Academy of Television Arts & Sciences

Academy of Television Arts & Sciences Academy of Television Arts & Sciences

04.12.2012 Views

Academy of Television Arts & Sciences 2012 Primetime Emmy Awards Ballot Outstanding Hairstyling For A Single-Camera Series For a single episode of a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 002 Boardwalk Empire Two Boats And A Lifeguard November 13, 2011 Synopsis After his father dies, Nucky solicits advice from Rothstein. Angela meets a new friend at the beach. Van Alden hires a Norwegian nanny. Nucky steps down as Treasurer, then tells Owen to set a meeting with John McGarrigle in Ireland. Newly in charge, Jimmy tosses Mickey Doyle off a balcony. Technical Description When designing the hairstyles for BOARDWALK EMPIRE we researched looks of the era and also the instructions on how hair was cut in the 1920s. Men's hair texture was analyzed, cut and styled to make a statement; hair products were used to control each look. High-fashioned younger women wore Bobs during this period. Women's hair was gathered at the nape of the neck, curls were placed on the cheeks for softness around their hats. Francesca Paris, Department Head Hairstylist Christine Cantrell, Key Hairstylist The Borgias The Confession June 17, 2012 Synopsis While Alexander worries that Juan is missing, Savonarola is tortured, but will not confess. Meanwhile, Lucrezia falls for her new suitor and announces her engagement. Later, Alexander receives dire news, furthered by a shocking confession from Cesare. At the betrothal, Antonello makes his final attempt to poison the Pope. Technical Description A thorough historical research, through renaissance paintings, and in conjunction with the costume team, was essential to match colours and balance the shapes. Specifically designed stitches, braids, twists, backfalls, postiches, hair pieces, half wigs and full wigs were used. Most were made by hand, both for the cast and extras. The traditional technique to curl hair with the Marcelle tongues, and a combination of some hair products, enhanced, hairstyling thereby defining both design and movement. Stefano Ceccarelli, Department Head Hairstylist Tahira Herold, Personal Hairstylist Claudia Catini, Hairstylist Sevlene Roddy, Hairstylist 1

<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

001<br />

002<br />

Boardwalk Empire<br />

Two Boats And A Lifeguard<br />

November 13, 2011<br />

Synopsis<br />

After his father dies, Nucky solicits advice from Rothstein. Angela meets a new friend at the beach. Van<br />

Alden hires a Norwegian nanny. Nucky steps down as Treasurer, then tells Owen to set a meeting with<br />

John McGarrigle in Ireland. Newly in charge, Jimmy tosses Mickey Doyle <strong>of</strong>f a balcony.<br />

Technical Description<br />

When designing the hairstyles for BOARDWALK EMPIRE we researched looks <strong>of</strong> the era and also the<br />

instructions on how hair was cut in the 1920s. Men's hair texture was analyzed, cut and styled to make a<br />

statement; hair products were used to control each look. High-fashioned younger women wore Bobs during<br />

this period. Women's hair was gathered at the nape <strong>of</strong> the neck, curls were placed on the cheeks for<br />

s<strong>of</strong>tness around their hats.<br />

Francesca Paris, Department Head Hairstylist<br />

Christine Cantrell, Key Hairstylist<br />

The Borgias<br />

The Confession<br />

June 17, 2012<br />

Synopsis<br />

While Alexander worries that Juan is missing, Savonarola is tortured, but will not confess. Meanwhile,<br />

Lucrezia falls for her new suitor and announces her engagement. Later, Alexander receives dire news,<br />

furthered by a shocking confession from Cesare. At the betrothal, Antonello makes his final attempt to<br />

poison the Pope.<br />

Technical Description<br />

A thorough historical research, through renaissance paintings, and in conjunction with the costume team,<br />

was essential to match colours and balance the shapes. Specifically designed stitches, braids, twists,<br />

backfalls, postiches, hair pieces, half wigs and full wigs were used. Most were made by hand, both for the<br />

cast and extras. The traditional technique to curl hair with the Marcelle tongues, and a combination <strong>of</strong> some<br />

hair products, enhanced, hairstyling thereby defining both design and movement.<br />

Stefano Ceccarelli, Department Head Hairstylist<br />

Tahira Herold, Personal Hairstylist<br />

Claudia Catini, Hairstylist<br />

Sevlene Roddy, Hairstylist<br />

1


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

003<br />

004<br />

Boss<br />

Reflex<br />

October 20, 2011<br />

Synopsis<br />

A new political force enters the race with only a few weeks until the primary. When the City Council stands<br />

in Kane's way, Kane and his crew will have to flex their political muscles to stay on top. Meanwhile,<br />

Meredith gets some unsettling news that adds to her growing suspicions that her husband's keeping<br />

something from her.<br />

Technical Description<br />

In episode 2, for the Black Tie Event, Meredith's hair, which we added hair extensions to, create a woven<br />

Chignon and loose waves with a 40's flair.<br />

Strong and powerful, like her husband Mayor Kane. Kelsey's look, <strong>of</strong> course, is one that is very clean and<br />

natural yet groomed. Kitty's edgy slick tight bob is tight and sophisticated.<br />

Dominic Mango, Department Head Hairstylist<br />

Tony Mirante, Key Hairstylist<br />

Breaking Bad<br />

Hermanos<br />

September 4, 2011<br />

Synopsis<br />

Skyler develops an unusual solution to her money troubles. Hank enlists Walt to investigate a theory. Walt’s<br />

impatience with Jesse grows.<br />

Technical Description<br />

The challenge <strong>of</strong> this episode was the fresh take on each actor as we redesigned their looks and<br />

reassessed the methods used to create those looks such as: custom cuts, color, and tools. The flashback<br />

sequences were achieved by using various old school techniques such as: past hairstyles, taupes, and<br />

many combinations <strong>of</strong> adhesives when filmed with different camera angles worked successfully in tricking<br />

the viewer’s eye in regards to the actor’s appearance and age.<br />

Gunnar Swanson, Department Head Hairstylist<br />

Copper Perry, Key Hairstylist<br />

2


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

005<br />

006<br />

Castle<br />

The Blue Butterfly<br />

February 6, 2012<br />

Synopsis<br />

Castle and Beckett investigate a killing and they discover the case is linked to a mysterious homicide from<br />

1947 involving a hard-boiled private eye. Castle realizes the key to solving the present-day murder is to first<br />

solve the homicide from the past. The 1947 case comes to life through stylized flashbacks!<br />

Technical Description<br />

Flashback to 1940s.Men have one character look.We scissor over combed the haircuts. Styling, we used<br />

water and pomade for strong "C" shapings and "S" patterns, some finger waving was involved! To achieve<br />

different looks on principal female cast:Switches, Lace wigs, and 3/4 wigs that we colored to match their<br />

own hair.<br />

Styling, we pin-curled the wigs and pieces with setting lotion. All hair, day <strong>of</strong>, was croquinoled.<br />

Comb-outs,we used pomade only and some spray.<br />

Edward Morrison, Department Head Hairstylist<br />

Anthony W Wilson, Key Hairstylist<br />

Lillie Frierson King, Hairstylist<br />

Josee Normand, Hairstylist<br />

Brian Banks, Hairstylist<br />

Justina Tuck, Hairstylist<br />

Charlie's Angels<br />

Runway Angels<br />

September 29, 2011<br />

Synopsis<br />

Undercover at a fashion show to solve the murder <strong>of</strong> a runway model. Abby goes further undercover as a<br />

model in the mansion which is linked to a green-card marriage scam, where models marry criminals in<br />

exchange for money.<br />

Technical Description<br />

To create different looks for the "Angels" undercover I used stock extensions, wigs and falls. Both "Angels"<br />

and models used extensions to create the high fashion looks <strong>of</strong> the runway show, "Kate" in a bob wig.<br />

"Abby" was transformed from her Retro 30's mid-length style to a more model-like longer style using stock<br />

falls, extensions and 3/4 wigs. Temporary color was used to blend the hairpieces to match the actress's<br />

hair.<br />

Mary Ann Valdes, Department Head Hairstylist<br />

Caridad Collazo, Key Hairstylist<br />

3


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

007<br />

008<br />

CSI: Crime Scene Investigation<br />

Freaks And Geeks<br />

November 2, 2011<br />

Synopsis<br />

The murder <strong>of</strong> a popular sideshow performer sends the team behind the scenes at a carnival freak show.<br />

Technical Description<br />

C.S.I. team goes to the carnival. Empress <strong>of</strong> pain's look was extensive curling, teasing and hair spraying to<br />

achieve the slick and tall shape. Then airbrushed with fire colors, red, orange and yellow followed with<br />

glitter. Elephant man's wig was cut and razored to the placement <strong>of</strong> prosthetics. On background, color<br />

sprays, glitter, wigs, hair extensions and pieces were used to create extraordinary and fun hair shapes.<br />

Kerry Mendenhall, Department Head Hairstylist<br />

Gary Perticone, Key Hairstylist<br />

Damages<br />

There's Only One Way To Try A Case<br />

July 13, 2011<br />

Synopsis<br />

Ellen seeks out the advice <strong>of</strong> her mentor, Patty Hewes, before pursuing a wrongful death case against CEO<br />

Howard Erickson who runs High Star Security Corp, a private military contracting company. Patty deals with<br />

the fallout <strong>of</strong> her son Michael's disappearance.<br />

Technical Description<br />

Ms. Close's lace front wig is wet set and then blown out. The process includes creating a part that shows<br />

through the wig, then the wig is applied and glued. We had to match Ms. Byrne's hair to season one with a<br />

lace front wig. Male characters receive hair cuts, blow outs, airbrushing along hairline and thinning spot fill<br />

ins.<br />

Diana Sikes, Department Head Hairstylist<br />

Bobby Diehl, Key Hairstylist<br />

4


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

009<br />

010<br />

Downton Abbey (Masterpiece)<br />

Episode 1<br />

January 8, 2012<br />

Synopsis<br />

The Great War unsettles life at Downton, and Isobel's surprising news about Matthew rocks the family<br />

further. New maid Ethel ruffles O'Brien's feathers and Bates returns with life changing news for Anna.<br />

Carson strives to keep standards high with disastrous personal consequences.<br />

Technical Description<br />

Male artists were cut and dressed into the styles <strong>of</strong> the period. Ladies had colour changes to take down<br />

modern highlights, those with pieces needed the colour match maintained. Female artists wore wigs,<br />

ladder-back, wefts or switches adding length and volume. These were always wet set with little or no setting<br />

lotion so I could design s<strong>of</strong>t styles with movement. Hot rollers etc. were used only on artist’s own hair. Very<br />

light use <strong>of</strong> hairspray.<br />

Anne "Nosh" Oldham, Department Head Hairstylist<br />

Christine Greenwood, Key Hairstylist<br />

Game Of Thrones<br />

The Old Gods And The New<br />

May 6, 2012<br />

Synopsis<br />

Arya has a surprise visitor. Dany vows to take what is hers. J<strong>of</strong>frey meets his subjects. Qhorin gives Jon a<br />

chance to prove himself.<br />

Technical Description<br />

We had over 140 speaking cast, 40% wore wigs. One white wig had a bald cap, which we did, additionally<br />

the Hound’s wig around a prosthetic. Most main cast had full head colours or high- or lowlights plus cuts,<br />

which we did in-house. Created new looks for Qarth, Iron Islanders, Stannis, Renly’s Camp as well as<br />

Starks, Lannisters, Wildlings, Nightswatch, Tyrells, Dothraki. Plus all their crowds, and controlling continuity<br />

over 3 countries simultaneously.<br />

Kevin Alexander, Department Head Hairstylist<br />

Candice Banks, Hairstylist<br />

Rosalia Culora, Hairstylist<br />

Gary Machin, Hairstylist<br />

5


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

011<br />

012<br />

GCB<br />

A Wolf In Sheep's Clothing<br />

March 25, 2012<br />

Synopsis<br />

When Carlene learns that her Uncle Burl and his wife Bitsy have returned to Dallas, Gigi decides to organize<br />

a homecoming party where guests are required to come dressed as their favorite Texan.<br />

Technical Description<br />

Good Christian Belles<br />

Episode #4, a "come as your best Texan" costume party.<br />

Human hair lace front wigs were cut and styled and, in some cases, colored for each actor to match their<br />

"Best Texan", in addition to changes back to their own characters, also lace front wigs.<br />

Michael Reitz, Department Head Hairstylist<br />

Jeri Baker, Co-Department Head Hairstylist<br />

Katherine Rees, Hairstylist<br />

Susan Lipson, Hairstylist<br />

Elizabeth Rabe, Hairstylist<br />

Girls<br />

Welcome To Bushwick A.K.A. The Crackcident<br />

May 27, 2012<br />

Synopsis<br />

At the “best party ever” in a Bushwick warehouse, Hannah learns Adam’s main defining trait (other than his<br />

ears), Marnie is beside herself after seeing Charlie with his new girlfriend, Jessa teases a mystery texter,<br />

and Ray becomes Shoshanna’s spirit guide in a time <strong>of</strong> need.<br />

Technical Description<br />

In Episode 107, the girls attend a large party at a trendy neighborhood in Brooklyn. Hannah, has a simple<br />

high ponytail as if she were trying, but possibly failing, to give herself a fancy "updo". Jessa, has a<br />

Gibson-inspired updo as if she were attempting to model herself after vintage photographs.<br />

Marnie has a simple blow out, styled and set using vent-rollers.<br />

Shoshanna has an extremely high pompadour in front pulled into a sleek ponytail.<br />

Sherry Heart, Department Head Hairstylist<br />

Vanessa Sims, Key Hairstylist<br />

6


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

013<br />

014<br />

Glee<br />

Props<br />

May 15, 2012<br />

Synopsis<br />

Tina hits her head and emerges in a dream where all the GLEE characters switch identities. Puck gets beat<br />

up by the hockey dudes.<br />

Technical Description<br />

When our characters changed identities, we used 4 hairlace wigs, 1 hairlace mohawk on a baldcap, 1<br />

switch pony, 3 sets <strong>of</strong> different color extensions with waterpro<strong>of</strong> reel color and mouses, 1 Dread wig made<br />

in-house by the stylists, 8 mullet pieces, 4 stunt wigs, 1 flatter wig and a bang application. 6 actors' hair<br />

were reshaped to reflect another, all in addition to the shows regular looks.<br />

Dugg Kirkpatrick, Department Head Hairstylist<br />

Monte Haught, Hairstylist<br />

Alyson Black-Berrie, Hairstylist<br />

Tena Parker-Baker, Hairstylist<br />

Nikki White, Hairstylist<br />

Roxanne Sutphen, Hairstylist<br />

Grey's Anatomy<br />

If/Then<br />

May 3, 2012<br />

Synopsis<br />

What if Meredith had had a happy childhood? What if Ellis Grey had never gotten sick? What if Derek and<br />

Addison had stayed together? Then what would have happened? We see the very different lives <strong>of</strong> the<br />

doctors <strong>of</strong> Seattle Grace in an alternative world.<br />

Technical Description<br />

Objective was to change each characters' look,but stay contemporary.All the characters were intertwined<br />

w/each other and had to portray different lives.I added extensions and styled Meredith and Callie's hair<br />

different.I straightened Cristina's and added a bang-piece for a different look.Dr. Baily-I applied a full head<br />

<strong>of</strong> long microbraids.Lexie took 30-man-hours to apply her dreadlocks.I made locks out <strong>of</strong> extensions,then<br />

attached to her real hair.For the men,Derek,Mark and Justin,I colored,chemically-straightened,and styled<br />

different to change their looks.<br />

Melanie Smith, Department Head Hairstylist<br />

Tanya Stine, Key Hairstylist<br />

Jason Green, Hairstylist<br />

7


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

015<br />

016<br />

Grimm<br />

Let Down Your Hair<br />

December 16, 2011<br />

Synopsis<br />

A mysterious homicide deep in the woods leads to Nick & Hank reopening a long-aborted missing persons<br />

case. When Nick suspects the person might be a feral creature he asks Monroe for help to remind this wild<br />

child <strong>of</strong> her human nature.<br />

Technical Description<br />

To create the feral Rapunzel character we started with a 10 foot med. brown hand tied lace front human hair<br />

wig we commissioned, adding different textures, colors and length <strong>of</strong> human & synthetic hair to create a<br />

worn texture. We also added twigs, moss, sea spray, gels & resins to show 9 years <strong>of</strong> forest living. We then<br />

braided all together incorporating actresses hair. We created an additional wig for the creature.<br />

Doreen VanTyne, Department Head Hairstylist<br />

Patti Marie Shulte, Key Hairstylist<br />

Hell On Wheels<br />

God Of Chaos<br />

January 15, 2012<br />

Synopsis<br />

Cullen's new life on the railroad is put in jeopardy when he is forced to choose between his past and his<br />

future.<br />

Technical Description<br />

Endless research, actual photos, and the written word from the 1860s helped create characters with a wide<br />

variety <strong>of</strong> looks. Their hardships, encounters, and journeys also played a role in determining their hairstyles.<br />

I found that formulating our own styling aids helped to create the look <strong>of</strong> the unbathed breakdown. We used<br />

our fingers, limited tools, extensions, wigs, and pieces to build the historic look for this production.<br />

Chris Glimsdale, Department Head Hairstylist<br />

Penny Thompson, Key Hairstylist<br />

Jo-Dee Thomson, Key Hairstylist<br />

8


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

017<br />

018<br />

Homeland<br />

Crossfire<br />

November 27, 2011<br />

Synopsis<br />

After Brody’s attempt to sever ties with Abu Nazir, he recommits to his mission. Meanwhile, the search for<br />

Walker continues on the heels <strong>of</strong> the shooting at the mosque. The mosque’s Imam refuses to give up<br />

information about Walker, but Carrie finds answers in an unexpected place.<br />

Technical Description<br />

This intricate storytelling <strong>of</strong> a returned POW required the use <strong>of</strong> three wigs varying in length, style and use<br />

<strong>of</strong> products; layering colored mousse, shaving cream, pomade and gel combined with sculpting and diffused<br />

blow-styling. Carrie’s very natural, smart look begins with wet hair and light mousse blown dry followed by<br />

curls set with iron and clipped until cool for maximum control. Hairstyles for government <strong>of</strong>ficials, military<br />

regulations and diverse nationality traditions maintained.<br />

Deborah Ball, Department Head Hairstylist<br />

House Of Lies<br />

The Mayan Apocalypse<br />

April 1, 2012<br />

Synopsis<br />

To block the merger <strong>of</strong> Galweather Stern and MetroCapital, Jeannie publicly admits to her affair with the<br />

Rainmaker. She and Marty are drawn ever closer, but at a cost: Jeannie leaves her fiancé Wes, and<br />

Roscoe leaves Marty to live with his mother.<br />

Technical Description<br />

Don Cheadle: a haircut with a compact clipper, then a very hot towel to get rid <strong>of</strong> loose hair. I applied duke<br />

wave pomade and ampro, clear ice gel and blew it with a warm dryer. For Ben Schwartz, a haircut, I dried<br />

his hair and used clay wax, lifting with a rat tail comb. The women were blown with Redken hotsets 22,<br />

curled with Redken spray starch 15, then fingered through.<br />

Ken Walker, Department Head Hairstylist<br />

9


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

019<br />

020<br />

Key & Peele<br />

Dueling Magical Negroes<br />

February 28, 2012<br />

Synopsis<br />

Jordan and Keegan play two mystics battling over the right to dispense sagacious advice. Also, President<br />

Obama tries a new strategy against his Republican opposition.<br />

Technical Description<br />

To achieve the look in the first three acts I hand laid hair with gafquat and loose Afro hair then used clippers<br />

to shape for the desired effect. For the Jayden Smith look, I braided a lace wig into cornrows and then hand<br />

laid hair around hairline to blend. A lace wig was used for the reporter. For Obama, I hand laid hair to match<br />

hairline then added silver throughout.<br />

Amanda M<strong>of</strong>ield, Department Head Hairstylist<br />

The Killing<br />

What I Know<br />

June 17, 2012<br />

Synopsis<br />

Sarah and Holder close the case while Richmond sets out on a bold new path and the Larsen family gains<br />

closure from an unsuspected source.<br />

Technical Description<br />

Texture and breakdown <strong>of</strong> performers hair is carefully crafted and kept in accordance to<br />

elements/weather/continuity.<br />

Characters realized using: Hair extensions, Lace Wigs, temporary and permanent colors, real and fake<br />

wetness, blood rigs placed in hair, stunt and photo doubles.<br />

Design is partially left to the elements and situational decisions <strong>of</strong> performances.<br />

Corrective techniques were used sparingly as to add to the intensity and feeling <strong>of</strong> each scene.<br />

Jessica Rain, Department Head Hairstylist<br />

Julie McHaffie, Hairstylist<br />

10


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

021<br />

022<br />

Leverage<br />

The Van Gogh Job<br />

July 17, 2011<br />

Synopsis<br />

On the trail <strong>of</strong> a lost Van Gogh, the team learns the painting was the center <strong>of</strong> a World War II love story<br />

between a black soldier and the white heiress he was forced to leave behind.<br />

