“With rigorous safety procedures, eventhough we were working 88 floors abovethe ground, it w<strong>as</strong>n’t any less safe thanworking on the ground floor.”THESE ORIGINAL VACUUM VOLTAGE SENSING RELAYS ACHIEVED UNDER ANDOVER VOLTAGE PROTECTION. IF THEY TRIPPED, THEY WOULD BRING ON THEGENERATOR SUPPLY. INSTALLED IN 1960, THEY WERE CRITICALLY IMPORTANTFOR THE SUPPLY TO THE HOSPITAL. THIS TECHNOLOGY WAS REPLACED IN 2006.14www.energysafe.vic.gov.auROYAL CHILDREN’S HOSPITALMAINTENANCE OFFICER, GRAHAM SKINNER.electricianenjoysview from the topPhotographs by Michael Wearne, Alan Beard and Charlotte Roseby.
Chris Bakes, REC and Director of OzSpark, h<strong>as</strong> a good head forheights. Which is lucky, because his recent job w<strong>as</strong> about 300metres above the ground: installing power, lighting control,sound and visual effects for Eureka Skydeck 88, Melbourne’snew observation deck on the eighty-eighth floor of theEureka Tower.The Eureka Tower is the world’s tallest residential tower and the Skydeckis the highest public vantage point in the Southern Hemisphere.Chris w<strong>as</strong> involved in the Skydeck project right from the concept stage; infact it w<strong>as</strong> three and a half years before he stepped on site, and two yearsbefore he even saw the drawings. The Skydeck w<strong>as</strong> an ambitious project,with a complex set of highly orchestrated LED sound and vision effectsdesigned by architects and lighting designers to enhance the viewingexperience for visitors.The real fun started when it w<strong>as</strong> finally time to install. The very firstchallenge for Chris and his team w<strong>as</strong> to get all the equipment up to thesite. “There w<strong>as</strong> just a tiny service lift. Any decent-sized switchboards hadto be cut up to fit,” says Chris. “We estimated that there w<strong>as</strong> one guy inthe lift for five weeks, once we added it all up.”When they reached the top, the OzSpark team realised they were aboutto start work, 300 metres up, before the windows went in. “There w<strong>as</strong>plenty of chicken wire keeping us from the edge,” says Chris.“With the wind and the noise up there, it w<strong>as</strong>n’t <strong>as</strong> much fun <strong>as</strong> it sounds.We worked in August when it w<strong>as</strong> 3 degrees on the ground, and it w<strong>as</strong>about minus 6 up there.”“With rigorous safety procedures, even though we were working 88 floorsabove the ground, it w<strong>as</strong>n’t any less safe than working on the groundfloor.”Installation of the three floors of the observation deck, the retail, café andfunction are<strong>as</strong> took 10 months, 6 days a week.This w<strong>as</strong> such a challenging job, says Chris, because one of the maindesign objectives w<strong>as</strong> to conceal the complex lighting effects behindceiling baffles. This meant completing just one section of the room ata time. “There were plumbers, builders, electricians and pl<strong>as</strong>terers allworking together, at height,” says Chris.With 35 large panels, each with 256,000 LEDs, the light shines up atthe ceiling and is reflected back down through metallic air ducts andceiling panels, something never done before in Melbourne. With eachlight costing around $<strong>3000</strong>, this w<strong>as</strong> a major expense and a major partof the installation.“They wanted to keep people guessing,” says Chris. “All the wallschange colour, but you can’t see where the colour change comes from.”The result is a space jam-packed with atmosphere. LED signs thatdetail interesting facts about Melbourne fl<strong>as</strong>h across the walls and floors,propelling you around the room <strong>as</strong> you read them. As you make yourway around the 360-degree windows, ogling at the view, the lights seemto follow. Daylight sensors trigger lights where you are standing, makingit feel even higher than you really are. The lights are matched by audioeffects that echo the sounds of Melbourne so, <strong>as</strong> you look out at FlindersSt, for example, you hear the trains and the crowds at the station and thetrams rumbling along Swanston Street.These effects are run through a computerised system called Dynalight.Light levels are all pre-programmed. The actual power installation w<strong>as</strong>pretty b<strong>as</strong>ic, but the computer control w<strong>as</strong> a highly involved process, saysChris. “There w<strong>as</strong> an extra 40 people behind the scenes just to get thelighting right.“If you don’t feel giddy enough gazing down at tall buildings, then TheEdge “ride” is for you: an elevator-like cube moves 3 metres out from thebuilding so you are suspended for a few minutes over the city. Just <strong>as</strong>you get used to the view, the frosted gl<strong>as</strong>s on all six sides of the cubesuddenly goes clear, and it appears that there is only a thin layer of cleargl<strong>as</strong>s between you and the world below you.Chris is happy to give away a couple of trade secrets: “The gl<strong>as</strong>s ismade up with LED panels, so when there is a current run through thegl<strong>as</strong>s, it gives the perception that it is cloudy and frosted. When it isde-energised, it goes clear. That w<strong>as</strong> a b<strong>as</strong>ic switching program runthrough the computer.”MAINTENANCE OFFICER GRAHAM SKINNER WITH THE DIESELGENERATOR THAT WAS, UNTIL ABOUT 18 MONTHS AGO, THE BACKUPPOWER SUPPLY FOR THE ROYAL CHILDREN’S HOSPITAL.“We worked in August when it w<strong>as</strong>3 degrees on the ground, and it w<strong>as</strong>about minus 6 up there.”“It w<strong>as</strong> a very simple idea with a very complex execution. A lot of thehard work w<strong>as</strong> done in the drawings and working out the relays.”This is one project Chris Bakes certainly won’t forget. “The view w<strong>as</strong>incredible and working up there certainly gave us a different perspectiveof Melbourne. The hot air balloons floating around you w<strong>as</strong> a nice way ofstarting the morning, and seeing the Commonwealth Games fireworksbelow us w<strong>as</strong> fant<strong>as</strong>tic.”Eureka!> Eureka Tower took 4 years to completeand cost approximately $500 million.> The tower used 110,000 tonnes of concreteand weighs 200,000 tonnes.> The top of the tower can flex up to 600mm inhigh winds. Two 300,000 litre water tanks onlevels 90 and 91 help to dampen the oscillations.> Horizontal white lines on Eureka Towerrepresent the linear line markings on <strong>as</strong>urveyor’s me<strong>as</strong>uring staff.15SUMMER/AUTUMN 2008 ISSUE 11
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