The fiddle traditions The violin comes to Norway It is believed that ...
The fiddle traditions The violin comes to Norway It is believed that ... The fiddle traditions The violin comes to Norway It is believed that ...
Travel routes, markets and meeting placesInstruments and new musicals ideas spread along the main highways and toimportant meeting places in the past.Far inland in Sognefjorden, amongst high mountains, lies Lærdalsøyri. Sincemedieval times, there was a market town here, which drew folk from far andnear, the place being an important centre in Sogn. Trond Botnen came toLærdal’s market from Hardanger and sold his fiddles, and it was here that fiddleplayers from many areas met each other. There was great amount of traffic, inparticular right over the high mountain from Valdres and the great fiddle player,Jørn Hilme, was one of those who taught tunes here. From Gudbrandsdalencame the legendary Fel-Jakup, and tunes swapped hands. The majority of thetunes which are played innermost in Sogn today have roots in Valdres. Also,Voss has long since been a hub and a place where fiddle players have met, andthe fiddle tradition has thus been influenced from many directions. In Østlandet,the Kongsberg market has, amongst others, been an important meeting point forfiddlers and dancers.Lærdalsøyri, about 1880Hallingdal has since time immemorial been a link between Øslandet andVestlandet, and travel activities have brought music and dance with them. Insome places, the contact in the mountains was important, just as in the mountaingrazing areas between Valdres and Hemsedal . People met there in summer, andtunes and dance steps were exchanged. In Hemsedal it was therefore tunes ofValdres origin that dominated. Today, now the dairy trade is in decline and theway down to Hallingdal is short, mostly Hallings are played.
RørosThe copper mining in Røros from 1644 onwards meant that the place developedto become an important trading centre, with connections to Gudbrandsdalen,Østerdalen, Trondheim, Härjedalen and Dalarna. There was a market fromJanuary until well into March, and it is easy to imagine that this area attracteddancers and fiddlers from all sides.Åshild Breie NyhusSven Nyhus, RørosCD 1 – 28 Åshild Breie Nyhus / Sven Nyhus / Peder Nyhus, ‘normal’ fiddle:Siste leken som Sulhusgubben spelte (Røros, Glåmos). Three generationsfrom the Nyhus family playing together
- Page 3: The Hardanger fiddle underwent a mo
- Page 9: Fanitullen is a tune which describe
- Page 12 and 13: The girls take overWhilst fiddle pl
- Page 14 and 15: Per Sæmund Bjørkum, Oslo/LalmCD 2
- Page 16 and 17: In Telemark and Numedal, the first
- Page 19 and 20: Torleiv BolstadCD 2 - 8 Torleiv Bol
- Page 21 and 22: Kappleik (National Folk Arts Compet
- Page 23 and 24: North of the mountain, Gausta, lies
- Page 25 and 26: Folk music and dance as national sy
- Page 27 and 28: In many village communities there w
- Page 29 and 30: CD 2 - 15 Ingunn Linge Valdal, ‘n
- Page 31: Folk music in the citiesPeople from
Røros<strong>The</strong> copper mining in Røros from 1644 onwards meant <strong>that</strong> the place developed<strong>to</strong> become an important trading centre, with connections <strong>to</strong> Gudbrandsdalen,Østerdalen, Trondheim, Härjedalen and Dalarna. <strong>The</strong>re was a market fromJanuary until well in<strong>to</strong> March, and it <strong>is</strong> easy <strong>to</strong> imagine <strong>that</strong> th<strong>is</strong> area attracteddancers and <strong>fiddle</strong>rs from all sides.Åshild Breie NyhusSven Nyhus, RørosCD 1 – 28 Åshild Breie Nyhus / Sven Nyhus / Peder Nyhus, ‘normal’ <strong>fiddle</strong>:S<strong>is</strong>te leken som Sulhusgubben spelte (Røros, Glåmos). Three generationsfrom the Nyhus family playing <strong>to</strong>gether