i-xxii Front matter.qxd - Brandeis Institutional Repository

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CONTENTSillustrations included in the print editionacknowledgmentsixxvIntroduction: The Portrait GalleryxviiPART I: THE SUBJECTS OF THE ARTISTChapter 1: The Creation (of a) Myth 3Chapter 2: From Portraiture to Pictures of People: 13Neel’s Portrait ConventionsChapter 3: Starting Out from Home, 1927–1932 29vii
viii / ContentsPART II: NEEL’S SOCIAL REALIST ART:1933–1981Chapter 4: Art on the Left in the 1930s 45Chapter 5: The Cold War Battles: 1940–1980 67Chapter 6: El Barrio: Portrait of Spanish Harlem 90PART III: THE NEW YORK ART NETWORK:1960–1980Chapter 7: A Gallery of Players: Artist-Critic-Dealer 111Chapter 8: The Women’s Wing: Neel and Feminist Art 127PART IV: THE EXTENDED FAMILYChapter 9: Truth Unveiled: The Portrait Nude 147Chapter 10: Shifting Constellations: The Family (Dis)Membered 162notes 177bibliography 213photography credits 233
Page 4 and 5: Pictures of PeopleAlice Neel’sAme
Page 6: NOTE TO EREADERSAs electronic repro
Page 11 and 12: x / Illustrations in the Print Edit
Page 13 and 14: xii / Illustrations in the Print Ed
Page 15 and 16: xiv / Illustrations in the Print Ed
Page 17 and 18: xvi / Acknowledgmentstors Virginia
Page 19 and 20: xviii / Pictures of Peoplepression,
Page 21 and 22: xx / Pictures of Peopleof the bawdy
Page 24: Part IThe Subjects of the Artist
Page 27 and 28: 4 / The Subjects of the Artistexpla
Page 29 and 30: 6 / The Subjects of the Artistclass
Page 31 and 32: 8 / The Subjects of the ArtistThe r
Page 33 and 34: 10 / The Subjects of the ArtistBeca
Page 35 and 36: 12 / The Subjects of the Artistrect
Page 37 and 38: 14 / The Subjects of the ArtistIt i
Page 39 and 40: 16 / The Subjects of the Artistarti
Page 41 and 42: 18 / The Subjects of the Artist“A
Page 43 and 44: 20 / The Subjects of the Artistand
Page 45 and 46: 22 / The Subjects of the Artistvent
Page 47 and 48: 24 / The Subjects of the Artistspee
Page 49 and 50: 26 / The Subjects of the Artistpher
Page 51 and 52: 28 / The Subjects of the Artistzone
Page 53 and 54: 30 / The Subjects of the Artistself
Page 55 and 56: 32 / The Subjects of the Artistnect
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34 / The Subjects of the Artistcial
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36 / The Subjects of the Artistphia
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38 / The Subjects of the ArtistHowe
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40 / The Subjects of the Artistmist
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Part IINeel’s Social Realist Art:
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46 / Neel’s Social Realist Artmor
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48 / Neel’s Social Realist Artalt
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50 / Neel’s Social Realist Artwas
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52 / Neel’s Social Realist Artdoc
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54 / Neel’s Social Realist Artten
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56 / Neel’s Social Realist Arting
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58 / Neel’s Social Realist Artmea
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60 / Neel’s Social Realist ArtJoe
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62 / Neel’s Social Realist Artwou
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64 / Neel’s Social Realist Artpai
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66 / Neel’s Social Realist Artsix
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68 / Neel’s Social Realist ArtDur
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70 / Neel’s Social Realist Artmir
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72 / Neel’s Social Realist Arteve
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74 / Neel’s Social Realist ArtPer
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76 / Neel’s Social Realist Arthad
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78 / Neel’s Social Realist Artsis
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82 / Neel’s Social Realist Artint
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84 / Neel’s Social Realist ArtFul
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86 / Neel’s Social Realist ArtDre
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88 / Neel’s Social Realist ArtIn
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6El Barrio:Portrait of Spanish Harl
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92 / Neel’s Social Realist Arttha
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94 / Neel’s Social Realist ArtSuc
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96 / Neel’s Social Realist Artwhe
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98 / Neel’s Social Realist Artcal
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100 / Neel’s Social Realist Artte
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102 / Neel’s Social Realist Artar
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104 / Neel’s Social Realist Artun
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106 / Neel’s Social Realist ArtPu
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108 / Neel’s Social Realist ArtWh
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7A Gallery of Players:Artist-Critic
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A Gallery of Players / 113be lost a
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A Gallery of Players / 115Campbell
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A Gallery of Players / 117on Neel
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A Gallery of Players / 119sidered b
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A Gallery of Players / 121is a disr
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A Gallery of Players / 123Neel’s
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A Gallery of Players / 125“Batman
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8The Women’s Wing:Neel and Femini
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The Women’s Wing / 129Neel’s ƒ
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The Women’s Wing / 131just and bi
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The Women’s Wing / 133lenced the
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The Women’s Wing / 135holding han
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The Women’s Wing / 137historical
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The Women’s Wing / 139“Three Am
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The Women’s Wing / 141There exist
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The Women’s Wing / 143Looking bac
Page 170 and 171:
9Truth Unveiled:The Portrait NudeIn
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Truth Unveiled / 149school, where s
Page 174 and 175:
Truth Unveiled / 151Nadya’s „es
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Truth Unveiled / 153Nadya’s addic
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Truth Unveiled / 155hand, Gold’s
Page 180 and 181:
Truth Unveiled / 157others were doi
Page 182 and 183:
Truth Unveiled / 159are played woul
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in time—two ladies sitting in umb
Page 186 and 187:
Shifting Constellations / 163which
Page 188 and 189:
Shifting Constellations / 165was a
Page 190 and 191:
Shifting Constellations / 167liefs,
Page 192 and 193:
Shifting Constellations / 169origin
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Shifting Constellations / 171ing ch
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Shifting Constellations / 173by the
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Shifting Constellations / 175void b
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NOTESIntroduction. The Portrait Gal
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Notes / 1793. Emile de Antonio and
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Notes / 18143. Gombrich, “The Exp
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Notes / 183that the book is ƒnishe
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Notes / 185into a language of tempe
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Notes / 187only one repeated entry,
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Notes / 18974. J.L., “New Exhibit
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Notes / 191from the 1930s through t
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Notes / 193a man (who loves childre
Page 218 and 219:
Notes / 195designed to jolt the rea
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Notes / 197alist art, permeated by
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Notes / 19929. Morris Dickstein, Ga
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Notes / 201portrait of the boyish W
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Notes / 203world gossip.” David B
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Notes / 205which had refused to par
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Notes / 207Eating and Identity (198
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Notes / 20925. Georges Bataille, Th
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Notes / 21110. William S. Rubin, Da
Page 236 and 237:
BIBLIOGRAPHYI. Archival Sources and
Page 238 and 239:
Sources Focused on Alice Neel / 215
Page 240 and 241:
Sources Focused on Alice Neel / 217
Page 242 and 243:
General Sources: Books / 219Storr,
Page 244 and 245:
General Sources: Books / 221Chodoro
Page 246 and 247:
General Sources: Books / 223——
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General Sources: Books / 225Leja, M
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General Sources: Books / 227Rich, A
Page 252 and 253:
General Sources: Periodicals / 229W
Page 254 and 255:
General Sources: Periodicals / 231M
Page 256:
PHOTOGRAPHY CREDITSeeva-inkeri: ƒg
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