Technical Description<br />

The period looks <strong>of</strong> WWII: for Parker it was created by first prepping her dry hair with texturizing spray. I<br />

then curled it using a 1/2 inch barrel marcel iron on low heat, using caution not to damage her human hair<br />

extensions. I parted it on the side and curled small vertical sections forward, and clipped into pincurls with<br />

pivot point sections for bang. I molded it into waves using a boar bristle brush.<br />

Catherine Conrad, Department Head Hairstylist<br />

Luck<br />

Episode 109<br />

March 25, 2012<br />

Synopsis<br />

Gus takes precautions to protect his boss. Jerry maps out a strategy for another big score. Escalante keeps<br />

an ear out for news about Jo. Renzo welcomes his mother to town. A crowd gathers for the showdown<br />

between the two stars - Pint <strong>of</strong> Plain and Gettin’Up Morning.<br />

Technical Description<br />

Many different techniques were used in the creation <strong>of</strong> 19 Principle actors, characters <strong>of</strong> LUCK.<br />

To give each actor their own distinguishable gritty look, everything was done in house for purposes <strong>of</strong><br />

continuity. We bleached their hair to appear older, colored their hair to appear younger, permanent waves<br />

were used. High and low lighting applications were used. A variety <strong>of</strong> hair extensions were also used.<br />

All for the look <strong>of</strong> realism.<br />

Kimberley Spiteri, Department Head Hairstylist<br />

Catherine Chiders, Key Hairstylist<br />

Daniel Erdman, Personal Hairstylist<br />

11


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

023<br />

024<br />

Mad Men<br />

The Phantom<br />

June 10, 2012<br />

Synopsis<br />

Don, guilty over Lane’s death, sees visions <strong>of</strong> his dead brother and suffers from a toothache. Megan,<br />

desperate and failing, gets Don to cast her in a shoe commercial. Beth’s shock therapy erases her memory<br />

<strong>of</strong> Pete. SCDP gets a second floor.<br />

Technical Description<br />

This episode Pete’s hairline is shaved, creating an aging and receding look. Megan wears a 3/4 wig to give<br />

her fullness & elegance for her audition reel. Peggy’s coiffed, one sided flip, shows she’s breaking out <strong>of</strong> her<br />

shell as she climbs the corporate ladder. Joan’s red locks are curled & teased, into a sexy bombshell updo.<br />

Ending bar scene, hair pieces and wigs were used, to recreate mid 60’s classic hair do’s.<br />

Theraesa Rivers, Department Head Hairstylist<br />

Lucia Mace, Key Hairstylist<br />

Arturo Rojas, Additional Hairstylist<br />

Maria Sandoval, Additional Hairstylist<br />

David Blair, Additional Hairstylist<br />

Magic City<br />

Atonement<br />

April 27, 2012<br />

Synopsis<br />

Mike Strauss’ body is seized, Ike reacts to a break-in, and Victor plots to get his wife out <strong>of</strong> Cuba. Vera<br />

secures Jackie Kennedy for a charity event but laments not having children with Ike.<br />

Technical Description<br />

Vera: 7/8 wig over waist-length hair.<br />

Lily: dark lace wig over blond hair.<br />

Judi: Platinum lace wig over long, thick red hair.<br />

Mercedes: 7/8 wig blended into her hair.<br />

Myrna: synthetic Judi look alike wig.<br />

Wigs fracture wrapped to maintain small shape. All were wet set per period.<br />

Many day players and background had very long hair, cheated per period.<br />

All men cut and styled per period. Some actors airbrushed, hiding imperfections.<br />

Beatrice De Alba, Department Head Hairstylist<br />

Richard De Alba, Key Hairstylist<br />

12


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

025<br />

026<br />

New Girl<br />

Bad In Bed<br />

December 6, 2011<br />

Synopsis<br />

When Jess decides to take her relationship with Paul to the next level, she consults with the guys for some<br />

sex advice. Meanwhile, Schmidt worms his way into his boss' baby shower to compete with his <strong>of</strong>fice female<br />

counterpart.<br />

Technical Description<br />

Designing and maintaining the look, feel and color <strong>of</strong> Zooey Deschanel's hair as a main feature in her<br />

character's unique and fashionable look on NEW GIRL.<br />

Aaron Light, Department Head Hairstylist<br />

Pan Am<br />

Pilot<br />

September 25, 2011<br />

Synopsis<br />

In the hands <strong>of</strong> a brash young pilot and a rebellious head stewardess, Pan Am's state <strong>of</strong> the art Majestic<br />

Clipper jetliner makes its maiden voyage from New York to London. The flight also represents freedom to<br />

runaway bride Laura while her sister Kate is recruited to become a spy.<br />

Technical Description<br />

To achieve the beautiful stylish looks <strong>of</strong> the "Pan Am" stewardess' <strong>of</strong> 1962, I started by cutting and coloring<br />

(no modern highlights) the four leading ladies, most <strong>of</strong> the day players and background. Pan Am airline<br />

demanded that all stewardess' were current in their fashions, hairstyles and makeup.<br />

Styling the women incorporated all skills: sets, meticulous comb-outs, wigs and falls.<br />

Pilots required regulation haircuts and all men had period clean cuts styled with pomade.<br />

Michelle Johnson, Department Head Hairstylist<br />

Peg Schierholz, Key Hairstylist<br />

Victor DeNicola, Jr., Hairstylist<br />

13


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

027<br />

028<br />

Portlandia<br />

Cops Redesign<br />

February 3, 2012<br />

Synopsis<br />

Jason returns to LA from Portland and informs Melanie the “Dream <strong>of</strong> the 1890s” is alive in Portland. The<br />

Mayor tasks Fred and Carrie with redesigning the Portland Police Department's uniforms and image; A man<br />

donates his old records to an elite preschool, but protective parents question his sonic sensibilities.<br />

Technical Description<br />

There are a variety <strong>of</strong> characters played by Fred Armisen and Carrie Brownstein featuring hair, wigs and<br />

facial hair we worked with to define the characters and make them truly unique. With a small budget and<br />

collaborative imagination we were able to bring these “Portlandians” to life, particularly in the “Dream <strong>of</strong> the<br />

1890s”, where we accurately depicted the style <strong>of</strong> the era using beards, mustaches and wigs while<br />

preserving the spirit <strong>of</strong> modern Portland.<br />

Jodi Mancuso, Department Head Hairstylist<br />

Jennifer Serio Stauffer, Hairstylist<br />

Smash<br />

Bombshell<br />

May 14, 2012<br />

Synopsis<br />

The big night is finally here. Tom and Julia race to save the show, while Derek makes a decision that will<br />

change Karen and Ivy’s lives forever. Ellis reveals his true colors. In the midst <strong>of</strong> it all, another bombshell<br />

goes <strong>of</strong>f, this one is in Karen and Dev’s relationship.<br />

Technical Description<br />

Debra Messing's 3/4 piece was colored, cut, and styled to match her hair. Anjelica Huston's lace-front wig<br />

was cut, styled, and rooted. Clip-in extensions helped create current looks for Katherine McPhee and<br />

Megan Hilty. Men’s hairstyles included both period and contemporary grooming. Broadway-style production<br />

numbers, including all "Marilyn" looks, were designed to specific periods and styled for the rigours <strong>of</strong><br />

performance. We accomplished this using lace-front and partial wigs, wefting, and switches.<br />

Clariss Morgan, Department Head Hairstylist<br />

AnnMichelle Radcliffe, Key Hairstylist<br />

Christine Fennell, Hairstylist<br />

Adenike Wright, Hairstylist<br />

14


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

029<br />

030<br />

Sons Of Anarchy<br />

Family Recipe<br />

October 25, 2011<br />

Synopsis<br />

An important club vote gets side-tracked when SAMCRO is forced to deal with dangerous external threats<br />

against the club.<br />

Technical Description<br />

Designing hair for SOA takes finesse to bring a realistic feel and stylized look. Research into different gang<br />

affiliations/military ranks determined some hair designs. Continuity because episodes play consecutively.<br />

Pr<strong>of</strong>iciency in cutting/barbering skills and mastery in hair coloring is key to maintaining the Sons and their<br />

wives hairstyles. Expertise in working with hair extensions and lace wigs, a necessity - 11 actors hair are<br />

completely indistinguishable from either their photo-double or stuntman's wig.<br />

Teressa Hill, Department Head Hairstylist<br />

Ketty Gonzalez, Key Hairstylist<br />

Cammy Langer, Hairstylist<br />

Spartacus: Vengeance<br />

Empty Hands<br />

February 17, 2012<br />

Synopsis<br />

Spartacus leads survivors through the woods, but Crixus gets separated and returns to a place <strong>of</strong> past<br />

suffering. Lucretia pries into Ilithyia’s affairs, seeking influence with a powerful Roman.<br />

Technical Description<br />

The natural more feral looks <strong>of</strong> the rebels hair makes for a spectacular contrast with the opulence <strong>of</strong> the<br />

roman wigs and hair styling. The shapes and structures <strong>of</strong> the roman hair styles are representative <strong>of</strong><br />

images taken <strong>of</strong> Roman busts from around the year 73 BCE. Not always flattering and sometimes very<br />

harsh, this period could also be very elegant and beautiful. A person's hair was indicative <strong>of</strong> one's class or<br />

wealth.<br />

Vinnie Ashton, Department Head Hairstylist<br />

15


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

031<br />

032<br />

Suits<br />

Dog Fight<br />

September 8, 2011<br />

Synopsis<br />

Harvey’s efforts to free an innocent man hit a wall when he goes against the new district attorney, who<br />

seems more focused on the integrity <strong>of</strong> the system than justice. Trevor’s path to redemption lands him on<br />

Mike’s doorstep where his presence wreaks havoc in Mike’s life.<br />

Technical Description<br />

Style, power, classic elegance: who comes to mind? Howard Hughes; James Bond; Clark Gable. Harvey’s<br />

hair is styled after these iconic figures: hair long on top with very short back and sides. Royal Crown<br />

pomade combed upward and back, gives it a groomed, crisp, and unique style.<br />

Brazilian Blowout smoothing system, hot irons, and barrel pin-curls made the ladies’ hair shiny, sleek, and<br />

sassy; crowning their corporate, New York ensemble.<br />

Regan Noble, Department Head Hairstylist<br />

30 Rock<br />

Queen Of Jordan 2: The Mystery Of The Phantom Pooper<br />

May 3, 2012<br />

Synopsis<br />

The launch <strong>of</strong> Angie Jordan's new clothing line brings "Queen <strong>of</strong> Jordan" back to "TGS", but the cameras<br />

focus on Jack when news about his wife, Avery, forces him to confront his feelings for Diana.<br />

Technical Description<br />

This episode broke from our usual format and was shot to look like a reality show. To give the flavor <strong>of</strong> the<br />

heightened drama, we made multiple style changes to Sherri Shepherd and Paula Leggett-Chase. Twisting<br />

was used to style Moya Angela. A photo double was used for Jane Krakowski. In addition to our regular<br />

cast, Mary Steenburgen, Katrina Bowden, 8 plus-sized models and over 100 extras kept us busy.<br />

Josh Marquette, Co-Department Head Hairstylist<br />

Richard Esposito, Co-Department Head Hairstylist<br />

Guy Bayo, Personal Hairstylist<br />

16


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

033<br />

034<br />

True Blood<br />

You Smell Like Dinner<br />

July 3, 2011<br />

Synopsis<br />

Sookie goes to Bill to get protection from Eric but Bill’s hands are tied. Jason is a prisoner <strong>of</strong> Crystal and the<br />

Werepanthers. Arlene’s baby might be evil. Tara goes to a witch circle with Jesus and Lafayette. Eric tries to<br />

stop the witches but the leader, Marnie, curses him.<br />

Technical Description<br />

All hair in the London 1982 punk rock flashback for all background (most did not come camera ready) was<br />

done by our team <strong>of</strong> hairstylists. We researched and created the styles for that period. A lacefront wig was<br />

applied to "Bill" for his duel with “Queen Sophie” who was styled. Wigs were prepped to match their stunt<br />

doubles. A lace front wig was applied to "Lafayette”.<br />

Dennis Parker, Department Head Hairstylist<br />

David Larson, Key Hairstylist<br />

Kathleen Leonard, Hairstylist<br />

Iraina Crenshaw, Hairstylist<br />

The Vampire Diaries<br />

The End Of The Affair<br />

September 29, 2011<br />

Synopsis<br />

In a flashback to Chicago in the 1920s, Stefan comes face-to-face with a shocking chapter from his wild past<br />

where he is reunited with a vampire who hasn't really moved on from her interest in him.<br />

Technical Description<br />

1920s in its full glory! Lace wigs for our principals and really good stock wigs for all <strong>of</strong> our background<br />

actors. Every actor on screen was prepped, cut, marcel waved and styled. There were several variations on<br />

the theme as the story took place over several days. Stylistically, our lead actress was the only one to wear<br />

a sleek bob in contrast to the other ladies wearing waved and curled bobs or low chignons.<br />

Daniel Curet, Department Head Hairstylist<br />

Bryson Conley, Key Hairstylist<br />

Evelyn Roach, Additional Hairstylist<br />

Monty Schuth, Additional Hairstylist<br />

Maurice Beaman, Additional Hairstylist<br />

17


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

035<br />

036<br />

Veep<br />

Pilot<br />

April 22, 2012<br />

Synopsis<br />

Selina's crew and some environmentally friendly cornstarch cutlery have a meltdown. In the middle <strong>of</strong><br />

keeping clean jobs and the plastics industry happy, Amy accidentally signs her name instead <strong>of</strong> Selina's to a<br />

condolence card for a senator's widow.<br />

Technical Description<br />

We looked to today's chic Washington for inspiration. Julia is in a wig that I cut in layers to frame her face<br />

and not too short, to ensure versatility. It was important as well to be able to give her up-dos. I wrapped her<br />

hair as flat as possible before applying the wig to achieve proper scale. I used irons to give the layers a little<br />

kick.<br />

Frida Aradottir, Department Head Hairstylist<br />

Ardis F. Cohen, Key Hairstylist<br />

The Walking Dead<br />

Save The Last One<br />

October 30, 2011<br />

Synopsis<br />

The group desperately awaits Shane’s return. Shane finds himself trapped in a school, surrounded by the<br />

undead. Daryl and Andrea search for someone in the woods.<br />

Technical Description<br />

THE WALKING DEAD takes place over a very short period <strong>of</strong> time. Maintaining continuity for our casts, yet<br />

keeping it realistic.<br />

I wanted their look hot and sexy, tattered and torn, not looking like Hollywood hair.<br />

A sweat mixture for hair, knots, and a lace wig after shaving Shanes' head, for flashbacks. All these were<br />

used on actors in episode 3, when Shane kills Ottis in "Save the Last One."<br />

Taylor Knight, Department Head Hairstylist<br />

Vincent Gideon, Hairstylist<br />

18


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Single-Camera Series<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

037<br />

Wilfred<br />

Sacrifice<br />

September 1, 2011<br />

Synopsis<br />

Wilfred urges Ryan to sacrifice his newfound happiness for a greater good.<br />

Technical Description<br />

I waited to learn what the wardrobe department was designing for the cast in a scene that was a<br />

black-and-white sequence. I was inspired by Hollywood movies from the 1930s. Wilfred’s director wanted<br />

the show’s title character to look like a judge from the late-1790s or early-1800s. I designed and cut up a<br />

wig and sewed it directly onto the Wilfred dog suit.<br />

Jose L. Zamora, Department Head Hairstylist<br />

Lisa Meyers, Key Hairstylist<br />

End <strong>of</strong> Category<br />

19


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

038<br />

039<br />

The Big Bang Theory<br />

The Countdown Reflections<br />

May 10, 2012<br />

Synopsis<br />

The fifth season ends with Howard and Bernadette deciding to get married before his NASA mission,<br />

causing the gang to scurry into overdrive in an effort to stage the wedding. NASA astronaut Mike Massimino<br />

has a cameo as himself.<br />

Technical Description<br />

Depicting a down to earth last minute ro<strong>of</strong>top wedding. Keeping all the actors true to their characters.<br />

Simple but pretty "geek" hair...<br />

Faye R Woods, Department Head Hairstylist<br />

Sylvia Surdu, Assistant Department Head Hairstylist<br />

Rachael Dowling, Hairstylist<br />

The Celebrity Apprentice<br />

How Much Is That Celebrity In The Window<br />

March 4, 2012<br />

Synopsis<br />

The celebrities have to design a live storefront presentation for Ivanka Trump's collection <strong>of</strong> clothing and<br />

jewelry.<br />

Technical Description<br />

Women were glamourized with clip-in extensions, roller set hair, modern updos and casual day styles.<br />

Hydrated hair care was essential to allow for smooth glossy hair looks and manageable styles. In task<br />

delivery, presentation and boardroom we created modern styles with hair tools and accessories as seen on<br />

all celebrity women and maintained natural but edgy hair on men when needed.<br />

Christopher Ritchey, Key Hairstylist<br />

Donald Francis, Hairstylist<br />

Ashley Palumbo, Hairstylist<br />

Roma Demartino, Hairstylist<br />

20


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

040<br />

041<br />

Conan<br />

Episode 0112<br />

June 28, 2011<br />

Synopsis<br />

Conan episode #0112. Includes a Michele Bachmann History Channel spo<strong>of</strong>.<br />

Technical Description<br />

This sketch is a spo<strong>of</strong> <strong>of</strong> Michele Bachmann narrating a founding fathers convention.<br />

Ben Franklin: cut, styled synthetic wig, custom colored and secured to bald cap.<br />

Thomas Jefferson,Andrew Jackson,John Quincy Jones,Sam Patch Adams: set, styled these 4 characters'<br />

synthetic wigs to represent colonial era with traditional ribbon attached with Adams wig secured to beer<br />

bottle costume.<br />

John Wayne Gacey: Styled, designed synthetic wig to represent disheveled, menacing clown with multiple<br />

enhanced colors.<br />

Jeffrey Swander, Department Head Hairstylist<br />

Carol Mitchell, Key Hairstylist<br />

Dancing With The Stars<br />

Episode 1407<br />

April 30, 2012<br />

Synopsis<br />

In the 7th week <strong>of</strong> competition in season 14, the 7 remaining couples, Maria & Derek, Donald & Peta,<br />

Roshon & Chelsie, Melissa & Maksim, William & Cheryl, Katherine & Mark, and Jaleel & Kym competed in<br />

“Classical Night” vying for the “Dancing with the Stars” Mirrorball trophy.<br />

Technical Description<br />

Classical music inspired the looks for this live episode. Marie Antoinette, Helen <strong>of</strong> Troy, Pre-Raphaelite era,<br />

and the Viennese Waltz were our inspiration. Hairstyles designed for a cast <strong>of</strong> 22 by using hair pieces,<br />

extensions and crepe wool. Because this is a live competition, we had to transform them into a Tango or a<br />

Paso Doble look in record time. We created buns and added flowers. We anchored hats to withstand the<br />

rigorous moves.<br />

Mary Guerrero, Department Head Hairstylist<br />

Kimi Messina, Key Hairstylist<br />

Jennifer Guerrero-Mazursky, Hairstylist<br />

Rachel Dowling, Hairstylist<br />

Cynthia Romo, Hairstylist<br />

Sean Smith, Hairstylist<br />

21


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

042<br />

043<br />

Fashion Star<br />

What's Your Campaign?<br />

May 1, 2012<br />

Synopsis<br />

The mentors (Jessica Simpson, Nicole Richie and John Varvatos) work together with the designers to<br />

create a successful brand campaign. The winning designs can be bought immediately online.<br />

Technical Description<br />

Of all the looks I did for Jessica Simpson, the most distinctive was the Hepburn inspired up-do in episode 8.<br />

This modern twist on a classic was chic and sophisticated and easy to execute. Blow-drying the hair straight<br />

& pulling it into a high pony tail,nice and tight. I teased the pony tail into a large shape,used hair spray to<br />

secure tease and with bobbie pins,created the bun shape. The end result is stunning.<br />

Robert Vetica, Personal Hairstylist<br />

Happily Divorced<br />

The Burial Plotz<br />

March 28, 2012<br />

Synopsis<br />

Fran sells Peter's burial plot to pay for repairs to Frantastic Flowers.<br />

Technical Description<br />

Creating hairstyles for the guest actresses so they would immediately be recognized as the characters they<br />

played in "The Nanny" meant big dynamic character retro wigs circa 1996-2001... Even though they play<br />

different characters there is no doubt who these actors are.....really.<br />

Faye R Woods, Department Head Hairstylist<br />

Rachal Louise Dowling, Key Hairstylist<br />

Judd Minter, Additional Hairstylist<br />

22


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

044<br />

045<br />

Hot In Cleveland<br />

Elka's Wedding<br />

August 31, 2011<br />

Synopsis<br />

It's Elka's wedding day. Joy, Melanie, and Victoria wake up with no recollection <strong>of</strong> Elka's bachelorette party.<br />

