The fiddle traditions The violin comes to Norway It is believed that ...
The fiddle traditions The violin comes to Norway It is believed that ... The fiddle traditions The violin comes to Norway It is believed that ...
This is the reason why the sjøfløyte (sea flute) became so popular, because thetunes could, to a certain degree, be transferred onto the sea flute, which wasn’tseen as a sinful instrument. Around 1900, there were over twenty named seaflute players in the Flesberg area alone.But now it was necessary for the Numedal fiddlers to travel over the mountainsto Telemark in order to build up the tradition again. Telemark players such asMyllarguten and Knut Luraas had actually collected many of their tunes fromNumedal, and now the tunes could be brought back.CD 2 – 3 Synne Frogner, Hardanger fiddle: Torstein Bromsdalen, etterKnut Dahle / Steingrim Haukjem / Sigurd Frogner (Numedal)Dancers from Numedal
- Page 3 and 4: The Hardanger fiddle underwent a mo
- Page 5: RørosThe copper mining in Røros f
- Page 9: Fanitullen is a tune which describe
- Page 13 and 14: Tradition and new formsWe say that
- Page 15 and 16: Asymmetrical melodiesIn the majorit
- Page 17: The springar is in triple time, or
- Page 20 and 21: The Hardanger fiddle area widens ou
- Page 22 and 23: Ownership of tunesMusicians were of
- Page 24 and 25: Around 1806, emigration of Norwegia
- Page 26 and 27: Myllarguten, Torgeir Augundson, was
- Page 28 and 29: didn’t happen without good paymen
- Page 30 and 31: Other forms of playing nowadaysFrom
Th<strong>is</strong> <strong>is</strong> the reason why the sjøfløyte (sea flute) became so popular, because thetunes could, <strong>to</strong> a certain degree, be transferred on<strong>to</strong> the sea flute, which wasn’tseen as a sinful instrument. Around 1900, there were over twenty named seaflute players in the Flesberg area alone.But now it was necessary for the Numedal <strong>fiddle</strong>rs <strong>to</strong> travel over the mountains<strong>to</strong> Telemark in order <strong>to</strong> build up the tradition again. Telemark players such asMyllarguten and Knut Luraas had actually collected many of their tunes fromNumedal, and now the tunes could be brought back.CD 2 – 3 Synne Frogner, Hardanger <strong>fiddle</strong>: Torstein Bromsdalen, etterKnut Dahle / Steingrim Haukjem / Sigurd Frogner (Numedal)Dancers from Numedal
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