CHARLES SIMONDS

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Emmanuel Saulnier."Des lutins dans Ia ville;' Liberation (Paris), December 9, 1975.Pierre Schneider. "Les Lilliputiens de Simonds;' L.:Express (Paris),December 8-14, 1975.Barbara Schnierle. "Traumlocher undTraditionen;' Tip Magazin 10 (1979).Peter Selz. Art in Our Times, A Pictorial History 1890-1980 (New York:Abrams, 1981 ).Didier Semin. "Entretien avec Charles Simonds;' Beaux Arts 39 (October 1986).Charles Simonds. "Miniature Dwellings;' On Site 4 (1973).__ ."Microcosm to Macrocosm/Fantasy World to Real World" (includesconversation with Lucy R. Lippard), Artforum 12, no. 6 (February 1974).__ . Letter to the Editor, Artforum 12, no. 9 (May 1974).__ . Art!Cahier no. 2 (Paris: SMI, 1975).__ . Three Peoples (Genoa: Samanedizione, 1975). Also included in thefollowing publications: A. Sky and M. Stone. Unbuilt America (NewYork: McGraw-Hill, 1976); Alan Sondheim. Individuals: Post-MovementArt in America (New York: Dutton, 1977); "Drei Volker;' Kunstmagazin 2(1978); Friedmar Apel. "Der Baumeister derTrai.ime: Wirklichkeit undGedankenspiel bei Charles Simonds;' Sprache im TechnischenZeitalter 6 (July 1978); Schwebende Stadte und andere Architekturen!Floating Cities and Other Architectures, Westfalischer Kunstverein,Munster (1978); Charles Simonds, Museum of Contemporary Art,Chicago (1981 ); NACA Journal1 (1992).__ .Statement, Artforum 18, no. 5 (January 1980)._ _ ."Working in the Streets of Shanghai and Guilin;' Artforum 18, no. 10(Summer 1980).__ . Statement, House Plants and Rocks, Leo Castelli Gallery, NewYork (1984).__ ."Earth and Sanity/Terre et Sante;' International Journal of Art Therapy 1(1997).Alison Sky and Michelle Stone. Unbuilt America: Forgotten Architecture in theUnited States from Thomas Jefferson to the Space Age; A Site Book(NewYork: McGraw-Hill, 1976).Alan Sondheim, ed. Individuals: Post-Movement Art in America (New York:Dutton, 1977).Werner Spies. "Geisterstadte des UnbewuBten;' Frankfurter Allgemeine,February 4, 1995.Mark Stevens. "The Dizzy Decade;' Newsweek, March 26, 1979.M arie-Claude Volfin. "Une mystique sexuelle;' Info Artitudes 3(January 8-14, 1975).47
SELECTED PUBLIC COLLECTIONSLes Abattoirs-Art Moderne et Contemporain, Toulouse, FranceAlbright-Knox Art Gallery, Buffalo, New YorkAllen Memorial Art Museum, Oberlin College, OhioArt Gallery of South Australia, AdelaideCastellani Art Museum, Niagara University, New YorkCentro Cultural Arte Contemporaneo, Mexico City, MexicoCrocker Art Museum, Sacramento, CaliforniaDenver Art Museum, ColoradoFonds Regional d'Art Contemporain (FRAC) Centre, Orleans, FranceMaxine & Stuart Frankel Foundation for Art, Bloomfield Hills, MichiganFundaci6n "Ia Caixa;' Barcelona, SpainHirsh horn Museum and Sculpture Garden, Washington, D.C.Israel Museum, JerusalemlnstitutValencia d'Art Modern (IVAM), SpainKunsthaus Zurich, SwitzerlandMontclair Art Museum, New JerseyMusee National d'Art Moderne, Centre Georges Pompidou, Paris, FranceMuseum Ludwig, Cologne, GermanyMuseum of Arts and Design, New YorkMuseum of Contemporary Art, Chicago, IllinoisThe Museum of Modern Art, New YorkNew Mexico Museum of Art, Santa FeStorm King Art Center, Mountainville, New YorkWalker Art Center, Minneapolis, MinnesotaWallraf-Richartz-Museum & Fondation Corboud, Cologne, GermanyWhitney Museum of American Art, New York48
Page 2: CHARLES SIMONDSMENTAL EARTHGROWTHS
Page 7 and 8: This essay concerns the thought and
Page 10 and 11: I asked Simonds if the distinguishi
Page 13 and 14: visit him and discuss an exhibition
Page 15 and 16: elongs with philosophy and religion
Page 17: Mental Earth, 2002, metal, polyuret
Page 20 and 21: material (material reality, meant p
Page 22 and 23: was a part of Mental Earth. I asked
Page 24 and 25: -.&~~~
Page 27: 26 Two Streams. 2011. metal. polyur
Page 31: 30 Grown Walls, 2011, wood, plaster
Page 35: 34Tumbleweed, 1993, porcelain. 9 x
Page 38 and 39: Structures: Linear, circular and sp
Page 41 and 42: 40Gallery, Art Department, Los Ange
Page 43 and 44: 42Kunstverein, Stuttgart, Germany.
Page 45 and 46: 44Set and Situations, The Museum of
Page 47: 46__ . "Charles Simonds: Le batisse
Page 51 and 52: September 10, 2011Dear Charles,You
Page 53 and 54: ARTIST'S STATEMENTSFor the man in t
Page 55 and 56: AFTERWORD AND ACKNOWLEDGMENTS54Knoe
Page 57: 1....\. )OBDLER &- ESTA8·L tSHED 8

CHARLES SIMONDS

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