Their house is crowded with sleeping frat boys. The bride is missing.Flashing back to the night before,the<br />

women must gather fractions <strong>of</strong> their memory to piece together how and when they lost Elka.<br />

Technical Description<br />

We flash back on this hilarious “Hangover” episode. Wendie Malick and Jane Leeves wake up in the<br />

morning still drunk. We designed wigs into a 60’s “Flip” using big rollers, then backcombed and smoothed<br />

over with a brush. Hairspray is a necessity in order to achieve the height and drama in this style. Joy’s wig<br />

was accessorized with a big bow.<br />

Extensions are curled and applied into Valerie Bertinelli. Betty White wears her “fabulous” set.<br />

Kim Urgel, Co-Department Head Hairstylist<br />

Cydney Cornell, Co-Department Head Hairstylist<br />

How I Met Your Mother<br />

Trilogy Time<br />

April 9, 2012<br />

Synopsis<br />

Ted, Marshall, and Barney embark on “Trilogy Time”, an event where they watch the Star Wars trilogy every<br />

three years, envisioning their lives three years later. Through a visually hilarious series <strong>of</strong> flashbacks/flash<br />

forwards and fantasies, they each envision various scenarios in which their futures might unfold.<br />

Technical Description<br />

Our cast is transported through flashforwards/flashbacks and fantasies using 10 custom cut/colored wigs<br />

and 3 enhanced looks using partial hairpieces/extensions. All wigs are quick-changes (sketch-comedy<br />

style) including: 1) kinky, marcel-curled lace men’s, 2)long/silky rocker, 3)goth girl, 4)custom-colored<br />

beachy-blonde, hand-dreadlocked hippie, 5)custom-colored, roller-set princess, 6)blonde, lace “Grace<br />

Kelly”, 7)roller-set 50’s glamour, 8)custom-colored, lace Season2 flashback, 9) roller-set 60's "JackieO",<br />

10)custom-colored, lace comb-over piece over baldcap, 11)season1 flashback extensions,<br />

12)custom-colored synthetic bangs. Contemporary hairstyling also utilized throughout!<br />

Grace Hernandez Leider, Department Head Hairstylist<br />

Cindy Costello, Key Hairstylist<br />

Amy McHale, Hairstylist<br />

23


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

046<br />

047<br />

Late Night With Jimmy Fallon<br />

Jimmy Fallon's Super Bowl Special<br />

February 5, 2012<br />

Synopsis<br />

Jimmy does a LIVE show in Indianapolis following the Superbowl with guests Adam Sandler, Andy<br />

Samberg, and FLO RIDA plus 3 NY Giants.<br />

Technical Description<br />

Fallon takes his show on the road for the Super Bowl. It opens with a musical number that was shot with a<br />

film-like quality and then a live performance. In the second act <strong>of</strong> the show we did a pre-tape that highlighted<br />

our character creations. Jimmy impersonated 7 different characters that required 5 different wigs. Some <strong>of</strong><br />

the wigs are high end and others store bought. All were cut, colored, stylized and customized.<br />

Courtney Benedetti, Department Head Hairstylist<br />

Saturday Night Live<br />

Host: Zooey Deschanel<br />

February 11, 2012<br />

Synopsis<br />

Zooey Deschanel hosts SNL and sings a Valentine song in her monologue. Sketches include a parody <strong>of</strong><br />

"Piers Morgan Tonight"; a French Dance with Jean DuJardin and celebrities being "quirky". Two live<br />

performances by Karmin.<br />

Technical Description<br />

In four days, we created 59 different wigs for the Zooey Deschanel episode. Replications <strong>of</strong> celebrities<br />

include: Mitt Romney, Clint Eastwood, Piers Morgan, Madonna, Nicholas Cage, Bjork, Mary Kate Olsen,<br />

Michael Cera, and Arianna Huffington. Original designs include: Victorian, Nouveau French, Midwestern,<br />

1920's, 1940's, 1980's. All were applied with an average prep time <strong>of</strong> 1:30 minutes for the live broadcast.<br />

Bettie O. Rogers, Department Head Hairstylist<br />

Jodi Mancuso, Key Hairstylist<br />

Inga Thrasher, Hairstylist<br />

Jennifer Stauffer, Hairstylist<br />

Cara Hannah Sullivan, Hairstylist<br />

Christal Schanes, Hairstylist<br />

24


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

048<br />

049<br />

So You Think You Can Dance<br />

Episode 822/823A<br />

July 28, 2011<br />

Synopsis<br />

After seeing thousands <strong>of</strong> talented dancers, judges picked 20 kids in order to find America's Favorite<br />

Dancer. On this elimination episode they learn a group number that may be their last and we make it<br />

memorable.<br />

Technical Description<br />

A unique hairstyle for each dancer was designed. The hairstyles were achieved with use <strong>of</strong> iron-work to<br />

create texture and volume.Stencils were designed for application <strong>of</strong> color.Hair was wrapped and<br />

crisscrossed through large hairpins in one-inch sections. Flat-irons were then applied over it creating an<br />

“accordion”-type texture. A feather wig was designed and applied to give a fantasy bird appearance. Hats<br />

and masks were anchored to the hairstyles to withstand the acrobatic type dancing.<br />

Sallie Ciganovich, Department Head Hairstylist<br />

Sean Smith, Key Hairstylist<br />

Anna Maria Orzano, Additional Hairstylist<br />

Maria Sandoval, Additional Hairstylist<br />

Mimi Love, Additional Hairstylist<br />

Melissa Jauqua, Additional Hairstylist<br />

30 Rock<br />

Live From Studio 6H<br />

April 26, 2012<br />

Synopsis<br />

When their Kabletown bosses announce they will no longer pay for TGS to be a live show, Liz Lemon and<br />

Jack Donaghy realize their lives will actually be easier if they shoot canned episodes fast and cheap. Only<br />

Kenneth the page objects.<br />

Technical Description<br />

15 regular cast members, 11 guest stars and 18 wigs/pieces in 22 minutes! Our live show was written to<br />

have a very theatrical feel with many very quick changes. Flashbacks included the 50s, 60s, 70s & 80s.<br />

Some guest stars and wigs were different between the East & West Coast shows. The script evolved<br />

throughout the week, wigs were added and changed daily including one period wig added the day <strong>of</strong> airing.<br />

Josh Marquette, Co-Department Head Hairstylist<br />

Richard Esposito, Co-Department Head Hairstylist<br />

Guy Bayo, Personal Hairstylist<br />

25


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

050<br />

051<br />

2 Broke Girls<br />

And Martha Stewart Have A Ball<br />

May 7, 2012<br />

Synopsis<br />

Max and Caroline plan to attend a big fashion gala at the Metropolitan Museum <strong>of</strong> Art where Martha Stewart<br />

is scheduled to be a guest, in an attempt to have her taste their cupcakes and get her seal <strong>of</strong> approval.<br />

Technical Description<br />

Max's hair was curled with different sized irons giving texture. Gala hair curled with large barrel iron. Human<br />

hair ladder piece added for length. Caroline's hair was blown out, styled, extensions added volume. Gala<br />

hair backcombed at crown, pulled back into slick pony. Sophie's hair blown out, round brush, large barrel<br />

iron, set, backcombed. Gala formal hairstyles created using curling irons, hot sets, flat iron, human hair<br />

pieces creating elegant styles. Accessories added completing look.<br />

Pixie Schwartz, Department Head Hairstylist<br />

Tim Burke, Department Head Hairstylist<br />

Lucia Mace, Additional Hairstylist<br />

Cindy Costello, Additional Hairstylist<br />

Victorious<br />

April Fools Blank<br />

March 20, 2012<br />

Synopsis<br />

When April Fools Day comes to Hollywood <strong>Arts</strong>, Tori spends her day expecting creative pranks and<br />

practical jokes, while being oblivious to a series <strong>of</strong> absurd events and crazy happenings around her.<br />

Included references to the 70s and 80s and tributes to The Wizard <strong>of</strong> Oz and SNL.<br />

Technical Description<br />

Soldiers: wigs cut, styled, powdered.<br />

"Waz <strong>of</strong> Oz":<br />

Glenda: human wig marcel waved. Change with extensions, 20 min.<br />

Wicked Witch: Custom colored, hand sewn extensions.<br />

Dorthy: Extensions, hair color modified for technicolor pop.<br />

Oompa Loompa: Custom green wig cut, steam styled.<br />

Match Game: 20 min change<br />

Liz: Synthetic wig cut wet set, styled to match Bret Sommers.<br />

Leon: Synthetic Afro wig cut, sized.<br />

Cast: 1970's style<br />

GaGa: Synthetic wig cut into mohawk, actors hair incorporated.<br />

Cyndra C Dunn Keitel, Department Head Hairstylist<br />

Monica Lisa Sabedra, Key Hairstylist<br />

Terrie Velazquez Owen, Additional Hairstylist<br />

Shawn Finch, Personal Hairstylist<br />

26


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

052<br />

053<br />

The Voice<br />

Episode 210A<br />

April 2, 2012<br />

Synopsis<br />

LIVE show as 12 <strong>of</strong> the 24 remaining singing contestants battle to become America's next "VOICE".<br />

Christina Aguilera, Adam Levine, CeeLo Green, Blake Shelton, Carson Daly and Christina Milian coach and<br />

host.<br />

Technical Description<br />

HAIR-GASM as contestants, coaches and commentators receive new hairstyles! Bald Ceelo Green even<br />

gets wigged! LIVE show with multiple quick changes! Two hours to complete! Looks include 9 wigs (human<br />

& synthetic) /12 sets <strong>of</strong> hair extensions/ finger waving/ pin curls/ marcel ironing/ shampoo sets/ crimping/<br />

pressing irons/ twisting/ braiding/ dread locks/ corn rows/ barbering- fades, edging, and total head shaves/<br />

airbrushing to fill scalps and colorize hair/ falls/ switches/ hand created neon ponytails.<br />

Shawn Finch, Department Head Hairstylist<br />

Jerilynn Stephens, Additional Hairstylist<br />

Cindy Costello, Additional Hairstylist<br />

Cheryl Marks, Additional Hairstylist<br />

Renee Dipinto Ferruggia, Additional Hairstylist<br />

Samantha Wen, Additional Hairstylist<br />

Wizards Of Waverly Place<br />

Rock Around The Clock<br />

June 3, 2011<br />

Synopsis<br />

The "Russo's" (Wizard Family) have found a time machine and in order to save the family business they<br />

have to go back in time which leads them into the 1950s and 1970s and then back to the present.<br />

Technical Description<br />

During the creation <strong>of</strong> these looks we used several different techniques including wet setting, blow-drying,<br />

pin curling and a lot <strong>of</strong> back combing. Some accessories were used as well. We also used some wigs on the<br />

men and added hairpieces to some <strong>of</strong> the female looks. Our looks for this episode included current styling,<br />

looks from the 1950s & 1970s...as the characters were time traveling.<br />

Roxanne Baker-Sarver, Department Head Hairstylist<br />

Sandra Munk, Key Hairstylist<br />

27


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Multi-Camera Series Or Special<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special. .<br />

Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

054<br />

The X Factor<br />

Episode 125A<br />

December 8, 2011<br />

Synopsis<br />

An American singing competition-the winner receives a 5 million-dollar recording contract. Both solo artists<br />

and groups compete, and the judges act as mentors and as judges, while factoring in the public votes. In<br />

this live show, we're down to the last 5 contestants and surprisingly, Rachel Crow gets voted <strong>of</strong>f.<br />

Technical Description<br />

We used wigs, extensions, hair falls and hair pieces. We had hair cuts and color with blow-drying,<br />

straightening and curling. There were the judges, contestants,celebrity guests and many dancers and band<br />

members. Creating many hair styles along with a lot <strong>of</strong> product from hair gels, shine, leave-in conditioners,<br />

hair paste, hair spray, with backcombing, teasing and praying :)<br />

Sallie Nicole Ciganovich, Department Head Hairstylist<br />

Cheryl Eckert, Personal Hairstylist<br />

Pierce Edward Austin, Hairstylist<br />

Roberta Gardener-Rogers, Hairstylist<br />

Sean Smith, Hairstylist<br />

Anna Maria Orzano, Hairstylist<br />

End <strong>of</strong> Category<br />

28


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Miniseries Or A Movie<br />

For a miniseries or a movie. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN THREE<br />

achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than three votes<br />

in this category will void all votes in this category.)<br />

055<br />

056<br />

American Horror Story<br />

October 5, 2011 - December 21, 2011<br />

Synopsis<br />

AMERICAN HORROR STORY revolves around the Harmons, a family <strong>of</strong> three who moved from Boston to<br />

Los Angeles as a means to reconcile past anguish.<br />

Technical Description<br />

Hair design and styling for AMERICAN HORROR STORY starts contemporary and goes through the 1920s,<br />

1940s, 1960s, 1970s, 1980s and 1990s. Lace wigs, hairpieces, human and synthetic wigs, coloring, and<br />

added hair, were used to achieve desired looks. Stories included characters with hairstyles to create<br />

matching looks, burnt, Halloween, aging, decomposing and creatures.<br />

Monte C. Haught, Department Head Hairstylist<br />

Samantha Wade, Key Hairstylist<br />

Melanie Verkins, Hairstylist<br />

Natalie Driscoll, Hairstylist<br />

Michelle Ceglia, Hairstylist<br />

Firelight<br />

April 22, 2012<br />

Synopsis<br />

D.J. is a counselor at a young women’s correctional facility. Salvation for many <strong>of</strong> the women comes when<br />

they join an elite band <strong>of</strong> firefighters who battle forest fires and assist during natural disasters. D.J.<br />

develops the volunteer force because he wants to change the way the girls see themselves.<br />

Technical Description<br />

I executed my methods by achieving simple and basic styles, that Female inmates can and would wear in<br />

prison. My team and I did a few cornrows, braids and ponytail styles, and the rest was straight or wavy<br />

natural everyday looks. This came from years <strong>of</strong> experience working in the Movie & <strong>Television</strong> Industry and<br />

doing our research.<br />

Andrea Brotherton, Department Head Hairstylist<br />

29


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Miniseries Or A Movie<br />

For a miniseries or a movie. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN THREE<br />

achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than three votes<br />

in this category will void all votes in this category.)<br />

057<br />

058<br />

Game Change<br />

March 10, 2012<br />

Synopsis<br />

A behind-the-scenes look at John McCain’s 2008 presidential campaign, from the selection <strong>of</strong> Alaska<br />

Governor Sarah Palin (Julianne Moore) as McCain’s running mate to their general election defeat sixty days<br />

later. GAME CHANGE, adapted from the non-fiction bestseller, <strong>of</strong>fers a unique glimpse into the inner<br />

workings <strong>of</strong> an historic campaign.<br />

Technical Description<br />

GAME CHANGE actors needed to match their real life characters. My techniques included cutting and wigs.<br />

Actors were cut, styled, dyed, bleached and highlighted. Julianne, Ed and Sarah wore wigs. Ed's hair was<br />

bleached out and then colored platinum so it wouldn't show under the wig. Sarah's hair was wrapped tightly<br />

and gaf quatted around the hairline and the wig was glued down. The wig's roots were lifted to maintain<br />

natural look and movement.<br />

Alan D'Angerio, Department Head Hairstylist<br />

Ardis F. Cohen, Key Hairstylist<br />

Great Expectations (Masterpiece)<br />

April 1, 2012 - April 8, 2012<br />

Synopsis<br />

Gillian Anderson and Douglas Booth star in Charles Dickens' tale <strong>of</strong> an orphan's sudden expectations <strong>of</strong><br />

wealth and true love. Complicating the picture are an escaped convict, a wily lawyer, a deranged rich<br />

woman, and a cold-hearted beauty.<br />

Technical Description<br />

The Aim: Portraying the idiosyncratic yet realistic look that reflected the extraordinary range <strong>of</strong> Dickens<br />

characters. Trauma, experience, social standing and personal journey can manifest themselves physically. I<br />

was able to achieve this by using bald caps, wigs, pre-setting and dyeing hairpieces, weft, apollo knots,<br />

twists, curls, tonging with marcel irons, hot sticks and making hair accessories. These techniques helped<br />

me create the simmering melting pot <strong>of</strong> early Victorian London.<br />

Kirstin Chalmers, Department Head Hairstylist<br />

Luca Saccuman, Key Hairstylist<br />

30


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Miniseries Or A Movie<br />

For a miniseries or a movie. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN THREE<br />

achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than three votes<br />

in this category will void all votes in this category.)<br />

059<br />

060<br />

Hatfields & McCoys<br />

May 28, 2012<br />

Synopsis<br />

The HATFIELDS & MCCOYS is the true American story <strong>of</strong> a legendary family feud, one that spanned<br />

decades and nearly launched a war between Kentucky and West Virginia. The six-hour miniseries<br />

showcases a cast led by Kevin Costner as Devil Anse Hatfield and Bill Paxton as Randall McCoy.<br />

Technical Description<br />

Reconstruction <strong>of</strong> the period through historical images,using the original tools <strong>of</strong> the time necessary to<br />

reproduce a “natural” Victorian look. Many wore hair pieces and wigs and half wigs used on the actors to<br />

recreate the original characters <strong>of</strong> the two families.Especially on some <strong>of</strong> the main actors,who went through<br />

three different stages <strong>of</strong> aging along a period <strong>of</strong> 30 years,three different wigs were used to characterize<br />

each age with different consistency and hair color.<br />

Girorgio Gregorini, Department Head Hairstylist<br />

Peter Nicastro, Key Hairstylist<br />

Gabriele Gregorini, Hairstylist<br />

The Heart, She Holler<br />

November 7, 2011 - November 12, 2011<br />

Synopsis<br />

THE HEART, SHE HOLLER is a soap opera about folk who ain't never used soap or seen an opera. It's a<br />

satire on the emotional Hee-Hawification <strong>of</strong> America, set in a town so inbred, the folks have become almost<br />

supernaturally wrong.<br />

Technical Description<br />

Many looks were portrayed for actors including Kristen Schaal, Heather Lawless and Patton Oswald for<br />

which 15 customized wigs were built. The world within this “Holler” was brought to life, particularly in “Death<br />

Begins at Conception”. The essence <strong>of</strong> this family emerges when Hambrosia becomes pregnant in her<br />

head. Within this absurd world her head grows 3 feet in height using an expanding custom wig with stretch<br />

net allowed for growth.<br />

Cristal Schanes, Department Head Hairstylist<br />

31


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Miniseries Or A Movie<br />

For a miniseries or a movie. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN THREE<br />

achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than three votes<br />

in this category will void all votes in this category.)<br />

061<br />

062<br />

Hemingway & Gellhorn<br />

May 28, 2012<br />

Synopsis<br />

A drama recounting one <strong>of</strong> the great love affairs <strong>of</strong> the 20th century - between literary giant Ernest<br />

Hemingway (Clive Owen) and trailblazing war correspondent Martha Gellhorn (Nicole Kidman). Their<br />

passionate and tumultuous romance played-out against such epic backdrops as the Spanish Civil War,<br />

World War II and beyond.<br />

Technical Description<br />

Hair styles achieved for the HEMINGWAY & GELLHORN film were inspired from the real people in the<br />

Spanish Civil War, Key West, China, Cuba, and Finland-1930s. Actual film footage, pictures from<br />

photographer Robert Capa, Spanish civil war books, online research, styles <strong>of</strong> the 1930s. Techniques used<br />

for transforming current hair styles to 1930's period- pin curls, rag roller sets, finger waves, clipper cuts,<br />

wigs, hair color. Worked closely with make up and costume designer.<br />

Yvette Rivas, Department Head Hairstylist<br />

Frances Mathias, Personal Hairstylist<br />

Page Eight (Masterpiece)<br />

November 6, 2011<br />

Synopsis<br />

After his boss’s death, long-serving MI5 <strong>of</strong>ficer Johnny Worricker uncovers damning evidence threatening<br />

the stability <strong>of</strong> the organization. Meanwhile, a chance encounter with his striking next-door neighbour Nancy<br />

seems too good to be true. Spy thriller starring Bill Nighy, Michael Gambon and Rachel Weisz.<br />

Technical Description<br />

Visual aim was to make the cast as modern and beautiful as possible.<br />

Rachel Weisz: Her own hair in a simple half up half down style, washed and blow-dried.<br />

Bill Nighy: Own hair, sleek, good haircut.<br />

Michael Gambon: Own messy hair.<br />

Tom Hughes: Quirky hair with loads <strong>of</strong> product.<br />

Judy Davis: A wig, washed and waved each day.<br />

Ralph Fiennes: Very short, cropped hair cut - very precise.<br />

Felicity Jones: Own hair washed and styled.<br />

Tina Earnshaw, Department Head Hairstylist<br />

32


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Hairstyling For A Miniseries Or A Movie<br />

