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Press Kit Alive!<br />

ALIVE! a film by Artan Minarolli<br />

ALB / A / F 2009, 90min, 35mm, color<br />

www.alive-thefilm.com<br />

World Premiere Karlovy Vary IFF, 5 July 2009, selected in the section East of the West<br />

Albanian Premiere Durres Film Festival, 27 August 2009<br />

Theatrical Release Albania, 5 September 2009, Imperial Cinema<br />

Festivals Karlovy Vary IFF, Durres FF, Pusan IFF, Antalya IFF, Bergen IFF, Montpellier<br />

IFF, Balkan Snapshots, Connecting Cottbus IFF, Chennai IFF, Pune IFF,<br />

Palm Springs IFF, Film d’Amour de Mons IFF, Belgrade IFF, CINEMA<br />

MUNDI Brno IFF, Cleveland IFF, Tiburon IFF, International Festival of Medi-<br />

terranean Film Tetouan, Minneapolis/St.Paul IFF, Festival of European<br />

Coproductions Sofia, Moscow IFF, Lato Filmow Warsaw IFF, Scottsdale IFF<br />

Awards Albanian nominee for Foreign Language Oscar<br />

Special Jury Award, Durres<br />

Prix du soutien technique GTC, Montpellier<br />

Don Quichotte Award – Federation Internationale des Ciné-Clubs FICC,<br />

Cottbus FF<br />

starring Nik Xhelilaj, Xhevdet Feri, Besart Kallaku,<br />

Bruno Shllaku, Niada Saliasi, Luli Bitri,<br />

Tinka Kurti, Reshat Arbana, Eni Çani<br />

written and directed Artan Minarolli<br />

director of photography Jacques Bouquin<br />

editor Oliver Neumann<br />

sound Hjalti Bager-Jonathansson, Daniel Fritz<br />

art design Mihal Rama, Ylli Beqiri<br />

composer Baptiste Bouquin<br />

producers Artan Minarolli, Ebba Sinzinger,<br />

Vincent Lucassen, Marie Balducchi<br />

There is cramming and getting laid in Tirana. But all of a sudden the student is caught up by an archaic<br />

world which claims that he is a part of it. When his disabled father dies, a blood feud is being<br />

revived and he is held liable for a murder committed by his grandfather 60 years earlier. At first he<br />

endeavours to bring his opponents to their senses. As this proves futile, he – in the course of events -<br />

becomes increasingly paranoid and, unwillingly, starts to resemble his opponents. When he decides to<br />

arm himself and train, the notion of a modern present dissolves into melancholy. The student is catapulted<br />

into an Albanian reality that is devoid of all romantic folklore. In a country where until recently<br />

Hoxherian despotism and a grisly mountaineers’ mentality were ruling alongside, there is neither a<br />

right to a “modern” every day life nor the possibility of escaping to such, while the insistence on tradition<br />

is leading directly into catastrophe as well. Thus, Artan Minarolli’s heroes shipwreck on their own<br />

great expectations.<br />

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