HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor
HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor HISTORIOGRAPHY IN THE MIDDLE AGES - Julian Emperor
CHRISTIAN BIOGRAPHY: FOUNDATION TO MATURITY 135science”. 49 Athanasius couples Anthony’s asceticism with wisdom. Hisauthority and power are manifested in his control over his body andhis extended Socratic-like discourses on the perfect life. The life ofextreme asceticism (askesis) is celebrated as an achievement of thevery highest athleticism (athlesis). The athletic metaphor, althoughused in earlier Christian biography, was amplified by Athanasius andused to dramatize the severity of Anthony’s struggle with temptation,frequently personified as Satan. Athletic striving, that is asceticism,was required if the struggle was to be successful. (Heb. 10:32;1 Cor. 9:24–27) Anthony is depicted battling demons in his cell. ForAnthony, the model of Christ’s renunciation was central. Pilgrims,skeptics, and even pagan philosophers flocked to his hermitage, andhis fame spread throughout the East. Athanasius was able to buildonto this reputation and shrewdly constructed a composite characterof Anthony as a Christian type of the pagan sage who skillfullymediated between the sacred and the profane. 50 The persona of theclassical sage is just a scratch beneath the patina of Athanasius’sAnthony. For example, Anthony’s refusal to bathe is a deliberateborrowing of an anecdote in Porphyry’s remarks about Plotinus (VitaPlotini, 2).The model of the philosopher hermit was to prove a seminal figurefor Christian biography. Augustine’s conversion owes much to hislearning of Anthony from his friend Ponticianus (Confessions 8.6–7).Jerome’s biographical compositions are also deeply indebted to thedepiction of Anthony. 51 Jerome’s biographies of Saints Paul, Hilarion,and Malchus, written over a period of twenty years while he himselfwas living as a hermit, are an important step in the evolutionof Christian biography. Jerome acknowledges his debt to Athanasiusand to Evagrius’s translation of the Life of Anthony (ca. 360) in hisLife of St. Paul the Hermit (ca. 376). Although it appears that Jeromelikely prompted Evagrius to translate Athanasius, his Life of Paul isa work different both in spirit and in execution. Where Athanasiuswrote of Anthony as a philosopher dispensing wisdom in long discourseswhile choosing to live the exacting life of a Christian ascetic,Jerome rejects the model of the learned pedagogue as a character49St. Athanasius: The Life of St. Anthony, 60.50Binns (1994), 60.51Cameron (1993), 23.
136 THOMAS J. HEFFERNANtype in his narratives. Paul, Hilarion, and Malchus fail to appropriatethe figure of the classical teacher to the extent that Anthonydoes. Although Jerome’s saints’ lives are rich in citations from hisfavorite authors (Cicero, Sallust, Vergil, and Florus), by the time hecomposes the Life of Malchus his allusions are chiefly scriptural. Jeromemoves away from the model of the rational sage to distance himselffrom the classics and to dramatize the power of God’s grace and itsability to reshape the natural world. The world of wonder and miracleis the arena where Jerome finds grace and faith cooperating.Although Athanasius does underscore the devil’s place in Anthony’sstruggle, he rarely dramatizes the attributes of Satan. Jerome, however,to an unprecedented degree depicts fantastic visions, speakingbeasts, the ravages of asceticism, fantastic depictions of Satan, andfearful exorcisms. The immediacy with which we grasp the horriblerigors of Hilarion’s diet may reflect Jerome’s own struggles with hisself-debasement. In Jerome’s three saint’s lives, for the first time inChristian biography, a deliberate effort is made to bridge the epistemologicalbarrier separating the historical and the fictive, the fantasticand the factual. Jerome absorbed the opposing forces of thesetwo experiential planes of the real and the meta-real, yet struggledto maintain the “historical sequence of my narrative”, as he says inthe Life of Hilarion. 52 For example, in his Life of St. Paul Jerome depictsSt. Anthony’s journey to find the hermit Paul, during which he meetsa fantastic horned Manikin. The saint asks him to identify himself.The beast replies that he worships Christ. This provokes in Anthonya prayer in celebration of Christ and a curse on Alexandria wherethey worship beasts as gods. Here in the purity of the desert theuncontaminated beasts worship Christ: “Woe to you, Alexandria,because you worship monsters for God! [Here] Beasts speak thename of Christ”. 53 Jerome, aware of the possible ridicule such anecdotesmight cause, offers a two-fold defense: first, he appeals to historyand notes that a fantastic beast was recently brought and displayedin Constantinople; second, he paraphrases Scripture that “. . . allthings are possible for God and those who have faith”. 54 The new52Jerome, “Life of St. Hilarion”, in Early Christian Biographies, 241–80, at 251.53Jerome, “Life of St. Paul, the First Hermit”, in Early Christian Biographies, 225–38,at 231.54Jerome, “Life of St. Paul”, 231.
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136 THOMAS J. HEFFERNANtype in his narratives. Paul, Hilarion, and Malchus fail to appropriatethe figure of the classical teacher to the extent that Anthonydoes. Although Jerome’s saints’ lives are rich in citations from hisfavorite authors (Cicero, Sallust, Vergil, and Florus), by the time hecomposes the Life of Malchus his allusions are chiefly scriptural. Jeromemoves away from the model of the rational sage to distance himselffrom the classics and to dramatize the power of God’s grace and itsability to reshape the natural world. The world of wonder and miracleis the arena where Jerome finds grace and faith cooperating.Although Athanasius does underscore the devil’s place in Anthony’sstruggle, he rarely dramatizes the attributes of Satan. Jerome, however,to an unprecedented degree depicts fantastic visions, speakingbeasts, the ravages of asceticism, fantastic depictions of Satan, andfearful exorcisms. The immediacy with which we grasp the horriblerigors of Hilarion’s diet may reflect Jerome’s own struggles with hisself-debasement. In Jerome’s three saint’s lives, for the first time inChristian biography, a deliberate effort is made to bridge the epistemologicalbarrier separating the historical and the fictive, the fantasticand the factual. Jerome absorbed the opposing forces of thesetwo experiential planes of the real and the meta-real, yet struggledto maintain the “historical sequence of my narrative”, as he says inthe Life of Hilarion. 52 For example, in his Life of St. Paul Jerome depictsSt. Anthony’s journey to find the hermit Paul, during which he meetsa fantastic horned Manikin. The saint asks him to identify himself.The beast replies that he worships Christ. This provokes in Anthonya prayer in celebration of Christ and a curse on Alexandria wherethey worship beasts as gods. Here in the purity of the desert theuncontaminated beasts worship Christ: “Woe to you, Alexandria,because you worship monsters for God! [Here] Beasts speak thename of Christ”. 53 Jerome, aware of the possible ridicule such anecdotesmight cause, offers a two-fold defense: first, he appeals to historyand notes that a fantastic beast was recently brought and displayedin Constantinople; second, he paraphrases Scripture that “. . . allthings are possible for God and those who have faith”. 54 The new52Jerome, “Life of St. Hilarion”, in Early Christian Biographies, 241–80, at 251.53Jerome, “Life of St. Paul, the First Hermit”, in Early Christian Biographies, 225–38,at 231.54Jerome, “Life of St. Paul”, 231.