For a miniseries or a movie. Emmy(s) to hairstylist(s). NOTE: VOTE FOR NO MORE THAN THREE<br />

achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than three votes<br />

in this category will void all votes in this category.)<br />

063<br />

064<br />

Sherlock: A Scandal In Belgravia (Masterpiece)<br />

May 6, 2012<br />

Synopsis<br />

Sherlock and Watson are plunged into a case <strong>of</strong> blackmail involving crafty dominatrix Irene Adler, whose<br />

motto is “know when you are beaten.” Seems she has incriminating photos <strong>of</strong> a British royal. Can she<br />

outsmart Sherlock at his own game—and at a battle he is ill-prepared to wage: love?<br />

Technical Description<br />

The main focus was styling the character Irene Adler. Inspiration came from the 1940s and women <strong>of</strong> high<br />

society in that era – in particular Wallis Simpson, who was very much a style icon <strong>of</strong> that time. I decided on a<br />

modern slant to 40s hairstyle, one that would enhance the bone structure <strong>of</strong> the actress, but be a statement<br />

<strong>of</strong> authority and power over her male clients.<br />

Meinir Jones-Lewis, Department Head Hairstylist<br />

A Smile As Big As The Moon<br />

January 29, 2012<br />

Synopsis<br />

Mike Kersjes is a special-education teacher who helps his students achieve their dream: attending NASA<br />

Space Camp, a competitive educational program for gifted students. Mike believes it would be a great<br />

learning experience. Facing obstacles getting there and the actual program – they excel, teaching<br />

themselves and others surprising lessons.<br />

Technical Description<br />

The true story was somewhat challenging as the Director did not want the actors to be carbon copies <strong>of</strong> the<br />

people involved. Incorporating the 80s with a little mix <strong>of</strong> the 90s on our main actors, kept the background<br />

true to the period. Working closely with costume and makeup to create a look that was believable, but not<br />

distracting. We used a lot <strong>of</strong> old catalogs and yearbooks <strong>of</strong> the period for reference.<br />

Julie Delaney, Department Head Hairstylist<br />

Kari Delaney, Key Hairstylist<br />

End <strong>of</strong> Category<br />

33


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

065<br />

066<br />

Boardwalk Empire<br />

Georgia Peaches<br />

November 27, 2011<br />

Synopsis<br />

After Nucky floods the market with whiskey, Jimmy looks for buyers elsewhere. Eli uses a reprisal against<br />

the striking workers as an opportunity to punish Halloran. Fearing Emily is being punished for her sins,<br />

Margaret turns to God. Nucky hires lawyer Bill Fallon. Seeking Jimmy, Manny Horvitz murders Angela<br />

instead.<br />

Technical Description<br />

For make-up, the episode starts with a simple detail like dirt on workers’ hands. To capture the period, we<br />

applied various colors to look old fashioned by smudging eyeliner and blotting and shaping the lips. A<br />

rounded shape brow is key to this period. For the men, adding or removing facial hair was addressed by age<br />

and social class. Layering <strong>of</strong> colors, and gel effects were used to create the bruises, blood and wounds.<br />

Michele Paris, Department Head Makeup Artist<br />

Mary Aaron, Key Makeup Artist<br />

Steven Lawrence, Key Makeup Artist<br />

Body Of Pro<strong>of</strong><br />

Sympathy For The Devil<br />

January 17, 2012<br />

Synopsis<br />

When a mother is put on trial, she is found innocent in the court <strong>of</strong> law, but not in the eyes <strong>of</strong> the public.<br />

When she turns up dead the day after her acquittal, Megan and the team must put their personal feelings<br />

aside and get justice for the victim.<br />

Technical Description<br />

We have five women over 40 and have done corrective beauty make ups on them. To cover birthmarks, age<br />

spots, to help smooth skin texture. We use lashes to open the eyes. Shadow to correct and s<strong>of</strong>ten big eyes,<br />

contour to correct and define face shapes. We have a stylized reporter-using blush, lashes, liner a strong lip<br />

for a specific look. A sad Mom using warm red brown shadow to help eyes look sad.<br />

Rebecca Alling, Department Head Makeup Artist<br />

Amy Disarro, Key Makeup Artist<br />

Suzy Diaz, Makeup Artist<br />

Trent Cotner, Makeup Artist<br />

34


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

067<br />

068<br />

The Borgias<br />

Stray Dogs<br />

April 29, 2012<br />

Synopsis<br />

Cesare’s beloved Ursula has been killed so he recruits a band <strong>of</strong> cut-throat killers and mercenaries to<br />

retaliate. Leaving Lucrezia in charge at the Vatican, Alexander and Cesare join the Italian forces against the<br />

French. Meanwhile, Lucrezia and Giulia fight Vatican corruption and provide charity for the poor.<br />

Technical Description<br />

Several lead characters and day players required heavy beards. The beards were painstakingly applied<br />

directly to the skin, without using lace, and curled and styled by hand. The Gasconne scouts and Cesare's<br />

gang were another challenge; required to be bloody, scarred, and with rotten teeth. The overall effort was to<br />

make it all very natural, so that any makeup was unnoticed. The upper class women were given rosy cheeks<br />

and richly coloured eyelids, no mascara.<br />

Enzo Mastrantonio, Department Head Makeup Artist<br />

Tahira Herold, Personal Makeup Artist<br />

Boss<br />

Choose<br />

December 9, 2011<br />

Synopsis<br />

Election Day. The race is close, and while the candidates campaign, Kane and Stone must do their part to<br />

turn the gears <strong>of</strong> the political machine. Emma's world is turned upside-down while Meredith must go to great<br />

lengths to prove her allegiance to Kane.<br />

Technical Description<br />

There is a beating where the character is swollen, cut and bruised. The bruising was hand painted with<br />

Illustrator. The beauty makeup stands alone as application is thought out immensely to be shot on the Alexa<br />

high definition camera. All beauty makeup is applied by hand Not Airbrushed! So each character looks as<br />

pure as possible for the documentary style that Starz is trying to achieve.<br />

Suzi Ostos, Department Head Makeup Artist<br />

Aimee Lippert, Key Makeup Artist<br />

35


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

069<br />

070<br />

Castle<br />

The Blue Butterfly<br />

February 6, 2012<br />

Synopsis<br />

When Castle and Beckett investigate the murder <strong>of</strong> a treasure hunter, Castle becomes convinced that it is<br />

linked to an unsolved mystery from 1947 involving a hardboiled private detective.<br />

Technical Description<br />

1947 was a time for beautiful makeup and hair; well groomed men and women and fine fashion. To replicate<br />

this, I researched publications, photos and ads and then used current products to replicate these vintage<br />

looks – the true reds and lip shapes, the colorations for eye makeup, liner, and brow shaping, the nails<br />

polished with the ‘moon’ showing and the pigmented and flawless foundations. This was in contrast to<br />

Beckett and Castle present day.<br />

June Brickman, Department Head Makeup Artist<br />

Sara Vaughn, Key Makeup Artist<br />

Fiona Distefano, Key Makeup Artist<br />

CSI: Crime Scene Investigation<br />

Freaks And Geeks<br />

November 2, 2011<br />

Synopsis<br />

The murder <strong>of</strong> a popular sideshow performer sends the team behind the scenes at a carnival freak show.<br />

Technical Description<br />

Come one come all, the big top with a twist! We have the bearded lady, we have mustaches, sideburns,<br />

tattoos, we have darts thrown through someone’s back, we have goth makeup, and very straight geek<br />

makeup, among all the oddities we have big glamour makeup with piercing lit candles!! A day at the circus,<br />

not for the faint <strong>of</strong> heart!<br />

Melanie Elaine Levitt, Department Head Makeup Artist<br />

Bob Scribner, Makeup Artist<br />

Tom Hoerber, Makeup Artist<br />

Clinton Wayne, Makeup Artist<br />

Matthew Mungle, Special Makeup Effects Artist<br />

36


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

071<br />

072<br />

Damages<br />

Failure Is Lonely<br />

September 14, 2011<br />

Synopsis<br />

Ellen is furious when Patty violates their agreement and continues with the High Star case. Tempers come<br />

to a head between Howard Erickson and Jerry Boorman, while Chris Sanchez’s life hangs in the balance<br />

Technical Description<br />

Characters styled to be real/raw, leading women reflected natural/contemporary beauty makeup.<br />

Afghanistan War: hand laid beards, mustaches, dirt-etched faces and hands. Jerry Boorman's slow death:<br />

skin paled, sweat, death. Chris Sanchez's progression: civilian-short groomed beard, to short, to<br />

grizzly/grayed beard (captivity/torture); eyes hallowed, sweat, color loss, drawn lips.<br />

Chris Sanchez: three body tattoos created. Michael Hewes' large raised birth mark (left cheek and orbital<br />

bone); color corrected/concealed. Blood made depicting the color phases: fresh-dry.<br />

Sheri Kornhaber, Department Head Makeup Artist<br />

Vanessa Elese, Key Makeup Artist<br />

Enlightened<br />

Sandy<br />

November 14, 2011<br />

Synopsis<br />

Sandy, a friend <strong>of</strong> Amy’s from Open Air, shows up for an unexpected visit. While she believes that Sandy’s<br />

arrival will help further convince her family and friends that her new life approach is the right one, Sandy<br />

proves not to be the friend Amy thought she was.<br />

Technical Description<br />

Sandy is covering up her true self. We used alcohol based effects color layered with traditional foundation<br />

for the effect <strong>of</strong> broken out skin beneath makeup. For dewiness in the exercise and massage scenes, we<br />

used Shea butter and water based gel. Helen's eyebrows were drawn at an upturned angle to suggest<br />

constant worrying. Bright lipstick and blush were used on the Abbadon workers as opposed to the<br />

Cogentiva workers who look drab.<br />

Roz Music, Department Head Makeup Artist<br />

Becky Cotton, Key Makeup Artist<br />

Michelle Buhler, Makeup Artist<br />

37


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

073<br />

074<br />

Game Of Thrones<br />

The Old Gods And The New<br />

May 6, 2012<br />

Synopsis<br />

Arya has a surprise visitor. Dany vows to take what is hers. J<strong>of</strong>frey meets his subjects. Qhorin gives Jon a<br />

chance to prove himself.<br />

Technical Description<br />

Several challenges putting this episode together. As with season 1, we had an enormous number <strong>of</strong><br />

principal characters; also background/extras were in the hundreds, particularly in the land <strong>of</strong> 'Qarth' where<br />

the 'look' was exotic, with delicate gold paint embellishment on the females. 'King's Landing' was also<br />

challenging due to the number <strong>of</strong> characters.<br />

Paul Engelen, Department Head Makeup Artist<br />

Melissa Lackersteen, Makeup Artist<br />

GCB<br />

A Wolf In Sheep's Clothing<br />

March 25, 2012<br />

Synopsis<br />

When Carlene learns that her Uncle Burl and his wife Bitsy have returned to Dallas, Gigi decides to organize<br />

a homecoming party where guests are required to come dressed as their favorite Texan.<br />

Technical Description<br />

The characters were to dress as their favorite Texan for the party.<br />

We had collaborated with our Costume Designer and Hair Department Head. From bald caps to period<br />

makeup, using some colors and techniques from yesterday and today, we created stunning replicas <strong>of</strong> our<br />

Favorite Texans.<br />

We created replicas <strong>of</strong> Farrah Fawcett, Selena, Laura & Barbara Bush and others.<br />

Ani Plotkin-Maloney, Department Head Makeup Artist<br />

Helen Marray-Finlay, Key Makeup Artist<br />

Jill Cady, Personal Makeup Artist<br />

Nanatte New, Personal Makeup Artist<br />

38


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

075<br />

076<br />

Girls<br />

Pilot<br />

April 15, 2012<br />

Synopsis<br />

Cut <strong>of</strong>f by her parents, aspiring writer Hannah is fired from her unpaid internship and seeks comfort from her<br />

sort-<strong>of</strong> boyfriend Adam. Meanwhile her best friend Marnie hosts a dinner for their bohemian friend Jessa<br />

who has just returned to NYC to move in with her younger, bubblier cousin Shoshanna.<br />

Technical Description<br />

Having done extensive research <strong>of</strong> contemporary young women in the New York City club scene, we<br />

designed the makeup in collaboration with our unique creator, writer, director and star, Lena Dunham. Bold<br />

color choices and character driven, specific techniques and applications. Creating natural beauty with the<br />

application <strong>of</strong> mineral makeups and watercolor techniques. Minimal accents, countered with lush, seductive<br />

reds.<br />

Patricia Regan, Department Head Makeup Artist<br />

Joseph A. Campayno, Key Makeup Artist<br />

Glee<br />

Yes/No<br />

January 17, 2012<br />

Synopsis<br />

Will enlists the assistance <strong>of</strong> the glee club to plan a special surprise for Emma to sweep her <strong>of</strong>f her feet,<br />

Becky sets her sights on Artie; Finn makes a surprising announcement to the glee club about his life plans<br />

after high school.<br />

Technical Description<br />

Will proposes to Emma by enlisting the glee club & the synchronized swimming team to perform an<br />

underwater ballet. We needed to ensure that the makeup for all 30 actors was waterpro<strong>of</strong>. The cast were<br />

dressed in 1940's swimsuits so we went with period looks for our 17 female cast members. We used<br />

Makeup Forever's HD foundations & Aqua Creams to create the looks as well as Julie Hewett's lipsticks.<br />

Tattoos were covered with PAX.<br />

Kelley Mitchell, Department Head Makeup Artist<br />

Jennifer Greenberg, Key Makeup Artist<br />

Melissa Buell, Additional Makeup Artist<br />

Tym Shutchai Buacharern, Additional Makeup Artist<br />

Paula Jane Hamilton, Additional Makeup Artist<br />

Darla Albright, Additional Makeup Artist<br />

39


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

077<br />

078<br />

The Good Wife<br />

Executive Order 13224<br />

November 6, 2011<br />

Synopsis<br />

Lockhart-Gardner represents a man, who is suing the U.S. government. Meanwhile, Alicia Florrick faces<br />

imprisonment to protect her client.<br />

Technical Description<br />

We wanted Alicia to have a fresher, cleaner more modern look. We made her eyes a s<strong>of</strong>t peach with a<br />

heavier eyeliner with more vibrant cheeks and bolder color on her lips.<br />

Andrea M. Miller, Department Head Makeup Artist<br />

Jeni Zaharian, Key Makeup Artist<br />

Grey's Anatomy<br />

Flight<br />

May 17, 2012<br />

Synopsis<br />

A dangerous situation leaves the doctors fighting to stay alive while trying to save their peers.<br />

Technical Description<br />

In addition to designing makeup for the diverse cast, we created makeup for plane crash victims using<br />

bruise colors, alcohol color palettes, dark and regular flowing blood, drying and gel blood.<br />

Norman T. Leavitt, Department Head Makeup Artist<br />

Michele Teleis, Key Makeup Artist<br />

Erin Ayanian, Makeup Artist<br />

Thom Floutz, Makeup Artist<br />

40


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

079<br />

080<br />

Grimm<br />

Woman In Black<br />

May 18, 2012<br />

Synopsis<br />

A trail <strong>of</strong> grotesque murders reignites the search for the elusive gold coins. The arrival <strong>of</strong> a mysterious<br />

woman in black gets in the way <strong>of</strong> Nick and Hank’s investigation. Meanwhile, Nick’s ability to keep his true<br />

nature secret from Juliette comes to a tipping point.<br />

Technical Description<br />

This episode with 30 actors/stunt people included not only straight/beauty make up for our cast but also<br />

several specific character and injury make ups. A slight age make up was done with only use <strong>of</strong> highlight<br />

and shadow. Tattoos, scars, scratches and swollen injuries were also created using small Pros-Aide<br />

transfers painted with Skin Illustrator after application to create a realistic 3-D effect.<br />

Jo Jo Proud, Department Head Makeup Artist<br />

Barney Burman, Additional Makeup Artist<br />

Steve Bettles, Additional Makeup Artist<br />

Hell On Wheels<br />

Timshel<br />

January 8, 2012<br />

Synopsis<br />

It's all hands on deck as Cullen and Lily work to meet the railroad's deadline. Elam and Joseph deal with the<br />

consequences and their violent mission.<br />

Technical Description<br />

Layering custom makeup; tan, sunburn, inks, powder dirt, shine for gritty desaturated tone <strong>of</strong> show. Spatter<br />

painted texture.<br />

215 performers. Period facial hair.<br />

Airbrushed chin tattoo with custom vacu-formed stencil.<br />

Researched pigments and designs for Native and Horse battle paint, pigment, clays, binders. Body makeup.<br />

Massacre makeup. Continuity scars, wounds.<br />

Silicone compound neck wound, broken teeth.<br />

Cutting ritual - silicone compound over skin painted with inks to simulate raw cut flesh. All out-<strong>of</strong>-kit.<br />

Gail Kennedy, Department Head Makeup Artist<br />

Rochelle Parrent, Key Makeup Artist<br />

Sharon Toohey, Key Makeup Artist<br />

41


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

081<br />

082<br />

Homeland<br />

Crossfire<br />

November 27, 2011<br />

Synopsis<br />

After Brody’s attempt to sever ties with Abu Nazir, he recommits to his mission. Meanwhile, the search for<br />

Walker continues on the heels <strong>of</strong> the shooting at the mosque. The mosque’s Imam refuses to give up<br />

information about Walker, but Carrie finds answers in an unexpected place.<br />

Technical Description<br />

HOMELAND's complex characters and plots create many make-up challenges. Make-ups for “turned” war<br />

hero Nicholas Brody include torture flashbacks using pros-aide scars, dental plumpers, stretch and stipple<br />

aging, cab-o-flesh texturing, staining gels, weathering and dirt. Different length beards and flocking are<br />

used. Bipolar CIA agent Carrie Mathison’s make-ups compliment her highs and lows. She is tired and gaunt<br />

or hyper and overly made up. Attention to nationalities, military and federal services’ regulations are<br />

maintained.<br />

John R. Bayless, Department Head Makeup Artist<br />

Chris Varosky, Key Makeup Artist<br />

House Of Lies<br />

The Mayan Apocalypse<br />

April 1, 2012<br />

Synopsis<br />

To block the merger <strong>of</strong> Galweather Stern and MetroCapital, Jeannie publicly admits to her affair with the<br />

Rainmaker. She and Marty are drawn ever closer, but at a cost: Jeannie leaves her fiancé Wes, and<br />

Roscoe leaves Marty to live with his mother.<br />

Technical Description<br />

Jeannie: I lightened her skin tone to give her a porcelain complexion, using a palette <strong>of</strong> light taupes and<br />

grays blended to add subtle shading. Layering cream foundation and cheek color gave her flawless skin<br />

without appearing heavy. Monica: A corrective makeup was used to balance her uneven features. Eyeliner<br />

and lashes were used to emphasis her eyes. Beard stipple, facial hair manipulation, character shading were<br />

techniques used to create all <strong>of</strong> the male characters.<br />

Angela Nogaro, Department Head Makeup Artist<br />

Luis Garcia Gutierrez, Key Makeup Artist<br />

42


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

083<br />

084<br />

It's Always Sunny In Philadelphia<br />

Frank Reynolds' Little Beauties<br />

September 29, 2011<br />

Synopsis<br />

Frank accidentally gets into the child pageantry business and is terrified <strong>of</strong> coming across as a 'Diddler'. As<br />

Dee tries to get revenge on Stage Mom's everywhere, Mac, Dennis and Charlie think they've found their<br />

dark horse to win 'Frank's Little Beauties'.<br />

Technical Description<br />

The episode features our regular characters HD Makeup designs.Extensive research into child pageantry<br />

was the foundation <strong>of</strong> the children's makeups featuring tan makeups with heavy blush and eye makeup.A<br />

special version <strong>of</strong> this look was created for our one boy character.Sweet Dee and Samantha had matching<br />

pageant looks as well as fake teeth. Mac,Dennis,and Charlie had their signature painted on abs.Frank's<br />

trauma makeup morphed into a mortician's corrective makeup by the end <strong>of</strong> the episode.<br />

Leah Vautrot, Department Head Makeup Artist<br />

Thea Samuels, Key Makeup Artist<br />

Jason Collins, Makeup Artist<br />

Michelle Demilt, Makeup Artist<br />

Tyson Fountaine, Makeup Artist<br />

Key & Peele<br />

MMMMMM<br />

February 7, 2012<br />

Synopsis<br />

Jordan and Keegan showboat before an exuberant crowd at a community theater, a traffic reporter<br />

experiences turbulence while up in the chopper, and one-half <strong>of</strong> an R&B duo reveals his true feelings to his<br />

partner during a song.<br />

Technical Description<br />

Besides playing themselves, Jordan Peele and Keegan Michael Key play 6 different characters each<br />

including Jordan as President Obama, Keegan as an East Indian doctor, Keegan and Jordan as two night<br />

clubbing girls, Keegan and Jordan as iconic looking 1990s pop stars and Keegan and Jordan as actors<br />

playing Malcolm X and Martin Luther King Jr. All the hair was hand laid. All the makeups were created with<br />

traditional paint and powder along with airbrush.<br />

Scott Wheeler, Department Head Makeup Artist<br />

Alexei Dmitriew, Key Makeup Artist<br />

43


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

085<br />

086<br />

Leverage<br />

The Van Gogh Job<br />

July 17, 2011<br />

Synopsis<br />

On the trail <strong>of</strong> a lost Van Gogh, the team learns the painting was the center <strong>of</strong> a World War II love story<br />

between a black soldier and the white heiress he was forced to leave behind.<br />

