, Chicago,USA, Museum of Contemporary Art, 1981,pp. 9-11, pp. 12-25 and pp. 68-73.Waldman, Diane- "Charles Simonds", Age (leafiet), New York, USA,The Solomon R. Guggenheim Museum, 1983.Articles (selection) I Articles(selection)Abadie, Daniel and Neret, Gilles- "Le deuxieme souffle de Ia Biennale de Paris",L'CEil, Paris, France, No. 219, October 1973,p. 49.Bouyeure, Claude-"Charles Simonds, <strong>Galerie</strong> Maeght Lelong",Cimaise, Paris, France, November-December1986, p. 104.Bradley, Kim- "Una arquitectura arqueol6gica imaginaria",Panorama, publication of the Fundaci6n"laCaixa", Barcelona, Spain, May 1994, pp. 1-4.Breerette, Genevieve- "Charles Simonds, New Yorkais forme enCalifornie, expose a Paris", Le Monde, Paris,France, January 14, 1995.Briiderlin, Markus-"Charles Simonds-The Three Trees",Kunstforum International, Cologne, Germany,October-November 1g85, pp. 244-245.Bufill, Juan- "Arqueologias imaginarias", La Vanguardia,Barcelona, Spain, May 27, 1994, p. 46.Butterfield, Jan- "The Quiddity of Pluralism and the Quandaryof Scale. The 11th International SculptureConference", Images & issues, vol. 1, No.2,autumn 1980, pp. 17-20.c.,M- "EI sueno biblico de Charles Simonds", ABC de/as Artes, Madrid, Spain, May 20, 1994, p. 35.Abadie, Daniel-"Charles Simonds", ±0, Genvai-Brussels,Belgium, No. 10, September 1975, p. 21.Alinovi, Francesca- "Grande, grandissimo. Piccolo, piccolissimo.L'arte di Gulliver", Bolaffiarte, Turin, Italy,vol. 9, No. 82, September-October 1978,pp. 41-43,97.Allemandi, Alessandro- "Architetture vegetali per case ermafrodite"(interview), II Fotogiornale deii'Arte, May 1994.Andreani, Carole-"Charles Simonds: La Nostalgie de Ia Terre" ,Revue de Ia Ceramique et du Verre,September-October, 1995.Anonyme-"Sculpture: Artpark, 1g74", Artscanada,Toronto, Canada, vol. 31, nos. 190-191,Autumn 1974, pp. 92-93-"Charles Simonds", Saman, Genoa, ltalia,No. 1, 2, 3, 4, 7, 8 and 14, from 1g75 to 1g?8.- "Documenta: SuBer Seim der Medien", DerSpiegel, No. 26, June 20, 1977, pp. 156-158.- "Utopie im Liliput-Format: Charles Simonds inder Neuen Nationalgalerie", Der Tagesspiegel,May 4, 1979, p. 5.- "Observatoire abandonne", Architectured'Aujourd'hui, No. 208, April1980.- "Dialogos con Ia arcilla", La Vanguardia,Charles Simonds, Museum of Contemporary Art, Chicago, 1981Barcelona, Spain, April 26, 1994, p. 36.- "EI m6n imaginari de Charles Simonds",Serra d'Or, Barcelona, Spain, July-August1g94, p. 103.Apel, Friedmar- "Der Baumeister der Traume: Wirlichkeitund Gedankenspiel bei Charles Simonds",Sprache im Technischen Zeitalter, No. 6,July 1978.- "Charles Simonds' dynamische Ordnungen.Charles Simonds' Dynamic Order", Daidalos,1g83.Arnault, Martine-"Charles Simonds", Cimaise, NovemberDecember, 1 g94.Artner, Alan G.-"Simonds: A giant in a land of Little People",Chicago Tribune, Chicago, USA, November 8,1981.Baracks, Barbara- "Reviews", Artforum, New York, USA, vol. 15,No.5, January 1977, pp. 57-58.Beardsley, John-"Smithson and the Dialectical Landscape",Arts Magazine, vol. 52, No. 9,May 1978, pp. 134-135.-"Charles Simonds: Extending the Metaphor",Art International, Lugano, Switzerland, vol. 22,No. 9, February 1979, pp. 14-19, 34- "Charles Simonds: Inhabiting Clay", AmericanCeramics, October-December, 19g4.-"Hybrid Dreams", Art in America, March 1995.Bessenich, Wolfgang- "Wachsendes Baumhaus, Der AmerikanerCharles Simonds im Basler Architekturmuseum",Basler Zeitung, June 11, 1 gs5, p. 38.Besson, Christian-"Charles Simonds", Flash Art, May-June 1995.Bosch, Gloria- "Charles Simonds & Christian Boltanski:Ia escritura y Ia mirada restituidas", Arte,July-September 1994, pp. 35-39.Cabanne, Pierre- "Du noir et de Ia terre", Le Malin, Paris, France,October 24, 1986.Calleri, John-"Artist's creation growing to harvest",The Niagara Gazette, 1975.Carteron, Philippe- "Le Magon de l'imaginaire", Le NouvelObservateur, Paris, France, October 23, 1987.Castells, Ada- "De Ia protesta a l'intimisme. Un recorregutper l'univers d'argila de Charles Simonds", AvuiCap de Setmana, Barcelona, Spain, April 22,1994, p. 32.Castle, Ted- "Art in its Place", Geo, vol. 4, No. 9,September 1982, pp. 65-75, 112.