i-xxii Front matter.qxd - Brandeis Institutional Repository

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NOTE TO EREADERSAs electronic reproduction rights are unavailable for images appearing inthis book’s print edition, no illustrations are included in this ebook. Readersinterested in seeing the art referenced here should either consult this book’sprint edition or visit an online resource such as aliceneel.com or artstor.org.
Page 4 and 5: Pictures of PeopleAlice Neel’sAme
Page 8 and 9: CONTENTSillustrations included in t
Page 10 and 11: ILLUSTRATIONS INCLUDEDIN THE PRINT
Page 12 and 13: Illustrations in the Print Edition
Page 14 and 15: Illustrations in the Print Edition
Page 16 and 17: ACKNOWLEDGMENTSThis project began w
Page 18 and 19: IntroductionThe Portrait GalleryAli
Page 20 and 21: Introduction: The Portrait Gallery
Page 22: Introduction: The Portrait Gallery
Page 26 and 27: 1The Creation (of a) MythI lived in
Page 28 and 29: The Creation (of a) Myth / 5to 107t
Page 30 and 31: The Creation (of a) Myth / 7death o
Page 32 and 33: The Creation (of a) Myth / 9try”
Page 34 and 35: The Creation (of a) Myth / 11biting
Page 36 and 37: 2From Portraiture to Pictures of Pe
Page 38 and 39: From Portraiture to Pictures of Peo
Page 52 and 53: 3Starting Out from Home,1927-1932Ne
Page 54 and 55: Starting Out from Home / 31suicide
Page 56 and 57:
Starting Out from Home / 33riage wi
Page 58 and 59:
Starting Out from Home / 35Emile Zo
Page 60 and 61:
Starting Out from Home / 37set of t
Page 62 and 63:
Starting Out from Home / 39harsh
Page 64:
Starting Out from Home / 41gies of
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4Art on the Left in the 1930sLa Van
Page 70 and 71:
Art on the Left in the 1930s / 47Cl
Page 72 and 73:
Art on the Left in the 1930s / 49tr
Page 74 and 75:
Art on the Left in the 1930s / 51an
Page 76 and 77:
Art on the Left in the 1930s / 53If
Page 78 and 79:
Art on the Left in the 1930s / 55My
Page 80 and 81:
Art on the Left in the 1930s / 57re
Page 82 and 83:
Art on the Left in the 1930s / 59tr
Page 84 and 85:
Art on the Left in the 1930s / 61re
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Art on the Left in the 1930s / 6319
Page 88 and 89:
Art on the Left in the 1930s / 65Ni
Page 90 and 91:
5The Cold War Battles:1940-1980The
Page 92 and 93:
The Cold War Battles / 69became inc
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The Cold War Battles / 71drawings d
Page 96 and 97:
The Cold War Battles / 73Neel’s l
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The Cold War Battles / 75Martyr.”
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The Cold War Battles / 77version of
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The Cold War Battles / 79Gold (1952
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The Cold War Battles / 81Like Gold,
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The Cold War Battles / 83with Alice
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The Cold War Battles / 85can Commun
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The Cold War Battles / 87sents a ƒ
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The Cold War Battles / 89maintained
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El Barrio / 91project, a collective
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El Barrio / 93the area with its des
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El Barrio / 95did she abandon “pr
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El Barrio / 97dropped precipitously
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El Barrio / 99one might draw, follo
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El Barrio / 101shortly after the De
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El Barrio / 103pletely rethought Ho
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El Barrio / 105both the building’
Page 130 and 131:
El Barrio / 107tion was shifting, a
Page 132:
Part IIIThe New York Art Network: 1
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112 / The New York Art Networkthe N
Page 137 and 138:
114 / The New York Art Networkat th
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116 / The New York Art NetworkO’H
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118 / The New York Art NetworkNeel
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120 / The New York Art NetworkMuseu
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122 / The New York Art NetworkDavid
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124 / The New York Art Networkfound
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126 / The New York Art Networkclass
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128 / The New York Art Networkthey
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130 / The New York Art Networkoppos
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132 / The New York Art Networkby ex
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134 / The New York Art NetworkThis
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136 / The New York Art Networkage o
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138 / The New York Art Networktrait
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140 / The New York Art Networkother
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142 / The New York Art NetworkGodde
Page 168:
Part IVThe Extended Family
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148 / The Extended Familythe nude i
Page 173 and 174:
150 / The Extended FamilyLike Eakin
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152 / The Extended FamilyIn a doubl
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154 / The Extended Familyasserts. N
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156 / The Extended Familythat funct
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158 / The Extended Familyidentity,
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160 / The Extended Familyfrom her b
Page 185 and 186:
10Shifting Constellations:The Famil
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164 / The Extended Familycarded „
Page 189 and 190:
166 / The Extended Family(ƒg. 165)
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168 / The Extended Familywas partic
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170 / The Extended Familyanticipate
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172 / The Extended Familywalls on t
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174 / The Extended Familya mother,
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176 / The Extended Familytogether,
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178 / Notes5. Transcript of Bloomsb
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180 / Notes21. Hills, Alice Neel, 1
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182 / Notes10. Neel was commissione
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184 / Notestured a wooden bust of C
Page 209 and 210:
186 / Notes34. Hills, Alice Neel, 5
Page 211 and 212:
188 / Noteshis debt to Marxism. In
Page 213 and 214:
190 / Notes5. Robert Shaffer, “Wo
Page 215 and 216:
192 / Notesstream 9/3 (April 1956),
Page 217 and 218:
194 / Notesprinted in Alice Neel: P
Page 219 and 220:
196 / Notesof Sam Putnam, Joe Gould
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198 / Notes8. Meyer Schapiro, “Ra
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200 / Notes9. Hubert Crehan, “Int
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202 / Notescent Ferrer at Sixty-six
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204 / Notesthe Seventies,” Networ
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206 / Notesperiod, a spectrum that
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208 / Notes8. Nadya became a very p
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210 / Noteschair, then ƒnally on t
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212 / Notes31. Unpublished essay fo
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214 / BibliographyMuseum of Modern
Page 239 and 240:
216 / BibliographyBerrigan, Ted.
Page 241 and 242:
218 / Bibliography———. “WPA
Page 243 and 244:
220 / BibliographyBarthes, Roland.
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222 / BibliographyEgbert, Donald Dr
Page 247 and 248:
224 / BibliographyHowe, Irving, and
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226 / BibliographyNead, Lynda. The
Page 251 and 252:
228 / BibliographySmith, Patrick S.
Page 253 and 254:
230 / BibliographyEvergood, Philip.
Page 255 and 256:
232 / Bibliography———. “It
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