Technical Description<br />

My focus was on the flashbacks, as the background were to be accurate to the period. With our cast we<br />

allowed for modern touches, specifically modern facial hair. Because she was representing the love interest<br />

<strong>of</strong> the story, Ms. Reisgraf's make-up was a special focus. Her flashback looks were designed to reflect the<br />

character's age and emotional state. Brighter colors in the earlier flashbacks and more somber colors as<br />

she aged and matured.<br />

Molly Craytor, Department Head Makeup Artist<br />

Eva Lohse, Key Makeup Artist<br />

Luck<br />

Episode 101<br />

January 29, 2012<br />

Synopsis<br />

Out <strong>of</strong> prison “Ace” Bernstein and sidekick Gus plot to purchase a famous racetrack. Meanwhile, four<br />

degenerate gamblers pool their meager resources betting a Pick Six potentially worth millions. Key to their<br />

fortune is a long-shot horse trained by Escalante. Trainer Walter Smith sees potential <strong>of</strong> a very special<br />

thoroughbred.<br />

Technical Description<br />

The 4 Degenerates:<br />

Character makeup included broken capillaries, sunspots, sunburn, beard stubble, age makeup, sickly, and<br />

sweaty, dirty discolored fingernails, scars, and laying facial hair.<br />

The Jockeys: Dirt, Sweat, old scars had to be applied, blood, cuts, bruises and scrapes, weathered look with<br />

stipple sponge, sunburn, tattoo application and cover up and tears.<br />

Dustin H<strong>of</strong>fman - had to be pale, sallow look thinner using shading and contouring.<br />

Jane Galli, Department Head Makeup Artist<br />

Karen McDonald, Key Makeup Artist<br />

Valli O'Reilly, Personal Makeup Artist<br />

44


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

087<br />

088<br />

Mad Men<br />

Christmas Waltz<br />

May 20, 2012<br />

Synopsis<br />

Don and Joan test drive a Jaguar, and wind up in a bar commiserating over where life and love have<br />

brought them. Lane forges Don’s signature to embezzle money and cover his debts. Harry discovers Paul<br />

Kinsey is now a Hare Krishna with a “Star Trek” spec script to sell.<br />

Technical Description<br />

Hare Krishna- To create Tilak design on forehead/nose, Gopichandana (clay makeup used by Krishna) was<br />

mixed with sealer and painted. Ventilated top knots were applied.<br />

Pete Campbell- Red toned foundation to conceal any blue from shaved hairline. Hair white applied to<br />

sideburns and eyebrows.<br />

Bertram Cooper- Liver and age spots painted with illustrator. Ventilated Goatee/ Mustache glued with spirit<br />

gum.<br />

Pale lipsticks, frosty eyeshadows, liner on lashline and crease. False lashes on top and bottom.<br />

Lana Horochowski, Department Head Makeup Artist<br />

Ron Pipes, Key Makeup Artist<br />

Ken Niederbaumer, Makeup Artist<br />

Keith Sayer, Makeup Artist<br />

Magic City<br />

Year Of The Fin<br />

April 6, 2012<br />

Synopsis<br />

Ike Evans, owner <strong>of</strong> Miami’s most glamorous hotel, needs his 1958 New Year's Eve concert to be a smash.<br />

He makes a deal with mobster Ben Diamond to ensure success that threatens his life and family.<br />

Technical Description<br />

Waterpro<strong>of</strong> makeup to hold up in the humidity and also for underwater scenes.<br />

Tattoo covered with “Skin Illustrator”<br />

The ladies at the time wore a lot <strong>of</strong> red lipstick, matching the nails.<br />

Merkins - describes it as a toupee for the genitalia.<br />

Fake hair and glue it on to the women with a medical adhesive, spray with a fixative to hold it all together.<br />

Felice Diamond, Department Head Makeup Artist<br />

Roxanne Rizzo, Key Makeup Artist<br />

45


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

089<br />

090<br />

The Middle<br />

The Play<br />

November 16, 2011<br />

Synopsis<br />

Frankie and Sue are both cast in the community theater's production <strong>of</strong> "The Wizard <strong>of</strong> Oz", but the director<br />

isn't happy with Sue's performance. Disaster ensues when Brick asks Uncle Rusty to school on Friends<br />

Day.<br />

Technical Description<br />

Eden Sher19 to look 14 braces added. 18 main cast consisting <strong>of</strong> ozians with hand-laid and lace piece facial<br />

hair with modern version <strong>of</strong> a 1930's makeup, munchkins with fantasy makeups and hand laid eyebrows,<br />

paint and powder makeups for our lion, tin man, witch and our scarecrow had one layer <strong>of</strong> gauze glued in<br />

certain areas <strong>of</strong> the face blended in with dry brush technique, we had Dorothy, Glinda and 91 background.<br />

Tyson Fountaine, Department Head Makeup Artist<br />

Heather Cummings, Key Makeup Artist<br />

Michelle Daurio, Makeup Artist<br />

Tifanie White, Makeup Artist<br />

Brian Kinney, Makeup Artist<br />

Elizabeth Dahl, Makeup Artist<br />

NCIS<br />

Engaged (Part ll)<br />

November 15, 2011<br />

Synopsis<br />

In their attempt to track down and rescue a female Navy Lieutenant taken prisoner by Afghan insurgents,<br />

Agents Gibbs and David travel to Afghanistan to pick up her trail while the rest <strong>of</strong> the team struggle to find<br />

out where it leads.<br />

Technical Description<br />

For this episode, all make-up was "out <strong>of</strong> the box". Nothing was pre-made or prosthetic. There were<br />

cigarette burns, three stages <strong>of</strong> progressive cuts, bruises and dirt. Beauty make-up in the initial part <strong>of</strong> the<br />

episode was followed by sunburn, wind exposure, blood, tattoos and the covering <strong>of</strong> existing tattoos.<br />

Continuity <strong>of</strong> facial hair <strong>of</strong> nine different characters, tar on feet and hands and keeping a hundred soldiers<br />

dusty and dirty.<br />

Joseph Hailey, Department Head Makeup Artist<br />

Tina H<strong>of</strong>fman, Makeup Artist<br />

Norman Page, Makeup Artist<br />

June Bracken, Makeup Artist<br />

Margie Latinopoulis, Makeup Artist<br />

46


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

091<br />

092<br />

New Girl<br />

Pilot<br />

September 20, 2011<br />

Synopsis<br />

Jess Day comes home to find her boyfriend in bed with another woman and has to find a new place to live,<br />

moving in with 3 male roommates.<br />

Technical Description<br />

Designing and maintaining the look, feel and color <strong>of</strong> Zooey Deschanel's makeup as a main feature in her<br />

character's unique and fashionable look on NEW GIRL.<br />

Jorjee Douglass, Department Head Makeup Artist<br />

Once Upon A Time<br />

A Land Without Magic<br />

May 13, 2012<br />

Synopsis<br />

The Season 1 Finale, Emma and Regina work together to save Henry. Prince Charming escapes the Evil<br />

Queen and Makes a deal with Rumplestiltskin to find Snow White.<br />

Technical Description<br />

Rumplestiltskin's make-up look is achieved with a combination <strong>of</strong> stipple applied 3rd degree silicone on all<br />

exposed skin, paint, artificial nails, painted teeth, and contact lenses.<br />

Sarah Graham, Department Head Makeup Artist<br />

Zabrina Matiru, Additional Makeup Artist<br />

47


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

093<br />

094<br />

Pan Am<br />

Pilot<br />

September 25, 2011<br />

Synopsis<br />

In the hands <strong>of</strong> a brash young pilot and a rebellious head stewardess, Pan Am's state <strong>of</strong> the art Majestic<br />

Clipper jetliner makes its maiden voyage from New York to London. The flight also represents freedom to<br />

runaway bride Laura while her sister Kate is recruited to become a spy.<br />

Technical Description<br />

I created the make-ups for the Pan Am stewardesses with insight into the original<br />

handbooks <strong>of</strong> Pan Am. I was fortunate to find various original footage and extensive<br />

photos reflecting the early 60’s fashions. My research evolved as I studied looks <strong>of</strong> 1963 world travelers.<br />

Influenced by exotic textures and hues <strong>of</strong> color from around the world, I then custom blended shades <strong>of</strong> eye<br />

shadows, blushes and lip colors, applied luminous foundations and bold eyeliner.<br />

Patricia Regan, Department Head Makeup Artist<br />

Claus Lulla, Key Makeup Artist<br />

Joseph A. Campayno, Key Makeup Artist<br />

Private Practice<br />

The Letting Go<br />

March 15, 2012<br />

Synopsis<br />

Sam insists on caring for Corinne at home; Scott arrives at the ER after being beaten; Amelia must make a<br />

decision about her child; Erica's health takes a turn for the worse.<br />

Technical Description<br />

Skin Illustrator paint, 3rd Degree material, a variety <strong>of</strong> blood (gel, drying etc) to create minor to severe<br />

lacerations, scrapes and bruises on two actors. Facial cuts as well and cuts on hands and arms for the<br />

character <strong>of</strong> "Corrine". Dislocated shoulder hematoma for Character "Scott"<br />

Beauty makeups for characters "Addison" and "Violet", "Amelia" and "Charlotte" and "dying" makeup for<br />

"Erica".<br />

Sergio Lopez-Rivera, Department Head Makeup Artist<br />

Leslie Lightfoot, Key Makeup Artist<br />

Michelle Keck Smith, Makeup Artist<br />

Amy Taylor, Makeup Artist<br />

48


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

095<br />

096<br />

Smash<br />

Bombshell<br />

May 14, 2012<br />

Synopsis<br />

The big night is finally here. Tom and Julia race to save the show, while Derek makes a decision that will<br />

change Karen and Ivy’s lives forever. Ellis reveals his true colors. In the midst <strong>of</strong> it all, another bombshell<br />

goes <strong>of</strong>f, this one is in Karen and Dev’s relationship.<br />

Technical Description<br />

Episode 15 <strong>of</strong> SMASH thoroughly utilizes makeup as it tells the story <strong>of</strong> "Bombshell." Various makeup looks<br />

in addition to the large cast, intricate beauty make up for Debra Messing, Anjelica Huston, and Bernadette<br />

Peters. Additionally, Katherine McPhee and Megan Hilty alternate between their character's beauty makeup<br />

and Marilyn Monroe's different looks (Norma Jean, Young Marilyn, Marilyn at the height <strong>of</strong> her fame, dying<br />

Marilyn). The ensemble characters also change for the respective show numbers.<br />

Persefone Karakota, Department Head Makeup Artist<br />

Eve Morrow, Key Makeup Artist<br />

Sons Of Anarchy<br />

With An X<br />

October 11, 2011<br />

Synopsis<br />

SAMCRO’s relationship with the Cartel is in jeopardy when an important package is compromised.<br />

Technical Description<br />

Gang differentiation tattoos Mayan, Galindo men's tattoos, grooming, mohawk.<br />

Clay corrective makeup for skin condition.<br />

Opie tattoo cover. Jax bruise continuity.<br />

Tara, Gemma Beauty<br />

Dawn new character, tattoos<br />

Ima beauty. Lila from beauty deteriorating to a visually emotional hot mess.<br />

Dawn tears continuity.<br />

Opie eye wound progression <strong>of</strong> blood and bruising.<br />

Unser cancer. Sweat continuity. Juice leg wound, blood spray.<br />

Miles eye wound. Period photos. Ima stunt double.<br />

Ima beauty, blood effects, tears, broken nose.<br />

Tracey Anderson, Department Head Makeup Artist<br />

Michelle Garbin, Key Makeup Artist<br />

Sabine Roller Taylor, Personal Makeup Artist<br />

49


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

097<br />

098<br />

Spartacus: Vengeance<br />

Empty Hands<br />

February 17, 2012<br />

Synopsis<br />

Spartacus leads survivors through the woods, but Crixus gets separated and returns to a place <strong>of</strong> past<br />

suffering. Lucretia pries into Ilithyia’s affairs, seeking influence with a powerful Roman.<br />

Technical Description<br />

‘Vengeance’ took us away from the Arena and on the road as our hero’s were on the run.<br />

The Make-up Design had to reflect this. The Gladiators, now not on display, needed to look less stylized<br />

and more unkempt, showing a breakdown <strong>of</strong> the skin from the environment.<br />

Our Romans, as always, gave us the chance for more extravagance and colour in the make-up design. This<br />

was evident at the party in 204 ‘Empty Hands’.<br />

Jane O'Kane, Department Head Makeup Artist<br />

Suits<br />

Play The Man<br />

August 4, 2011<br />

Synopsis<br />

It’s mock trial time at Pearson Hardman, and Mike faces <strong>of</strong>f against Louis’ protégé Devon. But the tension<br />

between Mike and Rachel threatens to torpedo his case. Harvey’s history with opposing counsel creates<br />

complications during a sweetheart merger between two global hotel chains.<br />

Technical Description<br />

The technique we used for this episode was clean beautiful skin. Gabriel and Patrick had very little base<br />

and just colour correcting palette for balancing the skin tone and keeping them very natural, with translucent<br />

powder to keep the shine down. Gina was a little more dramatic in her eye make-up, with a smokey look.<br />

Meghan and Sarah have a more make-up look.<br />

Leslie Sebert, Department Head Makeup Artist<br />

50


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

099<br />

100<br />

True Blood<br />

And When I Die<br />

September 18, 2011<br />

Synopsis<br />

A possessed Lafayette kills Jesus then burns Bill and Eric. Gran’s spirit helps get Marnie out <strong>of</strong> Lafayette,<br />

ending Bon Temps’ Wiccan mayhem. Rene warns Arlene about Terry. Steve Newlin is now a vampire. Nan<br />

Flanagan gets killed. Debbie Pelt shoots Tara and is then shot and killed by Sookie.<br />

Technical Description<br />

It’s Halloween time in Bon Temps - Ghosts, Goblins, Fairies, Phantasms, Werewolves, and Vampires OH<br />

MY! To achieve the look <strong>of</strong> these characters, the following techniques and products were used...airbrushing,<br />

stippling, shading, contouring, hand laid facial hair, pancake, aquacolor, tattoo transfers, alcohol activated<br />

palettes, shimmers, illuminators, fake eyelashes, fake sun burns, outdated shades <strong>of</strong> eye shadows, lipsticks<br />

and finally in True Blood form LOTS & LOTS OF BLOOD!<br />

Brigette Myre-Ellis, Department Head Makeup Artist<br />

Lana Horochowski, Key Makeup Artist<br />

Ken Niederbaumer, Key Makeup Artist<br />

The Walking Dead<br />

Better Angels<br />

March 11, 2012<br />

Synopsis<br />

The group learns that someone dangerous may be on the loose near the farm. As night falls, Rick, Shane,<br />

Daryl and Glenn comb the woods to handle the situation and keep the group safe.<br />

Technical Description<br />

The technique was creating a look for Shane and Rick with the bruising, blood and sweat that would stay in<br />

place so we didn't have to walk in after every take but walk in maybe after every three or four takes. Using<br />

skin illustraters to gel blood and laying a light layer <strong>of</strong> ultra wet on the skin and stippling baby oil on top with<br />

a stipple sponge gave the look I wanted.<br />

Donna Premick, Department Head Makeup Artist<br />

Yolanda Sheridan, Makeup Artist<br />

51


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Single-Camera Series (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy or drama series. Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE<br />

THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong> nomination. (More than<br />

five votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

101<br />

Wilfred<br />

Fear<br />

July 7, 2011<br />

Synopsis<br />

Ryan learns why Wilfred planted his wallet at the scene <strong>of</strong> the crime when Spencer comes around seeking<br />

vengeance.<br />

Technical Description<br />

As department head on Wilfred, I was in charge <strong>of</strong> the entire cast: Elijah Wood, Jason Gann, Fiona<br />

Gubelmann and Dorian Brown, plus numerous guest stars like Rashida Jones, Ed Helms and Mary<br />

Steenburgen. For Wood’s “Ryan,” I started the season <strong>of</strong>f with a tired suicidal look and then transitioned to a<br />

natural look. For Gann’s “Wilfred,” I painted on a dog nose and had to make sure it was exactly the same<br />

every day.<br />

Nicole Artmont, Department Head Makeup Artist<br />

End <strong>of</strong> Category<br />

52


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

102<br />

103<br />

84th Annual <strong>Academy</strong> Awards<br />

February 26, 2012<br />

Synopsis<br />

A three-hour global broadcast, honoring actors and filmmakers, hosted by Billy Crystal, televised in the U.S.<br />

and over 100 countries from Albania to Western Samoa, featuring 24 awards from sound editing to best<br />

picture and performances by Esperanza Spalding and Cirque du Soleil.<br />

Technical Description<br />

Glitz and glamour <strong>of</strong> Hollywood movie is the inspiration for Cirque du Soleil piece; makeup adapted from<br />

North by Northwest; glamour icons Betty Boop and Barbarella; hand-balancing, trapeze, and flying strap<br />

artists with elaborate lashes, Swarovski crystals and Matrix-inspired Chinese acrobats, all aflutter in<br />

romance and glamour. 12 Usherette models in makeup inspired by 1940 cigarette girls with classic period<br />

eyeshadow, dramatic false eyelashes and glossy bright lipsticks in fuchsia, red, and crimson.<br />

Bruce Grayson, Department Head Makeup Artist<br />

Nathalie Gagne, Assistant Department Head Makeup Artist<br />

Vanessa Dionne, Key Makeup Artist<br />

Lori Benson, Makeup Artist<br />

America's Got Talent<br />

Episode 627<br />

August 30, 2011<br />

Synopsis<br />

America's top rated talent show narrows down the competition. The last 12 semifinalist acts compete for a<br />

spot in the final rounds. The acts range from singing, dancing and magic to a 40 member production.<br />

America votes who they would like to see again.<br />

Technical Description<br />

Over 100 contestants, just 8 makeup artists… LIVE <strong>Television</strong>! 6 goddesses with gold leaf and glitter glued<br />

to their faces, 13 member dance troop with psych ward looks, 1 head to toe airbrushed fire girl, 15 gymnasts<br />

with pyro-resistant red painted eye masks, 18 dancers made up with soot and dirt for end <strong>of</strong> the world<br />

number, 40 member variety act 4+ years & 12 individual beauty makeups…Just 1 day in makeup at AGT.<br />

Amy Barkzi, Department Head Makeup Artist<br />

Tonia Green, Key Makeup Artist<br />

Christine Lai-Johnson, Makeup Artist<br />

Camille Della Santina, Makeup Artist<br />

Vivian Maxwell, Makeup Artist<br />

Rebecca DeHerrera, Makeup Artist<br />

53


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

104<br />

105<br />

American Idol<br />

Finale<br />

May 23, 2012<br />

Synopsis<br />

The top 12 contestants return to the stage to perform with guests including, Neil Diamond, Jennifer Lopez,<br />

Rihanna, Reba McEntire, Jennifer Holliday, Chaka Khan, Jordin Sparks, John Fogerty, and Fantasia<br />

Barrino. The winner <strong>of</strong> AMERICAN IDOL Season 11 is crowned on Live television.<br />

Technical Description<br />

The top 12 contestants return for the season finale show. The LIVE, two hour show, is a whirlwind for the<br />

makeup department backstage with 10 different numbers all consisting <strong>of</strong> quick changes. Each contestant<br />

got a beauty glam look that was pumped up throughout the show and adjusted between numbers to suit<br />

both the song and wardrobe. In addition to the top 12 there were 20 backup dancers that got the glam<br />

treatment as well.<br />

Amy Barkzi, Department Head Makeup Artist<br />

Tonia Green, Key Makeup Artist<br />

Christina Jimenez, Makeup Artist<br />

Gina Ghiglieri, Makeup Artist<br />

Autumn Scruggs, Makeup Artist<br />

The Celebrity Apprentice<br />

Getting Medieval<br />

February 26, 2012<br />

Synopsis<br />

In this second episode the 16 remaining contestants are given the task <strong>of</strong> performing a skit for MEDIEVAL<br />

TIMES, a family fun center. Both the men and women's teams put their best show on then come face to face<br />

in the boardroom for Trump's decision.<br />

Technical Description<br />

A mix <strong>of</strong> beauty, character, glamour and practical makeup application was achieved in and out <strong>of</strong><br />

boardroom. For women we did pr<strong>of</strong>essional but personality driven beauty looks. Men were given polished,<br />

natural makeup. At Medieval Times we incorporated theatrical colors with paints,creams and glitter. HD<br />

