General Sources: Books / 221Chodorow, Nancy J. Feminism and Psychoanalytic Theory. New Haven: Yale UniversityPress, 1989.———. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender.Berkeley: University of California Press, 1978.Colón, Jesus. A Puerto Rican in New York, and Other Sketches. New York: MainstreamPublishers, 1961.Coller, Barbara, with John E. Gedo and Donald Kuspit. The Artist’s Mother. Exhibitioncatalog. Huntington, N.Y.: Hecksher Museum, 1987–1988.Cooper, Emmanuel. The Sexual Perspective: Homosexuality and Art in the Last 100Years in the West. London: Routledge, Kegan and Paul, 1986.Coplans, John, et al. Andy Warhol: A Retrospective. Greenwich, Conn.: New YorkGraphic Society, 1970.Cott, Nancy F. The Grounding of Modern Feminism. New Haven: Yale UniversityPress, 1987.Cowley, Malcolm. After the Genteel Tradition: American Writers, 1910–1930. Carbondale:Southern Illinois University Press, 1936; 1964.———. Exile’s Return: A Literary Odyssey of the 1920s. New York: Viking Press, 1956.Cox, Annette. Art-As-Politics: The Abstract Expressionist Avant-Garde and Society. AnnArbor: UMI Research Press, 1977; 1982.Crane, Diana. The Transformation of the Avant-Garde: The New York Art World, 1940–1985. Chicago: University of Chicago Press, 1987.Cruse, Harold. The Crisis of the Negro Intellectual. New York: William Morrow andCompany, 1967.De Antonio, Emile, and Mitch Tuchman. Painters Painting: A Candid History of theModern Art Scene, 1940–75. New York: Abbeville, 1984.de Beauvoir, Simone. The Coming of Age. New York: Warner Paperback Library, 1973.De Laszlo, Violet Staub, ed. The Basic Writings of C. G. Jung. New York: Modern Library,1938; 1959.D’Emilio, John. Sexual Politics, Sexual Communities: The Making of a HomosexualMinority in the United States, 1940–1970. Chicago: University of Chicago Press,1983.Dervaux, Isabelle. Avant-Garde in New York, 1935–1939: The Ten. Ph.D. diss., NewYork University, 1992.Diamonsteen, Barbaralee. Inside New York’s Artworld. New York: Rizzoli, 1979.Dickstein, Morris. Gates of Eden: American Culture in the Sixties. New York: PenguinBooks, 1977; 1989.Dickstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Turn of the CenturyCulture. New York: Oxford University Press, 1986.Dos Passos, John. The Big Money. New York: Harcourt, Brace, 1933.du Bois, Guy Pène. Edward Hopper. New York: Whitney Museum of American Art,American Artists Series, 1931.Duncan, Carol. The Aesthetics of Power: Essays in the Critical Art History. New York:Cambridge University Press, 1993.Dynes, Wayne R., and Stephen Donaldson. Studies in Homosexuality. New York: Garland,1992.
222 / BibliographyEgbert, Donald Drew. Socialism and American Art. Princeton: Princeton UniversityPress, 1967.Ehrenreich, Barbara, and Dierdre English. For Her Own Good: 150 Years of the Experts’Advice to Women. Garden City: Anchor/Doubleday, 1978.Eight Women/Still Life. Exhibition catalog. New Britain, Conn.: New Britain Museumof American Art, 1983.Ellison, Ralph. The Invisible Man (1952). New York: Vintage International, 1990.Enkman, Paul, and Wallace Freisen. Unmasking the Face: A Guide to RecognizingEmotions from Facial Clues. Englewood Cliffs, N.J.: Prentice-Hall, 1975.Fearing, Kenneth. The Big Clock. New York: Harcourt, Brace, 1946.———. New and Selected Poems. Bloomington: Indiana University Press, 1956.Federal Writers’ Project, New York City. New York Panorama: A Comprehensive Viewof the Metropolis. New York: Random House, 1938.Feher, Michael, Ramona Nadaff, and Nadia Tazi, eds. Fragments for a History of theHuman Body. New York: Zone, 1989.Feminist Review, ed. Sexuality: A Reader. London: Virago, 1987.Ferguson, Russell, ed. Hand-Painted Pop: American Art in Transition 1955–62. NewYork: Rizzoli International Publications, 1992.Fitzgerald, Richard. Art and Politics: Cartoonists of the Masses and the Liberator. London:Greenwood Press, 1973.Fitzpatrick, Joseph P. Puerto Rican Americans: The Meaning of Migration to the Mainland.Englewood Cliffs, N.J.: Prentice-Hall, 1971.Foner, Philip S., and Reinhard Schultz. The Other America: Art and the Labour Movementin the United States. West Nyack, N.Y.: Journeyman Press, 1985.Foucault, Michel. The Birth of the Clinic: An Archaeology of Medical Perception. NewYork: Pantheon Books, 1973.Franklin, Sarah, Celia Lury, and Jackie Stacey, eds. Off-Centre: Feminism and CulturalStudies. London: HarperCollins Academic, 1991.Freeman, Jo. The Politics of Women’s Liberation: A Case Study of an Emerging SocialMovement and Its Relation to the Policy Process. New York: David McKay, 1975.Friedman, Susan Stanford. Feminisms: An Anthology of Literary Theory and Criticism.New Brunswick, N.J.: Rutgers University Press, 1991.Frueh, Joanna, Cassandra L. Langer, and Arlene Raven, eds. New Feminist Criticism:Art, Identity, Action. New York: Icon Editions, HarperCollins, 1994.Gallop, Jane. The Daughter’s Seduction. Ithaca: Cornell University Press, 1982; 1989.Gates, Henry Louis, Jr., ed. “Race” Writing and Difference. Chicago and London: Universityof Chicago Press, 1986.Gelburd, Gail. Introduction. Androgyny in Art Exhibition catalog. Hempstead, N.Y.:Emily Lowe Gallery, Hofstra University, 1982.Genet, Jean. Our Lady of the Flowers. New York: Grove Press, 1963; 1991.Ginsberg, Allen. Collected Poems, 1947–1980. New York: Harper & Row, 1984.Glaspell, Susan. Trifles. New York: Frank Shay, 1916.Goffman, Erving. Interaction Ritual: Essays in Face-to-Face Behavior. Chicago: Aldine,1967.Gold, Michael. Jews Without Money. New York: New Century Publishers, 1930.
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- Page 242 and 243: General Sources: Books / 219Storr,
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- Page 248 and 249: General Sources: Books / 225Leja, M
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