i-xxii Front matter.qxd - Brandeis Institutional Repository

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BIBLIOGRAPHYI. Archival Sources and InterviewsA. ArchivesArchives of American Art, Smithsonian Institution, Washington, D.C.:ACA Gallery papers, (#D304 + N69–98)Herman Baron papers (#3769)Jacob Kainen papers (#565)Charles Keller papers (#7–8)Daniel Koerner papers (#N70–40 + 1337)Raphael Soyer papers (#867)Lynd Ward papers (#141 + 4466–4468)Miscellaneous catalogs (#NAAA3–173–216: “Contemporary Arts, Inc.” Papers)Oral history collection: Interviews with Alice Neel (Karl Fortess, Sept. 12, 1975; DetroitInstitute of Arts, March 1969; Carpenter Center for the Visual Arts, Harvard,March 21, 1979); Isabel Bishop, 1987; Raphael Soyer, May–June, 1981Unmicroƒlmed: Alice Neel Papers, Rockwell Kent Papers, Anton Refregier PapersArchives of the National Center for Jewish Film, <strong>Brandeis</strong> University: Samuel BrodyƒleButler Library, Columbia University: Oral history collection. Richard Polsky, interviewswith Alice Neel, April 8, April 29, June 5, 1981213
214 / BibliographyMuseum of Modern Art, New York, N.Y., Film Study Center: “Workers Film andPhoto League, 1931–2”; Thomas Brandon ƒle (I-64)Neel archives, Neel Arts, W. 107th St., New York, N.Y.Neel correspondence, Neel Arts, New York, N.Y.Neel ƒles, Robert Miller Gallery, New York, N.Y.B. InterviewsRudolf Baranik, New York City, October 12, 1993Phillip Bonosky, New York City, November 7, 1992Daniel Brand, Concord, Mass., October 1990Peggy Brooks, New York City, February 1989Arthur Bullowa, New York City, March 5, 1991Marisa Diaz, Miami, April 1991 and January 1993Rosemary Frank, December 12, 1993 (telephone)Lottie Gordon, Reference Center for Marxist Studies, spring 1993Elizabeth Humesten (Mrs. Mike Gold), November 3, 1993 (telephone)Pablo Lancella, Miami, January 6, 1993George Neel, November 20, 1993 (telephone)Nancy Neel, New York City, ongoing interviews, 1989–1995; also Richard and HartleyNeelLinda Nochlin, March 29, 1994Harry Rand, National Museum of American Art, November 11, 1993Annette Rubinstein, September 17, 1993 (telephone)Joseph Solman, October 5, 1993 (telephone)David Soyer, New York City, October 13, 1993May Stevens, New York City, March 5, 1991; October 12, 1993Robert G. Stewart, National Portrait Gallery, September 6, 1993Farley and Virginia Wheelwright, Milton, Mass., February 2, 1993II. Sources Focused on Alice NeelA. BooksBelcher, Gerald, and Margaret Belcher. Collecting Souls, Gathering Dust: The Strugglesof Two American Artists: Alice Neel and Rhoda Medary. New York: ParagonHouse, 1991.Hills, Patricia. Alice Neel. New York: Harry N. Abrams, 1983; 1995.B. Exhibition CatalogsACA Gallery. The New York Group. May 23–June 4, 1938. Statement by Jacob Kainen.———. The New York Group. February 5–18, 1939. Statement by Kenneth Fearing.Allara, Pamela E. “Object as Metaphor in Neel’s Non-Portrait Work.” Exterior/Interior:Alice Neel. Medford, Mass.: Tufts University Art Gallery, 1991.