Makeup and great skin prep was used throughout for longevity and lighting.<br />

Sharon Sinclair, Department Head Makeup Artist<br />

Ruth Fernandez, Makeup Artist<br />

James DeMarco, Makeup Artist<br />

Kathy Santiago, Makeup Artist<br />

Lynette Broom, Makeup Artist<br />

54


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

106<br />

107<br />

Charlie Rose<br />

Site And Sound: The Architecture And Acoustics Of New Opera Houses And Concert Halls<br />

April 27, 2012<br />

Synopsis<br />

CHARLIE ROSE - Site and Sound: The Architecture and Acoustics <strong>of</strong> New Opera Houses and Concert Halls<br />

with Daniel Libeskind, Michael Kaiser, Renee Fleming & Victoria Newhouse.<br />

Technical Description<br />

Looks for guests were achieved using a variety <strong>of</strong> products. Smashbox Photo Finish Primer, Cargo oil free,<br />

Mac Studio tech. & Makeup Forever HD foundations. Sculpted shadows/highlights, CoverFX for<br />

imperfections, under eyes mineralize concealer. Applied MAC eyeshadows, creme liner, mascara, blushes<br />

& MAC lip erase balm, Eve Pearl lipstick "Ultimate" & MAC glosscolors. Makeup Forever and Shiseido<br />

bronzer on the men, MAC mineralized powder on women. NOTE: Charlie Rose does his own makeup.<br />

Gina Gail Riggi, Department Head Makeup Artist<br />

The Colbert Report<br />

Episode 7121A<br />

September 26, 2011<br />

Synopsis<br />

Radiohead turns THE COLBERT REPORT into a concert venue by performing for a special hour long show.<br />

Technical Description<br />

Creating Stephen Colbert’s make-up look, I apply techniques that highlight the comfort <strong>of</strong> a familiar face and<br />

the parody <strong>of</strong> an American journalist. Keeping an even-fresh tone keeps Stephen as handsome as he is,<br />

while over grooming him creates a contrast for the audience.<br />

The performances allowed for a rare laid back yet smart look to still hold Stephen's character together.<br />

Kerrie Plant-Price, Department Head Makeup Artist<br />

55


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

108<br />

109<br />

Conan<br />

Episode 0112<br />

June 28, 2011<br />

Synopsis<br />

Episode includes the sketch "Michele Bachmann's History Channel".<br />

Technical Description<br />

This sketch is a spo<strong>of</strong> <strong>of</strong> a Founding Fathers gathering. Characters included "Benjamin Franklin" in a<br />

beautiful bald cap application (with hair attached later); character "John Wayne Gacey" in a character driven<br />

makeup designed for a dark, menacing Clown. "Sam Patch Adams" was made up pasty faced with a red<br />

sponge nose. The "John Wayne" character had full beard stubble application, and 2 characters as founding<br />

fathers had straight makeups with eyebrows added.<br />

Deborah Paulmann, Department Head Makeup Artist<br />

Sherilyn Stetz, Key Makeup Artist<br />

Dancing With The Stars<br />

Episode 1307<br />

October 31, 2011<br />

Synopsis<br />

In the seventh week <strong>of</strong> competition in season 13 <strong>of</strong> DANCING WITH THE STARS, the Halloween Special<br />

Event takes over the ballroom. The six couples who remain vie for the coveted Mirrorball Trophy in this<br />

spooky episode. Ricki Lake and Derek Hough top the leader board with their performance.<br />

Technical Description<br />

DWTS a live TV show, Halloween Week! 12 pros and their celebs made up as ghosts and wolves to a devil<br />

and little red-riding hood. Plus 4 singers, orchestra members, and musical director as zombies and ghouls.<br />

Looks consisted <strong>of</strong> facial hair laying, facial hair pieces, airbrushing, as well as the DWTS staple glamour<br />

makeup consisting <strong>of</strong> lashes, glitter, shimmer, and body tan. Ten-minute backstage makeup changes for the<br />

Team Tango vs. Team Paso battle.<br />

Zena Shteysel, Department Head Makeup Artist<br />

Angela Moos, Key Makeup Artist<br />

Patti Ramsey Bortoli, Makeup Artist<br />

Barbara Fonte, Makeup Artist<br />

Sarah Woolf, Makeup Artist<br />

Nadege Shoenfeld, Makeup Artist<br />

56


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

110<br />

111<br />

The Exes<br />

Lost In Translation<br />

January 11, 2012<br />

Synopsis<br />

Phil (Donald Faison) meets a foreign lingerie model who doesn't speak English and Stuart (David Alan<br />

Basche) has to act as interpreter. Eden helps Holly overcome a bad first impression with a handsome<br />

neighbor. Haskell buys a c<strong>of</strong>fin as an investment.<br />

Technical Description<br />

The men are groomed with Visiora and Smashbox Halo Powder. For the model, we added individual lashes<br />

& defined her eyebrow. Eden's weekly look focuses on her eyes. Individual lashes, golden shadow colors<br />

and full body makeup to darken her skin to a warm tan. Holly's weekly look, pops <strong>of</strong> color on her eyes, and<br />

apricot cheeks. When caught in the rain, black eyeliner & mascara were used to create the streaks <strong>of</strong> eye<br />

makeup.<br />

Karen Kawahara, Department Head Makeup Artist<br />

Cheryl Calo, Key Makeup Artist<br />

Fashion Star<br />

Pilot<br />

March 13, 2012<br />

Synopsis<br />

Fourteen contestants are introduced,competing to win a 6 million-dollar contract and capsule collection in<br />

Saks,Macy's,and H&M.Viewers, at home,are able to buy winning designs bought by a retailer that<br />

evening,on-line after the show or in stores the next day.Host,Elle MacPherson shows <strong>of</strong>f her runway<br />

collection and one contestant goes home.<br />

Technical Description<br />

On this episode,I have to create 14 unique makeup looks for each <strong>of</strong> the contestant's runway collections on<br />

the show. This consists <strong>of</strong> a consultation and execution <strong>of</strong> high fashion,creative and Avant Garde makeup in<br />

a very short amount <strong>of</strong> time that is given to me. My team and I also created the makeup look for Elle<br />

MacPherson's runway presentation as well as did the buyers,contestants and variety acts in this 2-hour<br />

premiere episode.<br />

Julianne Kaye, Department Head Makeup Artist<br />

Gabriel Almodovar, Makeup Artist<br />

Chantal Moore, Makeup Artist<br />

Stella Kae, Makeup Artist<br />

Kristee Liu, Makeup Artist<br />

57


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

112<br />

The Glee Project<br />

Danceability<br />

July 10, 2011<br />

Synopsis<br />

The remaining 9 contestants put on their dancing shoes for “Dance Ability” week. Harry Shum Jr. (Glee’s<br />

Mike Chang) stops by for the homework assignment <strong>of</strong> Train’s “Hey, Soul Sister,” picking Sam for a freestyle<br />

portion in the music video, a high-octane version <strong>of</strong> MC Hammer’s “Can't Touch This.”<br />

Technical Description<br />

Beauty makeup for Nikki Anders and Brooke Lipton.<br />

Grooming for Robert Ulrich, Zach Woodlee and Harry Shum, Jr.<br />

‘Reality’ makeup for all Contenders.<br />

Music Video:<br />

1980’s hip hop looks. Fake tattoos. Fake nails with lettering added. Sweat control.<br />

Last Chance Performances:<br />

Grooming, Ryan Murphy, Robert Ulrich, Zach Woodlee.<br />

Beauty makeup Nikki Anders.<br />

Interpreted the ideal beauty makeup for ‘bottom 3’ Contender performances.<br />

Merry Traum, Department Head Makeup Artist<br />

Jacklynn Evans, Key Makeup Artist<br />

58


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

113<br />

114<br />

The Glee Project<br />

Pairability<br />

July 17, 2011<br />

Synopsis<br />

The remaining contenders buddy up for “Pairability” week, performing “Need You Now” by Lady Antebellum.<br />

Darren Criss returns as a guest judge and chooses Marissa as the homework winner. Four videos follow<br />

with pairs singing "Cold Outside," "Now a Days," “Lady is a Tramp,” and “Don't You Want Me.”<br />

Technical Description<br />

Beauty makeup for Nikki Anders and Brooke Lipton.<br />

Grooming for Robert Ulrich, Zach Woodlee and Darren Criss. ‘Reality’ makeup for all Contenders.<br />

Music Video:<br />

1950’s period beauty makeup and manicures. Sideburn grooming.<br />

1960’s period grooming and sideburn grooming.<br />

1970’s period theatrical stage makeup, both drag and beauty makeup.<br />

1980’s period rock beauty makeup and grooming.<br />

Sweat control. Grooming, Ryan Murphy.<br />

Interpreted the ideal beauty makeup for ‘bottom 3’ Contender performances.<br />

Merry Traum, Department Head Makeup Artist<br />

Meredith Cross, Key Makeup Artist<br />

Krystal Melton, Makeup Artist<br />

Lindsay Dawson, Makeup Artist<br />

Hot In Cleveland<br />

Bridezelka<br />

August 24, 2011<br />

Synopsis<br />

Betty White "Elka"with her fiance Fred(Buck Henry)meet Reverend Boyce (Cedric the Entertainer)to plan<br />

their simple wedding ceremony.But the ladies encourage Elka to go bigger and Elka morphs into a<br />

bouquet-slugging Bridezelka.Wendie Malick "Victoria"tests out a new Mrs. Ladypants while she,Valerie<br />

Bertinelli "Melanie" and Jane Leeves "Joy" do the Bridezilla's bidding.<br />

Technical Description<br />

To achieve the looks for this particular episode quick changes were required. From Betty White's beauty<br />

makeup to sunburned and back to beauty. Jane Leeve's beauty makeup to a black eye then back to beauty,<br />

finishing <strong>of</strong>f with wedding makeup look all during our taped audience show.Our daily beauty skin regime<br />

consists <strong>of</strong> light facial massage,under eye pads,eye roller-ball moisturizers,toners and moisturizers for the<br />

body we use products to make the skin glow to perfection.<br />

Lori Benson, Co-Department Head Makeup Artist<br />

Lisa Ashley, Co-Department Head Makeup Artist<br />

Deborah Huss Humphries, Key Makeup Artist<br />

59


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

115<br />

116<br />

How I Met Your Mother<br />

Trilogy Time<br />

April 9, 2012<br />

Synopsis<br />

Ted, Marshall, and Barney embark on “Trilogy Time”, an event where they watch the Star Wars trilogy every<br />

three years, envisioning their lives three years later. Through a visually hilarious series <strong>of</strong> flashbacks/flash<br />

forwards and fantasies, they each envision various scenarios in which their futures might unfold.<br />

Technical Description<br />

Through intricately crafted flash-forwards/flashbacks and fantasies, our main cast is woven into a dynamic<br />

storyline requiring dozens <strong>of</strong> quick-change makeups (sketch-comedy style) including: 1)beautiful 50s<br />

glamour 2)goth 3)comedic lace mustaches 4)a dreadlocked rasta hippie with hand-laid armpit hair 5)"back<br />

boobs" with "cleavage" (accomplished solely in highlight/shadow on a concave back surface, to blend the<br />

wardrobe “boobs”) 6)and finally poor Ted ends up a cat-loving hoarder resplendent in seamless<br />

patent-pending bald cap and sparse comb over.<br />

Jennifer Turchi Nigh, Department Head Makeup Artist<br />

Megan Moore Grimes, Key Makeup Artist<br />

Kevin Haney, Makeup Artist<br />

iCarly<br />

iMeet The First Lady<br />

January 16, 2012<br />

Synopsis<br />

When the gang's plans to throw Carly's dad a surprise party fall through, First Lady, Michelle Obama steps<br />

in to lend a hand.<br />

Technical Description<br />

iCarly is all about clean teen beauty. This episode was a top secret affair which features the First Lady,<br />

Michelle Obama. All <strong>of</strong> the ladies are laden with individual lashes and tanned to compliment the First Lady's<br />

complexion. Crazy cake continuity and 17 hour days made this episode one <strong>of</strong> a kind.<br />

Michael Kevin Johnston, Department Head Makeup Artist<br />

Patti Brand-Reese, Key Makeup Artist<br />

Melanie Mills, Makeup Artist<br />

60


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

117<br />

118<br />

Late Night With Jimmy Fallon<br />

Jimmy Fallon's Super Bowl Special<br />

February 5, 2012<br />

Synopsis<br />

Jimmy takes his show on the road for a LIVE performance following the Superbowl.<br />

Guests include Adam Sandler, Andy Samberg, FLO RIDA, and three NY Giants.<br />

Technical Description<br />

Our show has grown from a straight talk show to a huge variety show. This<br />

live special displays the broad spectrum <strong>of</strong> quality character makeups that<br />

are created. "The Voice" parody, in particular, is a supreme example. All<br />

seven looks on Jimmy were shot in one day, including Tebowie- a character<br />

that has independently gone viral. The cold open also illustrates the various formats we shoot in - from a<br />

film like setting to live.<br />

Cyndie Lou Boehm, Department Head Makeup Artist<br />

Mike & Molly<br />

Happy Halloween<br />

October 31, 2011<br />

Synopsis<br />

Mike is spooked when Molly's boss invites them to a party on Halloween, a holiday he dreads.<br />

Technical Description<br />

Multiple actors were made to look like historical figures, using facial hair, theatrical makeup, lashes, many<br />

shadow colors, corrective applications/designs.<br />

Janice Berridge, Department Head Makeup Artist<br />

Patty Bunch, Key Makeup Artist<br />

61


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

119<br />

120<br />

Saturday Night Live<br />

Host: Katy Perry<br />

December 10, 2011<br />

Synopsis<br />

Katy Perry hosts SNL. Sketches include parodies <strong>of</strong> a Japanese Talk Show; a Finnish talk show and a visit<br />

with the Queen <strong>of</strong> England. Kenan Thompson impersonates Al Sharpton on MSNBC. Two live<br />

performances from musical guest, Robyn.<br />

Technical Description<br />

Make-up techniques included beauty and straight with theatrical painting techniques for a variety <strong>of</strong><br />

character make-ups. Kristen Wiig as Greta Van Sustren, Kim Cattrall and Drew Barrymore. Aging<br />

techniques and bald cap were used on<br />

Bill Hader to transform him into Clint Eastwood. A variety <strong>of</strong> lace facial hair is applied to heighten characters<br />

and recreate likenesses throughout the show. All changes are made in only minutes, during the live HD<br />

Broadcast.<br />

Louie Zakarian, Department Head Makeup Artist<br />

Josh Turi, Makeup Artist<br />

Amy Tagliamonti, Makeup Artist<br />

Daniela Zivkovic, Makeup Artist<br />

Tom Denier, Jr., Makeup Artist<br />

So You Think You Can Dance<br />

Episode 822/823A<br />

July 28, 2011<br />

Synopsis<br />

Contestants dance a circus themed group routine before two are sent home on this elimination episode.<br />

Technical Description<br />

Full white face/body makeup created to look “antiqued and dusty.” Handmade stencils used with 4 layers <strong>of</strong><br />

makeup textures for leg designs. Blocked out brows, character brows and lips painted on. Layers <strong>of</strong><br />

pigments, glitter and crystals on face and body for watercolor effects and highlights. Various accents<br />

painted on bodies and metallic polish on nails, hands and feet. Completed in less than 2 hours. Additional<br />

Thank You to Autumn Scruggs and Michelle Bankson.<br />

Amy Strozzi, Department Head Makeup Artist<br />

Heather Cummings, Key Makeup Artist<br />

Marie DelPrete, Makeup Artist<br />

Tifanie White, Makeup Artist<br />

Crystal Wolfchild, Makeup Artist<br />

Tyson Fountaine, Makeup Artist<br />

62


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

121<br />

122<br />

30 Rock<br />

Live From Studio 6H<br />

April 26, 2012<br />

Synopsis<br />

When their Kabletown bosses announce they will no longer pay for TGS to be a live show, Liz Lemon and<br />

Jack Donaghy realize their lives will actually be easier if they shoot canned episodes fast and cheap. Only<br />

Kenneth the page objects.<br />

Technical Description<br />

Live show requires fast, <strong>of</strong>ten less than a minute, full makeup changes while hair and wardrobe happen<br />

simultaneously and much advance planning.<br />

Tina and Alec had multiple period looks.<br />

All woman went from beauty to quick change 60s and then back. Including eyelashes & body paint.<br />

Men had period moustaches and 2 in drag and then back.<br />

Jon Hamm dirty face then clean as newscaster.<br />

Tracy Morgan as Prince.<br />

Jorge Nelson, Department Head Makeup Artist<br />

Richard Dean, Key Makeup Artist<br />

2 Broke Girls<br />

And Martha Stewart Have A Ball Part 2<br />

May 7, 2012<br />

Synopsis<br />

The 2 BROKE GIRLS go uptown as they track down Martha Stewart at the annual Met Ball, convincing her<br />

to try their beer maple syrup infused cupcakes.<br />

Technical Description<br />

Old Hollywood meets modern JGlow, we try to represent the 2 Broke Girls' character differences through<br />

their make up. Max is a Brooklyn girl who loves vintage everything so we gave her vintage old Hollywood<br />

Betty Davis eyes and Joan Crawford lips.<br />

Caroline on the other hand, is the picture <strong>of</strong> socialite glamour. We went fresh, with peach and bronze, to<br />

capture the modern make up looks <strong>of</strong> the Paris Hilton/Petra Ecclestones <strong>of</strong> Manhattan.<br />

Patty Bunch, Department Head Makeup Artist<br />

Farah Bunch, Key Makeup Artist<br />

63


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

123<br />

Victorious<br />

April Fools Blank<br />

March 20, 2012<br />

Synopsis<br />

This April Fools themed show had no rhyme or reason and barely makes sense. References to 70's, 80's,<br />

shows and a tribute to Wiz <strong>of</strong> Oz and Saturday Night Live played to all demographics.<br />

Technical Description<br />

One day prep, Gaga=hand laid Swarovski crystals,hand-painted mask on beauty, oompa-loompa,<br />

Dorothy=technicolor technique, Witch=beauty in green and feathered eyes, 5 hand-laid french mustaches,<br />

70's Matchgame flashback with Brett Sommers look-a-like, hand-laid sideburns with 70's period beauty.<br />

This episode was about nonsense. Our signature beauty looks keep us busy but this tribute to Wiz <strong>of</strong> Oz,<br />

Saved by the Bell, Matchgame, and SNL was hand-made...<br />

Michael Johnston, Department Head Makeup Artist<br />

Patti Brand-Reese, Key Makeup Artist<br />

Melanie Mills, Makeup Artist<br />

Nadege Schoenfeld, Makeup Artist<br />

Lusine Galadjian, Personal Makeup Artist<br />

64


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Multi-Camera Series Or Special (Non-Prosthetic)<br />

For a single episode <strong>of</strong> a comedy, variety, reality or reality-competiion series, or for a variety or live special.<br />

Emmy(s) to makeup artist(s). NOTE: VOTE FOR NO MORE THAN FIVE achievements in this category that you<br />

have seen and feel are worthy <strong>of</strong> nomination. (More than five votes in this category will void all votes in this<br />

category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

124<br />

The Voice<br />

Episode 210A<br />

April 2, 2012<br />

Synopsis<br />

THE VOICE, a singing competition show featuring Artists and their transition during A&R for a recording<br />

contract. This LIVE show episode had 12 <strong>of</strong> the 24 remaining contestants battle to become America's next<br />

"VOICE". Christina Aguilera, Adam Levine, CeeLo Green, Blake Shelton, Carson Daly and Christina Milian<br />

coach and host.<br />

Technical Description<br />

89 On camera looks.<br />

Adam Levine makeup. Stage beauty looks.<br />

Quick change looks DURING live performances.<br />

Adapting makeup applications to correct pigmentation/ skintones.<br />

Greek/recreate designs <strong>of</strong> tattoos for Artists<br />

Facial hair, brow grooming, shaving male/females including Adam Levine<br />

Body Makeup/Tattoo cover 6 male dancers.<br />

False lash design/building according to performance look<br />

Reality makeup for Artists and adjustments for exterior lighting/HD.<br />

Male grooming/makeup on 6 Band. 4 designs marionette dancers.<br />

Darcy Diana Gilmore, Department Head Makeup Artist<br />

Sherri Simmons, Makeup Artist<br />

Tracey Anderson, Makeup Artist<br />

Thea Samuels, Makeup Artist<br />

Molly Tissavary, Makeup Artist<br />

Lizbeth Williamson, Makeup Artist<br />

End <strong>of</strong> Category<br />

65


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)<br />

For a miniseries (as credited on one or more than one episode) or a movie. Emmy(s) to makeup artist(s).<br />

NOTE: VOTE FOR NO MORE THAN THREE achievements in this category that you have seen and feel are<br />

worthy <strong>of</strong> nomination. (More than three votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

