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A Gaze through the Veil:

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Reference ListBalaghi, S. (2002) ‘Iranian Visual Arts in The Century of Machinery, Speed and <strong>the</strong>Atom’ rethinking modernity. In Balaghi, S. & Gumpert, L. (Eds). PicturingIran: Art, Society and Revolution. (pp. 21-39) London: I.B Tauris.Balaghi, S. (2002) ‘The Art of Revolution and War: The role of <strong>the</strong> graphic arts inIran’. In Balaghi, S. & Gumpert, L. (Eds). Picturing Iran: Art, Society andRevolution. (pp. 127-142)London: I.B Tauris.Callamard, A. (2006) Unveiled: Art and Censorship in Iran, Article 19: GlobalCampaign for Free expression. Retrieved October 1st, 2008, from InfotracDatabase.Collins, L. (2007) 'Voice of <strong>the</strong> <strong>Veil</strong>', New Yorker, (Vol. 83, p86-92), RetrievedJanuary 29th from Academic Search Premier Database.Dabashi, H. (2006) Women without Headaches. In Schmitz, B. & Stammer, B. (Eds).Shirin Neshat. (pp. 127-142) Berlin: Steidl.Daftari.F. (2002) ‘Ano<strong>the</strong>r Modernism: an Iranian perspective’ In Balaghi, S. &Gumpert, L. (Ends). Picturing Iran: Art, Society and Revolution. (pp. 39-89) London: I.B Tauris.Davies. J. (2007) 'A polite Way of Being Desperate', CineAction, (Aug-Sep).Retrieved February 4th, 2009, from Academic Search Premier.Ervand, A. (1993) 'Knomeinism: Essays on <strong>the</strong> Islamic Republic', Berkeley,University of California.Ervand, A. (1999) 'Tortured Confessions: Prisons and Public Recantations in ModernIran', Berkeley, University of California.Kinser. S. (2008) 'All <strong>the</strong> Shah's Men', America, John Wiley&Sons Inc.Lileu, N. (2000). Shirin Neshat: <strong>the</strong> image dispute. Parachute, (Oct-Dec). RetrievedOctober 12 th , 2008, from Infotrac Database.

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