-"Charles Simonds: The New Adam", Artin America, New York, USA, No. 2,February 1983, pp. 94-103.Catlin, Roger-"Simonds' Work Tweaks the Imagination",World-Herald, London, England, January 9,1983, pp. 1-15.Calvacanti, Giberto- "Simonds e Clareboudt: 0 Dialogo Corpo/Universo", Vida das Aries, Rio de Janeiro/121
Sao Paulo, Brazil, No. 6, December 1975,pp. 28-29.Celant, Germano-"Charles Simonds: Little People", Casabe//a,No. 411, March 1976, pp. 39-41 .Clair, Jean- "I..: entree des barbares", Chroniques de /'Artvivant, Paris, France, No. 43, October 1973.Claus, J.- "Art of the 1970s in Video and UtopianDesign-The Crisis of the Organizers", O'Ars,No. 85, vol. 18, December 1977, pp. 4-17.Clothier, Peter-"Charles Simonds: Architecture Humanized",Artweek, vol. 11, No. 35, October 25, 1980,pp. 1-2.- Colonna-Cesari, An nick"Charles Simonds", L'Express, Paris, France,January 12, 1995.Combalia, Victoria- "EI area perdida de Simonds", El Pais, Madrid,Spain, May 7, 1g94.Cork, Richard-"Little People live here", The Evening Standard,London, England, May 28, 1980, p. 21.Cornand, Brigitte-"Visions", Actuel, Paris, France, 1983.- "L'univers mythique de Charles Simonds",Le Soir, January 12, 1995.Elliott, David- "Little People invade MCA, stun critic withmessagel", Sunday Sun-Times, November 22,1981, p. 26.Figueres, Abel- "Cos huma, terra, paisatge I habitacle.Exposici6 retrospectiva de l'obra de CharlesSimonds", Avui, Barcelone, Spain, May 26,1994.Fineberg, Johatan-"Tracking the avant-garde", Harvard Magazine,January-February 1984, pp. 24-35.Foote, Nancy- "The Apotheosis of the Crummy Space",Artforum, New York, USA, vol. 15, No. 2,October 1976, pp. 28-37.- "Situation Esthetics: Impermanent Art and theSeventies Audience", Artforum, New York,USA, vol. 18, No.5, January 1980, pp. 22-29.Forgey, Benjamin-"The Whitney Biennial", ART news, New York,USA, vol. 76, No.4, April1977, pp. 120-121.- "Looking Back In Miniature", The WashingtonStar, Washington, USA, June 18, 1980,pp. E-1, E-5.- "It Takes More Than an Outdoor Site to MakeSculpture Public", ART news, New York, USA,vol. 79, No.7, September 1980, pp. 84-88.Gopfert, Peter Hans- "Zerkluftetes Mauerwerk fur Zwerge", BerlinerMorgenpost, Berlin, Germany, May 10, 1979.Haase, Amine-"Auf den Spuren versunkener Zeit", RheinischePost, March 29, 1978.Hahn, Otto- "CEuvres de ruines", L'Express, Paris, France,No. 1895, October 30-November 5, 1987.Hasenkamp, J.- "Ursprungliches und Futurismen", WestfalischeNachrichten, March 11, 1978.Hegemann, William R.-"Scale and Environment: 10 Sculptors",ART news, New York, USA, vol. 77, No. 1,January 1978, p. 116.Herrera, Hayden- "Manhattan Seven", Art in America, New York,USA, vol. 65, No.4, July-August 1977,pp. 50-63.Hess, Thomas B.-"This and That Side of Paradise", New YorkMagazine, New York, USA, November 22,1976, p. 104.Hjort, 0ystein- "Nagra tendenser i ny amerikansk konst",Paletten, Goteborg, Sweden, No.2, 1980,pp. 26-36.Couturier, Elisabeth-"Charles Simonds: se fait tout petit", ParisMatch, Paris, France, February 2, 1995.Daubigne, Monique-"Charles Simonds, prima materia", Art Press,Paris, France, No. 120, December 1987, p. 66.Davis, Anna Byrd- "Little Bricks", Menphis Press-Scimitar,December 4, 1982.Deak, Edit-"Vernacular Myth", Art-Rite, New York, USA,No. 6, summer 197 4, pp. 9-11 .Deecke, Thomas-"Die Ruinenlandschaften Charles Simonds",Kunstmagazin, No.2, 1978, pp. 68-71.Desmoulins, Christine- "Les 'Petits Peuples' de Charles Simonds",O'Architectures, December 1994.Driscoll Jr., Edgar J.