125<br />

126<br />

American Horror Story<br />

October 5, 2011 - December 21, 2011<br />

Synopsis<br />

AMERICAN HORROR STORY revolves around the Harmons, a family <strong>of</strong> three who moved from Boston to<br />

Los Angeles as a means to reconcile past anguish.<br />

Technical Description<br />

Makeup responsibilities and designs for AMERICAN HORROR STORY include many different periods <strong>of</strong><br />

time that the ghosts were originally killed-1920s, 1940s, 1960s, 1970s, 1980s, contemporary beauty,<br />

corrective, body makeup, out-<strong>of</strong>-kit injuries as well as burns made with Baldeez, tattoo covering, different<br />

stages <strong>of</strong> mental illness, blood, dirt, sweat, decomposed people who return from the grave, bruises,<br />

Halloween character makeups, and age makeup using green marble sealer/Attagel - unforgiving schedule<br />

with great department.<br />

Eryn Krueger Mekash, Department Head Makeup Artist<br />

Kim Ayers, Key Makeup Artist<br />

Silvina Knight, Makeup Artist<br />

D. Garen Tolkin, Personal Makeup Artist<br />

Firelight<br />

April 22, 2012<br />

Synopsis<br />

D.J. is a counselor at a young women’s correctional facility. Salvation for many <strong>of</strong> the women comes when<br />

they join an elite band <strong>of</strong> firefighters who battle forest fires and assist during natural disasters. D.J.<br />

develops the volunteer force because he wants to change the way the girls see themselves.<br />

Technical Description<br />

The young ladies <strong>of</strong> Crew 9 had many different personalities that were researched to develop the makeup<br />

looks for each character. Not only considering the personalities <strong>of</strong> the actresses/characters, but the looks <strong>of</strong><br />

actual firefighters and gang prisoners. As a firefighter, cosmetic soot and dirt were placed on the face in<br />

areas that were vulnerable to smoke and ashes and gang tattoos on prisoners were stenciled on the neck,<br />

chest, arms and hands.<br />

Denise Tunnell, Department Head Makeup Artist<br />

66


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)<br />

For a miniseries (as credited on one or more than one episode) or a movie. Emmy(s) to makeup artist(s).<br />

NOTE: VOTE FOR NO MORE THAN THREE achievements in this category that you have seen and feel are<br />

worthy <strong>of</strong> nomination. (More than three votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

127<br />

128<br />

Game Change<br />

March 10, 2012<br />

Synopsis<br />

A behind-the-scenes look at John McCain’s 2008 presidential campaign, from the selection <strong>of</strong> Alaska<br />

Governor Sarah Palin (Julianne Moore) as McCain’s running mate to their general election defeat sixty days<br />

later. GAME CHANGE, adapted from the non-fiction bestseller, <strong>of</strong>fers a unique glimpse into the inner<br />

workings <strong>of</strong> an historic campaign.<br />

Technical Description<br />

Ed Harris/John McCain: foundation and contouring to age, tinted bondo for scars, alcohol-activated paints to<br />

color brows, contact lenses. Julianne Moore/Sarah Palin: Elaine used three colors <strong>of</strong> foundation to deepen<br />

skin tone, contour, lashes and contact lenses.<br />

Additional Cast: used 2008 Campaign reference material as guide to design matching beauty makeups on<br />

women, added/enhanced facial hair/brows on men with dye or alcohol-activated paints.<br />

Sandra Linn Koepper, Department Head Makeup Artist<br />

Ngozi Olandu-Young, Key Makeup Artist<br />

Elaine Offers, Personal Makeup Artist<br />

Hatfields & McCoys<br />

May 28, 2012 - May 30, 2012<br />

Synopsis<br />

The HATFIELDS & MCCOYS is the true American story <strong>of</strong> a legendary family feud, one that spanned<br />

decades and nearly launched a war between Kentucky and West Virginia . The six-hour miniseries<br />

showcases a cast led by Kevin Costner as Devil Anse Hatfield and Bill Paxton as Randall McCoy.<br />

Technical Description<br />

The work done on HATFIELDS & MCCOYS for the reconstruction <strong>of</strong> the period consisted <strong>of</strong> the appliance <strong>of</strong><br />

beards and moustaches, hair-by-hair on every actor.<br />

Because the story is told over the period <strong>of</strong> 30 years, the characters went through 3 different stages <strong>of</strong><br />

aging. In particular, on the 3 main actors(Kevin Costner,Bill Paxton,Tom Berenger)we used 3 different<br />

mixtures <strong>of</strong> hair colors for beard and moustaches according to the age, and a baldcap on Bill Paxton for the<br />

last stage.<br />

Mario Michisanti, Department Head Makeup Artist<br />

Francesca Tampieri, Makeup Artist<br />

67


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)<br />

For a miniseries (as credited on one or more than one episode) or a movie. Emmy(s) to makeup artist(s).<br />

NOTE: VOTE FOR NO MORE THAN THREE achievements in this category that you have seen and feel are<br />

worthy <strong>of</strong> nomination. (More than three votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

129<br />

130<br />

Hemingway & Gellhorn<br />

May 28, 2012<br />

Synopsis<br />

A drama recounting one <strong>of</strong> the great love affairs <strong>of</strong> the 20th century - between literary giant Ernest<br />

Hemingway (Clive Owen) and trailblazing war correspondent Martha Gellhorn (Nicole Kidman). Their<br />

passionate and tumultuous romance played-out against such epic backdrops as the Spanish Civil War,<br />

World War II and beyond.<br />

Technical Description<br />

Hemingway spanned several continents and time periods. I used airbrushes to apply makeup for<br />

concealing, adding color and correcting skin tones, followed with pressed powders popular in the 30s.<br />

Matte Red Lipsticks matched blushers. Brows are painted in with tints. Liquid eyeliner and black mascara<br />

thicken lashes. False eyelashes add drama. Contacts changed eye colors. Men's facial hair is shaped with<br />

clippers. Dirt is applied by airbrush or sponges.<br />

Gretchen Davis, Department Head Makeup Artist<br />

Kyra Panchenko, Personal Makeup Artist<br />

Paul Pattison, Personal Makeup Artist<br />

Mitch Albom's Have A Little Faith<br />

November 27, 2011<br />

Synopsis<br />

Mitch Albom has a pretty great life. Then Rabbi Lewis and Pastor Covington come into it and he realizes<br />

something’s missing. Moving between their worlds – Christian and Jewish, African-American and white,<br />

impoverished and privileged – Albom witnesses how these two different men not only live life, but celebrate<br />

it.<br />

Technical Description<br />

In order to portray the time span between the three decades <strong>of</strong> this movie, I used RCMA age stipple for<br />

Anika around the eyes, and for Deanna on her entire face. To de-age Martin, I used a facelift kit, and added<br />

highlighting and contouring. During the drug use I hollowed out the orbital areas, reddened the nostrils,<br />

dried the lips, and added a crack pipe burn on the mouths <strong>of</strong> Anika and Laurence.<br />

Kimberly Jones, Department Head Makeup Artist<br />

68


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Makeup For A Miniseries Or A Movie (Non-Prosthetic)<br />

For a miniseries (as credited on one or more than one episode) or a movie. Emmy(s) to makeup artist(s).<br />

NOTE: VOTE FOR NO MORE THAN THREE achievements in this category that you have seen and feel are<br />

worthy <strong>of</strong> nomination. (More than three votes in this category will void all votes in this category.)<br />

PLEASE NOTE: Remember that this category is a non-prosthetic category. Your vote should be for<br />

non-prosthetic related makeup only. Please vote with this in mind.<br />

131<br />

132<br />

A Smile As Big As The Moon<br />

January 29, 2012<br />

Synopsis<br />

Mike Kersjes is a special-education teacher who helps his students achieve their dream: attending NASA<br />

Space Camp, a competitive educational program for gifted students. Mike believes it would be a great<br />

learning experience. Facing obstacles getting there and the actual program – they excel, teaching<br />

themselves and others surprising lessons.<br />

Technical Description<br />

I researched makeup appropriate for the era and region, taking into account that the characters were<br />

students and teachers in a special education class, and chose an understated makeup strategy. The<br />

humidity <strong>of</strong> the locations (North Carolina and Alabama), activities involved (swimming, food fight, Space<br />

Camp, etc.) and the young actors’ skin conditions presented challenges my staff and I managed by careful<br />

planning and product selection, allowing the actors to look and feel natural and comfortable.<br />

Sandra Orsolyak-Allen, Department Head Makeup Artist<br />

Treasure Island<br />

May 5, 2012 - May 5, 2012<br />

Synopsis<br />

Shiver me timbers! Heed the intoxicating tale <strong>of</strong> reckless buccaneers, fateful friendships, buried fortunes.<br />

Young Jim Hawkins guides a schooner to a legendary island and its buried treasure. Also aboard, a<br />

peg-legged plunderer, Long John Silver. Ally or enemy? The definitive pirate adventure gets a muscular<br />

reboot.<br />

Technical Description<br />

I researched tribal scarring and tattoos around the world as well as formal 18th century styles. I wanted to<br />

make it a more modern and quirky version with elements <strong>of</strong> the period, and to individualize and design a<br />

look as each character was so unique.<br />

Jacqueline Fowler, Department Head Makeup Artist<br />

End <strong>of</strong> Category<br />

69


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

133<br />

134<br />

American Horror Story<br />

October 5, 2011 - December 21, 2011<br />

Synopsis<br />

AMERICAN HORROR STORY revolves around the Harmons, a family <strong>of</strong> three who moved from Boston to<br />

Los Angeles as a means to reconcile past anguish.<br />

Technical Description<br />

Each week we were challenged with new characters and new death sequences. We created a variety <strong>of</strong><br />

looks including burns (most notably Denis O’Hare’s “Larry”), deformities (Beauregard, Infantata), gory<br />

trauma wounds (House residents and teens) and prosthetic likenesses to match the performers to their<br />

dead bodies. Using various techniques such as Tinsley Prosthetic Transfers® and gel-filled silicone with the<br />

occasional addition <strong>of</strong> prosthetic dentures, painted lenses and special hair pieces we brought life to the<br />

strange world <strong>of</strong> AMERICAN HORROR STORY.<br />

Eryn Krueger Mekash, Department Head Makeup Artist<br />

Hiroshi Yada, Makeup Effects Artist<br />

Michael Mekash, Makeup Effects Artist<br />

Christopher Nelson, Makeup Effects Artist<br />

Kim Ayers, Makeup Effects Artist<br />

Christien Tinsley, Prosthetic Designer<br />

Jason Hamer, Prosthetic Designer<br />

Angry Boys<br />

Episode Two<br />

January 1, 2012<br />

Synopsis<br />

Chris Lilley, returns in the new series ANGRY BOYS. The wildly inventive Lilley brings to life six characters;<br />

twins Daniel and Nathan Sims, former Surfing Champion Blake Oakfield; US rapper S.mouse!; Japanese<br />

mother and manager, Jen Okazaki; and Juvenile Justice Centre worker Ruth Sims, aka Gran.<br />

Technical Description<br />

For this episode <strong>of</strong> ANGRY BOYS, and the character <strong>of</strong> S.mouse, we had the challenge <strong>of</strong> changing the<br />

“white” Writer/Director/Producer Chris Lilley into an African American rapper. I made subtle silicone<br />

prosthetics made to exaggerate Chris' nostrils. Then a combination <strong>of</strong> tanning makeups, and spray tattoo<br />

inks were used to create a realistic and believable African American skin tone.<br />

Glenda Mann, Department Head Makeup Artist<br />

Brian Sipe, Special Makeup Effects Artist<br />

Katie Birch, Special Makeup Effects Artist<br />

70


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

135<br />

136<br />

Boardwalk Empire<br />

The Age Of Reason<br />

October 30, 2011<br />

Synopsis<br />

Nucky makes a deal to have his liquor delivered through Philadelphia. Margaret confesses her attraction to<br />

Owen. Attorney General Daugherty replaces Nucky’s prosecutor. After Lucy gives birth, Van Alden’s wife<br />

discovers his secret. Jimmy and Manny attempt to hijack Nucky’s liquor, but end up joining forces with<br />

Luciano and Lansky.<br />

Technical Description<br />

This episode featured a slashed throat and a burn victim. Each effect started with a life cast. The neck had<br />

pumps for the blood and was created to see deep inside the throat while having movement. The burn used a<br />

bald cap and several silicone pieces. The melted eye, ear, mouth, and armpit pieces were glued and<br />

colored with blended edges. After painting, we applied the raw wet look on set for a realistic outcome.<br />

Michele Paris, Department Head Makeup Artist, Prosthetic Designer<br />

Craig Lindberg, Special Makeup Effects Artist<br />

Jeremy Selenfriend, Special Makeup Effects Artist<br />

Mike Marino, Special Makeup Effects Artist<br />

David Presto, Special Makeup Effects Artist<br />

Michael Fontaine, Special Makeup Effects Artist<br />

Body Of Pro<strong>of</strong><br />

Identity<br />

March 13, 2012<br />

Synopsis<br />

Two girls are in a car accident, one is in critical condition and the other is found dead. As Megan and her<br />

team investigate, they realize a mistake was made. Not only was the wrong girl pronounced dead, but the<br />

car accident may not have been the cause <strong>of</strong> death.<br />

Technical Description<br />

We have two girls unrecognizable to families misidentified at the sc. We use multiple facial silicone<br />

appliances to disfigure their faces. Extreme swollen eye pieces that completely cover their eyes. Broken<br />

noses, swollen jaw, deep lacerations and cuts. Taken from accident look to autopsy with an added silicone<br />

Y incision and entrance and exit bullet wounds. Crime sc had blood and silicone glass. Clean added paint<br />

bruises, lividity. Shooter had a nail created with fungus.<br />

Rebecca Alling, Department Head Makeup Artist<br />

Amy Disarro, Key Makeup Artist<br />

Suzy Diaz, Makeup Artist<br />

Trent Cotner, Makeup Artist<br />

Matthew Mungle, Prosthetic Designer<br />

71


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

137<br />

138<br />

Castle<br />

Undead Again<br />

April 30, 2012<br />

Synopsis<br />

When Castle and Beckett investigate the murder <strong>of</strong> a man with human bite marks on his body, Castle’s wild<br />

theories start flying. But none are as wild as what their only witness insists happened – a zombie attack.<br />

Technical Description<br />

For this zombie episode we used generic appliances painted with water based and aqua colors and contact<br />

lenses to complete the look. In one scene there was a partial reveal <strong>of</strong> Castle, which we had to repeat<br />

several times on set, in only a few minutes. In total, thirty zombies had partial appliances, tissue and latex,<br />

and textured components. Alcohol palettes were used to pull together the different body parts.<br />

June Brickman, Department Head Makeup Artist, Prosthetic Designer<br />

Greg Nelson, Key Makeup Artist<br />

Mel Tooker, Key Makeup Artist<br />

CSI: Crime Scene Investigation<br />

Freaks And Geeks<br />

November 2, 2011<br />

Synopsis<br />

When a Jane Doe is found near the freakish attractions <strong>of</strong> a 19th-century-inspired traveling side show, the<br />

team investigates a cast <strong>of</strong> unusual characters.<br />

Technical Description<br />

Twelve, 12” long, large gauge needles inserted into silicone appliances, glued onto skin seen in crime and<br />

autopsy scenes. Gelatin stitched ‘Y’ incision and splayed out arm skin in autopsy. Full open foam latex<br />

autopsy chest with flat organs and ‘H’ cut foam latex neck appliance. Foam latex prosthetic face glued and<br />

blended to look like proteus syndrome (elephant man). Prosthetic foam latex hand used to complete effect.<br />

Horned and Claw side show freak prosthetic make-ups.<br />

Melanie Levitt, Department Head Makeup Artist<br />

Matthew W. Mungle, Special Makeup Effects Artist<br />

Clinton Wayne, Special Makeup Effects Artist<br />

Tina H<strong>of</strong>fman, Makeup Artist<br />

Michael S. McCracken, Prosthetic Designer<br />

72


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

139<br />

140<br />

Curiosity<br />

Can You Live Forever?<br />

October 15, 2011<br />

Synopsis<br />

Series hosted by Adam Savage, star <strong>of</strong> Mythbusters.<br />

Adam takes you through an interesting journey. Using scientific advancements and focusing on the mother<br />

<strong>of</strong> all experiments - trying to prolong his life and stay alive forever.<br />

Technical Description<br />

132-year-old Prosthetic Makeup:<br />

The steps to transform TV host Adam Savage into a 132-year-old man:<br />

-Produced lifecast <strong>of</strong> Adam’s head<br />

-Performed sculptural design on lifecast using clay<br />

-Created mold <strong>of</strong> the finished design<br />

-Cast prosthetic out <strong>of</strong> silicone<br />

-Punched hairs<br />

-Created gelatin aged earlobes<br />

-Incorporated eyelid blink on prosthetic<br />

-Blended prosthetic to skin<br />

-Old age Stipple hands<br />

Danny Wagner, Prosthetic Designer, Special Makeup Effects Department Head<br />

Marta Camer, Additional Makeup Effects Artist<br />

Drew Peterson: Untouchable<br />

January 21, 2012<br />

Synopsis<br />

Based on a true story, the film follows the fascinating tale <strong>of</strong> police <strong>of</strong>ficer Drew Peterson's fall from grace<br />

after the mysterious disappearance <strong>of</strong> his fourth wife.<br />

Technical Description<br />

Rob Lowe's makeup used a silicone nose, Prosaide transfer eyebags, upper dental plumpers, and a lace<br />

mustache. Loose hair was applied to his eyebrows to augment them. His face was colored with Illustrator<br />

colors. The nose and eyebags were matched to Rob's skin by hand with the illustrator palettes and a fan<br />

brush. Shadows and highlights were airbrushed, capillaries were painted by hand and spatter oversprays<br />

were done by airbrush.<br />

Scott Gregory Wheeler, Special Makeup Effects Department Head<br />

73


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

141<br />

142<br />

Game Of Thrones<br />

Valar Morghulis<br />

June 3, 2012<br />

Synopsis<br />

Tyrion wakes up in a new world. Dany goes to a strange place. Jon proves himself.<br />

Technical Description<br />

'Jamie' character covered in several deep cuts achieved with silicone '3rd Degree'. Tyrion's face wound<br />

exposed to reveal 'stitched' gash across cheek, nose and brow, again using silicone with fabric 'sutures'<br />

inserted into pieces. Final sequence reveals 'white walker' made with silicone pieces applied to actor's face<br />

and body, also lenses. Several 'zombies', made achieved using a combination <strong>of</strong> foamed latex and silicone<br />

pieces.<br />

Paul Engelen, Department Head Makeup Artist, Prosthetic Designer<br />

Conor O'Sullivan, Prosthetic Designer, Makeup Effects Artist<br />

Rob Trenton, Special Makeup Effects Artist<br />

Grey's Anatomy<br />

Have You Seen Me Lately?<br />

February 16, 2012<br />

Synopsis<br />

The team is tasked to deal with a patient who has got his hand/arm lodged in to a meat grinder. While other<br />

doctors help a woman struggling with lymphedema, a severe swelling <strong>of</strong> her arms has caused one to be<br />

almost completely immobile.<br />

Technical Description<br />

For the meat grinder effect Custom silicone prosthetics for the Palm, back <strong>of</strong> hand, and a wrap around<br />

forearm were created with additional fingers for the severed appendages.<br />

For the lymphedema arms full custom silicone selves were created from wrist to shoulders and glued down<br />

to the actress. Then Custom silicone gloves were created that glued down and blended around the finger<br />

tips and overlapped and blended on to the silicone selves.<br />

Norman Leavitt, Department Head Makeup Artist<br />

Thomas Floutz, Special Makeup Effects Department Head<br />

Bari Dreiband-Burman, Special Makeup Effects Artist<br />

Thomas R. Burman, Prosthetic Designer<br />

Vincent Van Dyke, Prosthetic Designer<br />

74


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

143<br />

144<br />

Grimm<br />

Big Feet<br />

May 11, 2012<br />

Synopsis<br />

After Juliette stumbles upon a brutal murder, Nick learns the suspected creature, and friend <strong>of</strong> Monroe, is<br />

suffering from a mysterious condition -- the inability to completely return to human form. This leads them to<br />

a therapist who’s created a drug to suppress the creature side, with horrifying side effects.<br />

Technical Description<br />

We created 5 make-ups for the episode. The first was due on day 1 <strong>of</strong> shooting. Each make-up consisted <strong>of</strong><br />

multiple piece silicone gel-filled prosthetics (for faces and heads), silicone gloves, silicone feet (which<br />

covered special shoes), multiple lace pieces, wigs, hand punched eyebrows and hand laid hair in select<br />

areas. Hair sleeves and leggings were also fabricated to slip over the forearms and lower legs. Prosthetic<br />

teeth and contact lenses completed the look.<br />

Jo Jo Proud, Department Head Makeup Artist<br />

Stevie Bettles, Special Makeup Effects Artist<br />

Randy Westgate, Special Makeup Effects Artist<br />

Christina Kortum, Special Makeup Effects Artist<br />

Barney Burman, Prosthetic Designer<br />

Grimm<br />

Pilot<br />

October 28, 2011<br />

Synopsis<br />

Premiere Episode.<br />

Detective Nick Burckhardt is visited by his dying aunt who informs him that they are descendants <strong>of</strong> the<br />

