i-xxii Front matter.qxd - Brandeis Institutional Repository
i-xxii Front matter.qxd - Brandeis Institutional Repository i-xxii Front matter.qxd - Brandeis Institutional Repository
General Sources: Periodicals / 231Masses & Mainstream. New York, N.Y. 1948–1956.McCoy, Garnett. “The Rise and Fall of the American Artists Congress.” Prospects 13(1988), 325–40.McGee, Celia. “Portraiture Is Back But, My, It’s Changed.” New York Times, January1, 1995.Mellow, James R. “Women Choose Women.” New York Times, January 4, 1973.Meyers, John A. Publisher’s letter. Time, February 1, 1982, 1.“Millen Brand, Writer and Editor Known for Works on Psychiatry.” Obituary. NewYork Times, March 22, 1980.Monroe, Gerald M. “Artists as Militant Trade Union Workers During the Great Depression.”Archives of American Art Journal 14/1, (spring 1974), 7–10.Morawski, Stefan. “Vicissitudes in the Theory of Socialist Realism.” Diogenes 36 (winter1961).“Muriel Gardner, Who Helped Hundreds Escape Nazis, Dies.” Obituary. New YorkTimes, February 7, 1985.Nemser, Cindy. “The Women’s Conference at the Corcoran.” Art in America 61/2(January–February 1973), 90.———. In Her Own Image. Philadelphia: Fleisher Art Memorial, April 1973.———. “Women’s Art: 1975.” Shantih 3/3 (fall-winter 1976), 42–45.“New Exhibitions of the Week: Three Dramatic Shows Establish the Greatness ofKathe Kollwitz.” ARTnews 36/33 (May 14, 1938).“The New York Group.” Exhibition brochure. ACA Gallery, New York, February 5–18, 1939.“The New York I Love: Seventeen New Yorkers Tell Us What Makes Them Most LoveThis Big, Bad, Beautiful Town.” New York, October 20, 1980, 34–37.Nodelman, Sheldon. “How to Read a Roman Portrait.” Art in America 63/1 (January-February 1975).Nochlin, Linda. “The Realist Criminal and the Abstract Law.” Part I, Art in America61/5 (September-October 1973), 54–61; Part II, Art in America 61/6 (November-December 1973).———. “Some Women Realists.” Arts 48/8 (April-May 1974). Reprinted in Women, Artand Power, 86–108.———. “Portrait of Linda Nochlin and Richard Pommer.” Artforum 32/1 (September1993).Perreault, John. “I’m Asking—Does It Exist? What Is It? Whom Is It For?” Artforum 19/3 (November 1980), 74–75.“Philadelphia.” American Art News 18 (April 24, 1920).Rand, Harry. “Notes and Conversations: Jacob Kainen.” Arts 53/4 (December 1978),135–45.Riley, Michael. “Proƒle: Last of the Red-Hot Believers.” Time, September 9, 1991, 50–51.Rose, Barbara. “Hans Namuth’s Photographs and the Jackson Pollock Myth,” Parts Iand II. Arts 53/7 (March 1979), 112–19.Russell, John. “When Figure Paintings Capture the Energies of Life.” New York Times,August 7, 1983.
232 / Bibliography———. “It’s Not Women’s Art, It’s Good Art.” New York Times, July 24, 1983.Shaffer, Robert. “Women and the Communist Party USA, 1930–1940.” Socialist Review9/3 (May–June 1979), 73–118.Schjeldahl, Peter. “Warhol and Class Content.” Art in America 68/5 (May 1980), 112–19.Severo, Richard. “Linus Pauling Dies at 93: Chemist and Voice for Peace.” Obituary.New York Times, August 21, 1994.Seymour, David. “Children of Europe.” Life, December 17, 1948.Smith, Roberta. “Sari Dienes, 93, Artist Devoted to the Power of the Found Object.”Obituary. New York Times, May 28, 1992.Soyer, Raphael, ed. Reality: A Journal of Artists’ Opinions. New York, N.Y., 1953–1955.Tommasini, Anthony. “A Critic’s Creed: Plug Yourself and Your Fellow Americans.”New York Times, August 21, 1994.Trotsky, Leon. “Art and Politics.” Partisan Review (August-September 1938).Tucker, Anne. “The Photo League.” Ovo Magazine 10 (1981), 40–41.Tworkov, Jack, ed. The New York Artist, 1940.“United, Multinational.” Pravda, May 19, 1981. Trans. Foreign Broadcast InformationService (FBIS) in Daily Report: Soviet Union, June 9, 1981, as “Pravda Editorial onthe Role of Artistic Criticism.”Vivell, Judith. “Talking About Portraits.” Feminist Art Journal 3/2 (summer 1974), 3–7.Werckmeister, O. K. “Book Review: Meyer Schapiro, Romanesque Art.” Art Quarterly(spring 1979), 211–18.“What’s Behind the Odd Idea of War in the Womb.” Letter to the editor. New YorkTimes, August 7, 1993.
