HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor

HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor

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MEDIEVAL URBAN HISTORIOGRAPHY 319Between the nineteenth and the twentieth centuries, especiallyunder the influence of positivist thought, oriented to perceive thehistorical process in its factuality and concreteness and in an objectiveform, an adequate search for the cultural aspects of the medievalurban experience was missing. Neglecting narrative sources becauseof their subjectivity, historians thus lost many occasions to researchand define the collective identity of the urban world, the individualityof the civic spirit from community to community, the consciousnessof common belonging to a unique urban reality, not justin the demographic, political, and social senses. In the process, theyneglected, for the most part, the intellectual and professional profilesof the men of culture and of the ruling groups of the urban world;they did not catch their reflections in the more or less elevated levelof sensibility and consciousness of the chronicle authors. Because thisis the point of departure for a functional definition of urban typologywithin medieval European historiography, this is in a certain sensethe discriminator that we can agree to use to make a convincingselection of numerous, frequently anonymous, and variegated narrativetexts produced during the medieval centuries in western Europe.In the course of the twentieth century, especially in recent decades,scholars have tried to remedy this lack of methodological and criticalcharacter, dedicating increasing attention to the personality ofthe already-identified chroniclers or trying to free from anonymitythe still very numerous anonymous annals and chronicles. They alsohave investigated in a more thorough way the scholastic and culturalcursus and the social and professional origins of the identifiedchroniclers. 5 It also should be noted that the study of medieval historiographyhas in the meantime been in part freed from its traditionalcompartmentalization and from the prevalent activity ofexclusively philological/literary analysis of individual texts, to assumea historico-critical dimension and a systematic consideration, throughcomparison of narrative and other types of sources, in an ever largerand more wide-reaching radius. 6 There have thus arisen, on both5The contributions of Girolamo Arnaldi cover this area in many pioneeringways, in particular Arnaldi (1963). More recently in this field of interest, for itsvalue both retrospective and prospective, we should mention Il senso della storia nellacultura medievale italiana (1100–1350): quattordicesimo convegno di studi; Pistoia, 14–17maggio 1993 (Pistoia, 1995), passim.6An essential bibliography on this, even if not brought up to date, can be consultedin Delogu (1994), 174–75.

320 AUGUSTO VASINAthe international as well as the national and regional levels, numerousreviews of medieval European historiography, more and morediligent at distinguishing and modulating according to their interiorlogic an urban narrative typology. 7 The enlargement of the horizonsof this historiographical production in ever more detailed comparisons,and at various levels of narrative sources of different historicalareas, undoubtedly has been facilitated by the publication, sincethe nineteenth century on the initiative of several national historicalinstitutes, of Repertori, as for example of the general one by A. Potthast,whose updated edition has been for some decades in process underthe care of the Istituto storico italiano per il Medio Evo. 8Among the various publication initiatives of specific interest (particularlyintense in the orbit of Anglo-American, German, and Frenchhistoriography), it recently has become possible to produce a fullydeveloped analysis of medieval sources, distinguished typologicallyand articulated for the various historical and cultural areas of Europe.Of specific interest here, as well as for its undoubted didactic worth,is the volume which, written by Elisabeth M. C. van Houts, hasappeared recently with the title Local and Regional Chronicles, 9 in which“Town Chronicles” are taken into consideration specifically in sectionC, organized geographically, with a reconstruction of the pastand the present of each chronicle, of the authors, and of the possibleaudiences and number of sources put to use in each narrativetext in question. Van Houts includes numerous works composed variouslyfrom 500–1500, but always identified as pertinent to thisspecific typological field, for the most part by identifiable authors.The distinction that she has used between civic chronicles andepiscopal or monastic chronicles (section A) and dynastic chroniclesor Gesta principum (section B) as a point of departure guarantees therigor with which she has made the selection of narrative materialsand their organized distribution in time and in historical space. Butin this important book, it no doubt would have been possible to7For a recent article on medieval historiography at the international level, seeDelogu (1994), 111–74 and esp. 161 ff.; a historiographical review of a nationalcharacter, regarding Italy, has been published by Capitani (1964); a census of regionalchronicle-writing, almost exclusively urban, in the region of Emilia Romagna wasedited some years ago by the author: cf. Andreolli et al., eds. (1991).8See the two volumes of Potthast (1896), and their ample revision and enhancementconducted in more recent years in Potthast (1962–98).9Van Houts (1995), 42–49.

320 AUGUSTO VAS<strong>IN</strong>Athe international as well as the national and regional levels, numerousreviews of medieval European historiography, more and morediligent at distinguishing and modulating according to their interiorlogic an urban narrative typology. 7 The enlargement of the horizonsof this historiographical production in ever more detailed comparisons,and at various levels of narrative sources of different historicalareas, undoubtedly has been facilitated by the publication, sincethe nineteenth century on the initiative of several national historicalinstitutes, of Repertori, as for example of the general one by A. Potthast,whose updated edition has been for some decades in process underthe care of the Istituto storico italiano per il Medio Evo. 8Among the various publication initiatives of specific interest (particularlyintense in the orbit of Anglo-American, German, and Frenchhistoriography), it recently has become possible to produce a fullydeveloped analysis of medieval sources, distinguished typologicallyand articulated for the various historical and cultural areas of Europe.Of specific interest here, as well as for its undoubted didactic worth,is the volume which, written by Elisabeth M. C. van Houts, hasappeared recently with the title Local and Regional Chronicles, 9 in which“Town Chronicles” are taken into consideration specifically in sectionC, organized geographically, with a reconstruction of the pastand the present of each chronicle, of the authors, and of the possibleaudiences and number of sources put to use in each narrativetext in question. Van Houts includes numerous works composed variouslyfrom 500–1500, but always identified as pertinent to thisspecific typological field, for the most part by identifiable authors.The distinction that she has used between civic chronicles andepiscopal or monastic chronicles (section A) and dynastic chroniclesor Gesta principum (section B) as a point of departure guarantees therigor with which she has made the selection of narrative materialsand their organized distribution in time and in historical space. Butin this important book, it no doubt would have been possible to7For a recent article on medieval historiography at the international level, seeDelogu (1994), 111–74 and esp. 161 ff.; a historiographical review of a nationalcharacter, regarding Italy, has been published by Capitani (1964); a census of regionalchronicle-writing, almost exclusively urban, in the region of Emilia Romagna wasedited some years ago by the author: cf. Andreolli et al., eds. (1991).8See the two volumes of Potthast (1896), and their ample revision and enhancementconducted in more recent years in Potthast (1962–98).9Van Houts (1995), 42–49.

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