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A Gaze through the Veil:

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Lloyd, F. (1999). Contemporary Arab Women’s Art: Dialogues of <strong>the</strong> present.London: Women’s Art Library.Lloyd, F. (1999). 'Cross-Cultural Dialogues: Identities, Contexts and Meanings'. InLloyd, F. Contemporary Arab Women’s Art: Dialogues of <strong>the</strong> present.London: Women’s Art Library.Macdonald, S. (2004) Between two Worlds: An interview with Shirin Neshat.Feminist studies (Vol 39, p 621). Retrieved October 12th, 2008, from InfotracDatabase.McDaniel, C., Robertson, J. (2005) Themes of Contemporary Art: Visual Art after1980, New York, Oxford University Press.Middle East Watch. (1993) 'Guardians of Thought, Limits on Freedom of Expressionin Iran', America.Milani, F. (2001)'The visual poetry of Shirin Neshat. In Tedesco, S. (Ed) ShirinNeshat. (pp 6-14) Italy: Charta.Moore. L, (2002) 'Frayed connections fraught projects', Women, (Vol.13, p1-17),Retrieved on January 29th from Academic Premier Database.Parispur, S. (2006) Women without Men. In Schmitz, B. & Stammer, B. (Eds). ShirinNeshat. (pp. 113-121) Berlin: Steidl.Ram, H. (2002). ‘Multiple Iconographies: Political posters and <strong>the</strong> IranianRevolution’ In Balaghi, S. & Gumpert, L. (Eds). Picturing Iran: Art, SocietyandRevolution. (pp. 89-103)London: I.B Tauris.Schmitz, B. (2006). 'Your true land is <strong>the</strong> place where you are going, not <strong>the</strong> placewhere you are now'. In Schmitz, B. & Stammer, B. (Eds). Shirin Neshat. (pp.95-107) Berlin: Steidl.Stammer, E. & Nichols, C. (2006). Writing with pictures. Narrative and Narrativity in<strong>the</strong> work of Shirin Neshat. In Schmitz, B. & Stammer, B. (Eds). Shirin Neshat.(Pp.121-127) Berlin: Steidl.

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