Brothers Grimm, and what were later turned into fairy tales were originally written as criminal pr<strong>of</strong>iles. He<br />

finds himself able to see certain people for the creatures they truly are.<br />

Technical Description<br />

For the pilot <strong>of</strong> GRIMM we created one troll and two werewolf make-ups in encapsulated silicones. Each<br />

character had custom dentures and contact lenses. Both werewolf characters wore a heavily modified wig,<br />

into which we hand tied additional lace sections. Hair was then punched into all the appliances to create<br />

different hair transitions for each character. A chemotherapy patient's bald look was a series <strong>of</strong> handmade<br />

latex caps colored with pax and skin illustrator.<br />

Andrew S Clement, Special Makeup Effects Department Head<br />

Steven E. Anderson, Special Makeup Effects Artist<br />

75


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

145<br />

146<br />

Hatfields & McCoys<br />

May 28, 2012 - May 30, 2012<br />

Synopsis<br />

The HATFIELDS & MCCOYS is the true American story <strong>of</strong> a legendary family feud, one that spanned<br />

decades and nearly launched a war between Kentucky and West Virginia . The six-hour miniseries<br />

showcases a cast led by Kevin Costner as Devil Anse Hatfield and Bill Paxton as Randall McCoy.<br />

Technical Description<br />

All prosthetics have been sculpted flat. Silicone molds were made for the sculptures. For thin wounds I used<br />

3d transfer prosthetics, a quick and easy technique. For thick wounds I used platsil encapsulated in cap<br />

material to make the prosthetics more similar to skin.<br />

Mario Michisanti, Department Head Makeup Artist<br />

Hell On Wheels<br />

A New Birth Of Freedom<br />

November 20, 2011<br />

Synopsis<br />

Cullen's search for the sergeant is diverted by an unexpected obstacle. Durant organizes a search party to<br />

retrieve the missing Lily Bell.<br />

Technical Description<br />

1. Upper chest, shoulder, arm prosthetic – blood tubed, encapsulated silicone. Unit needed to be stitched up<br />

on camera for previous episode then field surgery for #3.<br />

Eco-Flex .0030 with Slacker determined to be best material for flexibility and realism. Skin texture captured<br />

by clay press method.<br />

Silicone intrinsically tinted then wound, veins, moles painted with Fuse FX paints. Tonal adjustments and<br />

blend into sunburned neck using spattered Skin Illustrator after application.<br />

2. Pros-aide Transfer whip scars.<br />

Gail Kennedy, Special Makeup Effects Department Head<br />

Dave Trainor, Key Makeup Artist<br />

76


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

147<br />

148<br />

Hemingway & Gellhorn<br />

May 28, 2012<br />

Synopsis<br />

A drama recounting one <strong>of</strong> the great love affairs <strong>of</strong> the 20th century - between literary giant Ernest<br />

Hemingway (Clive Owen) and trailblazing war correspondent Martha Gellhorn (Nicole Kidman). Their<br />

passionate and tumultuous romance played-out against such epic backdrops as the Spanish Civil War,<br />

World War II and beyond.<br />

Technical Description<br />

Gelatin appliances were used for various wounds and illnesses during war time.<br />

A dental appliance was created to make Hemingway look toothless except a few rotten remaining teeth.<br />

Clive Owen scar prosthetics - Two Tinsley Prosthetic Transfer scars were applied to Clive's face located<br />

on the forehead and around the chin. Additional silicone/Transfers scar prosthetics were used to achieve<br />

old war wounds to Clive's right arm and leg. Stippling aged the last Mrs Hemingway.<br />

Gretchen Davis, Department Head Makeup Artist<br />

Kazuhiro Tsuji, Special Makeup Effects Artist<br />

Paul Pattison, Personal Makeup Artist<br />

Christien Tinsley, Prosthetic Designer<br />

Hot In Cleveland<br />

Hot & Heavy<br />

March 14, 2012<br />

Synopsis<br />

Victoria, eager to win a Newsie Award, goes to Overeaters Anonymous disguised in a fat suit. Elka tags<br />

along claiming she lost 600 pounds. Melanie meets a guy at a different "Anonymous" meeting. Joy goes out<br />

with a man who's a big departure from her type.<br />

Technical Description<br />

Two custom silicone prosthetic face pieces were created to simulate a weight gain <strong>of</strong> over 200 pounds for<br />

actress Wendy Malick and actor James Stewart. The prosthetic blended below the eyes and cheekbones,<br />

wrapped around the neck and cheeks, and blended <strong>of</strong>f at mid-chest. A beauty make-up was done over the<br />

top <strong>of</strong> Wendy Malick's silicone make-up. Both actors wore custom silicone back <strong>of</strong> hand appliances to<br />

simulate weight gain in hands and fingers.<br />

Thomas Floutz, Special Makeup Effects Department Head<br />

Lori Benson, Department Head Makeup Artist<br />

Bari Dreiband-Burman, Special Makeup Effects Artist<br />

Bart Mixon, Special Makeup Effects Artist<br />

Kelly Golden, Special Makeup Effects Artist<br />

Stephen Bettles, Special Makeup Effects Artist<br />

Thomas R. Burman, Prosthetic Designer<br />

Vincent Van Dyke, Prosthetic Designer<br />

77


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

149<br />

150<br />

iCarly<br />

iParty With Victorious<br />

June 9, 2011<br />

Synopsis<br />

iCarly and Victorious collide, when iCarly plans a sting at a Hollywood <strong>Arts</strong> party to catch her boyfriend<br />

cheating. Risking being recognized, they hire a Hollywood makeup artist for disguise.<br />

Technical Description<br />

Life casts <strong>of</strong> the three teenage actors were taken. The disguises were then sculpted on form for approval.<br />

Approved, they were broken down into individual pieces, noses and chins for Carly and Sam. Nose,chin,<br />

cheeks, and ears for Freddie.<br />

Final pieces were made <strong>of</strong> gelatin and applied with adhesive. To not confuse our demographic, great care<br />

was taken to apply the same Carly and Sam makeup to our girls for recognition.<br />

Michael Johnston, Department Head Makeup Artist<br />

Patti Brand-Reese, Key Makeup Artist<br />

Melanie Mills, Additional Makeup Artist<br />

Steve Bettles, Special Makeup Effects Artist<br />

Greg Nelson, Prosthetic Designer<br />

Kevin Haney, Prosthetic Designer<br />

Mad Men<br />

Tea Leaves<br />

April 1, 2012<br />

Synopsis<br />

A large weight gain suggests Betty might have cancer. Don and Harry go backstage at a Rolling Stones<br />

concert in an effort to sign the group for a Heinz Beans commercial. Michael Ginsburg joins the agency,<br />

despite Peggy’s misgivings.<br />

Technical Description<br />

Betty played by January Jones wore a custom sculpted fat makeup which included 8 silicone pieces<br />

covering her face, neck, upper and lower arms.<br />

The makeup was applied 9 times concealing her pregnancy then re-sculpted to match continuity exactly,<br />

applied another 9 times post-birth during the duration <strong>of</strong> season 5.<br />

Glued with Telesis, Mixed mediums include washes and splattering <strong>of</strong> Illustrator and crème make-up to<br />

achieve her porcelain tone. 1960’s beauty make-up finished the character.<br />

Lana Horochowski, Department Head Makeup Artist<br />

Ken Niederbaumer, Special Makeup Effects Artist<br />

Ron Pipes, Additional Makeup Effects Artist<br />

Kelly Golden, Additional Makeup Effects Artist<br />

Ozzy Alvarez, Additional Makeup Effects Artist<br />

Glen Hetrick, Prosthetic Designer<br />

78


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

151<br />

152<br />

Mike & Molly<br />

Happy Halloween<br />

October 31, 2011<br />

Synopsis<br />

Mike is spooked when Molly's boss invites them to a party on Halloween, a holiday he dreads<br />

Technical Description<br />

Foam latex appliances made. Painted with melpax paints, textured with Illustrator paints, sealer and Pros<br />

Aide.<br />

Janice Berridge, Department Head Makeup Artist<br />

Patty Bunch, Key Makeup Artist<br />

Once Upon A Time<br />

Dreamy<br />

March 4, 2012<br />

Synopsis<br />

Mary Margaret teams up with Leroy, Storybrooke's resident trouble maker, to help him sell candles during<br />

the Miner's Day Festival. Emma investigates Kathryn's sudden disapperance. Meanwhile, in the fairy-tale<br />

land that was, the Seven Dwarfs is made known as well as Grumpy's romance with the beautiful yet clumsy<br />

fairy Nova.<br />

Technical Description<br />

We created eleven dwarves to populate this fairytale land – the traditional seven, AND four more: Bossy,<br />

Stealthy, Watchy and Helper.<br />

Our design had to be subtle enough to carry over into the mid-world <strong>of</strong> Storybrooke with recognizable<br />

structure.<br />

We created silicone nose prosthetics encapsulated in plastic, and gelatin ears to allow for the believable<br />

play <strong>of</strong> light on their translucence.<br />

Four characters had hand-knotted beards and two had their own beards dressed and reshaped.<br />

Toby Lindala, Special Makeup Effects Department Head<br />

Sarah Graham, Department Head Makeup Artist<br />

79


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

153<br />

154<br />

One Tree Hill<br />

In The Room Where You Sleep<br />

January 18, 2012<br />

Synopsis<br />

Brooke discusses a new business venture with her father, as Julian stresses about his struggles to be<br />

honest with Mouth. Meanwhile, Chris Keller makes Alex an <strong>of</strong>fer she may not be able to refuse and Nathan<br />

volunteers to scout in Europe, leaving Dan with Haley and Jamie.<br />

Technical Description<br />

In preparation we have to do a head to toe body cast <strong>of</strong> the actor Lee Norris. We decided to use silicone to<br />

make the the fat make-up. Since the silicone piece was going to be too heavy, we turned Lee's prosthetic<br />

pieces into 2 pieces intrinsically colored silicone prosthetic. Once applied with Telesis, it was colored using<br />

Skin Illustrator, and with grease paint around the eyes.<br />

Tym Shutchai Buacharern, Department Head Makeup Artist<br />

Rocky Faulkner, Makeup Artist<br />

Pair Of Kings<br />

The Young And Restless<br />

February 6, 2012<br />

Synopsis<br />

The Kings meet two hot young girls and learn too late they're old hags who drink from Kinkow's Fountain <strong>of</strong><br />

Youth. The girls need young men to turn the fountain's pump, which sucks the life out <strong>of</strong> the kings, making<br />

them old, and transferring their youth to the Fountain.<br />

Technical Description<br />

In this episode, we did two old age makeups, turning our actors from 19 year-olds to 80 year-olds. None <strong>of</strong><br />

the prosthetics used were made to fit them, which added an extra challenge. The makeups consist <strong>of</strong> an old<br />

age foam wrap, forehead, baldcap, transfer eye bags, gelatin ear lobes, and hand-laid facial hair. Old age<br />

stipple and paint were used on their hands.<br />

Alexei Dmitriew, Department Head Makeup Artist<br />

Kathleen Crawford, Key Makeup Artist<br />

Brian Sipe, Additional Makeup Artist<br />

80


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

155<br />

156<br />

Raising Hope<br />

It's A Hopeful Life<br />

December 13, 2011<br />

Synopsis<br />

When Jimmy wakes up from a fall he finds himself in an alternate world in which Hope had never been born.<br />

Virginia is morbidly obese. Howdy’s is now a liquor store staffed by scantily-clad young ladies. One <strong>of</strong> these<br />

buxom employees is a surgically enhanced Sabrina.<br />

Technical Description<br />

3 "stock" Foam Latex necks glued onto actress' neck to build up the area, a stock Foam Latex fat face glued<br />

over the necks to create a huge fat face. All painted with PAX paints and PM make-up bases. Extremely<br />

large "stock" silicone breast appliance which where too broad for the actress’ frame cut in center and<br />

seamed with Sculpt Gel to blend together. Applied with silicone adhesive and air brushed with Stacolor<br />

liquid colors.<br />

Rene Dashiell, Department Head Makeup Artist<br />

Matthew W. Mungle, Special Makeup Effects Artist<br />

Margie Kaklamanos, Additional Makeup Effects Artist<br />

The River<br />

February 7, 2012 - March 20, 2012<br />

Synopsis<br />

Famed explorer Dr. Emmet Cole vanished in his search <strong>of</strong> "magic" on the Amazon. Six months after he is<br />

presumed dead his emergency beacon goes <strong>of</strong>f leading his family and former crew on their own search<br />

through the treacherous and magical waters <strong>of</strong> THE RIVER.<br />

Technical Description<br />

Silicone, pros-ade transfers, foam latex and plastic as well as on site mold making coupled with custom and<br />

generic appliances create the ghostly visage <strong>of</strong> a drowned girl, a severe leg wound stitched on camera,<br />

Morcego mud-men with vacant eye sockets, scarified Xulo warriors, Xulo warrior autopsy, gun-shot wounds,<br />

exposure and bites, and a torn away neck. Additions <strong>of</strong> hair, teeth and nail appliances completed looks for<br />

genetic mutations on this miniseries called THE RIVER.<br />

Douglas Noe, Department Head Makeup Artist<br />

Ned Neidhardt, Key Makeup Artist<br />

81


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

157<br />

158<br />

Saturday Night Live<br />

Host: Jonah Hill<br />

March 10, 2012<br />

Synopsis<br />

Jonah Hill hosts SNL. Sketches include parodies <strong>of</strong> a Japanese Talk Show, Liza Minelli turning <strong>of</strong>f a lamp<br />

and Rush Limbaugh. Two live performances by The Shins.<br />

Technical Description<br />

Prosthetic Techniques for this live HD broadcasat include: full Silicone cheek appliances and a vinyl bald<br />

cap for Taran as Rush Limbaugh. Foam latex full head and face appliences to transform Fred Armisen into<br />

the talking monkey, Brutus. All the prosthetics for this episode were sculpted, molded and fabricated in two<br />

days and applied and removed in minutes during the live broadcast.<br />

Louie Zakarian, Department Head Makeup Artist<br />

Josh Turi, Makeup Artist<br />

Tom Denier, Jr., Makeup Artist<br />

Craig Lindberg, Makeup Artist<br />

Sons Of Anarchy<br />

Hands<br />

November 8, 2011<br />

Synopsis<br />

Jax and Tara get a glimpse <strong>of</strong> life without SAMCRO but discover that their reality is hard to escape.<br />

Technical Description<br />

Gemma beauty, scars.<br />

Tara beauty. Men's grooming, tattoos, mohawk. Eli bruising.<br />

Piney dead hand. Homeless woman. Tara hand gash piece, blood continuity.<br />

Kidnapper broken nose.<br />

Jax, Tara stunt double.<br />

Tara hand bruise, distress<br />

Juice scrapes, neck bruise<br />

Gang tattoos, Mayan, 1-9ers, Galindo<br />

Bullet wound piece.<br />

Margaret beauty, tears<br />

Clay scratches, bruises<br />

Gemma bruise progression, scratch additions.<br />

Tara tears, hand bruise progression. Clay bruise, cut progression. Gemma face pieces, bruising, gashes.<br />

Tracey Anderson, Department Head Makeup Artist<br />

Michelle Garbin, Key Makeup Artist<br />

Sabine Roller Taylor, Additional Makeup Artist<br />

82


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

159<br />

160<br />

Spartacus: Vengeance<br />

Empty Hands<br />

February 17, 2012<br />

Synopsis<br />

Spartacus leads survivors through the woods, but Crixus gets separated and returns to a place <strong>of</strong> past<br />

suffering. Lucretia pries into Ilithyia’s affairs, seeking influence with a powerful Roman.<br />

Technical Description<br />

Prosthetics Design for ‘Vengeance’ moved into a new environment. Even though the Gladiators were not in<br />

the Arena we still had to keep the fights and subsequent injuries interesting and exciting to watch. In<br />

Episode 204 ‘Empty Hands’ the capture and death <strong>of</strong> Acer for party ‘entertainment’ meant we had to come<br />

up with effects that we hadn’t before. The end result does help show the Romans dispassionate regard for<br />

the Gladiators at its best.<br />

Jane O'Kane, Department Head Makeup Artist<br />

Roger Murray, Prosthetic Designer<br />

Teen Wolf<br />

Wolf's Bane<br />

July 25, 2011<br />

Synopsis<br />

Clues, including a prior encounter with Derek, bring Jackson to a dangerous revelation about Scott. His<br />

actions begin to threaten not only Scott's life but his own, while Allison starts to question the strange<br />

behavior in her own family.<br />

Technical Description<br />

Jackson: wounds on neck in varying phases <strong>of</strong> healing and flowers pulled out. Custom pros-aide appliances<br />

applied from silicone molds.<br />

Derek: transformation using contacts and teeth, transfer tattoo on his back.<br />

Scott: partial transformation using contacts and teeth.<br />

Peter: scars from a burn covering right side <strong>of</strong> face, neck and temple. Consisted <strong>of</strong> 3 prose-aide transfers<br />

and 5 custom prose-aide appliances applied directly from silicone molds. Hair laid to blend temple. Used<br />

stunt makeup.<br />

Fionagh Cush, Department Head Makeup Artist<br />

Gregory Funk, Special Makeup Effects Artist<br />

Phyllis Temple, Makeup Artist<br />

Andre Freitas, Makeup Artist<br />

83


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

Outstanding Prosthetic Makeup For A Series, Miniseries, Movie Or A Special<br />

For a series, miniseries (as credited on one or more than one episode), a movie, or for a special. NOTE: VOTE<br />

FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy <strong>of</strong><br />

nomination. (More than five votes in this category will void all votes in this category.)<br />

161<br />

162<br />

True Blood<br />

Cold Grey Light Of Dawn<br />

August 14, 2011<br />

Synopsis<br />

Vampire Luis helps Marnie escape then dies during an assassination attempt on Bill. Pam and Tara<br />

girl-fight! Lafayette discovers he’s a medium; Alcide joins a werewolf pack then finds Sookie and Eric having<br />

sex in the woods. Jessica and other vampires are cursed to walk into the daylight and perish.<br />

Technical Description<br />

Three different looks were created for “Pam”. Stage one, the final decayed level, the stage two skin fleece<br />

and finally stage three, healed. All stages <strong>of</strong> Pam’s make-up consisted <strong>of</strong> multi-layered prosthetics. Each<br />

layer for stage one, illustrated the purification from the dermis to the subcutis skin layers. Stage two<br />

consisted <strong>of</strong> a low relief sub-muscular prosthetic with removable rotted epidermis layer. Stage three<br />

consisted <strong>of</strong> 2D Muscle tattoos with a clear silicone topical prosthetic.<br />

Brigette Myre-Ellis, Department Head Makeup Artist<br />

Lana Horochowski, Key Makeup Artist<br />

Dave Snyder, Special Makeup Effects Artist<br />

Dave Dupuis, Special Makeup Effects Artist<br />

Ozzy Alvarez, Special Makeup Effects Artist<br />

Justin Raleigh, Special Makeup Effects Artist<br />

Dan Rebert, Prosthetic Designer<br />

Sam Polin, Prosthetic Designer<br />

The Walking Dead<br />

What Lies Ahead<br />

October 16, 2011<br />

Synopsis<br />

Rick leads the group out <strong>of</strong> Atlanta. On the highway, they are stopped by a threat unlike anything they have<br />

seen before. The group searches for someone who has gone missing.<br />

Technical Description<br />

For THE WALKING DEAD episode “What Lies Ahead”, we created prosthetics for hundreds <strong>of</strong> the undead in<br />

varying stages <strong>of</strong> decomposition. Our featured “walkers” consisted <strong>of</strong> bald cap application along with<br />

silicone, foam latex, 3-D transfer facial prosthetics, dentures to expose rotted teeth, contact lenses and<br />

hand laid/flocked hair and wigs.<br />

Our sculptures simulated a sunken eye/pronounced bone structure look in addition to full upper torso chest,<br />

back and hand prosthetics to replicate decaying flesh.<br />

Greg Nicotero, Special Makeup Effects Department Head<br />

Jake Garber, Special Makeup Effects Artist<br />

Andy Schoneberg, Special Makeup Effects Artist<br />

Kevin Wasner, Special Makeup Effects Artist<br />

Gino Crognale, Special Makeup Effects Artist<br />

Carey Jonse, Special Makeup Effects Artist<br />

84


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

End <strong>of</strong> Category<br />

85


<strong>Academy</strong> <strong>of</strong> <strong>Television</strong> <strong>Arts</strong> & <strong>Sciences</strong><br />

2012 Primetime Emmy Awards Ballot<br />

86

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