-"Back to Nature", ART news, New York, USA,vol. 73, No.7, September 1974, pp. 80-81.Dustin, Jo- "Les Constructions Mythiques", Art et Culture,January 1995.Francblin, Catherine- "Charles Simonds batisseur de ruines", ArtPress, Paris, France, No. 45, February 1981,pp. 14-15.-"Charles Simonds, <strong>Galerie</strong> Maeght-Lelong",Art Press, Paris, France, October 1986, p. 78.Frisach, M.- "Charles Simonds porta a Barcelona Iacivilitzaci6 imaginaria dels Little People", Avui,Barcelone, Spain, April26, 1994, p. 42.Froyd, Susan-"Follow the Yellow Brick Road", West word,October21-27, 1999.Gibson, Michael- "Baudoin Lebon Gallery, Paris; exhibit",ART news, New York, USA, vol. 79, No. 1,January 1980, pp. 121-122.-"The Small World of Charles Simonds",International Herald Tribune, January 7-8, 1995.Glueck, Grace-"Charles Simonds 'Houseplants'",The New York Times, February 5, 1 ggg,Goldberger, Paul- "A Meeting of Artistic Minds", New York T1mesMagazine, New York, USA, March 1st. 1981 ,pp. 70-73, 80.Hohmeyer, Jurgen- "Fur kleine Leute", Der Spiegel, No. 47,November 21, 1977, pp. 228-233.Hullenkremer, Marie- "Hauser aus Ton fur ganz kleine Leute", Art,Das Kunstmagazin, 1983, pp. 98-103.Huser, France- "De New York a Menilmontant", Le NouvelObservateur, Paris, France, November 24,1975, p. 84.-"Charles Simonds, le batisseur de reves",Le Nouvel Observateur, January 12-18, 1995.Hushet, Stephane- "Charles Simonds", ArtPress, March, 1995.Jochimsen, Margarethe-"Kunst als soziale Strategie", KunstforumInternational, Cologne, Germany, No. 27,March 1978, pp. 72-99.Jonas, Gerald-"The Talk of the Town: The Little People", TheNew Yorker, New York, USA, vol. 52, No. 40,November 22, 1976, pp. 38-40.Katz, Vincent-"Charles Simonds at Joseph Helman", Art inAmerica, September 1999.122
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Galerie Enrico Navarra
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Preface. Enrico NavarraForeword. En
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Le Monde dans le monde. Werner Spie
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of adventures. The Little People we
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eferential microsystems were in wid
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•LandscapeBodyDwellin9", 1970Char
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in which Raquel Welch accompanies A
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•Picaresque Landscape•, 1976, i
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I Remember... Jean-Louis PratI reme
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Ritual Place, 1970Argile et bois13
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Labyrinth, 1972Argile et bois30x63x
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32Pyramid, detail I detail, 1972
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elieved in a world entirelywould be
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Circles and Towers Growingno11, 197
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Dwelling, details, 1981Argile et bo
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Age, 1983Argile, platre et bois310
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Flying Smear, 1983Argile, bois et p
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Wilted Towers, 1984Argile et bois30
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Rocks no 1 , 1984Rocks No. 1, 1984T
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Stump, 1984Argile et bois35,5 x 61
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Pod no 2, 1984Argile et bois29,2 x
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Leaves, 1986Argile et bois15x61 x61
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Smear, 1986Argile et bois15,2 x 76,
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Pyramid, 1991Argile, platre et bois
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