i-xxii Front matter.qxd - Brandeis Institutional Repository

NOTESIntroduction. The Portrait Gallery (pp. xvii–xxi)1. Patricia Hills, Alice Neel (New York: Harry N. Abrams, 1983, 1995), 184.2. Ibid., 185.3. Carlo Ginzburg, The Cheese and The Worms (Harmondsworth, Eng.: PenguinBooks, 1976; 1982), xii–xv.4. George Lakoff and Mark Johnson, Metaphors We Live By (Chicago: University ofChicago Press, 1980), 231.5. Paul Ricoeur, “The Metaphorical Process,” in On Metaphor, ed. Sheldon Sacks(Chicago: University of Chicago Press, 1979), 142.Chapter 1. The Creation (of a) Myth (pp. 3–12)1. In Patricia Hills, Alice Neel (New York: Harry N. Abrams, 1983, 1995), 12.2. Ellen Landau, “Tough Choices: Becoming a Woman Artist, 1900–70,” in RandyRosen and Catherine C. Brawer, Making Their Mark: Women Artists Enter theMainstream (New York: Abbeville Press, 1988), 33.3. Lawrence Alloway, “Patricia Hills, Alice Neel” (review), Art Journal 44/2 (summer1984), 191–92.4. Hills, Alice Neel, 28.177