- Page 204 and 205: Notes / 18143. Gombrich, “The Exp
- Page 206 and 207: Notes / 183that the book is ƒnishe
- Page 208 and 209: Notes / 185into a language of tempe
- Page 210 and 211: Notes / 187only one repeated entry,
- Page 212 and 213: Notes / 18974. J.L., “New Exhibit
- Page 214 and 215: Notes / 191from the 1930s through t
- Page 216 and 217: Notes / 193a man (who loves childre
- Page 218 and 219: Notes / 195designed to jolt the rea
- Page 220 and 221: Notes / 197alist art, permeated by
- Page 222 and 223: Notes / 19929. Morris Dickstein, Ga
- Page 224 and 225: Notes / 201portrait of the boyish W
- Page 226 and 227: Notes / 203world gossip.” David B
- Page 228 and 229: Notes / 205which had refused to par
- Page 230 and 231: Notes / 207Eating and Identity (198
- Page 232 and 233: Notes / 20925. Georges Bataille, Th
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General Sources: Periodicals / 231Masses & Mainstream. New York, N.Y. 1948–1956.McCoy, Garnett. “The Rise and Fall of the American Artists Congress.” Prospects 13(1988), 325–40.McGee, Celia. “Portraiture Is Back But, My, It’s Changed.” New York Times, January1, 1995.Mellow, James R. “Women Choose Women.” New York Times, January 4, 1973.Meyers, John A. Publisher’s letter. Time, February 1, 1982, 1.“Millen Brand, Writer and Editor Known for Works on Psychiatry.” Obituary. NewYork Times, March 22, 1980.Monroe, Gerald M. “Artists as Militant Trade Union Workers During the Great Depression.”Archives of American Art Journal 14/1, (spring 1974), 7–10.Morawski, Stefan. “Vicissitudes in the Theory of Socialist Realism.” Diogenes 36 (winter1961).“Muriel Gardner, Who Helped Hundreds Escape Nazis, Dies.” Obituary. New YorkTimes, February 7, 1985.Nemser, Cindy. “The Women’s Conference at the Corcoran.” Art in America 61/2(January–February 1973), 90.———. In Her Own Image. Philadelphia: Fleisher Art Memorial, April 1973.———. “Women’s Art: 1975.” Shantih 3/3 (fall-winter 1976), 42–45.“New Exhibitions of the Week: Three Dramatic Shows Establish the Greatness ofKathe Kollwitz.” ARTnews 36/33 (May 14, 1938).“The New York Group.” Exhibition brochure. ACA Gallery, New York, February 5–18, 1939.“The New York I Love: Seventeen New Yorkers Tell Us What Makes Them Most LoveThis Big, Bad, Beautiful Town.” New York, October 20, 1980, 34–37.Nodelman, Sheldon. “How to Read a Roman Portrait.” Art in America 63/1 (January-February 1975).Nochlin, Linda. “The Realist Criminal and the Abstract Law.” Part I, Art in America61/5 (September-October 1973), 54–61; Part II, Art in America 61/6 (November-December 1973).———. “Some Women Realists.” Arts 48/8 (April-May 1974). Reprinted in Women, Artand Power, 86–108.———. “Portrait of Linda Nochlin and Richard Pommer.” Artforum 32/1 (September1993).Perreault, John. “I’m Asking—Does It Exist? What Is It? Whom Is It For?” Artforum 19/3 (November 1980), 74–75.“Philadelphia.” American Art News 18 (April 24, 1920).Rand, Harry. “Notes and Conversations: Jacob Kainen.” Arts 53/4 (December 1978),135–45.Riley, Michael. “Proƒle: Last of the Red-Hot Believers.” Time, September 9, 1991, 50–51.Rose, Barbara. “Hans Namuth’s Photographs and the Jackson Pollock Myth,” Parts Iand II. Arts 53/7 (March 1979), 112–19.Russell, John. “When Figure Paintings Capture the Energies of Life.” New York Times,August 7, 1983.
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