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Pictures of PeopleAlice Neel’sAme
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NOTE TO EREADERSAs electronic repro
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viii / ContentsPART II: NEEL’S SO
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x / Illustrations in the Print Edit
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xii / Illustrations in the Print Ed
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xiv / Illustrations in the Print Ed
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xvi / Acknowledgmentstors Virginia
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xviii / Pictures of Peoplepression,
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xx / Pictures of Peopleof the bawdy
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Part IThe Subjects of the Artist
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4 / The Subjects of the Artistexpla
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6 / The Subjects of the Artistclass
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8 / The Subjects of the ArtistThe r
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10 / The Subjects of the ArtistBeca
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12 / The Subjects of the Artistrect
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14 / The Subjects of the ArtistIt i
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18 / The Subjects of the Artist“A
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20 / The Subjects of the Artistand
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30 / The Subjects of the Artistself
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38 / The Subjects of the ArtistHowe
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Part IINeel’s Social Realist Art:
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6El Barrio:Portrait of Spanish Harl
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7A Gallery of Players:Artist-Critic
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A Gallery of Players / 113be lost a
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A Gallery of Players / 115Campbell
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A Gallery of Players / 117on Neel
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A Gallery of Players / 119sidered b
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A Gallery of Players / 121is a disr
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A Gallery of Players / 123Neel’s
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A Gallery of Players / 125“Batman
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8The Women’s Wing:Neel and Femini
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The Women’s Wing / 129Neel’s ƒ
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The Women’s Wing / 131just and bi
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The Women’s Wing / 133lenced the
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The Women’s Wing / 135holding han
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The Women’s Wing / 137historical
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The Women’s Wing / 139“Three Am
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The Women’s Wing / 141There exist
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The Women’s Wing / 143Looking bac
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9Truth Unveiled:The Portrait NudeIn
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Truth Unveiled / 149school, where s
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Truth Unveiled / 151Nadya’s „es
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Truth Unveiled / 153Nadya’s addic
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Truth Unveiled / 155hand, Gold’s
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Truth Unveiled / 157others were doi
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Truth Unveiled / 159are played woul
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in time—two ladies sitting in umb
Page 186 and 187: Shifting Constellations / 163which
Page 188 and 189: Shifting Constellations / 165was a
Page 190 and 191: Shifting Constellations / 167liefs,
Page 192 and 193: Shifting Constellations / 169origin
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Page 196 and 197: Shifting Constellations / 173by the
Page 198 and 199: Shifting Constellations / 175void b
Page 200 and 201: NOTESIntroduction. The Portrait Gal
Page 202 and 203: Notes / 1793. Emile de Antonio and
Page 204 and 205: Notes / 18143. Gombrich, “The Exp
Page 206 and 207: Notes / 183that the book is ƒnishe
Page 208 and 209: Notes / 185into a language of tempe
Page 210 and 211: Notes / 187only one repeated entry,
Page 212 and 213: Notes / 18974. J.L., “New Exhibit
Page 214 and 215: Notes / 191from the 1930s through t
Page 216 and 217: Notes / 193a man (who loves childre
Page 218 and 219: Notes / 195designed to jolt the rea
Page 220 and 221: Notes / 197alist art, permeated by
Page 222 and 223: Notes / 19929. Morris Dickstein, Ga
Page 224 and 225: Notes / 201portrait of the boyish W
Page 226 and 227: Notes / 203world gossip.” David B
Page 228 and 229: Notes / 205which had refused to par
Page 230 and 231: Notes / 207Eating and Identity (198
Page 232 and 233: Notes / 20925. Georges Bataille, Th
Page 234 and 235: Notes / 21110. William S. Rubin, Da
Page 238 and 239: Sources Focused on Alice Neel / 215
Page 240 and 241: Sources Focused on Alice Neel / 217
Page 242 and 243: General Sources: Books / 219Storr,
Page 244 and 245: General Sources: Books / 221Chodoro
Page 246 and 247: General Sources: Books / 223——
Page 248 and 249: General Sources: Books / 225Leja, M
Page 250 and 251: General Sources: Books / 227Rich, A
Page 252 and 253: General Sources: Periodicals / 229W
Page 254 and 255: General Sources: Periodicals / 231M
Page 256: PHOTOGRAPHY CREDITSeeva-inkeri: ƒg
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