i-xxii Front matter.qxd - Brandeis Institutional Repository

220 / BibliographyBarthes, Roland. Image, Music, Text. Trans. Stephen Heath. New York: Hill andWang, 1977.Bates, J. A. V. The Body as a Medium of Expression. New York: E. P. Dutton, 1975.Bennett, Paula. My Life as a Loaded Gun: Female Creativity and Feminist Politics.Boston: Beacon Press, 1986.Berman, Greta, and Jeffrey Weschler. Realism and Realities: The Other Side of AmericanPainting 1940–60. New Brunswick, N.J.: The Gallery, 1981.Bloom, James D. Left Letters: The Culture Wars of Mike Gold and Joseph Freeman.New York: Columbia University Press, 1992.Boelhower, William, ed. The Future of American Modernism: Ethnic Writing Betweenthe Wars. Amsterdam: VU University Press, 1990.Bonosky, Phillip. Brother Bill McKie. Building the Union at Ford. New York: InternationalPublishers, 1953.Bremmer, Jan, and Herman Roodenburg, eds. A Cultural History of Gesture. Ithaca:Cornell University Press, 1992.Brilliant, Richard. Portraiture. Cambridge, Mass.: Harvard University Press, 1991.Bronski, Michael. Culture Clash: The Making of a Gay Sensibility. Boston: South EndPress, 1984.Brooks, Peter. Body Work: Objects of Desire in Modern Narrative. Cambridge, Mass.:Harvard University Press, 1993.Broude, Norma, and Mary D. Garrard, eds. The Expanding Discourse. New York: IconEditions, 1992.———. Feminism and Art History: Questioning the Litany. New York: Harper & Row,1982.———. The Power of Feminist Art. New York: Harry N. Abrams, 1994.Brown, Michael E., et al., eds. New Studies in the Politics and Culture of U.S. Communism.New York: Monthly Review Press, 1993.Bryson, Norman. Looking at the Overlooked: Four Essays on Still Life Painting. Cambridge,Mass.: Harvard University Press, 1990.Buhle, Mari Jo, Paul Buhle, and Dan Georgakas. The Encyclopedia of the AmericanLeft. New York: Garland, 1990.Buhle, Paul. Marxism in the United States: Remapping the History of the AmericanLeft. London: Verso, 1987.Campbell, Mary Schmidt, et al. Harlem Renaissance: Art of Black America. New York:The Studio Museum in Harlem and Harry N. Abrams, 1987.Campbell, Russell. Cinema Strikes Back: Radical Filmmaking in the United States,1930–1942. Ann Arbor: UMI Press, 1982.Carlton-Smith, Kim. A New Deal for Women: Women Artists and the Federal Art Project,1935–1939. Ph.D. diss. Rutgers University, 1990.Carpentier, Alejo. The Harp and the Shadow: A Novel. New York: Alfred A. Knopf, 1970.Chadwick, Whitney. Women, Art, and Society. New York: Thames and Hudson, 1990.Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of the GayMale World, 1890–1940. New York: Basic Books, 1994.Chiarenza, Carl. Aaron Siskind: Pleasures and Terrors. Boston: New York Graphic Society,1983.