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(Giving) Savings Accounts? - University of Guelph

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76 Gilles Deleuze: Image and Texta dangerous rail bridge over the lake, and jump freight in themorning, with nothing salvaged, nothing in their pockets.In the end nothing comes <strong>of</strong> it all. Housekeeping is, or has, an endingwithout an ending.When the Homing Instinct Fails:‘Higher than all Reconciliation’?In Housekeeping, the family home, the family, and the entire contents<strong>of</strong> their lives rotate away from one set <strong>of</strong> relations (‘proprietary,property, proper’) towards something else entirely, someother form <strong>of</strong> life, the significance <strong>of</strong> which the novel, and thischapter are an effort to gesture towards. It is a form <strong>of</strong> life, notwithout meaning, or affect. Sylvie is the pivot for an asymptoticflight from ‘proprietary, property, proper’ and from the futuralitythat such forms <strong>of</strong> belonging entail. This pivoting involves anunarticulable set <strong>of</strong> moves and relations, and yet the character orexpression <strong>of</strong> that difference is distinctly feminine and joyous.What is pr<strong>of</strong>ound about Housekeeping is two-fold. First, it bearswitness to the possibility that there are alternatives to the dominantpattern and habits called ‘human life’ <strong>of</strong> which the self evidenttruths about justice I listed form the spine. We hear that ‘theyears between her husband’s death and her eldest daughter’sleaving home were, in fact, years <strong>of</strong> almost perfect serenity. Mygrandfather had sometimes spoken <strong>of</strong> disappointment. Withhim gone they were cut free from the troublesome possibility <strong>of</strong>success, recognition, advancement. They had no reason to lookforward, nothing to regret’ (13). Second, it does not set up asalternative a nihilistic rant or suicidal cave-in. It is ‘somethingelse entirely’, revealed to us about, but not in, our own lives, atmoments when the common-sense that props us up is underimmense strain. As when Henry Perowne, protagonist <strong>of</strong> IanMcEwan’s Saturday is sorting his mother’s things.As the shelves and drawers emptied, and the boxes and bagsfilled, he saw that no one owned anything, really. It’s allrented, or borrowed. (1995, p. 274)WHolland_Ch04_FPP.indd 762/5/2009 5:53:57 PM

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